"This Is the Right Time" is a song recorded by British pop singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Coldcut. The song received favorable reviews from music critics.
Release
"This Is the Right Time" was released as the first European single on 31 July 1989. It included "Affection," "Big Thing" (recorded by Stansfield's 80s band Blue Zone) and remixes created by David Dorrell, CJ Mackintosh, Paul Witts and Eddie Gordon. The music video was directed by Big TV!. One year later, on 30 July 1990, "This Is the Right Time" was issued as the third North American single. It included previously unreleased track, "My Apple Heart" and new remixes created by Shep Pettibone and Yvonne Turner. The second music video for the North American market was directed by Jimmy Fletcher. In September 1990, just before Stansfield's European tour, the double A-side single "This Is the Right Time"/"You Can't Deny It" with new US remixes was released in selected European countries. In Japan, "This Is the Right Time" was released as a single on 3 October 1990.
The song was commercially successful reaching number twelve in Canada, number thirteen in the United Kingdom, number seventeen in Germany, number twenty in Austria and number twenty-four in Italy. In the United States, it peaked at number twenty-one on the Billboard Hot 100, number one on the Hot Dance Club Songs and number thirteen on the Hot R&B/Hip-Hop Songs.
In 2003, it was included on Biography: The Greatest Hits. In 2014, the remixes of "This Is the Right Time" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology (also on The Collection 1989–2003).
Critical reception
Music & Media described the song as a "Commercial 70s sounding disco single convincingly produced by Coldcut."[1]
The Gavin Report wrote: "The Jazz/Soul flavoring in her brand of Pop gives the music a distinctive sound polished off by the stunning vocal talent of this singer/songwriter. With songs this hot, Lisa and her partners Ian Devaney and Andy Morris should be getting lots of time—make that air time in the years ahead."[2]
Network 40 wrote: "This latest single from her Rolling Stone four-star rated LP maintains Stansfield's stunning soul licks while adding more tempo and house sounds than any of her previously released tracks. A great all-demo track that picks up where "All Around The World" left off, then digs a little deeper."[3]
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"The Heart to Break the Heart" by France Joli with Tony Green is
based on:
John 15:9
9 “As the Father has loved me, so have I loved you. Now
remain in my love.
John 13:34
34 “A new command I give you: Love one another. As I have
loved you, so you must love one another.
1 Thessalonians 2:8
8 so we cared for you. Because we loved you so much, we were
delighted to share with you not only the gospel of God but our
lives as well.
John 18:37
37 “You are a king, then!” said Pilate.
Jesus answered, “You say that I am a king. In fact, the reason I
was born and came into the world is to testify to the truth.
Everyone on the side of truth listens to me.”
Psalm 63:6
6 On my bed I remember you; I think of you through the watches of the night.
Acts 20:31
31 So be on your guard! Remember that for three years I never
stopped warning each of you night and day with tears.
Philippians 1:7
7 It is right for me to feel this way about all of you, since I have
you in my heart and, whether I am in chains or defending and
confirming the gospel, all of you share in God’s grace with me.
Numbers 11:12
12 Did I conceive all these people? Did I give them birth? Why
do you tell me to carry them in my arms, as a nurse carries an
infant, to the land you promised on oath to their ancestors?
John 7:28
28 Then Jesus, still teaching in the temple courts, cried out,
“Yes, you know me, and you know where I am from. I am not
here on my own authority, but he who sent me is true. You do
not know him,
Deuteronomy 18:8
8 He is to share equally in their benefits, even though he has
received money from the sale of family possessions.
Luke 3:11
11 John answered, “Anyone who has two shirts should share
with the one who has none, and anyone who has food should
do the same.”
Philippians 4:14
14 Yet it was good of you to share in my troubles.
Amos 9:11
Israel’s Restoration
11 “In that day
“I will restore David’s fallen shelter— I will repair its broken walls and restore its ruins— and will rebuild it as it used to be,
Jeremiah 30:18
18 “This is what the Lord says:
“‘I will restore the fortunes of Jacob’s tents and have compassion on his dwellings;
the city will be rebuilt on her ruins, and the palace will stand in its proper place.
Numbers 22:30
30 The donkey said to Balaam, “Am I not your own donkey,
which you have always ridden, to this day? Have I been in the
habit of doing this to you?”
“No,” he said.
Exodus 28:28
28 The rings of the breastpiece are to be tied to the rings of the
ephod with blue cord, connecting it to the waistband, so that
the breastpiece will not swing out from the ephod.
Cindy Bullens (born March 21, 1955 - female gender died as Cindy Bullens in 2011 from surgery and transition) was an American singer-songwriter who grew up in Massachusetts. Bullens released two albums in the late 1970s on United Artists and Casablanca and another in 1989.[1]
Bullens' 1978 debut album, Desire Wire (Cindy Bullens album) is described flatly by William Ruhlmann for Allmusic as: "One of the great lost rock albums of the 1970s, Bullens' debut release is full of tough, passionate, incredibly catchy rock & roll played to the hilt and sung with fire".[2] These early albums anticipated later work by a host of 1980s female and female-identified rock artists, from Pat Benatar, to Blondie, to the Go-Go's, to Headpins.
In 1974, Bullens performed background vocals on Gene Clark's album No Other and as one of the Sex-O-Lettes on the debut album by Disco-Tex and the Sex-O-Lettes.
Bullens also served as a backup vocalist on Rod Stewart's Atlantic Crossing and with Elton John on three major tours, as well as his album Blue Moves and his hit with Kiki Dee, "Don't Go Breaking My Heart" (both released in 1976).
Bullens provided vocals on three songs ("It's Raining on Prom Night," "Mooning," and "Freddy, My Love") on the soundtrack of the 1977 feature film, Grease. The album release Grease was nominated for the 1979 Grammy Award for "Album of the Year".
In 1980, she earned another Grammy nomination (as "best female rock singer") for her single "Survivor".
In January 1980, Bullens hit the Billboard Hot 100 with the song "Trust Me." It peaked at #90.[3]
Vocal type: Regular Soprano (1974 - 1989)
Lowest Note: G3 ("Steal the Night")
Highest Note: G5 (Background: "Get Dancing")
Vocal Range: 2 octaves
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"People In Love" (Creamy pop/soul ballad version), remade by Joyce Berry in 1982:
This is the female version of the Eric Stewart & Graham Gouldman
composition with gender changed from 'her' to 'his' and from 'she' to
'he' where she sings in a lower register, lower than Eric Stewart from
British pop group 10cc.
When American blue-eyed soul/pop singer and backing vocalist Joyce Berry was younger back in 1977, she heard a pop song on the radio, called, "People In Love" by British pop band 10cc she would be more familiar with and then also bought both a small 45 RPM single and a sheet music of the same song, so she had to learn the words to that song over and over again until she was satisfied with it, so she decided to sing it lower in her smoky alto than band member Eric Stewart in his tenor.
Since Joyce is a straightforward pop/soul singer with a soft ballad
voice in a real authentic style, she moves away from the Godley &
Creme artistic, abstract art-rock stuff, progressive rock, avant-garde,
rock opera and experimental stuff when she said "No, I don't like the
abstract art-rock stuff of Godley & Creme because I find it bland
and boring that lacks soul. I don't like it. I prefer Eric Stewart &
Graham Gouldman better that have more soul than that when they made such real authentic pop music that I'm always crazy about.", so she decided to focus more on some of the straightforward Stewart &
Gouldman pop stuff that she is more comfortable with.
Words and music courtesy of Eric Stewart and Graham Gouldman
Joyce Berry version
Lead Vocals: Joyce Berry
Percussion: Jimmy Maelen
Electric Piano: Randy Kerber
Parlor Piano: Randy McCormick
Bass: Dennis Belfield
Electric Guitar: Charles Fearing
Acoustic Guitar: Dennis Budimir
Drums: Ed Greene
Background Vocals: Joyce Berry, Laurie Maitland,
Scarlett McCarthy
Strings Arranged by Gene Page
Produced by Steve Buckingham
"People In Love" - original by 10cc
'People In Love' is Eric's turn to go all gooey-eyed and we'll be getting a lot of these love-lorn ballads from him over the next few albums. Some of them will be stunningly gorgeous, but sadly this inferior sequel to 'The Things We Do For Love' isn't one of his best. The song was actually the very last track ever recorded by the 'old' line-up of 10cc where it had the curious working title 'Voodoo Boogie' (it was later released in 2012 on the 'Tenology' box set) - maybe it was the thought of working on an album full of mawkish songs like this that caused Godley and Creme to quit. Eric is always good at sounding like he's in love, though and 'People In Love' is like one of those kitsch ornaments: so exquisitely carved and molded with so much care and talent that you're impressed even whilst you're being sick from the sheer OTT ness of it all (if ever a song was already so far gone it could have done without syrupy strings it's this one!) Some of the lyrics are sweet though and on an album where 'The Things We Do For Love' hasn't already made the point better this song would be better regarded. Love is again an illness, a form of insanity almost, that turns the narrator's life upside down and means he can 'do nothing right' - another very universal song, then, although some of what it causes the narrator to do sounds rather unusual ('Walk under buses and burn your wings' - sounds like a problem with his eyesight to me, not his lovesick heart). Note the first appearance of a key theme of later Eric Stewart songs - the idea that the narrator
never gets enough time with his beloved before being forced to go
somewhere else and the thought that time moves quicker when you're enjoying yourself (this is the key theme of 'Windows In The Jungle'). A bit of a gooey mess, 'People In Love' should only be listened to by 'People In Love' who can stand the saccharine, although if Eric's vocals on this recording don't make you fall in love with him you have a heart of stone (or a cold).
10cc original
Recorded at Strawberry Studios South
Lead Vocals, Slide Guitar, Piano, Lead Guitar: Eric Stewart
Drums, Tambourine, Bell Tree, Rototoms: Paul Burgess
Bass Guitar, Acoustic Guitar, Electric Guitar, Harmony Vocals: Graham Gouldman
Arranged By [Strings], Conductor [Strings]: Del Newman
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Taken from their last album, "Goodbye Blue Sky"
Here is the story behind their last album:
Goodbye Blue Sky is the seventh and final studio album by Godley & Creme. Released in 1988, the album generated two singles, "Little Piece of Heaven" and "10,000 Angels" as well as videos for those two singles.
The album featured backup vocals by three future members of 1990s dance band Londonbeat.
Making of[edit]
The album is notable through its use of harmonicas, which are used substantially on most tracks.
In a 1988 interview with Pulse! magazine, they said:
“ We also decided to use other musicians on the album for the first time ever, to get back to a real live band feel, and that's when we started auditioning harp players," adds Godley. "And to our surprise, we found that there's a huge range - everything from bass to treble - but that traditionally harmonicas are always played as solo instruments. They're never played in groups."
"So naturally we thought, 'Why not use a harmonica section?"' Creme continues. "And after auditioning a bunch of players, none of whom had ever played with another harp player, we finally selected two guys - Mark Felton (sic) and Mitt Gamon -and began laying down rhythm tracks at my home studio.
"Next, we brought in three black backup singers - George Chandler, Jimmy Helms and Jimmy Chambers - whom we'd met on the Paul Young video, and started building up the tracks. The interesting thing is that the more we got into the sounds, the more we began re-writing the songs to suit the singers or the harp players.
”
Track listing[edit]
All songs composed by Kevin Godley and Lol Creme
"H.E.A.V.E.N. / A Little Piece of Heaven" – 5:06
"Don't Set Fire (To the One I Love)" – 3:27
"Golden Rings" – 4:17
"Crime & Punishment" – 7:22
"The Big Bang" – 2:32
"10,000 Angels" – 5:16
"Sweet Memory" – 4:50
"Airforce One" – 3:40
"The Last Page of History" – 4:01
"Desperate Times" – 3:41
Personnel[edit]
Lol Creme – guitar, bass, keyboard & vocals
Kevin Godley – drums, percussion, vocals
Mark Feltham – harmonica
Mitt Gamon – harmonica
Jimmy Chambers – backup vocals
George Chandler – backup vocals
Jimmy Helms – backup vocals
Richard Evans - Cover design
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
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See when to do your spells and rituals working with the moon phases. Also work with the blue moon this month as we have 2 full moons for June 2018 so you can work double your magick and watch your creation manifest...
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See when to do your spells and rituals working with the moon phases. Also work with the blue moon this month as we have 2 full moons for June 2018 so you can work double your magick and watch your creation manifest...
Allergic rhinitis symptoms or seasonal allergy symptoms. Do spring flowers and bright blue skies give you a runny nose and itching eyes? Seasonal allergies.
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Ah yes. We complain all through the bitter cold winter, and we can't wait to get to the warm spring. But for many people, April showers bring May flowers and seasonal allergies or allergic rhinitis.
What is allergic rhinitis? Rhinitis is the inflammation of the nasal passages or upper airways. It causes symptoms such as a runny nose, stuffy nose, itchy throat, and it can lead to the melodious spring sounds. Allergic rhinitis can occur at any age, but it most commonly presents in children and in young adults. You are at increased risk for allergic rhinitis if you have a family member with seasonal allergies or if you have asthma or eczema.
This video discusses allergic rhinitis symptoms or seasonal allergy symptoms.
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See when to do your spells and rituals working with the moon phases. Also work with the blue moon this month as we have 2 full moons for May 2018 so you can work double your magick and watch your creation manifest...
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Follow And Feel's always been one of my fav Saosin songs besides Voices & Seven Years, I used to binge-listen to them since college.
One time I sang Follow and Feel to Havana by Camila Cabello, and later, thought of making a similar-sounding music to it when planning this Saosin cover but it still sounds generic-pop-ish. Feels odd covering a rock song into... well, this, just cuz Garageband doesn't have enough rock stuff T~T
For the artwork I've initially thought of a lady wearing a cloak spying on someone beheading a third character, supposedly a king, based vaguely on the song lyrics. But I kinda got confused and felt like drawing other things, and ended up with snakes spying on a bunny with its eyes on the biggest apple on the tree. Since this is also partially based on Havana, I picked the color palette from the music video & drew everything in shades of blue with the bright red apples sticking out like Camila's dress.