Dance Party USA playlist
Disco /soul oldie from 1979: "Working My Way Back to You" - The Spinners
Pretty Poison - Nighttime (1988)
Noel Pagan - Like A Child (1987)
Natalie Cole - Pink Cadillac (1987)
RUN DMC - Run's House (1988)
Royalty - Romeo (1988)
Prince & The Revolution - 1999 - with Prince himself, Desmond Dickerson, Jill Jones & Lisa Coleman - pop music oldie from 1982
Disco /soul oldie from 1979: Gonzalez - I Haven't Stopped Dancing Yet
Lisa Justin – Paradise (1987)
Bananarama - Love in the First Degree (1987)
Lisa Lisa & Cult Jam - Everything Will Be Fine (1987)
DJ Jazzy Jeff & The Fresh Prince - Parents Just Don't Understand (1988)
Leslie Wunderman (Taylor Dayne) - Prove Your Love (1987)
Dance Party USA playlist:
Men At Work - It's a Mistake - pop music oldie from 1983
SOS - Take Your Time, Do It Right - disco soul oldie from 1980
DJ Jazzy Jeff & The Fresh Prince - Girls Ain't Nothing But Trouble
The Cover Girls - Better Late Than Never
Rob Base & DJ EZ Rock - It Takes Two (Radio Edit)
L'Trimm - Cars With The Boom
Disco pop music oldie from 1979: Moonstone featuring Liza Strike - "Out of the Ball Game"
Overview of Jackie Edwards and His Music
Jackie Edwards was a Jamaican singer-songwriter known for his contributions to the ska and reggae genres. He gained popularity in the 1960s and 1970s, with notable hits such as “Keep on Running,” which became a significant success in 1965. This song was later covered by various artists, including The Spencer Davis Group, further cementing its place in music history.
Analysis of “Love & Affection” Medley Album
In 1979, Jackie Edwards released a medley album featuring “Love & Affection,” which included background vocals from Kate Swadling. This album showcased Edwards’ ability to blend different musical styles and highlighted his vocal talents alongside Swadling’s contributions. However, despite its artistic merits, this album did not achieve the same level of commercial success as “Keep on Running.”
Factors Influencing Commercial Success
Market Trends: By 1979, the music landscape had shifted significantly since the mid-1960s. The rise of disco and punk rock altered listener preferences, leading to a decline in the popularity of traditional ska and reggae sounds that characterized much of Edwards’ earlier work.
Competition: The late 1970s saw an influx of new artists and genres competing for radio play and chart positions. This increased competition made it more challenging for established artists like Edwards to maintain their previous levels of success.
Promotion and Distribution: The marketing strategies employed for the medley album may not have been as robust or effective as those used for “Keep on Running.” A lack of promotional support can significantly impact an album’s visibility and sales.
Cultural Shifts: The cultural context in which music is consumed also plays a crucial role in its success. By the time of the medley album’s release, listeners were gravitating towards more contemporary sounds that resonated with their experiences during that era.
Audience Demographics: The audience that enjoyed “Keep on Running” may have aged or shifted their musical tastes by 1979, leading to a smaller core fan base for Edwards’ newer work compared to his earlier hits.
Conclusion
In summary, while Jackie Edwards’ medley album featuring Kate Swadling showcased his musical talent and creativity, it faced several challenges that contributed to its lesser commercial success compared to his iconic single “Keep on Running.” These challenges included changing market trends, increased competition from emerging genres, promotional shortcomings, cultural shifts in music consumption, and demographic changes among listeners.
Performance filmed in Switzerland December 4, 1970 and later broadcast in 1971 on Belgium TV program Pop Music (AKA Pop Shop).
Rondo is an instrumental piece from 1959 created by Dave Brubeck from the jazz band 'The Dave Brubeck Quartet' which was known as 'Blue Rondo à la Turk'.
Keith Emerson along with The Nice in 1967, they made an adapted version in 4/4 of the original 9/8 song.
Keith Emerson - Hammond Organ, Knifes
Greg Lake - Bass
Carl Palmer - Drums, Gong
Understanding the Preference for Disco Music Video of “Love My Way”
1. Context of the Song and Its Genre “Love My Way,” originally released by The Psychedelic Furs in 1982, is often categorized under new wave and synth-pop genres. The song features a blend of post-punk influences with melodic hooks that are characteristic of new wave music. Despite its classification, the song has found a significant audience among disco fans, particularly through certain music video interpretations.
2. The Role of Music Videos Music videos serve as visual representations of songs and can significantly influence public perception and enjoyment. The original video for “Love My Way” features abstract imagery, including water rippling effects that some viewers find confusing or detracting from the song’s emotional impact. This lack of clarity can lead to a disconnect between the visuals and the music, potentially diminishing viewer engagement.
3. Appeal of Alternative Versions The disco version featuring Flo & Eddie provides a different visual experience that resonates more with American disco fans. This version likely emphasizes elements such as vibrant colors, energetic performances, and clearer thematic representations that align more closely with disco culture. Disco is known for its upbeat rhythms and danceable beats, which may be better showcased in this alternative video format.
4. Nostalgia and Cultural Associations Disco music is deeply rooted in American culture from the late 1970s to early 1980s, often associated with nightlife, dance clubs, and social gatherings. The presence of Flo & Eddie—who are known for their contributions to rock and pop music—adds an element of nostalgia that appeals to fans who enjoy both disco and new wave genres. This blending of styles may create a more enjoyable viewing experience for those who appreciate both musical forms.
5. Emotional Connection The emotional connection that fans have with music videos can greatly affect their preferences. A visually engaging video that captures the essence of joy, celebration, or community can enhance listeners’ experiences with the song itself. In contrast, if a video is perceived as confusing or lacking coherence (as some viewers feel about the original), it may lead to a less favorable reception.
6. Conclusion: Why Preference Exists In summary, American disco fans may prefer the disco music video version of “Love My Way” due to its clearer visual representation that aligns better with their cultural experiences and expectations from music videos during that era. The combination of nostalgia associated with Flo & Eddie’s presence alongside a more engaging visual style contributes to this preference over the original video.
Dance Party USA playlist:
Men At Work - Who Can It Be Now (1982)
Mike and Brenda Sutton - We'll Make It (1981)
Stacey Lynn Swain (Stacey Q) - We Connect (1986)
Pop music oldie from 1981: "Dancing the Night Away" - Voggue
Lipsynch performance: "You Got It All" - The Jets
Club Nouveau - Lean on Me (1986)
Dance Party USA playlist
Bananarama - Venus (1986)
Jermaine Stewart - We Don't Have To Take Our Clothes Off (1986)
John Eddie - Jungle Boy (1986)
Huey Lewis & The News - The Power Of Love (1985)
Pop music video spotlight - "Baby Love" - Regina Richards (1986)
Madonna - Papa Don't Preach (1986)
Belinda Carlisle - Mad About You (1986)
Dancin' On Air playlist
Bruce Springsteen - Dancing in the Dark (1984)
Huey Lewis & The News - The Heart Of Rock And Roll (1983)
Pat Benatar - Hit Me With Your Best Shot (1980)
Devo - Whip It
R&B oldie from 1984: "I Feel for You" - Chaka Khan
Cheyne Anderson - Call Me Mr. Telephone (1985)
Michael Jackson - Billie Jean (1982)
The Weather Girls - It's Raining Men (1983)
Disco / soul oldie from 1978: "Shine On Silver Moon" - Marilyn McCoo & Billy Davis Jr.
Disco / pop music oldie from 1980: "The Night, The Wine and the Roses" - Liquid Gold with Ellie Hope
Pop music oldie from 1985: "Everytime You Go Away" - Paul Young
Ray Parker Jr. - The Other Woman (1982)
Frankie Smith - Double Dutch Bus (1981)
Katherine Quaye (Taffy) - I Love My Radio (1985)
Introduction to “Some Guys Have All the Luck”
The song “Some Guys Have All the Luck” has a rich history, having been originally recorded by The Persuaders in 1973. It gained further popularity through Rod Stewart’s cover in 1984, which became a significant hit. However, Gina Lee’s version released on the Clocktower record label in 1980, produced by Tommy Cowan & Harold Butler, also garnered attention and has its own dedicated following. In contrast, Maxi Priest’s remake in the early 1990s did not achieve the same level of acclaim among certain listeners. This analysis will explore why some people today prefer Gina Lee’s rendition as well as those by The Persuaders and Rod Stewart over Maxi Priest’s version.
Gina Lee’s Version (1980)
Gina Lee’s interpretation of “Some Guys Have All the Luck” stands out for several reasons:
Vocal Style and Emotion: Gina Lee brings a unique vocal quality that resonates with listeners who appreciate a more soulful and emotive delivery. Her voice combines power with vulnerability, allowing her to convey the song’s themes of longing and envy effectively.
Production Quality: The production of her version reflects the late ‘70s and early ‘80s sound, characterized by rich instrumentation and a polished finish that appeals to fans of that era. The arrangement complements her vocal style, enhancing the overall listening experience.
Nostalgia Factor: For many listeners who grew up during this time, Gina Lee’s version evokes nostalgia. It represents a specific moment in music history that resonates with their personal experiences.
Cultural Context: In the context of female artists emerging during this period, Gina Lee’s rendition can be seen as part of a broader movement where women were beginning to assert themselves in genres traditionally dominated by male artists.
The Persuaders’ Original (1973)
The original version by The Persuaders holds its own significance:
Authenticity: As the first recording of the song, it carries an authenticity that many purists appreciate. Fans often prefer original versions for their rawness and originality.
Soulful Roots: The Persuaders infused their rendition with classic soul elements that resonate deeply with fans of Motown and similar genres. Their harmonies and instrumental backing create an engaging atmosphere that captures the essence of soul music.
Historical Significance: Being part of the early ‘70s soul scene gives this version historical importance, appealing to those who value music history and its evolution over time.
Rod Stewart’s Cover (1984)
Rod Stewart’s cover is another popular choice among listeners:
Mainstream Appeal: Stewart’s version achieved significant commercial success, reaching high positions on various charts worldwide. His distinctive raspy voice adds a different flavor to the song that attracts mainstream audiences.
Rock Influence: By incorporating rock elements into his cover, Stewart broadened the song’s appeal beyond just soul or pop audiences, attracting fans from various musical backgrounds.
Iconic Status: Rod Stewart is an iconic figure in rock music; thus, his association with “Some Guys Have All the Luck” lends it additional prestige and recognition among casual listeners.
Maxi Priest’s Remake
In contrast, Maxi Priest’s remake has not resonated as strongly with certain segments of listeners:
Reggae Influence: While Maxi Priest brought reggae influences into his version, some fans feel this stylistic shift detracts from the original sentiment of longing expressed in earlier renditions.
Comparative Reception: Although Maxi Priest is celebrated for his contributions to reggae fusion, his take on this particular song did not capture hearts in quite the same way as previous versions did—leading some to view it as less impactful or memorable.
Generational Differences: Younger audiences may have different preferences shaped by contemporary musical trends; thus they might gravitate towards more modern interpretations but still find themselves drawn back to earlier renditions due to their emotional depth or nostalgic connections.
Conclusion
In summary, preferences for Gina Lee’s version alongside those by The Persuaders and Rod Stewart over Maxi Priest’s remake can be attributed to factors such as vocal style, emotional resonance, production quality, historical significance, and cultural context surrounding each artist’s interpretation of “Some Guys Have All the Luck.” Each rendition offers something unique; however, many listeners find themselves connecting more deeply with those earlier versions due to their authenticity and emotional weight.
Dance Party USA playlist
Shake Your Thang (It's Your Thing) - Salt-N-Pepa
Love Makes the World Go Round - Madonna Cicconne
Kim Wilde - You Came
Pop music video showcase: Rick Astley - It Would Take a Strong Strong Man
Stevie B - Spring Love
Pop music oldie: "Feels Like I'm in Love" - Kelly Marie (1980)
"True" is a song by the English pop band Spandau Ballet. It was released in April 1983 as the third single from their third studio album of the same name.
Second track is the B-side.
As Laurie Maitland commented on YouTube and said:
I am not entitled to Kathy Redfern, because she is no singer in the world, plus due to her being tone-deaf, she got no talent. She couldn't sing like other girls of pop music like Teena Marie, Kelly Marie, Cyndi Grecco, Cindy Bullens, Cyndi Lauper, Rita Coolidge, Dusty Springfield, Barbra Streisand, Barbara Dickson, Cilla Black, Lulu, Toni Tennille from Captain & Tennille, Karen Carpenter from The Carpenters or even Bobbie Gentry that sang "Ode to Billy Joe". Instead she whispered in a disruptive manner too much to upset people in the middle of 10cc's "I'm Not in Love", which it was very short-lived. I had to slam her from repeating that same old prejudiced spoken line, "big boys don't cry" more than several times in a row, that didn't have what it took, which it offended all the men and boys all over town. That's why I am not a big fan of her. So I prefer Eric Stewart from 10cc singing the serious heartbroken ballad, "I'm Not in Love" that I am always fond of.
HIH Princess Kako with Japanese famous pop music that I played 佳子内親王殿下
Music that I played
①小坂明子「あなた」
Akiko Kosaka「You」
②バンバン「『いちご白書』をもう一度」
Banban「『The Strawberry Statement』Once more」
This uptempo pop song should be in the key of E flat major according to me.
"Who Can It Be Now?" is a song recorded by Australian band Men at Work. It was released in Australia in 1981, prior to the recording of their 1981 debut album Business as Usual, on which the track was later included.
Funny thing about Colin Hay from Men At Work is he sounds black from the islands of Jamaica, Trinidad, West Indies, Tabago, Bahamas, Caribbean islands and Barbados when he sings.
Dance Party USA playlist:
Central Line - Walking into Sunshine (1981)
Roberta Kelly - Trouble Maker (1976)
Johnny Kemp - Birthday Suit (1989)
Jungle Brothers - I'll House You (1989)
France Joli - Gonna Get Over You (1982)
Sweet Sensation - Sincerely Yours (1989)
Rhythm & Blues tune slow dance: George Faith - Since I Met You Baby (1982)
Patrick Juvet - Lady Night (1979)
Bruni Pagan - Fantasy (1979)
Kenny Rogers & Dolly Parton - Islands in the Stream (1983)
Female pop music video spotlight: Rita Moreno and her girlfriends - "There's Nothing We Women Can't Be" (1974)
Milli Vanilli - Girl You Know It's True (1989)
Dance Party USA Hawaiian Luau episode playlist:
The Ventures – Hawaii 5-O
Fat Boys with The Beach Boys – Wipeout (1987)
Otaya – Motuliu South Pacific Review – lipsynch performance
Samantha Fox – I Want to Have Some Fun (1987)
Beach Boys – Kokomo (1988)
Girl-group disco /soul / pop oldie from 1976: Donna Summer – Try Me I Know We Can Make It – short edit pop music version
2 songs by Salt & Pepper: “Twist & Shout”, “Shake Your Thing”
Girl-group disco /soul oldie from 1976: Roberta Kelly – Love Power (1976)
Rhythm & Blues /soul ballad oldie from 1981: Kenny Hamilton – The Same Folks (1981)
Girl-group disco /pop oldie from 1975: Silver Convention – Fly Robin Fly (1975)
The Techniques with Pat Kelly – You Don’t Care for Me (1978)
Katrina & The Waves – Walking on Sunshine (1985)
Enjoy this pop melody music Video. Always try to find enough time to enjoy pop music and be free for one hour, for example . Instrumental pop melody music The Right Way.
