I like the serious heartfelt ballad, "I'm Not in Love", done by only Eric Stewart from 10cc, better than Kathy Redfern's middle part that I'm not happy about since I'm a small 10cc fan.
I'm Not in Love:
short version is better without Kathy Redfern's midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching.
Angel Dusted:
Co-starring Patrick Cassidy, a young Helen Hunt and Jean Stapleton's real-life son Putch in a terrific lead performance, Angel Dusted features an early score by award-winning composer James Horner. Based on the book by Ursula Etons, the film was adapted by Darlene Craviotto, who also plays the boy's psychiatrist.
The serious ballad version of "I'm Mandy Fly Me" would have been better without the speed changes and also without the false intro "You'll never get up in one of these again 'cause what goes up must come down" that made no sense. It also would have been better without too much wordplay that spoiled up the goodness.
Sorry that British pop band 10cc never flew to America to get Hollywood's biggest stars Barbara Eden, the late Stuart Whitman and the late Robert Vaughn to be in their American pop music video of "I'm Mandy Fly Me" as The Woman Hunter Version, so all they wanted was the band alone. In other words, to get rid of those bad abstract parts that ruined the goodness of the original music video, done in a British style, I created the American fan pop music video of this video of this song, with Barbara, Stuart and Robert splicing up the band, done in an American style.
"People In Love" (Creamy pop/soul ballad version), remade by Joyce Berry in 1982:
This is the female version of the Eric Stewart & Graham Gouldman
composition with gender changed from 'her' to 'his' and from 'she' to
'he' where she sings in a lower register, lower than Eric Stewart from
British pop group 10cc.
When American blue-eyed soul/pop singer and backing vocalist Joyce Berry was younger back in 1977, she heard a pop song on the radio, called, "People In Love" by British pop band 10cc she would be more familiar with and then also bought both a small 45 RPM single and a sheet music of the same song, so she had to learn the words to that song over and over again until she was satisfied with it, so she decided to sing it lower in her smoky alto than band member Eric Stewart in his tenor.
Since Joyce is a straightforward pop/soul singer with a soft ballad
voice in a real authentic style, she moves away from the Godley &
Creme artistic, abstract art-rock stuff, progressive rock, avant-garde,
rock opera and experimental stuff when she said "No, I don't like the
abstract art-rock stuff of Godley & Creme because I find it bland
and boring that lacks soul. I don't like it. I prefer Eric Stewart &
Graham Gouldman better that have more soul than that when they made such real authentic pop music that I'm always crazy about.", so she decided to focus more on some of the straightforward Stewart &
Gouldman pop stuff that she is more comfortable with.
Words and music courtesy of Eric Stewart and Graham Gouldman
Joyce Berry version
Lead Vocals: Joyce Berry
Percussion: Jimmy Maelen
Electric Piano: Randy Kerber
Parlor Piano: Randy McCormick
Bass: Dennis Belfield
Electric Guitar: Charles Fearing
Acoustic Guitar: Dennis Budimir
Drums: Ed Greene
Background Vocals: Joyce Berry, Laurie Maitland,
Scarlett McCarthy
Strings Arranged by Gene Page
Produced by Steve Buckingham
"People In Love" - original by 10cc
'People In Love' is Eric's turn to go all gooey-eyed and we'll be getting a lot of these love-lorn ballads from him over the next few albums. Some of them will be stunningly gorgeous, but sadly this inferior sequel to 'The Things We Do For Love' isn't one of his best. The song was actually the very last track ever recorded by the 'old' line-up of 10cc where it had the curious working title 'Voodoo Boogie' (it was later released in 2012 on the 'Tenology' box set) - maybe it was the thought of working on an album full of mawkish songs like this that caused Godley and Creme to quit. Eric is always good at sounding like he's in love, though and 'People In Love' is like one of those kitsch ornaments: so exquisitely carved and molded with so much care and talent that you're impressed even whilst you're being sick from the sheer OTT ness of it all (if ever a song was already so far gone it could have done without syrupy strings it's this one!) Some of the lyrics are sweet though and on an album where 'The Things We Do For Love' hasn't already made the point better this song would be better regarded. Love is again an illness, a form of insanity almost, that turns the narrator's life upside down and means he can 'do nothing right' - another very universal song, then, although some of what it causes the narrator to do sounds rather unusual ('Walk under buses and burn your wings' - sounds like a problem with his eyesight to me, not his lovesick heart). Note the first appearance of a key theme of later Eric Stewart songs - the idea that the narrator
never gets enough time with his beloved before being forced to go
somewhere else and the thought that time moves quicker when you're enjoying yourself (this is the key theme of 'Windows In The Jungle'). A bit of a gooey mess, 'People In Love' should only be listened to by 'People In Love' who can stand the saccharine, although if Eric's vocals on this recording don't make you fall in love with him you have a heart of stone (or a cold).
10cc original
Recorded at Strawberry Studios South
Lead Vocals, Slide Guitar, Piano, Lead Guitar: Eric Stewart
Drums, Tambourine, Bell Tree, Rototoms: Paul Burgess
Bass Guitar, Acoustic Guitar, Electric Guitar, Harmony Vocals: Graham Gouldman
Arranged By [Strings], Conductor [Strings]: Del Newman
Taken from their last album, "Goodbye Blue Sky"
Here is the story behind their last album:
Goodbye Blue Sky is the seventh and final studio album by Godley & Creme. Released in 1988, the album generated two singles, "Little Piece of Heaven" and "10,000 Angels" as well as videos for those two singles.
The album featured backup vocals by three future members of 1990s dance band Londonbeat.
Making of[edit]
The album is notable through its use of harmonicas, which are used substantially on most tracks.
In a 1988 interview with Pulse! magazine, they said:
“ We also decided to use other musicians on the album for the first time ever, to get back to a real live band feel, and that's when we started auditioning harp players," adds Godley. "And to our surprise, we found that there's a huge range - everything from bass to treble - but that traditionally harmonicas are always played as solo instruments. They're never played in groups."
"So naturally we thought, 'Why not use a harmonica section?"' Creme continues. "And after auditioning a bunch of players, none of whom had ever played with another harp player, we finally selected two guys - Mark Felton (sic) and Mitt Gamon -and began laying down rhythm tracks at my home studio.
"Next, we brought in three black backup singers - George Chandler, Jimmy Helms and Jimmy Chambers - whom we'd met on the Paul Young video, and started building up the tracks. The interesting thing is that the more we got into the sounds, the more we began re-writing the songs to suit the singers or the harp players.
”
Track listing[edit]
All songs composed by Kevin Godley and Lol Creme
"H.E.A.V.E.N. / A Little Piece of Heaven" – 5:06
"Don't Set Fire (To the One I Love)" – 3:27
"Golden Rings" – 4:17
"Crime & Punishment" – 7:22
"The Big Bang" – 2:32
"10,000 Angels" – 5:16
"Sweet Memory" – 4:50
"Airforce One" – 3:40
"The Last Page of History" – 4:01
"Desperate Times" – 3:41
Personnel[edit]
Lol Creme – guitar, bass, keyboard & vocals
Kevin Godley – drums, percussion, vocals
Mark Feltham – harmonica
Mitt Gamon – harmonica
Jimmy Chambers – backup vocals
George Chandler – backup vocals
Jimmy Helms – backup vocals
Richard Evans - Cover design
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
INCONSEQUENCES. This soft, fluffy ballad was floated as the first single from "Look Hear?", and promptly disappeared from the airwaves. It's not an awful song, in the same vein as "People In Love" and "For You And I", both of which were a blanching of something that used to be so colourful. As I've mentioned elsewhere, 1980 was a turning point where bands were either looking ahead or looking back. "It Doesn't Matter at All" is guilty of being nostalgic at a time when '10cc' could (should?) have embraced 'new wave' like 'Alice Cooper' ("Flush the Fashion") and Paul McCartney ("McCartney II"). There's also a video of the band lip-synching to this, in which you can clearly make out Eric Stewart's "Dracula" teeth, proving that all pop music is made by undead vampires who keep recycling the same melodies every hundred years (and harvest the organs of drummers, but that's another story).
"Breakout" is a single from British act Swing Out Sister's debut album It's Better to Travel.
The single reached the number four position in the UK in the autumn of 1986, and rose to number six on the Billboard Hot 100 in the US and number one on the Adult Contemporary in the US in 1987. The song also resulted in a Grammy Award nomination for Best Pop Vocal Performance by a Duo or Group.
The single was written and performed while the group was still a trio. It was one of their biggest hits, and the song most closely associated with the act. In the US, "Breakout" remains a staple of adult contemporary and smooth jazz radio station playlists.
This is the shorter version of this song.
"We Are the World" is a song and charity single originally recorded by the supergroup United Support of Artists (USA) for Africa in 1985. It was written by Michael Jackson and Lionel Richie (with arrangements by Michael Omartian) and produced by Quincy Jones for the album We Are the World. With sales in excess of 20 million copies, it is one of the fewer than 30 all-time physical singles to have sold at least 10 million copies worldwide.
"Art for Arts Sake" is a single by 10cc released in 1975. It was taken from the How Dare You! album,[1] and reached No. 5 on the UK singles chart.
The title of the song derives from the fact that Graham Gouldman's father, Hymie Gouldman, often used to say "Art for art's sake, money for God's sake, okay".[2]
Personnel:
Eric Stewart – lead vocal, electric and acoustic piano, six string and fuzz bass, lead guitar
Graham Gouldman– electric guitars, third lead vocal and backing vocals, cow bell, tambourine
Lol Creme – electric guitars, second lead vocal and backing vocals, maracas, Moog synthesizer, recorder
Kevin Godley – drums, backing vocals, temple blocks
"Art for Arts Sake" is a single by 10cc released in 1975. It was taken from the How Dare You! album,[1] and reached No. 5 on the UK singles chart.
The title of the song derives from the fact that Graham Gouldman's father, Hymie Gouldman, often used to say "Art for art's sake, money for God's sake, okay".[2]
Personnel:
Eric Stewart – lead vocal, electric and acoustic piano, six string and fuzz bass, lead guitar
Graham Gouldman– electric guitars, third lead vocal and backing vocals, cow bell, tambourine
Lol Creme – electric guitars, second lead vocal and backing vocals, maracas, Moog synthesizer, recorder
Kevin Godley – drums, backing vocals, temple blocks
Brace Yourself from Brady Bunch:
Marcia tearfully frets "I'm ugly, ugly, ugly!" over her new braces. Then her date Alan Anthony (Mike Robertson) cancels, claiming that he must go out of town with his parents to visit a relative. Greg, Mike, and Alice attempt to arrange replacement dates, but a lack of coordination ruins the plan. Then just before the night of the dance, Alan arrives ... showing off his new braces (which he had fitted after an accident with his bicycle).
Guest stars: Jerry Levreau as Harold Reynolds
Brian Nash as Joey Michaelson
John Daniels as Eddie the delivery courier
Molly Dodd as the sales clerk
Memories is a 10cc single . It comes from their album Ten out of 10 . The single was probably only released in the Netherlands, but did not make the hit parades .
The song, written by Eric Stewart and Graham Gouldman , is about the loss of innocence. This was well present in childhood, but was then lost.
B-side was Overdraft in Overdrive , which was also on the album.
Musicians:
Eric Stewart - vocals, electric piano , synthesizer , piano , background vocals, guitar , percussion
Graham Gouldman - bass guitar , double bass , backing vocals, percussion guitar
Paul Burgess - percussion
"I'm Not in Love" is a song by English group 10cc, written by band members Eric Stewart and Graham Gouldman. It is notable for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK singles chart for two weeks. The song was also the band's breakthrough hit worldwide, reaching number one in Ireland and Canada and number two on the Billboard Hot 100 in the US, as well as reaching the top ten in Australia, New Zealand and several European countries.
"I'm Not in Love" is a song by English group 10cc, written by band members Eric Stewart and Graham Gouldman. It is notable for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK singles chart for two weeks. The song was also the band's breakthrough hit worldwide, reaching number one in Ireland and Canada and number two on the Billboard Hot 100 in the US, as well as reaching the top ten in Australia, New Zealand and several European countries.
For You and I is a 10cc single . It comes from their album Bloody Tourists .
The song is about the people who are good always comment on people who have bad and especially in the big context (The world is full of other people, we're quick to laugh when they've got troubles) . One would have to look around a bit more and take account of each other to make this world exist for everyone.
The single with on the b-side I'm Not in Love almost never reached the hit parade.
Musicians:
Eric Stewart - vocals, electric piano , moog , polymoog
Graham Gouldman - six string bass guitar , acoustic and electric guitar, backing vocals
Rick Fenn - moog, electric guitar, background vocals
Stuart Tosh - background vocals
Paul Burgess - percussion , big drum
For You and I is a 10cc single . It comes from their album Bloody Tourists .
The song is about the people who are good always comment on people who have bad and especially in the big context (The world is full of other people, we're quick to laugh when they've got troubles) . One would have to look around a bit more and take account of each other to make this world exist for everyone.
The single with on the b-side I'm Not in Love almost never reached the hit parade.
Musicians:
Eric Stewart - vocals, electric piano , moog , polymoog
Graham Gouldman - six string bass guitar , acoustic and electric guitar, backing vocals
Rick Fenn - moog, electric guitar, background vocals
Stuart Tosh - background vocals
Paul Burgess - percussion , big drum
This is my favorite episode, "My Heart Belongs To A Two-Car Garage", taken from the musical family sitcom, "The Partridge Family".
Here's the story about my favorite episode:
Russian handyman, who claims to be a world-class artist, paints a nude woman on the family's garage that puts the neighborhood in an uproar. Guest Star: Arte Johnson as Nicholas Minsky Pushkin
Song: "Last Night",
performed by Debbie Sims (widowed mother on lead vocals)
Note: strong and powerful background vocals on Debbie Sims' northern soul version of this song are more soulful than the first backing vocals of Shirley Jones and The Ron Hicklin Singers that sounded soulless, weak and powerless.
LAST NIGHT
Performed by Debbie Sims
Written by Wes Farrell & Tony Romeo
Musicians: Lead Vocal – Debbie Sims (Mother Partridge)
Music played The Wrecking Crew
Background Vocals – Don Wood, Russell Gonzalez, Alison Edwards , Laurie Maitland, Liz McKay, Theresa Joanou
"Try Me, I Know We Can Make It" is a song by American singer and songwriter Donna Summer from her third studio album A Love Trilogy album released in 1976. Summer's breakthrough had come in the form of the disco song "Love to Love You Baby" which in its entirety lasted almost seventeen minutes and took up the entire first side of the album of the same name. Due to its success (and also its success as a 12" maxi single) the format was repeated with the next album and with this song. In fact, "Try Me, I Know We Can Make It" actually lasted even longer than "Love To Love You Baby", clocking in at eighteen minutes. Edited versions were also released on the 7" single format.
The song peaked at number eighty on the American pop chart and number thirty-five on the soul chart.[1] It was more popular with disco audiences, however, becoming Summer's second number one single on the dance chart in May 1976 and remaining atop that chart for three weeks.[2] The song also peak #6 in Spain singles charts and #22 in Spain Radio chart.[3]
Art for Arts Sake" is a single by 10cc released in 1975. It was taken from the How Dare You! album,[1] and reached No. 5 on the UK singles chart.
The title of the song derives from the fact that Graham Gouldman's father, Hymie Gouldman, often used to say "Art for art's sake, money for God's sake,
"Art for Arts Sake" is a single by 10cc released in 1975. It was taken from the How Dare You! album,[1] and reached No. 5 on the UK singles chart.
The title of the song derives from the fact that Graham Gouldman's father, Hymie Gouldman, often used to say "Art for art's sake, money for God's sake, okay".[2]
Feel the Love - Oomachasaooma is a single of 10cc . It comes from their ninth album Windows in the Jungle .
The song is about an unattainable love ( I need you to give me a helping hand ). With B-side She Gives Me Pain (2:14), it hit the Dutch charts. She Gives Me Pain is not on the album Windows in the Jungle .
lyric and vocal by MIHO
compose arranged and mix
all instruments by e-komatsuzaki
Other Vocal Song
https://soundcloud.com/e-komatsuzaki-feat
Instrumental Music
https://soundcloud.com/e-komatsuzaki-inst
lyric and vocal by HAZUKI
compose arranged and mix
all instruments by e-komatsuzaki
Other Vocal Song
https://soundcloud.com/e-komatsuzaki-feat
Instrumental Music
https://soundcloud.com/e-komatsuzaki-inst
"We've Heard It All Before" was a single in the UK and an album inclusion on the US release of 10cc's Ten Out Of 10. It was one of a handful of songs that Eric and Graham co-wrote with Andrew Gold. Please enjoy... Roy & Dave (www.the10ccfanclub.com) Special thanks go out to Roy's brother-in-law, Andy Reagle, for his invaluable assistance that he gave Roy in the making of this video.
"Art for Arts Sake" is a single by 10cc released in 1975. It was taken from the How Dare You! album.[1] It reached No. 5 on the UK singles chart. The title of the song derives from the fact that Graham Gouldman's father, Hymie Gouldman, often used to say "Art for art's sake, money for God's sake, okay".[2] Personnel: Drums, Temple Block, Backing Vocals – Kevin Godley Electric Guitar, Cowbell, Tambourine, Backing Vocals – Graham Gouldman Lead Vocals [2nd], Electric Guitar, Maracas, Synthesizer [Moog], Recorder, Backing Vocals – Lol Creme Lead Vocals, Piano, Electric Piano, Bass [Six String], Bass [Fuzz], Lead Guitar – Eric Stewart Written-By – Stewart*, Gouldman*
"It Doesn't Matter At All" is credited to Stewart/ Gouldman, but feels like a Stewart composition all the way--this time it's about someone (Stewart?) wanting to take a chance with a woman that they're obsessed with, figuring that they may as well because "it doesn't matter at all"--it's kind of a pretty song, but again, it's on the dull side. Personnel: Eric Stewart: Lead Vocal, Backing Vocal, Electric Guitar Graham Gouldman: Bass, Acoustic Guitar, Backing Vocal Duncan Mackay: Electric Guitar, Yamaha CS80 Paul Burgess: Drums Stuart Tosh: Backing Vocals Rick Fenn: Electric Guitar, Backing Vocal
NoeL is a Japanese singer
e-komatsuzaki is a Japanese composer
These two people shared music activities
We made a number of songs
Other Songs
https://soundcloud.com/e-komatsuzaki-feat
e-komatsuzaki Instrumental Music
https://soundcloud.com/e-komatsuzaki-inst