Do Me Baby:
"Do Me, Baby" is a 1981 ballad performed by Prince, from his fourth album, Controversy. Although it was credited as being written by him, it is alleged to have been written by his former bassist and childhood friend André Cymone.[3] It was released as the third and final US single from the album. It was later included on his 1993 compilation The Hits/The B-Sides. In 1986, the song was notably covered by R&B singer Meli'sa Morgan. It was featured in one of the opening scenes of the 2007 film Rush Hour 3, with Chris Tucker's character singing along while listening to it on his headphones and simultaneously directing traffic with the dance sequences of Michael Jackson.
Meli'sa Morgan:
Meli'sa Morgan iis an American R&B/Soul singer–songwriter. Morgan had a string of urban contemporary hits from the mid–1980s to the mid–1990s. Most notable include her cover version of Prince's "Do Me, Baby" (1985), "Do You Still Love Me" (1986) and "Still in Love with You" (1992).
Do Me Baby:
"Do Me, Baby" is a 1981 ballad performed by Prince, from his fourth album, Controversy. Although it was credited as being written by him, it is alleged to have been written by his former bassist and childhood friend André Cymone.[3] It was released as the third and final US single from the album. It was later included on his 1993 compilation The Hits/The B-Sides. In 1986, the song was notably covered by R&B singer Meli'sa Morgan. It was featured in one of the opening scenes of the 2007 film Rush Hour 3, with Chris Tucker's character singing along while listening to it on his headphones and simultaneously directing traffic with the dance sequences of Michael Jackson.
Meli'sa Morgan version
"Do Me Baby"
American singer Meli'sa Morgan released a cover of "Do Me, Baby" in November 1985. Her version was a number one hit on the US Hot Black Singles chart,[7] where it spent a total of 24 weeks in 1986. It was also her only entry on the US Hot 100, where it charted for a total of 14 weeks and peaked at 46.
As Laurie Maitland commented on YouTube and said:
I am not entitled to Kathy Redfern, because she is no singer in the world, plus due to her being tone-deaf, she got no talent. She couldn't sing like other girls of pop music like Teena Marie, Kelly Marie, Cyndi Grecco, Cindy Bullens, Cyndi Lauper, Rita Coolidge, Dusty Springfield, Barbra Streisand, Barbara Dickson, Cilla Black, Lulu, Toni Tennille from Captain & Tennille, Karen Carpenter from The Carpenters or even Bobbie Gentry that sang "Ode to Billy Joe". Instead she whispered in a disruptive manner too much to upset people in the middle of 10cc's "I'm Not in Love", which it was very short-lived. I had to slam her from repeating that same old prejudiced spoken line, "big boys don't cry" more than several times in a row, that didn't have what it took, which it offended all the men and boys all over town. That's why I am not a big fan of her. So I prefer Eric Stewart from 10cc singing the serious heartbroken ballad, "I'm Not in Love" that I am always fond of.
Dance Party USA playlist:
Dance music oldie: Pure Energy – Spaced Out (1983)
Disco / soul / R&B oldie: Peaches & Herb – Funtime (1980)
Tiffany Darwish – Radio Romance (1988)
Madonna Cicconne – True Blue (1986)
Aretha Franklin – Freeway of Love (1985)
Oldies pop ballad slow dance: Gregory Isaacs – If You’re in Love (1975)
Was (Not Was) – Walk the Dinosaur (1988)
Information Society – Walking Away (1988)
Dance music oldie: Pure Energy – When You Are Dancing (1980)
Disco / soul music oldie: Sister Sledge & Chic – He’s the Greatest Dancer (1979)
Pat Benatar – All Fired Up (1988)
Stevie B – Spring Love (1988)
Yazz – The Only Way Is Up (1988)
Dance Party USA upbeat playlist:
Girl-group disco /pop /soul music oldie from 1976: Donna Summer – Spring Affair
Sweet Sensation – Sincerely Yours (1988)
Doris Higginsen (Doris Troy) – What You Gonna Do About It (1963)
Paula Abdul – Forever Your Girl (1988)
The Pasadenas – Tribute (Right On) (1988)
R&B / Soul / Disco music oldie from 1979: The Whispers – The Beat Goes On
Rob Base & EZ Rock – Joy & Pain (1988)
Marcia Griffiths – It’s Electric (1980) - 1st version
Rob Base & EZ Rock – Get on the Dance Floor (1988)
Guy – Teddy’s Jam (1988)
Bobby Brown – My Prerogative (1988)
Oldies pop /soul ballad slow dance: Jimmy Cliff – Sitting Here in Limbo (1971)
Poison – Your Mama Don’t Dance (1988)
Dance Party USA Hawaiian Luau episode playlist:
The Ventures – Hawaii 5-O
Fat Boys with The Beach Boys – Wipeout (1987)
Otaya – Motuliu South Pacific Review – lipsynch performance
Samantha Fox – I Want to Have Some Fun (1987)
Beach Boys – Kokomo (1988)
Girl-group disco /soul / pop oldie from 1976: Donna Summer – Try Me I Know We Can Make It – short edit pop music version
2 songs by Salt & Pepper: “Twist & Shout”, “Shake Your Thing”
Girl-group disco /soul oldie from 1976: Roberta Kelly – Love Power (1976)
Rhythm & Blues /soul ballad oldie from 1981: Kenny Hamilton – The Same Folks (1981)
Girl-group disco /pop oldie from 1975: Silver Convention – Fly Robin Fly (1975)
The Techniques with Pat Kelly – You Don’t Care for Me (1978)
Katrina & The Waves – Walking on Sunshine (1985)
Dance Party USA upbeat playlist:
Mony Mony – Billy Idol (1981)
Bad – Michael Jackson (1987)
Causing a Commotion – Madonna Cicconne (1987)
Dance music oldie from 1983: “Spaced Out” – Pure Energy
Paper in Fire – John Mellencamp (1987)
Fake – Alexander O’Neal (1987)
Oldies pop ballad slow dance: “The Power of Love” – Heidi Stern (Jennifer Rush) (1984)
Wipeout – Fat Boys & The Beach Boys (1987)
Catch Me I’m Falling – Pretty Poison (1987)
Disco oldie from 1979: “Stand Up, Sit Down” – A.K.B.
Lipsynch performance: Serious - Donna Allen (1987)
Lost in Emotion – Lisa Lisa & Cult Jam (1987)
I Heard a Rumor – Bananarama (1987)
"The Winner Takes It All" is a song recorded by Swedish pop group ABBA. Released as the first single from the group's seventh studio album, Super Trouper (1980), it is a ballad in the key of F# major, reflecting on the end of a relationship. The single's B-side was the non-album track "Elaine". The song peaked at No.1 in several countries, including the UK, where it became their eighth chart-topper. It was also the group's final top 10 hit in the United States. It was written by Björn Ulvaeus and Benny Andersson, with Agnetha Fältskog singing the lead vocal.
On this song, "The Winner Takes It All", Pattie Brooks, Myrna Matthews, Danielle McCormick, Marti McCall, Denise Maynelli, Petsye Powell, Laura Rammer, Marie Tomlinson and Brooks Hunnicut never sang backup.
In a 1999 poll for Channel 5, "The Winner Takes It All" was voted Britain's favorite ABBA song. This feat was replicated in a 2010 poll for ITV. In a 2006 poll for a Channel Five program, "The Winner Takes It All" was voted "Britain's Favorite Break-Up Song."
Ingram Street helps captivate the love between a couple with this powerful ballad.
Starring models Jake Kaufman and Aja Nicole.
Appearances by Ramona Schwalbach and Anthony Windsor II.
Storyboard by Ingram Street.
Directed and filmed by Hussein Azab with Hey Films.
Lighting by Steve Steinmetz.
Production Assistant and makeup Gin Wills with Ageless Entertainment.
Song written by Preston Glass, Ron Tyson, and Ingram Street.
Produced by Preston Glass.
Additional Drum Programming by Irving "Baby Boy" Johnson.
Distributed by Platinum Garage and Soul Music Records X5/Warner Music Group.
"Keepit' Special" is the third single from the Ingram Street album "Paint The Town" and is available for digital download on ITunes and Amazon.
Available on all digital streaming platforms Spotify, Apple Music, YouTube Music, Tidal, Deezer, Amazon Music, Pandora, and more.
Physical CD's available on Amazon and https://ingramstreetmusic.com/
Merchandise also available on https://ingramstreetmusic.com/
Copyright 2020/2021 Ingram Street LLC
with relevant clips from:
Children of Divorce (1980)
Battered (1978)
Sister, Sister (filmed in 1979, but released in 1982)
and About Mrs. Leslie (1954)
Sorry to tell that this song by 10cc, "I'm Not in Love" should have been a heartbreaking ballad, filled with more meaning, hurt and a sad lament. It should have been one of the saddest songs of 1975 plus it should have been on the list of sad songs and break-up songs.
Hosted by Chris Trane, aired on Thanksgiving Day 11/28/1985
Dancin' On Air playlist:
Cindy & Roy – I Wanna Testify (1979)
Isaac Hayes - Don't Let Go (1979)
Larry Santos – Don’t Take the Easy Way Out - rehearsed piano version
Aretha Franklin & Annie Lennox from Eurythmics - Sisters Are Doing It For Themselves (1985)
Solaris – Music Mind (1980)
Stevie Wonder - Part-Time Lovers (1985)
Ta Mara & The Seen - Everybody Dance (1985)
Mary Stevens – Find Your Love (1983)
Pop ballad slow dance: Billy Harner - What About the Children? (1973)
Pop Music Video Showcase: 10cc - I'm Not in Love (serious edit version)
Wild Honey - At the Top of the Stairs (1976)
George Benson - On Broadway (1978)
Sister Sledge & Chic - We Are Family (1979)
"I'm Not in Love":
Sorry to tell that this song by 10cc, "I'm Not in Love" should have been a heartbreaking ballad, filled with more meaning, hurt and a sad lament. It should have been one of the saddest songs of 1975 plus it should have been on the list of sad songs and break-up songs.
"Only When I Laugh":
Only When I Laugh is a 1981 American comedy-drama film with Marsha Mason & Kristy McNichol, based on Neil Simon's 1970 play The Gingerbread Lady.
New single from Ingram Street! The Ingram Street brothers Woody & Minquel Ingram bring you a ballad that we hope you enjoy! Sing along with Ingram Street in this Lyric Video!
"Beautiful Possibility" produced by Preston Glass co-produced by Ingram Street. Written by Soul Music Hall of Fame song writer Preston Glass The Temptations own Ron Tyson and Ingram Street!
Guitar by Brian Szuch
Female Voice Tashena Gonzales
Engineered By Irving "Baby Boy" Johnson
Distributed by Soul Music Records
Warner Music Group X5
Available on all digital platforms
Source: https://youtu.be/r1DeL5HzD3A
I like the serious heartfelt ballad, "I'm Not in Love", done by only Eric Stewart from 10cc, better than Kathy Redfern's middle part that I'm not happy about since I'm a small 10cc fan.
I'm Not in Love:
short version is better without Kathy Redfern's midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching.
Angel Dusted:
Co-starring Patrick Cassidy, a young Helen Hunt and Jean Stapleton's real-life son Putch in a terrific lead performance, Angel Dusted features an early score by award-winning composer James Horner. Based on the book by Ursula Etons, the film was adapted by Darlene Craviotto, who also plays the boy's psychiatrist.
I like the serious heartfelt ballad, "I'm Not in Love", done by only Eric Stewart from 10cc, better than Kathy Redfern's middle part that I'm not happy about since I'm a small 10cc fan.
I'm Not in Love:
short version is better without Kathy Redfern's midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching.
Angel Dusted:
Co-starring Patrick Cassidy, a young Helen Hunt and Jean Stapleton's real-life son Putch in a terrific lead performance, Angel Dusted features an early score by award-winning composer James Horner. Based on the book by Ursula Etons, the film was adapted by Darlene Craviotto, who also plays the boy's psychiatrist.
This is my vocal range video for the best queen of pop and disco from Canada the World has ever seen : Miss France Joli
Voice Type: Mezzo-soprano
Vocal Range: E3? - Bb5
Low Register: E3? - A3
Highest note: Bb5 ("Come To Me" and "The Heart to Break the Heart")
France Joli ([ˈfʁɑnʒɔˈli] born February 2, 1963) is a Canadian singer, best known for the disco classics "Come to Me" and "Gonna Get Over You".
Teen stardom
Born France Joly in Montreal, Quebec, Joli grew up in Dorion. Her father was a hardware merchant and her mother was a teacher.
As early as age four, Joli was performing for relatives lip-syncing to Barbra Streisand records while handling a skipping rope like a microphone; she had appeared on television by age six. At age 11, Joli left the public school system (her mother tutored her) to concentrate on her performing career appearing regularly in television commercials and talent shows. A mutual acquaintance suggested Joli meet up with musician Tony Green who Joli approached backstage after he'd given a concert, Joli inviting Green to be her record producer. Green didn't take the 13-year-old Joli seriously: he'd recall: "To get rid of her I [told] her to keep in touch." According to one source Joli eventually visited Green's home to sing for him; it's also reported that Green first heard Joli sing from the audience of an "end of school year show" in which she performed in the fall of 1978. Both accounts concur that Green first heard Joli singing along with a Streisand record. Green had written the song "Come to Me" for Joli by the next day.
When the producer Green originally commissioned to record Joli indicated a desire to develop Joli as a Francophone singer, Green himself took over production duties for Joli. The tracks Joli cut with Green were picked up by Prelude and released on April 17, 1979 as the album France Joli: the track "Come to Me" received a boost when Joli performed it as a last-minute replacement for Donna Summer at a concert held on Fire Island on July 7, 1979 before an estimated audience of five thousand.
"Come to Me" began a three-week reign atop the Billboard Hot Dance Club Play on 22 September 1979 and the France Joli album rose to #26. On the Billboard Hot 100 "Come to Me" peaked at #15 November 17, 1979, the same week that Donna Summer peaked at #2 with "Dim All the Lights".
Joli made her network television debut on 26 October 1979 broadcast of The Midnight Special and she co-hosted the 7 December episode. Her other TV credits included episodes of the talk shows of Mike Douglas, Merv Griffin and Dinah Shore and also a Bob Hope special.
1980 saw the release of Joli's second album Tonight with the ballad "This Time (I'm Giving All I've Got)" released as a single bubbling under for two weeks pk #103: this attempt to curry favor in the mainstream market was unsuccessful with Joli receiving support only in the dance club market where the tracks "The Heart to Break the Heart" and "Feel Like Dancing" achieved a joint position of #3: Tonight was ranked on the Billboard album chart at #175.
In 1981 Joli's third album Now – produced by Ray Reid and William Anderson from Crown Heights Affair rather than Tony Green1 – failed to generate even a low chart placing, success apparent only in another dance club smash with the track "Gonna Get Over You", which went to number two for two weeks on the American dance charts.[1] However Joli, as evidenced by her opening for the Commodores during their American tour of 1981, was still viewed as having star potential: she departed the dance music-oriented Prelude label for mainstream music giant Epic.
1The track: "Your Good Lovin'" was arranged and produced by Prelude regulars Eric Matthew and Darryl Payne.
2"Gonna Get Over You" reached #43 on the French Pop charts [1]
The serious ballad version of "I'm Mandy Fly Me" would have been better without the speed changes and also without the false intro "You'll never get up in one of these again 'cause what goes up must come down" that made no sense. It also would have been better without too much wordplay that spoiled up the goodness.
Sorry that British pop band 10cc never flew to America to get Hollywood's biggest stars Barbara Eden, the late Stuart Whitman and the late Robert Vaughn to be in their American pop music video of "I'm Mandy Fly Me" as The Woman Hunter Version, so all they wanted was the band alone. In other words, to get rid of those bad abstract parts that ruined the goodness of the original music video, done in a British style, I created the American fan pop music video of this video of this song, with Barbara, Stuart and Robert splicing up the band, done in an American style.
"People in Love" is a song by British band 10cc, released as a single in 1977. It appears on the album Deceptive Bends and was the group's third and final single from the album. The song reached No. 40 on the Billboard Hot 100,[1] No. 74 in Australia and No. 90 in Canada.
short version is better without Kathy Redfern's midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching.
I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
His soul ballad version of the 10cc song is with sweet and innocent soft family gospel backup vocals of Dennis himself, Joyce Berry, Sue Fleming and me in a family style rather than wordless.
Natalie Cole & Marvin Yancy's marriage and divorce:
Yancy's first marriage was to Natalie Cole on July 31, 1976.[1][3] They had a son together, Robert Adam "Robbie" Yancy, who was born on October 14, 1977,[8] but this marriage ended in divorce in 1980.[1][2] He was married a second time in 1983,[1] to Saundra Renaire Mays, who was in the choir of his church at the time.[3] He had one child from this marriage, a daughter, Brandy Raquel Yancy, from a previous relationship he had a son, Marvin Jerome Yancy Jr. Marvin Sr. suffered a minor stroke a month before his death from a heart attack on March 22, 1985 in Chicago, Illinois.[3][1][2][5]
"People In Love" (Creamy pop/soul ballad version), remade by Joyce Berry in 1982:
This is the female version of the Eric Stewart & Graham Gouldman
composition with gender changed from 'her' to 'his' and from 'she' to
'he' where she sings in a lower register, lower than Eric Stewart from
British pop group 10cc.
When American blue-eyed soul/pop singer and backing vocalist Joyce Berry was younger back in 1977, she heard a pop song on the radio, called, "People In Love" by British pop band 10cc she would be more familiar with and then also bought both a small 45 RPM single and a sheet music of the same song, so she had to learn the words to that song over and over again until she was satisfied with it, so she decided to sing it lower in her smoky alto than band member Eric Stewart in his tenor.
Since Joyce is a straightforward pop/soul singer with a soft ballad
voice in a real authentic style, she moves away from the Godley &
Creme artistic, abstract art-rock stuff, progressive rock, avant-garde,
rock opera and experimental stuff when she said "No, I don't like the
abstract art-rock stuff of Godley & Creme because I find it bland
and boring that lacks soul. I don't like it. I prefer Eric Stewart &
Graham Gouldman better that have more soul than that when they made such real authentic pop music that I'm always crazy about.", so she decided to focus more on some of the straightforward Stewart &
Gouldman pop stuff that she is more comfortable with.
Words and music courtesy of Eric Stewart and Graham Gouldman
Joyce Berry version
Lead Vocals: Joyce Berry
Percussion: Jimmy Maelen
Electric Piano: Randy Kerber
Parlor Piano: Randy McCormick
Bass: Dennis Belfield
Electric Guitar: Charles Fearing
Acoustic Guitar: Dennis Budimir
Drums: Ed Greene
Background Vocals: Joyce Berry, Laurie Maitland,
Scarlett McCarthy
Strings Arranged by Gene Page
Produced by Steve Buckingham
"People In Love" - original by 10cc
'People In Love' is Eric's turn to go all gooey-eyed and we'll be getting a lot of these love-lorn ballads from him over the next few albums. Some of them will be stunningly gorgeous, but sadly this inferior sequel to 'The Things We Do For Love' isn't one of his best. The song was actually the very last track ever recorded by the 'old' line-up of 10cc where it had the curious working title 'Voodoo Boogie' (it was later released in 2012 on the 'Tenology' box set) - maybe it was the thought of working on an album full of mawkish songs like this that caused Godley and Creme to quit. Eric is always good at sounding like he's in love, though and 'People In Love' is like one of those kitsch ornaments: so exquisitely carved and molded with so much care and talent that you're impressed even whilst you're being sick from the sheer OTT ness of it all (if ever a song was already so far gone it could have done without syrupy strings it's this one!) Some of the lyrics are sweet though and on an album where 'The Things We Do For Love' hasn't already made the point better this song would be better regarded. Love is again an illness, a form of insanity almost, that turns the narrator's life upside down and means he can 'do nothing right' - another very universal song, then, although some of what it causes the narrator to do sounds rather unusual ('Walk under buses and burn your wings' - sounds like a problem with his eyesight to me, not his lovesick heart). Note the first appearance of a key theme of later Eric Stewart songs - the idea that the narrator
never gets enough time with his beloved before being forced to go
somewhere else and the thought that time moves quicker when you're enjoying yourself (this is the key theme of 'Windows In The Jungle'). A bit of a gooey mess, 'People In Love' should only be listened to by 'People In Love' who can stand the saccharine, although if Eric's vocals on this recording don't make you fall in love with him you have a heart of stone (or a cold).
10cc original
Recorded at Strawberry Studios South
Lead Vocals, Slide Guitar, Piano, Lead Guitar: Eric Stewart
Drums, Tambourine, Bell Tree, Rototoms: Paul Burgess
Bass Guitar, Acoustic Guitar, Electric Guitar, Harmony Vocals: Graham Gouldman
Arranged By [Strings], Conductor [Strings]: Del Newman
Music Video Track listing
"Rubber Bullets" (Godley, Creme, Gouldman) - 4:43
"Donna" (Godley, Creme) - 2:56
"Silly Love" (Stewart, Creme) - 3:15
"The Dean and I" (Godley, Creme) - 2:52
"Life Is a Minestrone" (Creme, Stewart) - 4:27
"The Wall Street Shuffle" (Stewart, Gouldman) - 3:52
"Art for Art's Sake" (Stewart, Gouldman) - 4:21 - '80s Dance Aerobics Version
"I'm Mandy, Fly Me" (Stewart, Gouldman, Godley) - 5:21 - The Woman Hunter Version
"Good Morning Judge" (Stewart, Gouldman) - 2:54
"Dreadlock Holiday" (Stewart, Gouldman) - 3:22
"For You and I" (Stewart, Gouldman) - 5:01 - Frankie Crocker Version from Early VH-1 Video Hits One
"People in Love" (Stewart, Gouldman) - 6:06 - with clips of Clark Gable & Carole Lombard, then Steve & Kayla from "Days of Our Lives"
"I'm Not in Love" (Stewart, Gouldman) - serious ballad version, minus Kathy Redfern's part -Breakup Version
"The Things We Do for Love" (Stewart, Gouldman) - Shane & Kmberly Version
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly. I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said: It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.
shorter version is better, minus the be-quiet-big-boys-don't-cry midsection
Too bad that the song on a 7" 45 RPM single had Kathy Redfern's annoying be-quiet-big-boys-don't-cry junk ruining in midsong that 10cc's record label, Mercury had no time to omit, plus it's too bad that the repeated first verse was omitted too abruptly.
I will call that song very heartfelt and bittersweet that touches my heart, because it's mainly all about marriage relationship falling out of favor. Besides it's very touching. I made a comment about that song on YouTube and said:
It's too bad that in 1975 British band 10cc might have taken a break from having a wacky sense of humor and started concentrating on a serious relevant version of the bittersweet heartbreaking ballad, "I'm Not In Love", minus Kathy Redfern's self-parody and believe me it is 10 times better than the epic 6-minute version of that song with her part added.