FC2Video

with tuneless Seymour, the puppet joining in taken from "Hot Fudge Show" - Episode #8, from Season #2

with relevant clips from: Children of Divorce (1980) Battered (1978) Sister, Sister (filmed in 1979, but released in 1982) and About Mrs. Leslie (1954) Sorry to tell that this song by 10cc, "I'm Not in Love" should have been a heartbreaking ballad, filled with more meaning, hurt and a sad lament. It should have been one of the saddest songs of 1975 plus it should have been on the list of sad songs and break-up songs.

This is a 1986 commercial for Anheuser Busch. It features the slogan "Here's To You, America."

Hosted by Chris Trane, aired on Thanksgiving Day 11/28/1985 Dancin' On Air playlist: Cindy & Roy – I Wanna Testify (1979) Isaac Hayes - Don't Let Go (1979) Larry Santos – Don’t Take the Easy Way Out - rehearsed piano version Aretha Franklin & Annie Lennox from Eurythmics - Sisters Are Doing It For Themselves (1985) Solaris – Music Mind (1980) Stevie Wonder - Part-Time Lovers (1985) Ta Mara & The Seen - Everybody Dance (1985) Mary Stevens – Find Your Love (1983) Pop ballad slow dance: Billy Harner - What About the Children? (1973) Pop Music Video Showcase: 10cc - I'm Not in Love (serious edit version) Wild Honey - At the Top of the Stairs (1976) George Benson - On Broadway (1978) Sister Sledge & Chic - We Are Family (1979)

Featured songs: "Parents Can Be A Lot Of Fun, Too" and "Your Mom and Your Dad"

Featured song: "Two Heads Are Better Than One"

Featured songs: "Everybody Knows" and "We Like To Sing Together" Also including: Seymour, the furry little pet monster introducing 3 new friends, Amanda Caruthers, Ron Coden and pop singer/songwriter/keyboardist/pianist Larry Santos Detective Tomato talks about what you food you would like to be Name That Feeling: Proud Jammin' Jimmy riding in police car Amanda & Ron talking about friendship Hot Fudge Newsreel: What makes you angry? Mona & Jeffrey talk about brothers and sisters

"Long, Long Time" is a song written by Gary White.[1] The song was a hit for Linda Ronstadt in 1970. Linda Ronstadt version In 1970, Linda Ronstadt released the song as a single and on the album Silk Purse.[1] The single spent 12 weeks on the Billboard Hot 100 chart, peaking at No. 25,[2] while reaching No. 15 on Canada's "RPM 100",[3] No. 8 on Canada's CHUM 30 chart,[4] and No. 20 on Billboard's Easy Listening chart.[5][6] In 1971, Linda Ronstadt was nominated for a Grammy Award for Best Contemporary Female Vocal Performance for her rendition of "Long, Long Time".[7] Other versions In 1976, Larry Santos released a cover of the song, which reached No. 38 on Billboard's Easy Listening chart[9][10] and No. 109 on Billboard's "Bubbling Under the Hot 100".[11] In 1998, Canadian singer/songwriter Alannah Myles covered the song for her compilation album The Very Best Of Alannah Myles.[12]

Featured song: "Imagination Situation" Also featured: Mona wishes she was older Glenn & the painter Ron pretending to be a radio astronauts Name That Feeling: ridiculous telephone calls and distraction basketball

Written by Larry Santos & Carole Bayer Sager originally taken from "Hot Fudge Show", done in a gospel/pop style in 1985

Cubase+VOCALOID Miku Hatsune cubase VOCALOID 2020の6月にアップしました。電飾きのこのオリジナル曲です。ニコニコ動画にもアップしています。検索は　電飾きのこ　でお願いします。もともとは　テクノ君　で活動していたのですが　UNIT 名　を、ひとりUNIT の電飾きのこに変えました。電飾椿 が前身で、インディーズバンド　の影響を強く受けています。また DISCO や　CLUB MUSIC の DJ をしていたので、四つ打ちの HOUSE や EUROBEAT TECHNO にも興味があります。 テクノ系が個人的に好みなので　KRAFTWERK YMO 坂本龍一　中田ヤスタカ　NewOrder テクノ　ニューウェーブ　PUNK の様なPOPな音楽・POP MUSIC が作れたら良いなと思ってます。ボカロとの出会いで　ボーカルを探さなくてよくなり、また僕自身が歌っていたのより、はるかに理想に近くなりました。ボカロ　音街ウナ　もよく使っていますので、よろしくお願いします。

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NoeL is a Japanese singer e-komatsuzaki is a Japanese composer These two people shared music activities We made a number of songs https://soundcloud.com/e-komatsuzaki-feat

I like the serious heartfelt ballad, "I'm Not in Love", done by only Eric Stewart from 10cc, better than Kathy Redfern's middle part that I'm not happy about since I'm a small 10cc fan. I'm Not in Love: short version is better without Kathy Redfern's midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. Angel Dusted: Co-starring Patrick Cassidy, a young Helen Hunt and Jean Stapleton's real-life son Putch in a terrific lead performance, Angel Dusted features an early score by award-winning composer James Horner. Based on the book by Ursula Etons, the film was adapted by Darlene Craviotto, who also plays the boy's psychiatrist.

I like the serious heartfelt ballad, "I'm Not in Love", done by only Eric Stewart from 10cc, better than Kathy Redfern's middle part that I'm not happy about since I'm a small 10cc fan. I'm Not in Love: short version is better without Kathy Redfern's midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. Angel Dusted: Co-starring Patrick Cassidy, a young Helen Hunt and Jean Stapleton's real-life son Putch in a terrific lead performance, Angel Dusted features an early score by award-winning composer James Horner. Based on the book by Ursula Etons, the film was adapted by Darlene Craviotto, who also plays the boy's psychiatrist.

"People In Love" (Creamy pop/soul ballad version), remade by Joyce Berry in 1982: This is the female version of the Eric Stewart & Graham Gouldman composition with gender changed from 'her' to 'his' and from 'she' to 'he' where she sings in a lower register, lower than Eric Stewart from British pop group 10cc. When American blue-eyed soul/pop singer and backing vocalist Joyce Berry was younger back in 1977, she heard a pop song on the radio, called, "People In Love" by British pop band 10cc she would be more familiar with and then also bought both a small 45 RPM single and a sheet music of the same song, so she had to learn the words to that song over and over again until she was satisfied with it, so she decided to sing it lower in her smoky alto than band member Eric Stewart in his tenor. Since Joyce is a straightforward pop/soul singer with a soft ballad voice in a real authentic style, she moves away from the Godley & Creme artistic, abstract art-rock stuff, progressive rock, avant-garde, rock opera and experimental stuff when she said "No, I don't like the abstract art-rock stuff of Godley & Creme because I find it bland and boring that lacks soul. I don't like it. I prefer Eric Stewart & Graham Gouldman better that have more soul than that when they made such real authentic pop music that I'm always crazy about.", so she decided to focus more on some of the straightforward Stewart & Gouldman pop stuff that she is more comfortable with. Words and music courtesy of Eric Stewart and Graham Gouldman Joyce Berry version Lead Vocals: Joyce Berry Percussion: Jimmy Maelen Electric Piano: Randy Kerber Parlor Piano: Randy McCormick Bass: Dennis Belfield Electric Guitar: Charles Fearing Acoustic Guitar: Dennis Budimir Drums: Ed Greene Background Vocals: Joyce Berry, Laurie Maitland, Scarlett McCarthy Strings Arranged by Gene Page Produced by Steve Buckingham "People In Love" - original by 10cc 'People In Love' is Eric's turn to go all gooey-eyed and we'll be getting a lot of these love-lorn ballads from him over the next few albums. Some of them will be stunningly gorgeous, but sadly this inferior sequel to 'The Things We Do For Love' isn't one of his best. The song was actually the very last track ever recorded by the 'old' line-up of 10cc where it had the curious working title 'Voodoo Boogie' (it was later released in 2012 on the 'Tenology' box set) - maybe it was the thought of working on an album full of mawkish songs like this that caused Godley and Creme to quit. Eric is always good at sounding like he's in love, though and 'People In Love' is like one of those kitsch ornaments: so exquisitely carved and molded with so much care and talent that you're impressed even whilst you're being sick from the sheer OTT ness of it all (if ever a song was already so far gone it could have done without syrupy strings it's this one!) Some of the lyrics are sweet though and on an album where 'The Things We Do For Love' hasn't already made the point better this song would be better regarded. Love is again an illness, a form of insanity almost, that turns the narrator's life upside down and means he can 'do nothing right' - another very universal song, then, although some of what it causes the narrator to do sounds rather unusual ('Walk under buses and burn your wings' - sounds like a problem with his eyesight to me, not his lovesick heart). Note the first appearance of a key theme of later Eric Stewart songs - the idea that the narrator never gets enough time with his beloved before being forced to go somewhere else and the thought that time moves quicker when you're enjoying yourself (this is the key theme of 'Windows In The Jungle'). A bit of a gooey mess, 'People In Love' should only be listened to by 'People In Love' who can stand the saccharine, although if Eric's vocals on this recording don't make you fall in love with him you have a heart of stone (or a cold). 10cc original Recorded at Strawberry Studios South Lead Vocals, Slide Guitar, Piano, Lead Guitar: Eric Stewart Drums, Tambourine, Bell Tree, Rototoms: Paul Burgess Bass Guitar, Acoustic Guitar, Electric Guitar, Harmony Vocals: Graham Gouldman Arranged By [Strings], Conductor [Strings]: Del Newman

Taken from their last album, "Goodbye Blue Sky" Here is the story behind their last album: Goodbye Blue Sky is the seventh and final studio album by Godley & Creme. Released in 1988, the album generated two singles, "Little Piece of Heaven" and "10,000 Angels" as well as videos for those two singles. The album featured backup vocals by three future members of 1990s dance band Londonbeat. Making of[edit] The album is notable through its use of harmonicas, which are used substantially on most tracks. In a 1988 interview with Pulse! magazine, they said: “ We also decided to use other musicians on the album for the first time ever, to get back to a real live band feel, and that's when we started auditioning harp players," adds Godley. "And to our surprise, we found that there's a huge range - everything from bass to treble - but that traditionally harmonicas are always played as solo instruments. They're never played in groups." "So naturally we thought, 'Why not use a harmonica section?"' Creme continues. "And after auditioning a bunch of players, none of whom had ever played with another harp player, we finally selected two guys - Mark Felton (sic) and Mitt Gamon -and began laying down rhythm tracks at my home studio. "Next, we brought in three black backup singers - George Chandler, Jimmy Helms and Jimmy Chambers - whom we'd met on the Paul Young video, and started building up the tracks. The interesting thing is that the more we got into the sounds, the more we began re-writing the songs to suit the singers or the harp players. ” Track listing[edit] All songs composed by Kevin Godley and Lol Creme "H.E.A.V.E.N. / A Little Piece of Heaven" – 5:06 "Don't Set Fire (To the One I Love)" – 3:27 "Golden Rings" – 4:17 "Crime & Punishment" – 7:22 "The Big Bang" – 2:32 "10,000 Angels" – 5:16 "Sweet Memory" – 4:50 "Airforce One" – 3:40 "The Last Page of History" – 4:01 "Desperate Times" – 3:41 Personnel[edit] Lol Creme – guitar, bass, keyboard & vocals Kevin Godley – drums, percussion, vocals Mark Feltham – harmonica Mitt Gamon – harmonica Jimmy Chambers – backup vocals George Chandler – backup vocals Jimmy Helms – backup vocals Richard Evans - Cover design

originally taken from boxed set

taken from their 1973 self-titled debut album

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.

taken from her first album, "Desire Wire'

from their 1975 album, "The Original Soundtrack"

smash pop/disco hit of late 1978

taken from the family program, "Hot Fudge Show"

INCONSEQUENCES. This soft, fluffy ballad was floated as the first single from "Look Hear?", and promptly disappeared from the airwaves. It's not an awful song, in the same vein as "People In Love" and "For You And I", both of which were a blanching of something that used to be so colourful. As I've mentioned elsewhere, 1980 was a turning point where bands were either looking ahead or looking back. "It Doesn't Matter at All" is guilty of being nostalgic at a time when '10cc' could (should?) have embraced 'new wave' like 'Alice Cooper' ("Flush the Fashion") and Paul McCartney ("McCartney II"). There's also a video of the band lip-synching to this, in which you can clearly make out Eric Stewart's "Dracula" teeth, proving that all pop music is made by undead vampires who keep recycling the same melodies every hundred years (and harvest the organs of drummers, but that's another story).

"Breakout" is a single from British act Swing Out Sister's debut album It's Better to Travel. The single reached the number four position in the UK in the autumn of 1986, and rose to number six on the Billboard Hot 100 in the US and number one on the Adult Contemporary in the US in 1987. The song also resulted in a Grammy Award nomination for Best Pop Vocal Performance by a Duo or Group. The single was written and performed while the group was still a trio. It was one of their biggest hits, and the song most closely associated with the act. In the US, "Breakout" remains a staple of adult contemporary and smooth jazz radio station playlists.

This is the shorter version of this song. "We Are the World" is a song and charity single originally recorded by the supergroup United Support of Artists (USA) for Africa in 1985. It was written by Michael Jackson and Lionel Richie (with arrangements by Michael Omartian) and produced by Quincy Jones for the album We Are the World. With sales in excess of 20 million copies, it is one of the fewer than 30 all-time physical singles to have sold at least 10 million copies worldwide.

"Art for Arts Sake" is a single by 10cc released in 1975. It was taken from the How Dare You! album,[1] and reached No. 5 on the UK singles chart. The title of the song derives from the fact that Graham Gouldman's father, Hymie Gouldman, often used to say "Art for art's sake, money for God's sake, okay".[2] Personnel: Eric Stewart – lead vocal, electric and acoustic piano, six string and fuzz bass, lead guitar Graham Gouldman– electric guitars, third lead vocal and backing vocals, cow bell, tambourine Lol Creme – electric guitars, second lead vocal and backing vocals, maracas, Moog synthesizer, recorder Kevin Godley – drums, backing vocals, temple blocks

"Art for Arts Sake" is a single by 10cc released in 1975. It was taken from the How Dare You! album,[1] and reached No. 5 on the UK singles chart. The title of the song derives from the fact that Graham Gouldman's father, Hymie Gouldman, often used to say "Art for art's sake, money for God's sake, okay".[2] Personnel: Eric Stewart – lead vocal, electric and acoustic piano, six string and fuzz bass, lead guitar Graham Gouldman– electric guitars, third lead vocal and backing vocals, cow bell, tambourine Lol Creme – electric guitars, second lead vocal and backing vocals, maracas, Moog synthesizer, recorder Kevin Godley – drums, backing vocals, temple blocks

Brace Yourself from Brady Bunch: Marcia tearfully frets "I'm ugly, ugly, ugly!" over her new braces. Then her date Alan Anthony (Mike Robertson) cancels, claiming that he must go out of town with his parents to visit a relative. Greg, Mike, and Alice attempt to arrange replacement dates, but a lack of coordination ruins the plan. Then just before the night of the dance, Alan arrives ... showing off his new braces (which he had fitted after an accident with his bicycle). Guest stars: Jerry Levreau as Harold Reynolds Brian Nash as Joey Michaelson John Daniels as Eddie the delivery courier Molly Dodd as the sales clerk