“Super Trouper” was a hit single for Swedish pop group ABBA, and was the title track from their 1980 studio album Super Trouper, written by Benny Andersson and Björn Ulvaeus. The song, with lead vocals by Anni-Frid Lyngstad, was the last to be written and recorded for this album. “Super Trouper” is included on the Gold: Greatest Hits compilation, as well as in the Mamma Mia! musical.
The name “Super Trouper” referred to the spotlights used in stadium concerts.
Music video
In October 1980, the music video for “Super Trouper” used the largest number of artists that ABBA have ever used in a music video. The spotlight featured throughout the music video is, in fact, a CCT Silhouette follow spot, as opposed to a real Super Trouper. The city of Glasgow mentioned in the lyric was suggested by Howard Huntridge who worked with their then-UK publishers Bocu Music. The music video was directed by Lasse Hallström.
Reception
“Super Trouper” was a successful single for ABBA. It topped the charts in Belgium, West Germany, the UK (their ninth and final No. 1 in the UK Singles Chart),[1][2] Republic of Ireland and the Netherlands. It reached the Top 5 in Austria, France, Norway, Switzerland and Mexico, while peaking in the Top 10 in Finland and Spain. In the United States, where ABBA never quite managed to achieve the same sort of popularity experienced elsewhere, the single reached No. 45. However, combined with “Lay All Your Love on Me” and “On and On and On”, it topped the US Hot Dance Club Play chart.
“Super Trouper” was A-Teens' second single from their 1st album The ABBA Generation, a cover of ABBA’s song. When the single came out in the fall of 1999, it became a hit around the globe, just as its predecessor “Mamma Mia”, also an ABBA cover. “Super Trouper” debuted at No. 2 in Sweden and was later certified platinum .[5]
It also became their only Top 5 hit in Germany peaking at #4. The single also reached No. 21 in the United Kingdom, No. 18 in Switzerland, No. 15 in Norway, No. 11 in Austria and No. 12 in Netherlands.
Music video
The music video was directed by Sebastian Reed and was filmed in Sweden. The video shows a girl so obsessed with the band that she owns posters, magazines, mugs, clothing, and even a key chain. She also copies the band’s choreography that is shown on TV. Some of the articles that feature pictures of the band come to life in the video.
In the first few seconds of the video, before the actual song starts, Mamma Mia can be faintly heard in the background.
The video was a hit in most TV stations charting inside the Top 10 countdowns in late 1999 and early 2000.
American alto pop singer Debbie Sims covered this song from her 1998 album, “Songs of Andersson & Ulvaeus”, produced by disco producer Ed O'Loughlin (who produced for American girl-group disco/soul singer Carol Douglas) in an American disco style with a lot of rhythmic, percussive disco beats that sound like “Do You Love What You Feel” by R&B star Chaka Kahn and her band Rufus.
Personnel
Acoustic Guitar – Björn Ulvaeus
Bass – Mike Watson
Drums – Per Lindvall
Guitar – Janne Schaffer
Keyboards, Synthesizer – Benny Andersson
Percussion – Åke Sundqvist
Debbie Sims 1998 cover
Lead Vocals – Debbie Sims
Backing Vocals – Christine Burnett, Dennis Englewood, Helen Taylor, Joyce Berry, Laurie Maitland, Liz McKay, Lupe MacKenzie, Matthew Foster, Tricia Copperfield
Bass – Vince Fay
Drums & Congas – Daryl Burgee
Electric Piano – Joel Bryant, Greg Phillinganes
Grand Piano – Laurie Maitland
Guitars – Paul Jackson Jr.
Horns Arranged by Lou Del Gatto
Percussion – Alan Estes
Producer – Ed O'Loughlin
Strings Arranged & Conducted by Don Renaldo
The rising number of music enthusiasts, especially among the younger population, has significantly contributed to the sales of electric and acoustic guitars
Serende for Strings" is a beautiful piece composed by Antonin Dvorak. It is a composition for string orchestra that showcases rich melodies and harmonies.
What if the very fabric of space and time isn't made of one-dimensional strings or energy as we think of it, but instead was simply a code or a language made from a geometric projection?
This is my second guitar switch video.
Watch for the guitar switch at 3:25
My first guitar video can be seen at: https://www.youtube.com/watch?v=jzIo0N5D0D8
I'm using two Holzer Guitars (both with Stringjoy strings), a Dunlop volume pedal, and a TC Electronic Flashback, through a Crate amp.
Filmed by Aaron Ure.
Thanks for watching!
YouTube Video: https://youtu.be/KEwiTi7DOFA
●Bronzed Moon 作曲・編曲・Sound：K.SichiRi
音源など…
★CMaj 110bpm
AnalogLob5:83break Dance/Do You Dance SaxLob:Tenor Gritty AnalogLob4:Talk Lead Augmented STRINGS:Forget Me Not M1-Le:Tp 2022.7.19
we will explore Regular Expressions, also known as “Regex” in python programming. We go over important concepts and mix examples in between. Regex is used to match strings of text such as particular characters, words, or patterns of characters
Live performance by Keisuke, recorded at the GeLou Studio Shanghai on April 24th 2021.
Keisuke Nishihara is a Japanese musician who plays the Sanshin, a traditional Japanese instrument made of three strings. His songs, which mainly comprised traditional folk song, take inspiration in cultural heritage, by mixing both the tunes of older popular Okinawan folk songs and his own tune composition.
In 2006, Keisuke traveled to Shanghai, where he decided to settle down and promote the Okinawan culture. Part of his tradition is not only food and drinks, but music plays as well an important role. The sanshin (三線, lit., "three strings"), which is the precursor of the mainland Japanese shamisen (三味線), is an instrument that is originated from Okinawa.
Often compared to a banjo, it consists of a snakeskin-covered body, a wooden neck and three strings.
The sanshin is considered the soul of Okinawan folk music. Played by youth as young as 2, to older people aged 100 or more, there is a sanshin in most Okinawan homes. It is used for any family gatherings or celebrations: weddings, birthdays, other celebrations, community parties, festivals.
The Mario show is produced in Shanghai (Jiading) by WuYiCheng, Xiao Min, Nico and Seb - GeLou Studio.
Watch the full session with interview here:
https://www.youtube.com/watch?v=zVOcF7Df0oo
Live performance by Keisuke, recorded at the GeLou Studio Shanghai on April 24th 2021.
Keisuke Nishihara is a Japanese musician who plays the Sanshin, a traditional Japanese instrument made of three strings. His songs, which mainly comprised traditional folk song, take inspiration in cultural heritage, by mixing both the tunes of older popular Okinawan folk songs and his own tune composition.
In 2006, Keisuke traveled to Shanghai, where he decided to settle down and promote the Okinawan culture. Part of his tradition is not only food and drinks, but music plays as well an important role. The sanshin (三線, lit., "three strings"), which is the precursor of the mainland Japanese shamisen (三味線), is an instrument that is originated from Okinawa.
Often compared to a banjo, it consists of a snakeskin-covered body, a wooden neck and three strings.
The sanshin is considered the soul of Okinawan folk music. Played by youth as young as 2, to older people aged 100 or more, there is a sanshin in most Okinawan homes. It is used for any family gatherings or celebrations: weddings, birthdays, other celebrations, community parties, festivals.
Watch the full session with interview here:
https://www.youtube.com/watch?v=zVOcF7Df0oo
Live performance by Keisuke, recorded at the GeLou Studio Shanghai on April 24th 2021.
Keisuke Nishihara is a Japanese musician who plays the Sanshin, a traditional Japanese instrument made of three strings. His songs, which mainly comprised traditional folk song, take inspiration in cultural heritage, by mixing both the tunes of older popular Okinawan folk songs and his own tune composition.
In 2006, Keisuke traveled to Shanghai, where he decided to settle down and promote the Okinawan culture. Part of his tradition is not only food and drinks, but music plays as well an important role. The sanshin (三線, lit., "three strings"), which is the precursor of the mainland Japanese shamisen (三味線), is an instrument that is originated from Okinawa.
Often compared to a banjo, it consists of a snakeskin-covered body, a wooden neck and three strings.
The sanshin is considered the soul of Okinawan folk music. Played by youth as young as 2, to older people aged 100 or more, there is a sanshin in most Okinawan homes. It is used for any family gatherings or celebrations: weddings, birthdays, other celebrations, community parties, festivals.
Watch the full session with interview here:
https://www.youtube.com/watch?v=zVOcF7Df0oo
Live performance by Keisuke, recorded at the GeLou Studio Shanghai on April 24th 2021.
Keisuke Nishihara is a Japanese musician who plays the Sanshin, a traditional Japanese instrument made of three strings. His songs, which mainly comprised traditional folk song, take inspiration in cultural heritage, by mixing both the tunes of older popular Okinawan folk songs and his own tune composition.
In 2006, Keisuke traveled to Shanghai, where he decided to settle down and promote the Okinawan culture. Part of his tradition is not only food and drinks, but music plays as well an important role. The sanshin (三線, lit., "three strings"), which is the precursor of the mainland Japanese shamisen (三味線), is an instrument that is originated from Okinawa.
Often compared to a banjo, it consists of a snakeskin-covered body, a wooden neck and three strings.
The sanshin is considered the soul of Okinawan folk music. Played by youth as young as 2, to older people aged 100 or more, there is a sanshin in most Okinawan homes. It is used for any family gatherings or celebrations: weddings, birthdays, other celebrations, community parties, festivals.
[ TMS LIVE SHANGHAI ] 西原圭佑 Keisuke Nishihara /// Full Live Session
Live performance by Keisuke, recorded at the GeLou Studio Shanghai on April 24th 2021.
Keisuke Nishihara is a Japanese musician who plays the Sanshin, a traditional Japanese instrument made of three strings. His songs, which mainly comprised traditional folk song, take inspiration in cultural heritage, by mixing both the tunes of older popular Okinawan folk songs and his own tune composition.
In 2006, Keisuke traveled to Shanghai, where he decided to settle down and promote the Okinawan culture. Part of his tradition is not only food and drinks, but music plays as well an important role. The sanshin (三線, lit., "three strings"), which is the precursor of the mainland Japanese shamisen (三味線), is an instrument that is originated from Okinawa.
Often compared to a banjo, it consists of a snakeskin-covered body, a wooden neck and three strings.
The sanshin is considered the soul of Okinawan folk music. Played by youth as young as 2, to older people aged 100 or more, there is a sanshin in most Okinawan homes. It is used for any family gatherings or celebrations: weddings, birthdays, other celebrations, community parties, festivals.
[ TMS LIVE SHANGHAI ] 西原圭佑 Keisuke Nishihara /// Full Live Session
Live performance by Keisuke, recorded at the GeLou Studio Shanghai on April 24th 2021.
Keisuke Nishihara is a Japanese musician who plays the Sanshin, a traditional Japanese instrument made of three strings. His songs, which mainly comprised traditional folk song, take inspiration in cultural heritage, by mixing both the tunes of older popular Okinawan folk songs and his own tune composition.
In 2006, Keisuke traveled to Shanghai, where he decided to settle down and promote the Okinawan culture. Part of his tradition is not only food and drinks, but music plays as well an important role. The sanshin (三線, lit., "three strings"), which is the precursor of the mainland Japanese shamisen (三味線), is an instrument that is originated from Okinawa.
Often compared to a banjo, it consists of a snakeskin-covered body, a wooden neck and three strings.
The sanshin is considered the soul of Okinawan folk music. Played by youth as young as 2, to older people aged 100 or more, there is a sanshin in most Okinawan homes. It is used for any family gatherings or celebrations: weddings, birthdays, other celebrations, community parties, festivals.
The Mario show is produced in Shanghai (Jiading) by WuYiCheng, Xiao Min, Nico and Seb - GeLou Studio.
Watch the full session with interview here:
https://www.youtube.com/watch?v=zVOcF7Df0oo
Live performance by Keisuke, recorded at the GeLou Studio Shanghai on April 24th 2021.
Keisuke Nishihara is a Japanese musician who plays the Sanshin, a traditional Japanese instrument made of three strings. His songs, which mainly comprised traditional folk song, take inspiration in cultural heritage, by mixing both the tunes of older popular Okinawan folk songs and his own tune composition.
In 2006, Keisuke traveled to Shanghai, where he decided to settle down and promote the Okinawan culture. Part of his tradition is not only food and drinks, but music plays as well an important role. The sanshin (三線, lit., "three strings"), which is the precursor of the mainland Japanese shamisen (三味線), is an instrument that is originated from Okinawa.
Often compared to a banjo, it consists of a snakeskin-covered body, a wooden neck and three strings.
The sanshin is considered the soul of Okinawan folk music. Played by youth as young as 2, to older people aged 100 or more, there is a sanshin in most Okinawan homes. It is used for any family gatherings or celebrations: weddings, birthdays, other celebrations, community parties, festivals.
Landmark Financial is a full service, private client, stockbroking business for both individual and corporate clients.
The company’s expertise has been developed and honed through all cycles of the investment markets and the overall economy. Our core team specializes in providing personal and professional service to private clients – and have been providing offshore investment advice for many years. We pride ourselves on being small enough to really care about our clients, yet big enough to offer great service.
We are dedicated to providing the best financial advice with no strings attached, meeting the needs of all clients ranging from the smaller investor, to the retiree, to the large investor. Over our trading years we have developed a complete range of investment solutions that can been individually tailored to our clients’ needs. We are pleasingly gratified to know that we our building a reputation for being approachable, dependable and developing lasting relationships with our clients.
In this video I will look at the album Tonight by France Joli from 1980 and show you the credits
Tracklist
A1 This Time (I'm Giving All I've Got) 3:54
A2 When Love Hurts Inside 4:14
A3 Tonight 5:51
A4 Stoned In Love 6:17
B1 The Heart To Break The Heart 7:30
B2 Feel Like Dancing 7:20
B3 Tough Luck 5:30
Credits
Arranged By [Strings, Horns] – Dennis Lepage*
Backing Vocals – Barbara Ingram, Carla Benson, Evette Benton
Bass – Brian Smith (9)
Congas, Percussion, Tambourine – Miguel Fuentes
Drums – Derek Kendrick
Engineer – Claude Allard, Gene Leone
Engineer [Assistant] – Clark Milotti*, Evelyn Hertel, Michael Banghi
Guitar – Tony Green
Harp – Margau Morris
Keyboards – Robby Goldfarb*
Mastered By – Domenick Romeo*, Stan Kalina
Mixed By – Gene Leone
Mixed By [Assistant] – Tony Green
Producer, Arranged By – Tony Green
Saxophone – Richard Beaudet
Tambourine – Gene Leone
Vibraphone – Jimmi Tanaka
Written-By – O. Springer* (tracks: A1), S. Minski* (tracks: A1), T. Green* (tracks: A2 to B3)
In the following article, we will be discussing the top 10 popular and best string instruments. A string instrument is a musical instrument that makes sound by vibrating the strings on it. There are many types of stringed instruments.
‘The Normalist Christmas’ is the melodic tale of you and me; the ‘real’ tale of Christmas, which arrives amidst a festive sack full of exhaustion and family angst. In Beautiful South-eque fashion, the gritty candid vocals of WeatheredMan create a welcomed juxtaposition alongside Emma’s delicious rich tones, as ‘The Normalist Christmas’ depicts the tale of every normal household worldwide on Christmas day – exhausted, mistaken and full of love. A gloriously funny, cheery festive song, ‘The Normalist Christmas’ delivers the perfect Xmas tick-list from horns and festive strings right through to the must-have Christmas bells; everything our Xmas track wish list desires!
フィンセント・ヴィレム・ファン・ゴッホ（Vincent Willem van Gogh、1853年3月30日 - 1890年7月29日）
音楽はBRITTEN
Serenade for Tenor Solo, Horn and Strings, Op. 31
”Elegy (Blake)”
”Dirge (Anon., 15th cent.)”
Peter Pears, tenor
Dennis Brain, horn
New Symphony Orchestra
Eugene Goossens, conductor
Recorded in November, 1954
ダウンロード
https://archive.org/details/BRITTEN-Serenade-1954/04.+Elegy+(Blake).mp3
Usage Attribution-Noncommercial-No Derivative Works 3.0
アルベルト・ブロッホ（Albert Bloch、1882年8月2日アメリカ合衆国ミズーリ州セントルイス – 1961年12月9日、アメリカ合衆国カンザス州ローレンス）
音楽はTELEMANN
Suite in A minor for Flute and Strings
”Overture”
”Les Plaisirs”
William Kincaid, flute
The Philadelphia Orchestra
Eugene Ormandy, conductor
Recorded March 15, 1941
ダウンロード
https://archive.org/details/TelemannSuiteInAMinorForFluteAndStrings
Usage Attribution-Noncommercial-Share Alike 3.0
"People In Love" (Creamy pop/soul ballad version), remade by Joyce Berry in 1982:
This is the female version of the Eric Stewart & Graham Gouldman
composition with gender changed from 'her' to 'his' and from 'she' to
'he' where she sings in a lower register, lower than Eric Stewart from
British pop group 10cc.
When American blue-eyed soul/pop singer and backing vocalist Joyce Berry was younger back in 1977, she heard a pop song on the radio, called, "People In Love" by British pop band 10cc she would be more familiar with and then also bought both a small 45 RPM single and a sheet music of the same song, so she had to learn the words to that song over and over again until she was satisfied with it, so she decided to sing it lower in her smoky alto than band member Eric Stewart in his tenor.
Since Joyce is a straightforward pop/soul singer with a soft ballad
voice in a real authentic style, she moves away from the Godley &
Creme artistic, abstract art-rock stuff, progressive rock, avant-garde,
rock opera and experimental stuff when she said "No, I don't like the
abstract art-rock stuff of Godley & Creme because I find it bland
and boring that lacks soul. I don't like it. I prefer Eric Stewart &
Graham Gouldman better that have more soul than that when they made such real authentic pop music that I'm always crazy about.", so she decided to focus more on some of the straightforward Stewart &
Gouldman pop stuff that she is more comfortable with.
Words and music courtesy of Eric Stewart and Graham Gouldman
Joyce Berry version
Lead Vocals: Joyce Berry
Percussion: Jimmy Maelen
Electric Piano: Randy Kerber
Parlor Piano: Randy McCormick
Bass: Dennis Belfield
Electric Guitar: Charles Fearing
Acoustic Guitar: Dennis Budimir
Drums: Ed Greene
Background Vocals: Joyce Berry, Laurie Maitland,
Scarlett McCarthy
Strings Arranged by Gene Page
Produced by Steve Buckingham
"People In Love" - original by 10cc
'People In Love' is Eric's turn to go all gooey-eyed and we'll be getting a lot of these love-lorn ballads from him over the next few albums. Some of them will be stunningly gorgeous, but sadly this inferior sequel to 'The Things We Do For Love' isn't one of his best. The song was actually the very last track ever recorded by the 'old' line-up of 10cc where it had the curious working title 'Voodoo Boogie' (it was later released in 2012 on the 'Tenology' box set) - maybe it was the thought of working on an album full of mawkish songs like this that caused Godley and Creme to quit. Eric is always good at sounding like he's in love, though and 'People In Love' is like one of those kitsch ornaments: so exquisitely carved and molded with so much care and talent that you're impressed even whilst you're being sick from the sheer OTT ness of it all (if ever a song was already so far gone it could have done without syrupy strings it's this one!) Some of the lyrics are sweet though and on an album where 'The Things We Do For Love' hasn't already made the point better this song would be better regarded. Love is again an illness, a form of insanity almost, that turns the narrator's life upside down and means he can 'do nothing right' - another very universal song, then, although some of what it causes the narrator to do sounds rather unusual ('Walk under buses and burn your wings' - sounds like a problem with his eyesight to me, not his lovesick heart). Note the first appearance of a key theme of later Eric Stewart songs - the idea that the narrator
never gets enough time with his beloved before being forced to go
somewhere else and the thought that time moves quicker when you're enjoying yourself (this is the key theme of 'Windows In The Jungle'). A bit of a gooey mess, 'People In Love' should only be listened to by 'People In Love' who can stand the saccharine, although if Eric's vocals on this recording don't make you fall in love with him you have a heart of stone (or a cold).
10cc original
Recorded at Strawberry Studios South
Lead Vocals, Slide Guitar, Piano, Lead Guitar: Eric Stewart
Drums, Tambourine, Bell Tree, Rototoms: Paul Burgess
Bass Guitar, Acoustic Guitar, Electric Guitar, Harmony Vocals: Graham Gouldman
Arranged By [Strings], Conductor [Strings]: Del Newman
90% Improvisation! 100% Relaxing! This was Ian's second of 2 sets at Utica Brews, Utica, NY. The first set he used an Epiphone Sheraton (with Stringjoy strings), an Avalanche Run by Earthquaker Devices, a Dunlop volume pedal, and a TC Electronic Flashback, through a Fender amp. The second set was the same except for an Ibanez nylon string guitar. 90% of the set was improvisation. Special thanks to Aaron Ure for catching it on film, and to Utica Brews :slightly_smiling_face:
Thanks for watching!
Source: https://youtu.be/sKYI-xsMTuo
At a recent show in Rochester, NY at Boulder Coffee Co. Ian played one of his new pieces, Weeks become Months, and Memories become Melodies (Expiration on Sacrifice), for the first time live. He played an Epiphone Sheraton, with Stringjoy guitar strings, with a Fender amp, and a TC Electronic Flashback X4. Filmed by Brian Premo :)
Source: https://youtu.be/njaxcg6vgBU
Zirkus_2 spielt mit der Zahl 12, die in der Musik überall auftaucht: 12-Tonskala, der Blues, 12/8 im Swing. Über einem 3/4 African beat auf den Congas und Timbales bleibt das Schlagzeug im 4/4. Die Figuren wiederholen sich nach 12 Schlägen.
The Real Boogeymen Behind The Illuminati - The Jesuits -
The Jesuits are the ones who pulls their strings. Everyone is indoctrinated into this scary Illuminati, which isn't as scary as The Jesuits who run them. Those like Eric Phelps, John Todd, William Cooper, Ian Paisley, etc., have the balls to stand up as we do and expose the real puppet masters - The Jesuit Order, from The Church of Gesu in Rome, Italy.
Paolo Del Prete HypnoTIC ViewING (extract from SoundTracK) Performed and Composed by PAOLO DEL PRETE. Official Extended Master Version out on 21 / 03 / 2018. Ringtone on iPhone Ringtone Store Apple Music out on 11 / 11 / 2017 (iTunes Distribution). Paolo Del Prete plays: Fender Guitars and Acoustic Basses Ibanez Electric Basses Tama Drums and Percussions Roland and Yamaha keyboards. Brass and Strings by ENSEMBLE LIGHT ORCHESTRA. Video bootleg by NIRVANA STUDIOS. Music, Arrangement and Concept by PAOLO DEL PRETE.
