La historia de Martín Elías, el cantante de vallenato que se ganó, a fuerza de perseverancia y talento, un lugar entre las máximas leyendas de la música popular de Colombia.
I prefer the shortened version that is less Halloween to me and more nighltfie disco with only the singing part, provided by Janis Siegel as a powerful disco diva in the style of Ian Levine & Fiachra Trench from that pop music vocal group.
Here's the story behind the full original from Disco Lab (Halloween Edition):
Sometimes disco was futuristic (robots controlled by the beat) and sometimes it looked to the past (New York high society steppin’ out to mingle). The retro vibe gave a boost to The Manhattan Transfer, a swing-vocal combo formed in 1969 who found a surprise hit with the gospel number “Operator” in 1975. For a few years, the group’s retro ’20s-’30s sound struggled to have hit records in the US, though they broke through consistently in the UK.
All this would change with the group’s fourth album Extensions. One cut, the disco-inflected medley “Twilight Zone/Twilight Tone,” became a surprise hit for the group. It fused the trademark Transfer vocal sound with a spooky, mystical vibe. Extensions was released on Halloween, 1979, which meant that the diehard MT fans had a great supernatural dance party jam for the evening. Everyone else had to wait a year because “Zone/Tone” wasn’t issued as a single until 1980.
“Twilight Zone/Twilight Tone” fuses the theme from the ’60s TV show Twilight Zone with an eerie new composition. Its title perhaps inspired by Duke Ellington’s “In A Mellow Tone,” “Twilight Tone” describes a magical piece of music that sucks its listeners “through a tunnel of the mind” into some alternate dimension. The third verse suggests that swing-band leader Glenn Miller’s 1944 disappearance over the English Channel led to him “play[ing] trombone in the mystic unknown zone.” (Manhattan Transfer had a UK hit years earlier with Miller’s “Tuxedo Junction.”)
The first minute or so of the record recreates the famous Twilight Zone TV theme, complete with ersatz Rod Serling narration; “Rod” returns later to set the stage for the Glenn Miller segment. (Serling passed away in 1975; one wonders if he’d have been flattered to have been immortalized on a dance record.)
The 6:22 remix (extended only slightly from the 6:05 LP version) plays through the TV intro and the first two verses, then lapses beautifully into a guitar solo. A breakdown picks up the Herrmann theme again via a couple different guitar lines, bringing us into the Serling reprise. After the Glenn Miller section, the record ends disappointingly with endless repetition of the “here in the twilight” lyric, perhaps of interest to present-day vampire-fiction fans but boring to everyone else. At least a boogie-woogie piano solo creates some interest.
This bright and energetic number does a good job of propelling a Halloween party into a “pyramidal locomotion from a mystic unknown zone.” And that’s before the jello shots!
Lemme confirm to y'all that this was indeed recorded on October 30th. Editing takes time. I initially plan to just ramble nonsense or tell a scary story in the dark while wearing makeup & a costume, but im not good at making up stories in a short time so i went with the rambling instead, which happens to be something we all secretly like doing, eventhough some of us wont admit it. And then making things awkward. Cue the fingerguns to dissipate the awkwardness.
The actual scary thing about this video is the audio recording, even after I've edited it on Soundbooth & Audacity 😓 welp time to actually use the microphone my friend gave me.
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Neste domingo Assista o TFQG 303 14/11/21 domingo 7:30h - Band Maringá. Também no FACEBOOK SITE TFQG. Canal internacional Veoh. músicas, RODEIO, Arte da Sobrevivência, pesca, Humor, receita com a Belle, HOMENAGEM MARÍLIA MENDONÇA. E muito mais.
Neste domingo Assista o TFQG 302 07/11/21 domingo 7:30h - Band Maringá. Também no FACEBOOK SITE TFQG. Canal Veoh. Muita música, RODEIO, Arte da Sobrevivência, pesca, Humor, receita com a Belle, Rio Paraná. É muito mais, se puder envie para um amigo.
Slovensko UDBOVSTVO v skupnih točkah uničenja Slovenskega naroda z nacizmom uresničuje svoje namene preko Janeza Janše in ostalih osamosvjiteljev
Vojne za samostojno Slovenijo katera se je začela pred 30 leti ni konec. Sovražnik se je znotraj Slovenskih prostorov še kako okrepil. Notranji sovražnik nas Slovence prikazuje kot narod svetu v popolnoma napačni luči, se povezuje proti nam z tistimi katerih Slovenija je pridobila status priznanja samostojne države pred 30 leti ker so jim bile od strani Slovenskega izdajalstva in vzhodno Evropskih politikov globalne težnje iz preteklosti kolonializma/nacizma, pa , pa barabinstvo ki je pomagalo soustvarjanju napetosti v svetu(vi Kučan in Pahor, Janša) prav tako tako ZAKRIVA PRIKRIVA SENČI moj primer MK Ultra - se pravi zrcali zunanjo sliko diplomacije v sami Sloveniji češ da so druge debate bolj pomembne/celo trendovske kar je značilno za politična prikrivanja. Tako kot Janša nima ničesar z Slovensko samostojnostjo prav tako tudi Slovenski "levičarji" kot se protestujoči ki kličejo na pokol nimajo ničesar z komunizmom - se pravi hočejo da jih tuji protinacistični krogi vidijo za temelje Slovenske pravne diplomaciji čeprav slednnji nimajo nikakršne veze ne s Slovenijo ne z komunizmom(UDBA se pravi je ustvarila 360 stopinjski smrtni krog okoli Slovenskega naroda pri katerem je postala njim predhodno dobro znana COVID19 kriza še dodatna motivacija pri ustvarjanju nezadovoljstva v samostojni Sloveniji - velikočetnika diplomacija v Sloveniji, na Hrvaškem, v Bosni in kakorkoli še seže Rusko Srpska smrt).
Milan Kučan je pripravljal vrnitev v politični ring po svojih LASTNIH BESEDAH MENI OSEBNO V NAŠI HIŠI MED SREČANJEM BRITANCEV NEMCEV AMERIČANOV RUSOV LETA 2015 na post(PO SREČANJU) G20 katero se je zgodilo pred dnevom. Se pravi glede na ulična kričanja da bomo priča vse bolj odprti ustaji NOTRANJIH sovražnikov ki so nam prokrito stregli po samostojnosti zadnjih 30 let
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