扭計色{魔術方塊}一分鐘:方向之文字數字編3:從一到九,另一做法
Rubik's Cube for a Minute: Orientation of text and numbers 3:
From one to nine with another method
紅中、發財、白板。索子、筒子、萬子。在萬子這面,有一到九。
索子這面,也有一到九。你想想,可以怎樣維持住一四七以及三六九,
然後把索子以及萬子這兩面,都變成一到九排好次序,想到才繼續。
來[嗱]!現在暫停播放。
來[嗱]!現在繼續。
那麼,它就,可以把(前面和後面)這兩豎[冧陽去]
上下顛倒[倒轉],
也就是(轉成上面和右面)這兩列[列音辣]前後顛倒[倒轉]。
那麼就是:
上面半圈(上二(U2)),左右半圈(左二(L2)、右二(R2)),
下面半圈(下二(D2))。然後,又再[翻二]回[翻一]來:
左右半圈(左二(L2)、右二(R2))。
(即《邊粒花樣1:格仔棋盤2:對邊格仔,分面半圈》的做法。)
這樣就可以把,索子,和萬子這面,就都變成一到九,排好次序了。
補充:開始前的花樣,
見《邊粒花樣1:格仔棋盤1:格仔棋盤,對面半圈》
和《方向還原1:單面顛倒:順二反一,順二反一》。
扭計色{魔術方塊}一分鐘:方向之文字數字編2:從一到九,排好次序
Rubik's Cube for a Minute: Orientation of text and numbers 2:
From one to nine in order
紅中、發財、白板。索子、筒子、萬子。索子這面,有一到九。
萬子這面,也是有一到九。你想想,可以怎樣,維持二五八,
然後把一到九排好次序,想到才繼續。
來[嗱]!現在暫停播放。
現在繼續。
那麼就很間單。維持住二五八,然後把一四七(右二(R2)),
和三六九(左二(L2)),轉[扭]到後面。
然後把後面轉半圈(後二(B2))。
然後,把一四七再[翻二]轉回[翻一]來(左二(L2)),
三六九也再轉回來(右二(R2))。那麼後面呢(整顆上二(WU2)),
當然也是再轉半圈(前二(F2))。
那麼現在,這兩面,就變成一到九,排好次序了。
補充:開始前的花樣,
見《邊粒花樣1:格仔棋盤1:格仔棋盤,對面半圈》
和《方向還原1:單面顛倒:順二反一,順二反一》。
This video, part of The American Mercury’s centennial series, showcases the first part of Hugh M. Dorsey’s closing arguments in the 1913 Leo Frank trial for the murder of 13-year-old Mary Phagan at the National Pencil Company in Atlanta. Delivered over nine hours on August 22, 23, and 25, 1913, this segment, drawn from the Leo Frank Trial Brief of Evidence, focuses on Dorsey’s opening summation, highlighting forensic evidence—blood and hair in the factory—and Jim Conley’s testimony, alleging Frank’s involvement. Dorsey outlined Phagan’s murder on April 26, 1913, pinning the crime on Frank, the Jewish superintendent, and dismissed antisemitism allegations, citing his respect for Jewish figures. He emphasized factory girls’ testimonies about Frank’s lascivious conduct, countering defense arguments by Luther Rosser and Reuben Arnold. The trial ended with Frank’s conviction, his 1915 lynching after Governor John Slaton’s commutation, and the founding of the Anti-Defamation League (ADL). The video notes the racial context of the Jim Crow South, where Conley, a Black man, testified against Frank, a white Jewish man, an anomaly due to the evidence’s weight. As of May 22, 2025, the case remains debated, with the Georgia Innocence Project seeking exoneration, opposed by Phagan’s family. X debates reflect this divide, with some referencing Alonzo Mann’s 1982 affidavit implicating Conley, while others affirm the verdict. The video frames Dorsey’s arguments as a key moment in justice and prejudice debates.
This video, part of The American Mercury’s centennial coverage, showcases the second part of Hugh M. Dorsey’s closing arguments in the 1913 Leo Frank trial for the murder of 13-year-old Mary Phagan at the National Pencil Company in Atlanta. Delivered over nine hours on August 22, 23, and 25, 1913, this segment, drawn from the Leo Frank Trial Brief of Evidence, focuses on Dorsey’s rebuttal of defense claims by Luther Rosser and Reuben Arnold. Dorsey highlighted forensic evidence—blood and hair in the factory—and Jim Conley’s testimony, alleging Frank’s involvement. He pointed to Frank’s nervous demeanor and refusal to confront Conley as signs of guilt, while rejecting antisemitism allegations, noting his admiration for Jewish figures. Dorsey also emphasized factory girls’ testimonies about Frank’s lascivious conduct, framing him as a predator. The trial ended with Frank’s conviction, his 1915 lynching after Governor John Slaton’s commutation, and the founding of the Anti-Defamation League (ADL). The video notes the racial context of the Jim Crow South, where Conley, a Black man, testified against Frank, a white Jewish man, an anomaly due to the evidence’s weight. As of May 22, 2025, the case remains debated, with the Georgia Innocence Project seeking exoneration, opposed by Phagan’s family. X debates reflect this divide, with some referencing Alonzo Mann’s 1982 affidavit implicating Conley, while others affirm the verdict. The video highlights Dorsey’s arguments as a key moment in justice and prejudice debates.
This video, part of The American Mercury’s centennial series, features Hugh M. Dorsey’s closing arguments in the 1913 Leo Frank trial for the murder of 13-year-old Mary Phagan at the National Pencil Company in Atlanta. Delivered over nine hours on August 22, 23, and 25, 1913, Dorsey’s arguments, drawn from the Leo Frank Trial Brief of Evidence, emphasized forensic evidence—blood and hair in the factory—and Jim Conley’s testimony, alleging Frank’s involvement. Dorsey refuted antisemitism claims, citing his respect for Jewish leaders, and argued Frank’s actions, like avoiding Conley, indicated guilt. He highlighted factory girls’ testimonies about Frank’s lasciviousness, countering defense arguments by Luther Rosser and Reuben Arnold. The trial ended with Frank’s conviction, his 1915 lynching after Governor John Slaton’s commutation, and the founding of the Anti-Defamation League (ADL). The video notes the racial context of the Jim Crow South, where Conley, a Black man, testified against Frank, a white Jewish man, an anomaly due to the evidence’s weight. As of May 22, 2025, the case remains debated, with the Georgia Innocence Project seeking exoneration, opposed by Phagan’s family, who cite the trial record. X debates reflect this divide, with some referencing Alonzo Mann’s 1982 affidavit implicating Conley, while others affirm the verdict. The video highlights Dorsey’s arguments as a key moment in justice and prejudice debates.
Mike Oldfield Ommadawn part 2.
Although it features the beautiful recorder of Leslie Penny and the Chieftains' Paddy Maloney playing the uilean pipe, Ommadawn didn't gain Mike Oldfield the success he was looking for. The album was released in the same year as the David Bedford-arranged Orchestral Tubular Bells and nine months after Oldfield picked up a Grammy award for the original Tubular Bells album. The most pleasing attribute of Ommadawn is its incorporation of both African and Irish music in its symphonic rock & roll mainframe. Boosted by a hearty amount of different horns, piano, cello, trumpet, and synthesizer, the album has its moments of rising action, but the whole of Ommadawn fails to keep its lovely segments around long enough, and there are some rather lengthy instances that include bland runs of unvaried music. Another plus is Oldfield's use of a choir, giving the album a soft, humanistic feel when contrasted against the keyboards or synthesizer. While it does include flashes of Mike Oldfield's brilliance, the entire album may seem a little anticlimactic when compared to some of his other releases.
ようこそ、DJ まるbeeの世界へ 第70回です。今回のジャンルはOld BlackMusic(Soul & Blues)です、ノリノリです!^^
SIDE B(I Got A Strange Feeling/ Buddy Guy, Messin' with the kid/ Buddy Guy, Nine Pound Steel/ Joe Simon, You Beat Me To The Punch/ Mary Wells, A Love Like Yours/ Kim Weston, Way Over There/ The Miracles, Old Smokey/ Bo Diddley)
[Verse]
OLX89, got me feelin' like a kingpin,
No robot scams, jackpot bells ringin’,
Transparent moves, stackin’ up the green,
Livin' that dream, pockets lookin' pristine.
[Verse]
Late night hustle, all wins, no fuss,
Funny thing, always cheering, got the trust,
Chips in the air, yeah we goin’ all in,
Fortune wheel spin, excitin' like a whirlwind.
[Chorus]
Celebrate, elevate, casin’ on cloud nine,
OLX89, it's the prime, feelin' so divine,
No fake moves, just the truth in shine,
Happy vibes rollin', pure gold mine.
[Verse]
Roll the dice, feel the spice, numbers align,
Every click, every flip, a win to find,
Laughin' to the bank, count the stacks high,
Transparent play, no mask, no lie.
[Verse]
Big scores, loud roars, we break the mold,
Trust on lock, OLX always bold,
Smilin’ all the way, bright stars in sight,
Happy days, casino nights, everything's right.
[Chorus]
Celebrate, elevate, casin’ on cloud nine,
OLX89, it's the prime, feelin' so divine,
No fake moves, just the truth in shine,
Happy vibes rollin', pure gold mine.
ようこそ、DJ まるbeeの世界へ 第67回です。今回もOld Black Music(Funk & Soul)です。
SIDE B(Stand By Me/ Otis Redding, Ninety-Nine And A-Half/ Wilson Pickett, The Same Guy/ Wendy Rene, Blackbird/ Billy Preston, Nothing From Nothing/ Billy Preston, Doin' It/ Professor Longhair, Having A Party/ Sam Cooke)
Step into the heart of Tibet’s most important festival — Losar, the Tibetan New Year. 🌸🎉
From the burning of fragrant juniper branches at dawn, to the vibrant cham dances in monasteries, Losar is a celebration of renewal, family, and devotion. Houses are cleaned and decorated, special dishes like guthuk (nine-ingredient soup) are prepared, and people gather to honor both ancestors and the year to come.
Losar is not just a holiday — it’s a tapestry of rituals, laughter, and prayers woven together across the high plateau. In this video, discover the colors, sounds, and spirit of a festival that blends the sacred with the joyful.
https://www.greattibettour.com/tibet-travel-tips/tibet-travel-restrictions.html.
Presenting Provident Botanico, a prestigious real estate project tucked away in the center of Bengaluru's Whitefield. Situated on 15 acres of immaculate ground, this opulent home community represents the pinnacle of contemporary living. With nine tall buildings, Provident Botanico has 1100 luxurious apartments that are painstakingly constructed to satisfy the most discriminating requirements of homeowners. Provident Botanico offers 2 and 3 BHK apartment types that are all decorated with modern and elegant high-rise architecture. Apartment sizes range from 950 to 1500 square feet, providing residents with roomy living areas that are both elegant and comfortable. Two different tower configurations are present in this architectural wonder; some rise elegantly to a height of eighteen stories, while others soar to an astounding twenty-four stories, offering stunning vistas of the surrounding countryside.
https://www.providentbotanico.org.in/
https://www.providentbotanico.org.in/specifications.html
https://www.providentbotanico.org.in/provident-botanico-apartments.html
Injury Lawyer Scott DeSalvo
I got hurt in an accident. Who should I call?
When Personal Injury Lawyer Scott DeSalvo was nine years old, his father was catastrophically injured.
His injury case went on for 17 years. Then, his own lawyer sued him to get more lawyer fees.
So this never happens again, Scott DeSalvo is a different kind of injury lawyer running a different kind of personal injury law firm.
We focus on the client, the client's needs, and providing truly world class representation.
We are Chicago personal injury lawyers who help injured people in and out of Illinois in all kinds of injury cases like car/truck or motorcycle crash, work injury or Workers Comp, dog bite, slip and fall, nursing home abuse, medical mistake.
Free consultation, any time, night or day: 312-500-4500
Address: 1000 Jorie Blvd, Ste 204, Oak Brook, IL 60523, USA
Phone: 312-895-0545
Website: https://desalvolaw.com
Injury Lawyer Scott DeSalvo
I got hurt in an accident. Who should I call?
When Personal Injury Lawyer Scott DeSalvo was nine years old, his father was catastrophically injured.
His injury case went on for 17 years. Then, his own lawyer sued him to get more lawyer fees.
So this never happens again, Scott DeSalvo is a different kind of injury lawyer running a different kind of personal injury law firm.
We focus on the client, the client's needs, and providing truly world class representation.
We are Chicago personal injury lawyers who help injured people in and out of Illinois in all kinds of injury cases like car/truck or motorcycle crash, work injury or Workers Comp, dog bite, slip and fall, nursing home abuse, medical mistake.
Free consultation, any time, night or day: 312-500-4500
Address: 1000 Jorie Blvd, Ste 204, Oak Brook, IL 60523, USA
Phone: 312-895-0545
Website: https://desalvolaw.com
Injury Lawyer Scott DeSalvo
I got hurt in an accident. Who should I call?
When Personal Injury Lawyer Scott DeSalvo was nine years old, his father was catastrophically injured.
His injury case went on for 17 years. Then, his own lawyer sued him to get more lawyer fees.
So this never happens again, Scott DeSalvo is a different kind of injury lawyer running a different kind of personal injury law firm.
We focus on the client, the client's needs, and providing truly world class representation.
We are Chicago personal injury lawyers who help injured people in and out of Illinois in all kinds of injury cases like car/truck or motorcycle crash, work injury or Workers Comp, dog bite, slip and fall, nursing home abuse, medical mistake.
Free consultation, any time, night or day: 312-500-4500
Address: 1000 Jorie Blvd, Ste 204, Oak Brook, IL 60523, USA
Phone: 312-895-0545
Website: https://desalvolaw.com
Injury Lawyer Scott DeSalvo
I got hurt in an accident. Who should I call?
When Personal Injury Lawyer Scott DeSalvo was nine years old, his father was catastrophically injured.
His injury case went on for 17 years. Then, his own lawyer sued him to get more lawyer fees.
So this never happens again, Scott DeSalvo is a different kind of injury lawyer running a different kind of personal injury law firm.
We focus on the client, the client's needs, and providing truly world class representation.
We are Chicago personal injury lawyers who help injured people in and out of Illinois in all kinds of injury cases like car/truck or motorcycle crash, work injury or Workers Comp, dog bite, slip and fall, nursing home abuse, medical mistake.
Free consultation, any time, night or day: 312-500-4500
Address: 1000 Jorie Blvd, Ste 204, Oak Brook, IL 60523, USA
Phone: 312-895-0545
Website: https://desalvolaw.com
Injury Lawyer Scott DeSalvo
I got hurt in an accident. Who should I call?
When Personal Injury Lawyer Scott DeSalvo was nine years old, his father was catastrophically injured.
His injury case went on for 17 years. Then, his own lawyer sued him to get more lawyer fees.
So this never happens again, Scott DeSalvo is a different kind of injury lawyer running a different kind of personal injury law firm.
We focus on the client, the client's needs, and providing truly world class representation.
We are Chicago personal injury lawyers who help injured people in and out of Illinois in all kinds of injury cases like car/truck or motorcycle crash, work injury or Workers Comp, dog bite, slip and fall, nursing home abuse, medical mistake.
Free consultation, any time, night or day: 312-500-4500
Address: 1000 Jorie Blvd, Ste 204, Oak Brook, IL 60523, USA
Phone: 312-895-0545
Website: https://desalvolaw.com
In a horrifying incident in Diamer District of the illegally occupied territory--Gilgit Baltistan, a group of terrorists ambushed a local bus, killing nine and injuring at least 26.
JOHN OLIVER AND his Last Week Tonight crew decided to do a longer-than-normal show all about museums. Which on the face of it sounds like a terrible idea, but it actually worked because Oliver’s focus was on the theft by Western colonizers of other countries’ antiquities, and today’s Western museums that are none too keen to give it all back.
Here’s a pretty upsetting fact: In 2018 a French report concluded that more than 90 percent of Africa’s cultural heritage is currently in museums — specifically, museums that are located on the continent of Africa. Countries there and around the world are today demanding the return of antiquities plundered by colonizers over the centuries, from gigantic Indian diamonds shellacked to British crowns to Chadian wood funeral poles displayed in Paris.
Oliver, who relishes being a self-loathing Englishman, aimed his sights at the British Museum, which still houses massive numbers of antiquities plundered from the many places colonized by the British Empire.
“Honestly, if you’re ever looking for a missing artifact, nine times out of 10 it’s in the British Museum,” Oliver said. “It’s basically the world’s largest lost and found, with both ‘lost’ and ‘found’ in the heaviest possible quotation marks.”
The museum was founded in 1759 with the collection of an Englishman whose money came in part from Jamaican sugar plantations worked by the enslaved; Oliver made sure to point out this means the very foundation of the museum is inextricably linked to not just colonialism but slavery. He then took apart arguments often offered by Westerners for why artifacts stolen decades or centuries ago shouldn’t be returned to their home countries today.
“It was a different time back then—everybody looted and it was totally okay!” is one argument often used, but Oliver pointed out that British Prime Minister William Gladstone responded to the British Army stealing Ethiopian treasures by saying he “deeply lamented for the sake of the country and for the sake of all concerned… that these articles… were thought fit to be brought away by the British Army.”
Gladstone said that in 1868.
“We didn’t even know how to fix a UTI without leeches back then,” Oliver said. “But we knew that raiding other countries for their shit was ‘deeply lamentable,’ which is British for ‘super fucked up.’”
Another argument is that countries are unable or unwilling to take proper care of their own artifacts, so the West has to do it for them. Oliver pointed out that Western museums — including the British Museum — have rich histories of damaging artifacts themselves.
A third argument, that the museums serve as a showplace for all the world to be able to see the artifacts, is patently stupid, since the museums are often thousands of miles away from the people whose heritage is actually on display. Additionally, museums show just a fraction of their artifacts; the British Museum’s collection numbers around 8 million objects, but only 1 percent of them are on public display.
Artifacts are still routinely bought, sold, donated, and stolen with the help of dealers, auction houses, private collectors, and, yes, museums, which sometimes serve as reputation launderers for thieves. Say an antiquities thief donates pieces to a world-renowned museum. The museum happily accepts the donation, and the thief can now say they couldn’t possibly be a thief because a major museum would never accept stolen artifacts.
That is far from true. For instance, New York’s Metropolitan Museum of Art, which has accepted pieces from known antiquity thieves, has had nine search warrants executed against it in the past five years alone. They led to 37 pieces bring seized by authorities.
“There is so much that we need to do to reckon with the harms both past and present of colonialism,” Oliver said, “but this should really be the easy part.”
Welcome to episode nine of JohnDaGamer64's Munchies Review. This video series will focus on reviews on food/snacks/drinks. Today, we'll be reviewing the Sour Patch Kids: Cola Bubbles #johndagamer64smunchiesreview #sourpatchkidscolabubbles
お笑い芸人 ナインティナインがトーク 2021.05.07 ナインティナイン1ヶ月ぶりの2人トーク 岡村隆史 矢部浩之 Comedian Ninety-nine talks 2021.05.02 Ninety-nine talks for the first time in a month Takashi Okamura Hiroyuki Yabe 2021.05.02 ナインティナイン1ヶ月ぶりの2人トーク 岡村隆史 矢部浩之
Author Stephen Lancaster and expert paranormal investigators reveal nine years worth of research in favor of an authentic haunting inside the historic Brentwood Wine Bistro.
℗ Paradox Interactive
Artist: Paradox Interactive
Released on: 2016-10-18
William II, Prince of Orange, and his Bride, Mary Stuart, Anthony van Dyck, 1641
The boy is fourteen and the girl only nine. William’s father, Frederick Henry, commissioned
the celebrated Flemish painter Van Dyck to portray the young Dutch prince and English
princess on the occasion of their marriage in London. The union with the daughter of the
English king enhanced the status of the House of Orange. On her gown, Mary wears a gift
from William, a large diamond brooch.
(I did Songs of Yuletide last year, so this year this song.)
[[[ it is not a gameplay video. ]]]
Merry Christmas to all EU4 players
album
【EuropaUniversalisIV】
https://video.fc2.com/album.php?kobj_mp_id=20200820wJQWa9Sh
【Twitter】gan_doku
Children Judo lessons.
Learning Judo technique with a hold.
Technique of retaking a hold.
この映画や他の映画はここで購入できます。https://www.ebay.com/itm/Children-Judo-lessons-Technique-retaking-hold-/162309796449
Kallista Film offers a new educational film about children Judo. Methods of teaching offered by the author, is designed for any age and level of knowledge of children and adults. The film covers the following topics: how to teach children to take a hold, how to teach children to move during the hold, how to teach children to change a hold depending of the opponent's actions. For example, a few throws shows how to learn and perform judo technique. The film shows the children training of dynamic break balance and also a range of preparatory actions in the holds. This technique is the base platform for training a large number of technical actions of judo. As a good example is taken a shoulder throw (ippon-seoi-nage) and interception of a kimono lapel. As examples are shown another nine techniques of judo. The film is a methodical manual on training judo techniques. The proposed methodology is simple enough to use and is available for any coach and fan. The film is designed for a wide range of specialists, as well as children and their parents.
Author of the film - Pavlov Dmitry
Standard PAL DVD.
Region Code DVD: 0/All
Duration 51 min.
PAL 16:9
Studio «KALLISTA» 2016
https://www.ebay.com/usr/kfvideo
http://kfvideo.ru/
http://kfvideo.com/
Children Judo lessons.
この映画や他の映画はここで購入できます。
https://www.ebay.com/itm/Children-Judo-lessons-Technique-retaking-hold-/162309796449
Learning Judo technique with a hold.
Technique of retaking a hold.
Kallista Film offers a new educational film about children Judo. Methods of teaching offered by the author, is designed for any age and level of knowledge of children and adults. The film covers the following topics: how to teach children to take a hold, how to teach children to move during the hold, how to teach children to change a hold depending of the opponent's actions. For example, a few throws shows how to learn and perform judo technique. The film shows the children training of dynamic break balance and also a range of preparatory actions in the holds. This technique is the base platform for training a large number of technical actions of judo. As a good example is taken a shoulder throw (ippon-seoi-nage) and interception of a kimono lapel. As examples are shown another nine techniques of judo. The film is a methodical manual on training judo techniques. The proposed methodology is simple enough to use and is available for any coach and fan. The film is designed for a wide range of specialists, as well as children and their parents.
Author of the film - Pavlov Dmitry
Standard PAL DVD.
Region Code DVD: 0/All
Duration 51 min.
PAL 16:9
Studio «KALLISTA» 2016
https://www.ebay.com/usr/kfvideo
http://kfvideo.ru/
http://kfvideo.com/
http://judo.webstoreplace.com/