Performed as a live piano version by Larry Santos with Seymour joining in
Written in 1978 by Roy Lessin, Richard Wilbur & Larry Santos, but never finished
Performed as a live piano version by Larry Santos with Seymour, the puppet joining in.
Written by himself, John Bettis, Richard WIlbur, Alan & Marilyn Bergman, but never finished
aired on Sunday, March 8, 2020 in honor of both Women's History Month and International Women's Day
Teena Marie Brockert, under the stage name Teena Marie:
Teena Marie (born Mary Christine Brockert; March 5, 1956 – December 26, 2010) was an American pop/R&B/soul singer-songwriter and producer. She was known by her childhood nickname Tina[1] before taking the stage name Teena Marie and later acquired the nickname Lady Tee (sometimes spelled Lady T), given to her by her collaborator and friend, Rick James.
She was known for her distinctive soprano vocals,[2][3][4] which caused many listeners to believe she was black.[5] Her success in R&B and soul music, and loyalty to these genres would earn her the title Ivory Queen of Soul. She played rhythm guitar, keyboards, and congas, and wrote, produced, sang, and arranged virtually all of her songs since her 1980 release, Irons in the Fire, which she later said was her favorite album. Marie was a three-time Grammy Award nominee.[6]
"This Is the Right Time" is a song recorded by British pop singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Coldcut. The song received favorable reviews from music critics.
Release
"This Is the Right Time" was released as the first European single on 31 July 1989. It included "Affection," "Big Thing" (recorded by Stansfield's 80s band Blue Zone) and remixes created by David Dorrell, CJ Mackintosh, Paul Witts and Eddie Gordon. The music video was directed by Big TV!. One year later, on 30 July 1990, "This Is the Right Time" was issued as the third North American single. It included previously unreleased track, "My Apple Heart" and new remixes created by Shep Pettibone and Yvonne Turner. The second music video for the North American market was directed by Jimmy Fletcher. In September 1990, just before Stansfield's European tour, the double A-side single "This Is the Right Time"/"You Can't Deny It" with new US remixes was released in selected European countries. In Japan, "This Is the Right Time" was released as a single on 3 October 1990.
The song was commercially successful reaching number twelve in Canada, number thirteen in the United Kingdom, number seventeen in Germany, number twenty in Austria and number twenty-four in Italy. In the United States, it peaked at number twenty-one on the Billboard Hot 100, number one on the Hot Dance Club Songs and number thirteen on the Hot R&B/Hip-Hop Songs.
In 2003, it was included on Biography: The Greatest Hits. In 2014, the remixes of "This Is the Right Time" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology (also on The Collection 1989–2003).
Critical reception
Music & Media described the song as a "Commercial 70s sounding disco single convincingly produced by Coldcut."[1]
The Gavin Report wrote: "The Jazz/Soul flavoring in her brand of Pop gives the music a distinctive sound polished off by the stunning vocal talent of this singer/songwriter. With songs this hot, Lisa and her partners Ian Devaney and Andy Morris should be getting lots of time—make that air time in the years ahead."[2]
Network 40 wrote: "This latest single from her Rolling Stone four-star rated LP maintains Stansfield's stunning soul licks while adding more tempo and house sounds than any of her previously released tracks. A great all-demo track that picks up where "All Around The World" left off, then digs a little deeper."[3]
"Come to Me" by France Joli with Tony Green is based on:
John 8:43-45
43 Why do you not understand what I say? It is because you
cannot bear to hear my word. 44 You are of your father the
devil, and your will is to do your father's desires. He was a
murderer from the beginning, and has nothing to do with the
truth, because there is no truth in him. When he lies, he speaks
out of his own character, for he is a liar and the father of lies.
45 But because I tell the truth, you do not believe me.
Isaiah 66:13
13 As a mother comforts her child, so will I comfort you; and
you will be comforted over Jerusalem.”
Jeremiah 31:13
13 Then young women will dance and be glad, young men and
old as well.
I will turn their mourning into gladness; I will give them comfort
and joy instead of sorrow.
Isaiah 51:19
19 These double calamities have come upon you— who can
comfort you?—
ruin and destruction, famine and sword— who can[a] console
you?
Nahum 2:10
10 She is pillaged, plundered, stripped! Hearts melt, knees give
way, bodies tremble, every face grows pale.
Numbers 11:12
12 Did I conceive all these people? Did I give them birth? Why
do you tell me to carry them in my arms, as a nurse carries an
infant, to the land you promised on oath to their ancestors?
Ezekiel 13:20
20 “‘Therefore this is what the Sovereign Lord says: I am
against your magic charms with which you ensnare people
like birds and I will tear them from your arms; I will set free
the people that you ensnare like birds.
John 21:15
Jesus Reinstates Peter
15 When they had finished eating, Jesus said to Simon Peter,
“Simon son of John, do you love me more than these?”
“Yes, Lord,” he said, “you know that I love you.”
Jesus said, “Feed my lambs.”
John 21:16
16 Again Jesus said, “Simon son of John, do you love me?”
He answered, “Yes, Lord, you know that I love you.”
Jesus said, “Take care of my sheep.”
John 21:17
17 The third time he said to him, “Simon son of John, do you
love me?”
Peter was hurt because Jesus asked him the third time, “Do
you love me?” He said, “Lord, you know all things; you know
that I love you.”
Jesus said, “Feed my sheep.
Isaiah 43:4
4 Since you are precious and honored in my sight, and because
I love you,
I will give people in exchange for you, nations in exchange for
your life.
Titus 3:8
8 This is a trustworthy saying. And I want you to stress these
things, so that those who have trusted in God may be careful
to devote themselves to doing what is good. These things are
excellent and profitable for everyone.
Acts 24:21
21 unless it was this one thing I shouted as I stood in their
presence: ‘It is concerning the resurrection of the dead that I
am on trial before you today.’”
In this video I will look at the album Tonight by France Joli from 1980 and show you the credits
Tracklist
A1 This Time (I'm Giving All I've Got) 3:54
A2 When Love Hurts Inside 4:14
A3 Tonight 5:51
A4 Stoned In Love 6:17
B1 The Heart To Break The Heart 7:30
B2 Feel Like Dancing 7:20
B3 Tough Luck 5:30
Credits
Arranged By [Strings, Horns] – Dennis Lepage*
Backing Vocals – Barbara Ingram, Carla Benson, Evette Benton
Bass – Brian Smith (9)
Congas, Percussion, Tambourine – Miguel Fuentes
Drums – Derek Kendrick
Engineer – Claude Allard, Gene Leone
Engineer [Assistant] – Clark Milotti*, Evelyn Hertel, Michael Banghi
Guitar – Tony Green
Harp – Margau Morris
Keyboards – Robby Goldfarb*
Mastered By – Domenick Romeo*, Stan Kalina
Mixed By – Gene Leone
Mixed By [Assistant] – Tony Green
Producer, Arranged By – Tony Green
Saxophone – Richard Beaudet
Tambourine – Gene Leone
Vibraphone – Jimmi Tanaka
Written-By – O. Springer* (tracks: A1), S. Minski* (tracks: A1), T. Green* (tracks: A2 to B3)
Released in 1979
"Too Close to Home" by Cindy Bullens is based on:
1 Samuel 20:1
David and Jonathan
20 Then David fled from Naioth at Ramah and went to
Jonathan and asked, “What have I done? What is my
crime? How have I wronged your father, that he is
trying to kill me?”
2 Samuel 16:11
11 David then said to Abishai and all his officials, “My
son, my own flesh and blood, is trying to kill me. How
much more, then, this Benjamite! Leave him alone; let
him curse, for the Lord has told him to.
John 9:29
29 We know that God spoke to Moses, but as for this
fellow, we don’t even know where he comes from.”
Daniel 8:15
The Interpretation of the Vision
15 While I, Daniel, was watching the vision and trying
to understand it, there before me stood one who looked
like a man.
This is my vocal range video for the best queen of pop and disco from Canada the World has ever seen : Miss France Joli
Voice Type: Mezzo-soprano
Vocal Range: E3? - Bb5
Low Register: E3? - A3
Highest note: Bb5 ("Come To Me" and "The Heart to Break the Heart")
France Joli ([ˈfʁɑnʒɔˈli] born February 2, 1963) is a Canadian singer, best known for the disco classics "Come to Me" and "Gonna Get Over You".
Teen stardom
Born France Joly in Montreal, Quebec, Joli grew up in Dorion. Her father was a hardware merchant and her mother was a teacher.
As early as age four, Joli was performing for relatives lip-syncing to Barbra Streisand records while handling a skipping rope like a microphone; she had appeared on television by age six. At age 11, Joli left the public school system (her mother tutored her) to concentrate on her performing career appearing regularly in television commercials and talent shows. A mutual acquaintance suggested Joli meet up with musician Tony Green who Joli approached backstage after he'd given a concert, Joli inviting Green to be her record producer. Green didn't take the 13-year-old Joli seriously: he'd recall: "To get rid of her I [told] her to keep in touch." According to one source Joli eventually visited Green's home to sing for him; it's also reported that Green first heard Joli sing from the audience of an "end of school year show" in which she performed in the fall of 1978. Both accounts concur that Green first heard Joli singing along with a Streisand record. Green had written the song "Come to Me" for Joli by the next day.
When the producer Green originally commissioned to record Joli indicated a desire to develop Joli as a Francophone singer, Green himself took over production duties for Joli. The tracks Joli cut with Green were picked up by Prelude and released on April 17, 1979 as the album France Joli: the track "Come to Me" received a boost when Joli performed it as a last-minute replacement for Donna Summer at a concert held on Fire Island on July 7, 1979 before an estimated audience of five thousand.
"Come to Me" began a three-week reign atop the Billboard Hot Dance Club Play on 22 September 1979 and the France Joli album rose to #26. On the Billboard Hot 100 "Come to Me" peaked at #15 November 17, 1979, the same week that Donna Summer peaked at #2 with "Dim All the Lights".
Joli made her network television debut on 26 October 1979 broadcast of The Midnight Special and she co-hosted the 7 December episode. Her other TV credits included episodes of the talk shows of Mike Douglas, Merv Griffin and Dinah Shore and also a Bob Hope special.
1980 saw the release of Joli's second album Tonight with the ballad "This Time (I'm Giving All I've Got)" released as a single bubbling under for two weeks pk #103: this attempt to curry favor in the mainstream market was unsuccessful with Joli receiving support only in the dance club market where the tracks "The Heart to Break the Heart" and "Feel Like Dancing" achieved a joint position of #3: Tonight was ranked on the Billboard album chart at #175.
In 1981 Joli's third album Now – produced by Ray Reid and William Anderson from Crown Heights Affair rather than Tony Green1 – failed to generate even a low chart placing, success apparent only in another dance club smash with the track "Gonna Get Over You", which went to number two for two weeks on the American dance charts.[1] However Joli, as evidenced by her opening for the Commodores during their American tour of 1981, was still viewed as having star potential: she departed the dance music-oriented Prelude label for mainstream music giant Epic.
1The track: "Your Good Lovin'" was arranged and produced by Prelude regulars Eric Matthew and Darryl Payne.
2"Gonna Get Over You" reached #43 on the French Pop charts [1]
"Come to Me" is a #1 disco hit from 1979 performed by France Joli, who had recorded it at the age of fifteen with producer, Tony Green, who composed the song and briefly sings on it. The track also features the famed Philadelphia session vocalists, The Sweethearts of Sigma Sound. The song was introduced on the album France Joli, which was released in the US on 17 April 1979 on Prelude, and rose to #26. "Come to Me" received a major boost on 7 July when Joli performed it as a last minute replacement for Donna Summer at a concert held on Fire Island, whose estimated audience numbered 5,000.[citation needed] "Come to Me" began a three-week reign atop the Billboard Hot Dance Club Play chart on 22 September 1979.[1] "Come to Me" peaked at #15 on the Hot 100 and at #36 on the R&B chart.[2]
Instant Replay is the third full-length album from singer-songwriter Dan Hartman. Released in 1978, where all the album tracks reached number 1 on the American dance chart.[2] The title track/first single peaked at number 29 on the Hot 100 in the U.S. & number 8 in the United Kingdom. The follow-up single, "This Is It", was only a minor Hot 100 hit, reaching number 91 in 1979, while rising to number 18 in the U.K.
Track listing
All songs written and arranged by Dan Hartman.
"Instant Replay" 5:19
"Countdown/This Is It" 14:07
"Double-O-Love" 5:56
"Chocolate Box" 2:52
"Love is a Natural" 6:17
"Time & Space" 4:55
Production
Produced and engineered by Dan Hartman
Mixed by Tom Moulton
Personnel
Dan Hartman - lead and backing vocals, rhythm and bass guitars, keyboards, all instruments on "Chocolate Box", all instruments except saxophone and congas on "Instant Replay"
Blanche Napoleon - backing vocals
Vinnie Vincent - rhythm and acoustic guitars, tambourine, backing vocals
G.E. Smith - rhythm and lead guitars
Edgar Winter - saxophone on "Instant Replay" and "Countdown/This Is It"
Hilly Michaels - drums, percussion
Larry Washington - congas on "Instant Replay"
Salsoul Orchestra - orchestra (uncredited)
"People in Love" is a song by British band 10cc, released as a single in 1977. It appears on the album Deceptive Bends and was the group's third and final single from the album. The song reached No. 40 on the Billboard Hot 100,[1] No. 74 in Australia and No. 90 in Canada.
Tracklist
A1 Full Tilt Rocker 3:57
A2 Real To Real 2:12
A3 Trust Me 3:55
A4 Hurry Up Forever 3:11
A5 Steal The Night 4:40
B1 Too Close To Home 4:29
B2 Powerless 3:05
B3 Raincheck On Romance 4:31
B4 Two-Track Mind 2:36
B5 Holding Me Crazy 3:29
Companies, etc.
Recorded At – United Western Studios
Recorded At – The Village Recorder
Recorded At – Allen Zentz Recording
Mixed At – Allen Zentz Recording
Mastered At – Allen Zentz Mastering
Pressed By – Columbia Records Pressing Plant, Santa Maria
Produced For – MainMan Ltd.
Manufactured By – Casablanca Record And Filmworks, Inc.
Distributed By – Casablanca Record And Filmworks, Inc.
Published By – Gooserock Music
Published By – Fleur Music
Published By – Almost Music
Phonographic Copyright (p) – Casablanca Record And Filmworks, Inc.
Copyright (c) – Casablanca Record And Filmworks, Inc.
Credits
Backing Vocals – Cindy Bullens, Jon Joyce, Mark Doyle (3)
Bass – Roger Freeland (2) (tracks: A3, A5, B2, B3, B5)
Design – Deborah May
Drums, Percussion – Thom Mooney
Electric Guitar, Acoustic Guitar, Rhythm Guitar, Harmonica, Percussion – Cindy Bullens
Electric Piano, Piano [Acoustic], Synthesizer – Trantham Whitley
Engineer [2nd] – Barbara Issak, David Ahlert, Rick Ash
Engineer [Recording] – Neil Brody
Lead Guitar, Acoustic Guitar, Bass, Percussion – Mark Doyle (3)
Mastered By – Brian Gardner
Mixed By – Cindy Bullens, Mark Doyle (3), Neil Brody
Photography By – Georgina Karvellas
Piano – Cindy Bullens (tracks: A3), Mark Doyle (3) (tracks: B1)
Producer – Cindy Bullens, Mark Doyle (3)
Synthesizer – Mark Doyle (3) (tracks: B2)
Written-By – Cindy Bullens, Mark Doyle (3) (tracks: B1)
As rateyourmusic.com once said:
The aesthetics of late-1970s power-pop bands and artists has not aged well but the sound and music on their vinyl records, though unmistakably 'dated', are fresher than ever...
'Steal the Night' is a good illustration of this paradoxical stance.
Runaway is a 10cc single . It comes from their album Ten out of 10. The single was only released in England.
It is one of the songs written by Andrew Gold, Eric Stewart and Graham Gouldman in the period that it looked like Gold became the producer of the album. That did not end and Runaway disappeared on the shelf, but appeared on the American version of the album.
Runaway is used as Runaway (runaways) and Run Away (run away). The background choir is similar to the choir from I'm Not in Love .
B-side was Action Man in Motown Suit , which featured both the European and American pressing of the album.
Personnel:
Eric Stewart: Lead Vocal, Guitar, Synthesizer, Backing Vocal
Graham Gouldman: Bass, Backing Vocal, Guitar
Andrew Gold: Backing Vocal, Electric Piano, Synthesizer, Percussion
Michael Boddicker, James Newton Howard & Suzanne Ciani: Synclavier
"People In Love" (Creamy pop/soul ballad version), remade by Joyce Berry in 1982:
This is the female version of the Eric Stewart & Graham Gouldman
composition with gender changed from 'her' to 'his' and from 'she' to
'he' where she sings in a lower register, lower than Eric Stewart from
British pop group 10cc.
When American blue-eyed soul/pop singer and backing vocalist Joyce Berry was younger back in 1977, she heard a pop song on the radio, called, "People In Love" by British pop band 10cc she would be more familiar with and then also bought both a small 45 RPM single and a sheet music of the same song, so she had to learn the words to that song over and over again until she was satisfied with it, so she decided to sing it lower in her smoky alto than band member Eric Stewart in his tenor.
Since Joyce is a straightforward pop/soul singer with a soft ballad
voice in a real authentic style, she moves away from the Godley &
Creme artistic, abstract art-rock stuff, progressive rock, avant-garde,
rock opera and experimental stuff when she said "No, I don't like the
abstract art-rock stuff of Godley & Creme because I find it bland
and boring that lacks soul. I don't like it. I prefer Eric Stewart &
Graham Gouldman better that have more soul than that when they made such real authentic pop music that I'm always crazy about.", so she decided to focus more on some of the straightforward Stewart &
Gouldman pop stuff that she is more comfortable with.
Words and music courtesy of Eric Stewart and Graham Gouldman
Joyce Berry version
Lead Vocals: Joyce Berry
Percussion: Jimmy Maelen
Electric Piano: Randy Kerber
Parlor Piano: Randy McCormick
Bass: Dennis Belfield
Electric Guitar: Charles Fearing
Acoustic Guitar: Dennis Budimir
Drums: Ed Greene
Background Vocals: Joyce Berry, Laurie Maitland,
Scarlett McCarthy
Strings Arranged by Gene Page
Produced by Steve Buckingham
"People In Love" - original by 10cc
'People In Love' is Eric's turn to go all gooey-eyed and we'll be getting a lot of these love-lorn ballads from him over the next few albums. Some of them will be stunningly gorgeous, but sadly this inferior sequel to 'The Things We Do For Love' isn't one of his best. The song was actually the very last track ever recorded by the 'old' line-up of 10cc where it had the curious working title 'Voodoo Boogie' (it was later released in 2012 on the 'Tenology' box set) - maybe it was the thought of working on an album full of mawkish songs like this that caused Godley and Creme to quit. Eric is always good at sounding like he's in love, though and 'People In Love' is like one of those kitsch ornaments: so exquisitely carved and molded with so much care and talent that you're impressed even whilst you're being sick from the sheer OTT ness of it all (if ever a song was already so far gone it could have done without syrupy strings it's this one!) Some of the lyrics are sweet though and on an album where 'The Things We Do For Love' hasn't already made the point better this song would be better regarded. Love is again an illness, a form of insanity almost, that turns the narrator's life upside down and means he can 'do nothing right' - another very universal song, then, although some of what it causes the narrator to do sounds rather unusual ('Walk under buses and burn your wings' - sounds like a problem with his eyesight to me, not his lovesick heart). Note the first appearance of a key theme of later Eric Stewart songs - the idea that the narrator
never gets enough time with his beloved before being forced to go
somewhere else and the thought that time moves quicker when you're enjoying yourself (this is the key theme of 'Windows In The Jungle'). A bit of a gooey mess, 'People In Love' should only be listened to by 'People In Love' who can stand the saccharine, although if Eric's vocals on this recording don't make you fall in love with him you have a heart of stone (or a cold).
10cc original
Recorded at Strawberry Studios South
Lead Vocals, Slide Guitar, Piano, Lead Guitar: Eric Stewart
Drums, Tambourine, Bell Tree, Rototoms: Paul Burgess
Bass Guitar, Acoustic Guitar, Electric Guitar, Harmony Vocals: Graham Gouldman
Arranged By [Strings], Conductor [Strings]: Del Newman
It Doesn't Matter At All:
It Doesn't Matter at All is a 10cc single . It comes from their album Look Hear? .
The single is about a love, to which everyone seems to have comment; the singer continues. The picture with B-side From Rochdale to Ocho Rios was a flop. It did not make good sales figures anywhere.
Musicians:
Eric Stewart - vocals, electric guitar , backing vocals
Graham Gouldman - bass guitar, acoustic guitar
Rick Fenn - electric guitar, background vocals
Duncan Mackay - Yamaha CS80 , electric piano
Stuart Tosh - percussion , background vocals
Paul Burgess - drums
"The Wall Street Shuffle" is a single by the British pop/rock band 10cc released in 1974. The song originally appears on the band's 1974 album Sheet Music. It was the most successful single to be released from the album, reaching No. 10 on the UK chart.
The song features a classic rock riff and lyrics that deal with Wall Street and the economy. It features several topical cultural references and specifically mentions Getty, Rothschild and Howard Hughes.
The song remains popular with fans and is often performed live in concert. A live performance was included on the 2007 promotional live compilation The Best of 10cc Liv
"The Wall Street Shuffle" is a single by the British pop/rock band 10cc released in 1974. The song originally appears on the band's 1974 album Sheet Music. It was the most successful single to be released from the album, reaching No. 10 on the UK chart.
The song features a classic rock riff and lyrics that deal with Wall Street and the economy. It features several topical cultural references and specifically mentions Getty, Rothschild and Howard Hughes.
The song remains popular with fans and is often performed live in concert. A live performance was included on the 2007 promotional live compilation The Best of 10cc Live.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
"The Wall Street Shuffle" is a single by the British pop/rock band 10cc released in 1974. The song originally appears on the band's 1974 album Sheet Music. It was the most successful single to be released from the album, reaching No. 10 on the UK chart.
The song features a classic rock riff and lyrics that deal with Wall Street and the economy. It features several topical cultural references and specifically mentions Getty, Rothschild and Howard Hughes.
The song remains popular with fans and is often performed live in concert. A live performance was included on the 2007 promotional live compilation The Best of 10cc Live.
"The Wall Street Shuffle" is a single by the British pop/rock band 10cc released in 1974. The song originally appears on the band's 1974 album Sheet Music. It was the most successful single to be released from the album, reaching No. 10 on the UK chart.
The song features a classic rock riff and lyrics that deal with Wall Street and the economy. It features several topical cultural references and specifically mentions Getty, Rothschild and Howard Hughes.
The song remains popular with fans and is often performed live in concert. A live performance was included on the 2007 promotional live compilation The Best of 10cc Live.
"The Wall Street Shuffle" is a single by the British pop/rock band 10cc released in 1974. The song originally appears on the band's 1974 album Sheet Music. It was the most successful single to be released from the album, reaching No. 10 on the UK chart.
The song features a classic rock riff and lyrics that deal with Wall Street and the economy. It features several topical cultural references and specifically mentions Getty, Rothschild and Howard Hughes.
The song remains popular with fans and is often performed live in concert. A live performance was included on the 2007 promotional live compilation The Best of 10cc Live.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.