"This Is the Right Time" is a song recorded by British pop singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Coldcut. The song received favorable reviews from music critics.
Release
"This Is the Right Time" was released as the first European single on 31 July 1989. It included "Affection," "Big Thing" (recorded by Stansfield's 80s band Blue Zone) and remixes created by David Dorrell, CJ Mackintosh, Paul Witts and Eddie Gordon. The music video was directed by Big TV!. One year later, on 30 July 1990, "This Is the Right Time" was issued as the third North American single. It included previously unreleased track, "My Apple Heart" and new remixes created by Shep Pettibone and Yvonne Turner. The second music video for the North American market was directed by Jimmy Fletcher. In September 1990, just before Stansfield's European tour, the double A-side single "This Is the Right Time"/"You Can't Deny It" with new US remixes was released in selected European countries. In Japan, "This Is the Right Time" was released as a single on 3 October 1990.
The song was commercially successful reaching number twelve in Canada, number thirteen in the United Kingdom, number seventeen in Germany, number twenty in Austria and number twenty-four in Italy. In the United States, it peaked at number twenty-one on the Billboard Hot 100, number one on the Hot Dance Club Songs and number thirteen on the Hot R&B/Hip-Hop Songs.
In 2003, it was included on Biography: The Greatest Hits. In 2014, the remixes of "This Is the Right Time" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology (also on The Collection 1989–2003).
Critical reception
Music & Media described the song as a "Commercial 70s sounding disco single convincingly produced by Coldcut."[1]
The Gavin Report wrote: "The Jazz/Soul flavoring in her brand of Pop gives the music a distinctive sound polished off by the stunning vocal talent of this singer/songwriter. With songs this hot, Lisa and her partners Ian Devaney and Andy Morris should be getting lots of time—make that air time in the years ahead."[2]
Network 40 wrote: "This latest single from her Rolling Stone four-star rated LP maintains Stansfield's stunning soul licks while adding more tempo and house sounds than any of her previously released tracks. A great all-demo track that picks up where "All Around The World" left off, then digs a little deeper."[3]
IMAGINING CHINA tells a story of a composer meeting a Chinese ballerina - we don't know if he meets her really or just in his fantasy. The ballerina comes back to him again and again so he sits down and composes a series of songs inspired by her and the Chinese culture, especially music scales.
IMAGINING CHINA is a music video directed and produced by Bozenna Intrator to the album CHINESE IMPRESSIONS composed and performed by CHRIS RAFAEL WNUK with titles by BOZENNA INTRATOR.
Cast:
CHRIS RAFAEL WNUK - the pianist
CHARLENE ZHAO - the ballerina
Film written, directed and produced by BOZENNA INTRATOR
Camera and edited by: DARIUSZ MIGALSKI
Music: composed and performed by CHRIS RAFAEL WNUK
Music recording licensed by Bovenkon and Jaguarec
Copyright :copyright: by Bovenkon 2019
http://distrokid.com/hyperfollow/chrisrafaelwnuk/chinese-impressions/
Music author rights represented by ASCAP
Source: https://youtu.be/eZATBk-vHRI
NoeL is a Japanese singer
e-komatsuzaki is a Japanese composer
These two people shared music activities
We made a number of songs
https://soundcloud.com/e-komatsuzaki-feat
NoeL is a Japanese singer
e-komatsuzaki is a Japanese composer
These two people shared music activities
We made a number of songs
https://soundcloud.com/e-komatsuzaki-feat
NoeL is a Japanese singer
e-komatsuzaki is a Japanese composer
These two people shared music activities
We made a number of songs
https://soundcloud.com/e-komatsuzaki-feat
NoeL is a Japanese singer
e-komatsuzaki is a Japanese composer
These two people shared music activities
We made a number of songs
https://soundcloud.com/e-komatsuzaki-feat
NoeL is a Japanese singer
e-komatsuzaki is a Japanese composer
These two people shared music activities
We made a number of songs
https://soundcloud.com/e-komatsuzaki-feat
https://itunes.apple.com/us/artist/kbiz-complex/933552864
Kbiz Complex is a Los Angeles Hip Hop recording artist with 260 songs released.
Source: https://youtu.be/v6qFrqFk_4o
Cindy Bullens (born March 21, 1955 - female gender died as Cindy Bullens in 2011 from surgery and transition) was an American singer-songwriter who grew up in Massachusetts. Bullens released two albums in the late 1970s on United Artists and Casablanca and another in 1989.[1]
Bullens' 1978 debut album, Desire Wire (Cindy Bullens album) is described flatly by William Ruhlmann for Allmusic as: "One of the great lost rock albums of the 1970s, Bullens' debut release is full of tough, passionate, incredibly catchy rock & roll played to the hilt and sung with fire".[2] These early albums anticipated later work by a host of 1980s female and female-identified rock artists, from Pat Benatar, to Blondie, to the Go-Go's, to Headpins.
In 1974, Bullens performed background vocals on Gene Clark's album No Other and as one of the Sex-O-Lettes on the debut album by Disco-Tex and the Sex-O-Lettes.
Bullens also served as a backup vocalist on Rod Stewart's Atlantic Crossing and with Elton John on three major tours, as well as his album Blue Moves and his hit with Kiki Dee, "Don't Go Breaking My Heart" (both released in 1976).
Bullens provided vocals on three songs ("It's Raining on Prom Night," "Mooning," and "Freddy, My Love") on the soundtrack of the 1977 feature film, Grease. The album release Grease was nominated for the 1979 Grammy Award for "Album of the Year".
In 1980, she earned another Grammy nomination (as "best female rock singer") for her single "Survivor".
In January 1980, Bullens hit the Billboard Hot 100 with the song "Trust Me." It peaked at #90.[3]
Vocal type: Regular Soprano (1974 - 1989)
Lowest Note: G3 ("Steal the Night")
Highest Note: G5 (Background: "Get Dancing")
Vocal Range: 2 octaves
Look Hear? - released on Warner Bros. Records on 3/28/1980:
Look Hear? is the seventh studio album by 10cc, released in 1980. It reached No. 35 in the UK and No. 180 in the United States. The album, recorded at the band's Strawberry Studios South in Dorking, Surrey, was the first by 10cc since its 1976 split to include songs written by neither Graham Gouldman or Eric Stewart.
Ten out of 10 - - released on Warner Bros. Records on 3/1982:
Ten Out of 10 is the eighth studio album by 10cc and was released in November 1981 (with the US version not following until later in 1982). It failed to chart in the US or UK. The album marked the first involvement with the band by American singer-songwriter Andrew Gold, who was also invited to join the band, but declined because of other commitments.[2]
Windows in the Jungle - released on Mercury Records on 9/1983:
Windows in the Jungle is the ninth studio album by British rock band 10cc. It was released in October 1983 and was the last album by the band for nine years, as well as their final album for Mercury Records and the final album to feature the lineup formed during the making of Look Hear?. Paul Burgess and Rick Fenn would join Gouldman's version of the band.
Originally a UK single from 1982, written and produced by the late Andrew Gold, Eric Stewart & Graham Gouldman.
Runaway is a 10cc single . It comes from their album Ten out of 10 . The single was only released in England.
It is one of the songs written by Andrew Gold, Eric Stewart and Graham Gouldman in the period that it looked like Gold became the producer of the album. That did not end and Runaway disappeared on the shelf, but appeared on the American version of the album.
Runaway is used as Runaway (runaways) and Run Away (run away). The background choir is similar to the choir from I'm Not in Love .
B-side was Action Man in Motown Suit , which featured both the European and American pressing of the album.
Personnel:
Eric Stewart: Lead Vocal, Guitar, Synthesizer, Backing Vocal
Graham Gouldman: Bass, Backing Vocal, Guitar
Andrew Gold: Backing Vocal, Electric Piano, Synthesizer, Percussion
Michael Boddicker, James Newton Howard & Suzanne Ciani: Synclavier
Instant Replay is the third full-length album from singer-songwriter Dan Hartman. Released in 1978, where all the album tracks reached number 1 on the American dance chart.[2] The title track/first single peaked at number 29 on the Hot 100 in the U.S. & number 8 in the United Kingdom. The follow-up single, "This Is It", was only a minor Hot 100 hit, reaching number 91 in 1979, while rising to number 18 in the U.K.
Track listing
All songs written and arranged by Dan Hartman.
"Instant Replay" 5:19
"Countdown/This Is It" 14:07
"Double-O-Love" 5:56
"Chocolate Box" 2:52
"Love is a Natural" 6:17
"Time & Space" 4:55
Production
Produced and engineered by Dan Hartman
Mixed by Tom Moulton
Personnel
Dan Hartman - lead and backing vocals, rhythm and bass guitars, keyboards, all instruments on "Chocolate Box", all instruments except saxophone and congas on "Instant Replay"
Blanche Napoleon - backing vocals
Vinnie Vincent - rhythm and acoustic guitars, tambourine, backing vocals
G.E. Smith - rhythm and lead guitars
Edgar Winter - saxophone on "Instant Replay" and "Countdown/This Is It"
Hilly Michaels - drums, percussion
Larry Washington - congas on "Instant Replay"
Salsoul Orchestra - orchestra (uncredited)
10cc -The Original Soundtrack - album review and 2 songs
In this video Ross Goodall and I look at the album The Original Soundtrack by 10cc from 1975 containing the classic song I'm not in love.
Best song:
I'm Not in Love (Serious Version)
Worst songs:
1. "Une Nuit a Paris"
2. "I'm Not in Love" (Original Epic Version)
3. "Blackmail"
4. "The Second Sitting for the Last Supper"
5. "Brand New Day"
6. "Flying Junk"
7. "Life Is a Minestrone"
8. "The Film of My Love"
Here's the story:
10cc's third album, The Original Soundtrack, finally scored them a major hit in the United States, and rightly so; "I'm Not in Love" walked a fine line between self-pity and self-parody with its weepy tale of a boy who isn't in love (really!), and the marvelously lush production and breathy vocals allowed the tune to work beautifully either as a sly joke or at face value. The album's opener, "Une Nuit a Paris," was nearly as marvelous; a sly and often hilarious extended parody of both cinematic stereotypes of life and love in France and overblown European pop. And side one's closer, "Blackmail," was a witty tale of sex and extortion gone wrong, with a superb guitar solo embroidering the ride-out. That's all on side one; side two, however, is a bit spottier, with two undistinguished tunes, "Brand New Day" and "Flying Junk," nearly dragging the proceedings to a halt before the band rallied the troops for a happy ending with the hilarious "The Film of My Love." The Original Soundtrack's best moments rank with the finest work 10cc ever released; however, at the same time it also displayed what was to become their Achilles' heel -- the inability to make an entire album as strong and memorable as those moments.
Best songs:
Memories
Run Away
Worst songs:
"Don't Ask"
Overdraft in Overdrive
Don't Turn Me Away
Notell Hotel
Les Nouveaux Riches
Action Man in a Motown Suit
Listen with Your Eyes
Lying Here with You
Survivor
The Power of Love
Overdraft in Overdrive
Tomorrow's World Today
We've Heard It All Before
Ten Out of 10 is the eighth studio album by 10cc and was released in November 1981 (with the US version not following until later in 1982). It failed to chart in the US or UK. The album marked the first involvement with the band by American singer-songwriter Andrew Gold, who was also invited to join the band, but declined because of other commitments.[2]
Gouldman said the band's label in the U.S., Warner Bros. Records wanted more of an American flavour to the album. "They were keen for us to work with an American producer or writer. Well, we hadn't had any big success since '78, and we wanted to get hot again. When they suggested Andrew Gold, I was over the moon. I'd always adored his work, and I reckoned he would be a kindred spirit ... I felt really we needed some new blood, but it didn't work out. Andrew was doing so much stuff in America that it just wasn't practical, although he really wanted to do it."[2]
Gouldman later admitted greater involvement by Gold might have lifted the band's early 1980s output from its mediocrity. "We should either have tried to change direction, which we didn't, or got someone else in the band, which we almost did. The albums weren't really bad, there was always the integrity, and the production values, but in retrospect, I find them rather dour, rather lackluster. That's why I thought we should have got someone else in, to kick us up the buttocks. We didn't see what was going on around us, maybe we should have got a producer at that point."[2]
In this video I will look at the album Windows in the Jungle by 10cc from 1983 and show you the credits
Best songs:
Food for Thought
Feel the Love
Worst songs:
24 Hours
Yes, I Am
Americana Panorama
City Lights
Working Girls
Taxi! Taxi!
Windows in the Jungle is the ninth studio album by British rock band 10cc. It was released in October 1983 and was the last album by the band for nine years, as well as their final album for Mercury Records and the final album to feature the lineup formed during the making of Look Hear?. Paul Burgess and Rick Fenn would join Gouldman's version of the band.
Track listing
All songs written by Eric Stewart and Graham Gouldman.
"24 Hours" – 8:09
"Feel the Love (Oomachasaooma)" – 5:10
"Yes, I Am" – 6:03
"Americana Panorama" – 3:45
"City Lights" – 3:34
"Food for Thought" – 3:34
"Working Girls" – 4:26
"Taxi! Taxi!" – 7:39
Personnel
10cc
Eric Stewart — lead vocals, guitars, keyboards, percussion
Graham Gouldman — vocals, bass, guitars, percussion
Rick Fenn — vocals, lead guitar, acoustic guitar
Vic Emerson — keyboards
Stuart Tosh — vocals, percussion, marimba, drums (on "Food For Thought")
with
Steve Gadd — drums, percussion
Simon Phillips — drums
Mike Timony — keyboards
Mel Collins — saxophones
In this video I will go over the band's 1980 album Look Hear? and show the credits.
Best song: "It Doesn't Matter At All"
Worst songs:
1 One-Two-Five
2 Welcome To The World
3 How'm I Ever Gonna Say Goodbye
4 Don't Send We Back
5 I Took You Home
6 Dressed To Kill
7 Lovers Anonymous
8 I Hate To Eat Alone
9 Strange Lover
10 L.A. Inflatable
Here's the story:
Look Hear? is the seventh studio album by 10cc, released in 1980. It reached No. 35 in the UK and No. 180 in the United States. The album, recorded at the band's Strawberry Studios South in Dorking, Surrey, was the first by 10cc since its 1976 split to include songs written by neither Graham Gouldman or Eric Stewart.
The cover art, created by Hipgnosis, underwent significant alteration for the album's U.S. release: the prominent display of the words "Are you normal" was replaced by a photo of a sheep relaxing on a beach, a similar image of which had appeared only as a small insert on the UK cover.
The album was their first for their new label in the U. S., Warner Bros. Records.
Two singles were lifted from the album: "One Two Five (edit)"/"Only Child" and "It Doesn't Matter at All"/"From Rochdale to Ocho Rios" (B-side changed to "Strange Lover" for U.S. release). Only "One Two Five" would be released in the U. S., and it would fail to chart.
Both Gouldman and Stewart would later express their disappointment with the album's lukewarm reception, but they would also acknowledge that their hearts might not have been in it. At the time of its making, Stewart was still recovering from an automobile accident that left him with blindness in one eye and temporary hearing loss in one ear. They also admit that the hiatus the band was forced to go into following Stewart's accident was the beginning of the end, and that musical tastes had shifted in the interim.
Runaway is a 10cc single . It comes from their album Ten out of 10 . The single was only released in England.
It is one of the songs written by Andrew Gold, Eric Stewart and Graham Gouldman in the period that it looked like Gold became the producer of the album. That did not end and Runaway disappeared on the shelf, but appeared on the American version of the album.
Runaway is used as Runaway (runaways) and Run Away (run away). The background choir is similar to the choir from I'm Not in Love .
B-side was Action Man in Motown Suit , which featured both the European and American pressing of the album.
Personnel:
Eric Stewart: Lead Vocal, Guitar, Synthesizer, Backing Vocal
Graham Gouldman: Bass, Backing Vocal, Guitar
Andrew Gold: Backing Vocal, Electric Piano, Synthesizer, Percussion
Michael Boddicker, James Newton Howard & Suzanne Ciani: Synclavier
Runaway is a 10cc single . It comes from their album Ten out of 10. The single was only released in England.
It is one of the songs written by Andrew Gold, Eric Stewart and Graham Gouldman in the period that it looked like Gold became the producer of the album. That did not end and Runaway disappeared on the shelf, but appeared on the American version of the album.
Runaway is used as Runaway (runaways) and Run Away (run away). The background choir is similar to the choir from I'm Not in Love .
B-side was Action Man in Motown Suit , which featured both the European and American pressing of the album.
Personnel:
Eric Stewart: Lead Vocal, Guitar, Synthesizer, Backing Vocal
Graham Gouldman: Bass, Backing Vocal, Guitar
Andrew Gold: Backing Vocal, Electric Piano, Synthesizer, Percussion
Michael Boddicker, James Newton Howard & Suzanne Ciani: Synclavier
"People In Love" (Creamy pop/soul ballad version), remade by Joyce Berry in 1982:
This is the female version of the Eric Stewart & Graham Gouldman
composition with gender changed from 'her' to 'his' and from 'she' to
'he' where she sings in a lower register, lower than Eric Stewart from
British pop group 10cc.
When American blue-eyed soul/pop singer and backing vocalist Joyce Berry was younger back in 1977, she heard a pop song on the radio, called, "People In Love" by British pop band 10cc she would be more familiar with and then also bought both a small 45 RPM single and a sheet music of the same song, so she had to learn the words to that song over and over again until she was satisfied with it, so she decided to sing it lower in her smoky alto than band member Eric Stewart in his tenor.
Since Joyce is a straightforward pop/soul singer with a soft ballad
voice in a real authentic style, she moves away from the Godley &
Creme artistic, abstract art-rock stuff, progressive rock, avant-garde,
rock opera and experimental stuff when she said "No, I don't like the
abstract art-rock stuff of Godley & Creme because I find it bland
and boring that lacks soul. I don't like it. I prefer Eric Stewart &
Graham Gouldman better that have more soul than that when they made such real authentic pop music that I'm always crazy about.", so she decided to focus more on some of the straightforward Stewart &
Gouldman pop stuff that she is more comfortable with.
Words and music courtesy of Eric Stewart and Graham Gouldman
Joyce Berry version
Lead Vocals: Joyce Berry
Percussion: Jimmy Maelen
Electric Piano: Randy Kerber
Parlor Piano: Randy McCormick
Bass: Dennis Belfield
Electric Guitar: Charles Fearing
Acoustic Guitar: Dennis Budimir
Drums: Ed Greene
Background Vocals: Joyce Berry, Laurie Maitland,
Scarlett McCarthy
Strings Arranged by Gene Page
Produced by Steve Buckingham
"People In Love" - original by 10cc
'People In Love' is Eric's turn to go all gooey-eyed and we'll be getting a lot of these love-lorn ballads from him over the next few albums. Some of them will be stunningly gorgeous, but sadly this inferior sequel to 'The Things We Do For Love' isn't one of his best. The song was actually the very last track ever recorded by the 'old' line-up of 10cc where it had the curious working title 'Voodoo Boogie' (it was later released in 2012 on the 'Tenology' box set) - maybe it was the thought of working on an album full of mawkish songs like this that caused Godley and Creme to quit. Eric is always good at sounding like he's in love, though and 'People In Love' is like one of those kitsch ornaments: so exquisitely carved and molded with so much care and talent that you're impressed even whilst you're being sick from the sheer OTT ness of it all (if ever a song was already so far gone it could have done without syrupy strings it's this one!) Some of the lyrics are sweet though and on an album where 'The Things We Do For Love' hasn't already made the point better this song would be better regarded. Love is again an illness, a form of insanity almost, that turns the narrator's life upside down and means he can 'do nothing right' - another very universal song, then, although some of what it causes the narrator to do sounds rather unusual ('Walk under buses and burn your wings' - sounds like a problem with his eyesight to me, not his lovesick heart). Note the first appearance of a key theme of later Eric Stewart songs - the idea that the narrator
never gets enough time with his beloved before being forced to go
somewhere else and the thought that time moves quicker when you're enjoying yourself (this is the key theme of 'Windows In The Jungle'). A bit of a gooey mess, 'People In Love' should only be listened to by 'People In Love' who can stand the saccharine, although if Eric's vocals on this recording don't make you fall in love with him you have a heart of stone (or a cold).
10cc original
Recorded at Strawberry Studios South
Lead Vocals, Slide Guitar, Piano, Lead Guitar: Eric Stewart
Drums, Tambourine, Bell Tree, Rototoms: Paul Burgess
Bass Guitar, Acoustic Guitar, Electric Guitar, Harmony Vocals: Graham Gouldman
Arranged By [Strings], Conductor [Strings]: Del Newman
Taken from their last album, "Goodbye Blue Sky"
Here is the story behind their last album:
Goodbye Blue Sky is the seventh and final studio album by Godley & Creme. Released in 1988, the album generated two singles, "Little Piece of Heaven" and "10,000 Angels" as well as videos for those two singles.
The album featured backup vocals by three future members of 1990s dance band Londonbeat.
Making of[edit]
The album is notable through its use of harmonicas, which are used substantially on most tracks.
In a 1988 interview with Pulse! magazine, they said:
“ We also decided to use other musicians on the album for the first time ever, to get back to a real live band feel, and that's when we started auditioning harp players," adds Godley. "And to our surprise, we found that there's a huge range - everything from bass to treble - but that traditionally harmonicas are always played as solo instruments. They're never played in groups."
"So naturally we thought, 'Why not use a harmonica section?"' Creme continues. "And after auditioning a bunch of players, none of whom had ever played with another harp player, we finally selected two guys - Mark Felton (sic) and Mitt Gamon -and began laying down rhythm tracks at my home studio.
"Next, we brought in three black backup singers - George Chandler, Jimmy Helms and Jimmy Chambers - whom we'd met on the Paul Young video, and started building up the tracks. The interesting thing is that the more we got into the sounds, the more we began re-writing the songs to suit the singers or the harp players.
”
Track listing[edit]
All songs composed by Kevin Godley and Lol Creme
"H.E.A.V.E.N. / A Little Piece of Heaven" – 5:06
"Don't Set Fire (To the One I Love)" – 3:27
"Golden Rings" – 4:17
"Crime & Punishment" – 7:22
"The Big Bang" – 2:32
"10,000 Angels" – 5:16
"Sweet Memory" – 4:50
"Airforce One" – 3:40
"The Last Page of History" – 4:01
"Desperate Times" – 3:41
Personnel[edit]
Lol Creme – guitar, bass, keyboard & vocals
Kevin Godley – drums, percussion, vocals
Mark Feltham – harmonica
Mitt Gamon – harmonica
Jimmy Chambers – backup vocals
George Chandler – backup vocals
Jimmy Helms – backup vocals
Richard Evans - Cover design
In my e-book, “Two Hidden Songs in The Last Supper of Leonardo da Vinci” (DLMarket), I introduce two songs. In fact, Leonardo da Vinci hid in his Last Supper not only the musical score of Hymn, which is the traditional mysteries of religious paintings, but also the musical score of Alchemy song!
I examined almost all paintings of Leonardo and explored why he hid the score of Alchemy song in the painting. Please refer to my e-book.
In addition, I also introduce the musical scores hidden in religious paintings and how to read them.
In this e-book, I will introduce a new aspect of Leonardo and I will solve a part of the mysteries of religious paintings which had been not known for about 1500 years.
NoeL is a Japanese singer
e-komatsuzaki is a Japanese composer
These two people shared music activities
We made a number of songs
Other Songs
https://soundcloud.com/e-komatsuzaki-feat
e-komatsuzaki Instrumental Music
https://soundcloud.com/e-komatsuzaki-inst
In my e-book, “Two Hidden Songs in The Last Supper of Leonardo da Vinci” (DLMarket), I introduce two songs. In fact, Leonardo da Vinci hid in his Last Supper not only the musical score of Hymn, which is the traditional mysteries of religious paintings, but also the musical score of Alchemy song!
I examined almost all paintings of Leonardo and explored why he hid the score of Alchemy song in the painting. Please refer to my e-book.
In addition, I also introduce the musical scores hidden in the following religious paintings and how to read them.
In this e-book, I will introduce a new aspect of Leonardo and I will solve a part of the mysteries of religious paintings which had been not known for about 1500 years.
(List of songs hidden in religious paintings introduced in this e-book)
Leonardo da Vinci: The Last Supper, 1494-98, Christian Hymn: In verità, Alchemy song: Visita in(teriora) Terrae
Leonardo da Vinci; Madonna of the Carnation, 1478-80, Christian Hymn: Ave Maria
Leonardo da Vinci; Virgin of the Rocks (Louvre), 1483~94?+1507~13, Christian Hymn: Ave Maria, Alchemy song: Visita in(teriora) Terrae
Leonardo da Vinci; The Virgin and Child with St. Anne, circa1510, Christian Hymn: Sanctus, Alchemy song: Visita in(teriora) Terrae
Rubens; The Last Supper, 1630–1631, Christian Hymn: Agnus Dei(Lamb of God)
Tintoretto; The Last Supper, 1592–94, Christian Hymn: In verità
Domenico Ghirlandaio; The Last Supper, 1480, Christian Hymn: In verità
Raphael; Madonna della seggiola, 1513–1514, Christian Hymn: Ave Maria
Botticelli; Annunciation, circa1489, Christian Hymn: "Come avverrà questo, poiché io non conosco uomo?". In English, "How will this be, since I do not know a man?" (Luke 1: 34).
The Power of Love is a 10cc single . It comes from their album Ten out of 10 .
The song is written by Andrew Gold , Eric Stewart and Graham Gouldman . It is one of the songs that this trio had written for the album Ten out of 10 , where Andrew Gold would also work as a producer . However, it was different, 10cc consisting of Stewart and Gouldman left from the United States back to England and made the album without Gold and without the songs they had recorded together. The song did, however, appear on the American pressing of the LP .
The song is about a cozy evening at home, where the girlfriend is seduced by the singer under the influence of The Power of Love . She can not resist The Power of Love. The second verse is about the problems in a restaurant, the guest sees a beautiful woman walking by and is directly distracted: The Power of Love .
B-side You're Coming Home Again was not on the European nor on the American version of the album. The single has remained unknown in Europe.
続行しないでゲームを打つ。 SFCのベータ版を再生しています。 これはゲームの非常に初期のバージョンです。 多分約30〜40%が完了したでしょう。 このバージョンでは、あなたはaskaやwing nutとしてプレイすることはできません。 また、 このバージョンではラットの王が最終的な上司です。 これにもいくつかの失われた歌/ BGMSがあります。 その他いくつかの違いがあります。
Beat the game without continuing. Playing the Beta Version of the SFC. This is a very early version of the game. Maybe around 30 to 40% done. In this version you can not play as Aska or Wing Nut. Also. The Rat King is the final boss in this version. There are also some lost songs/BGMS in this too. and some other differents.