FC2Video

The Who - You Better You Bet - Live In Hyde Park, London 2015

Blind Melon No Rain from album Blind Melon 1993.

Triumvirat Sea Across The Water The debut album from this band is largely instrumental ( there are sparse vocals, but I found them tough to make sense of ) but the keyboard playing around which it largely revolves is largely unimaginative for the most part. Not that it's technically bad, but there are hardly any hooks to attract the listener and anything else to separate them from the vast sea of such bands that existed in that era. Some have described them as an ELP clone; I wouldn't go so far as to say that; but if somewhere were to compare both the bands' output, ELP would still win in most cases. That being said, I really liked their third song 'E Minor 5/9' from this record.

Popol Vuh Nicht hoch im Himmel, from album Hosianna Mantra, 1972. Florian Fricke pioneered the use of synthesizers in German rock, but by the time of Hosianna Mantra he had abandoned them (eventually selling his famous Moog to Klaus Schulze). While In den Gärten Pharaos had blended synths with piano and African and Turkish percussion, Hosianna Mantra focuses on organic instrumentation. Conny Veit contributes electric guitar, but other than that, Fricke pulls the plug and builds the album around violin, tamboura, piano, oboe, cembalo, and Veit's 12-string, often with Korean soprano Djong Yun's haunting voice hovering above the arrangements. As the album's title suggests, Fricke conceived of Hosianna Mantra as a musical reconciliation of East and West, a harmonization of seemingly opposed terms, combining two devotional music traditions. That notion of cultural hybridity resonates throughout. On "Kyrie" droning tamboura, simple piano patterns, ethereal, gull-like guitars, and yearning oboe ebb and flow before coalescing in a passage of intensity and release. The epic title track adds another dimension to the fusion, emphasizing a Western rock sound with Veit's spectacular playing to the fore, simultaneously smoldering and liquid, occasionally yielding to Djong Yun's celestial vocals. Above all, Fricke envisioned this as sacred music, intimately linked to religious experience; however, as his musical synthesis of disparate religious traditions indicates, he was seeking to foment a spiritual experience beyond the specificity of any particular faith. Indeed, Fricke called this album a "mass for the heart" and that aspect can be heard most succinctly on the melancholy "Abschied" and the gossamer-fragile "Segnung," which blend an austere hymnal sensibility with a more mystical vibe. Julian Cope has said that Hosianna Mantra sounds like it was made in a "cosmic convalescent home" -- an excellent description underscoring the timeless, healing quality of this music, which is far removed from the everyday world and yet at one with it.

Simon & Garfunkel - Bridge Over Troubled Water Simon & Garfunkel were an American folk rock duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel. They were one of the most popular recording artists of the 1960s and became counterculture icons of the decade's social revolution. Songwriting credits should be split into their individual PANs with ANVs as appropriate. Inducted into Rock And Roll Hall of Fame in 1990 (Performer).

Stevie Ray Vaughan Scuttle Buttin' & Say what! Stevie Ray Vaughan was a blues rock singer, songwriter and guitarist, born October 3, 1954, in Oak Cliff, a suburb of Dallas, Texas. He married Lenora "Lenny" Bailey (aka Lenora Darlene Vaughan, born in Bakersfield, Kern, California, 4 December, 1953, dead on Isla Mujeres, Mexico, 27 July, 2018) in Austin, Texas, 23 December 1979. The struggling marriage (mostly due to Stevie Ray's alcoholism and drug addiction) ended in 1988, and he never had any children with her or anyone else. He named his guitar "Lennie" after her, though. When Stevie Ray Vaughan & Double Trouble, befriended by Mick Jagger among others, played at the Montreux Jazz Festival in Switzerland in 1982, they were the first band in the history of the festival to play without having a major record contract. The show was seen by David Bowie and Jackson Browne, who invited them to his recording studio in Los Angeles where they recorded some tracks that appeared on their debut album Texas Flood the following year. He also played on Bowie's Let's Dance. SRV, as he became known as, died on August 27, 1990 in a helicopter crash on the way to Chicago from a concert in Alpine Valley, East Troy, Wisconsin. He is buried at Laurel Land Memorial Park in South Dallas. He was the younger brother of Jimmie Vaughan.

Goldfrapp - Ooh La La English electronic music duo, formed in 1999 in London. The duo consists of Alison Goldfrapp (vocals, synthesizer) and Will Gregory (synthesizer).

Gov't Mule - Maybe Im A Leo US-American Southern rock jam band formed in 1994.

Renaissance Rajah Khan. From album Prologue 1972. The first album with Annie Haslam, and thus of the "classic" lineup, this album is a mixed bag. Interestingly, they sequenced the tunes basically in order of their quality, from best to least.

Mike Oldfield Ommadawn part 2. Although it features the beautiful recorder of Leslie Penny and the Chieftains' Paddy Maloney playing the uilean pipe, Ommadawn didn't gain Mike Oldfield the success he was looking for. The album was released in the same year as the David Bedford-arranged Orchestral Tubular Bells and nine months after Oldfield picked up a Grammy award for the original Tubular Bells album. The most pleasing attribute of Ommadawn is its incorporation of both African and Irish music in its symphonic rock & roll mainframe. Boosted by a hearty amount of different horns, piano, cello, trumpet, and synthesizer, the album has its moments of rising action, but the whole of Ommadawn fails to keep its lovely segments around long enough, and there are some rather lengthy instances that include bland runs of unvaried music. Another plus is Oldfield's use of a choir, giving the album a soft, humanistic feel when contrasted against the keyboards or synthesizer. While it does include flashes of Mike Oldfield's brilliance, the entire album may seem a little anticlimactic when compared to some of his other releases.

All About That Bass ft. Kate Davis

New Trolls - C'è troppa guerra Italian progressive rock band, known for their fusion of rock and classical music, formed 1967.

Carl Orff, Seiji Ozawa Carmina Burana, with Latin and English subtitle. Carmina Burana (em português: "Canções de Beuern", sendo "Beuern" uma redução de Benediktbeuern, município situado na Baviera) é o título, em latim de um manuscrito de 254 poemas e textos dramáticos, datados, em sua maioria, dos séculos XI e XII, sendo alguns do século XIII.[1] As peças são, em geral, picantes, irreverentes e satíricas e escritas em latim medieval, embora algumas tenham sido escritas em médio-alto-alemão, com alguns traços de francês antigo ou provençal. Há também partes macarrónicas, numa mistura de latim vernáculo com alemão ou francês. Vinte e quatro poemas dos Carmina Burana foram musicalizados por Carl Orff em 1936; a composição de Orff rapidamente se tornou popular, o movimento de abertura e de fecho "O Fortuna", tem sido utilizada em filmes e eventos se tornando a peça clássica mais ouvida desde que foi gravada.

Museo Rosenbach Zarathustra - 1973 Zarathustra is the debut studio album by Italian band Museo Rosenbach released in 1973. It is generally regarded as one of the best Italian progressive rock works of all time. Controversially, the lyrics compose a concept album of Friedrich Nietzsche's philosophy, particularly his 1883–1885 novel Thus Spoke Zarathustra. The song titles translate into "The Last Man", "The King of Yesterday", "Beyond Good and Evil", "Übermensch", "The Temple of Hourglasses", "Of Man", "Of Nature", and "Of the Eternal Return". The music has been edited by bassist Alberto Moreno, texts from external collaborator Mauro La Luce. Side A is completely occupied by the long suite Zarathustra, side B includes the remaining three songs, which relate thematically to the first part by the expression of the concept album, so dear to progressive rock groups. The album was a commercial failure mainly because of the boycott of RAI, which was suspicious of the group because of the themes (the quote from Nietzsche could supposedly refer to ideologies of the far-right) and the bust of Mussolini pictured in the collage on the cover, work of the illustrator Caesar Monti. Lyrics: Volto di luce Mi hanno parlato di te La tua storia è nell'eco dei monti Troppo in alto per scendere in noi Nel tuo eterno cammino Quello che insegui non c'è Senza un fine può esister la vita Si completa nell'arco di un giorno Misera ombra, vuoto riflesso dell'io Non ti serve capire la forza Che mi spinge a cercare nel mondo Chiara essenza divina Già si nasconde in chi Sta vivendo il gioco del tempo Nell'attesa di un'alba diversa No, non continuare il cammino Per le strade che non hanno fine Tu, già vedi in me Quello che mio padre, Dio, ti insegnò Forse nemmeno tu Credi a quello che non ti creò mai Ama la tua terra, nel suo ventre Dio si formerà Tavole antiche, divini voleri Han diviso nel tempo già il bene dal male L'uomo da solo lontano da Dio Non può costruirsi la propria morale Fuggi la tua volontà Sotto quei veli, falsa saggezza Viene insultata la verità Dalla morale che tu hai creato Niente si innalzerà Cieco nel dogma della tua fede Perdi la scelta di libertà Grigio tramonto di luci antiche L'ultimo uomo avrà Ma troppe risposte confondono una vita antica Mille tradizioni han costruito un muro intorno a me Solo e senza forze mi perdo nelle mie parole E forse chi cerco ha camminato sempre accanto a me Ecco nasce in me, vivo il superuomo

瞳うた02出だし #sora2 #mureka #SM調教師瞳 曲に合わせた映像にしようとして タイミングが合わないまま今日はやめたもの 片方のタイミングを合わせると別の場所がずれる キャラデザ、AI絵化、Sora2プロンプト、作詞：えろばへろみ

Mike Oldfield Tubular Bells Live at the BBC 1973. Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music. Oldfield plays all the instruments himself, including such oddities as the Farfisa organ, the Lowrey organ, and the flageolet. The familiar eerie opening, made famous by its use in The Exorcist, starts the album off slowly, as each instrument acoustically wriggles its way into the current noise that is heard, until there is a grand unison of eccentric sounds that wildly excites the ears. Throughout the album, the tempos range from soft to intense to utterly surprising, making for some excellent musical culminations. Mandolins and Spanish guitars are joined by grinding organs and keyboards, while oddball bells and cranking noises resound in the distance. In the middle of the album, guest Vivian Stanshall announces each instrument seconds before it is heard, ending with the ominous sounding tubular bells, a truly powerful and dominating instrument. The most interesting and overwhelming aspect of this album is the fact that so many sounds are conjured up yet none go unnoticed, allowing the listener a gradual submergence into each unique portion of the music. Tubular Bells is a divine excursion into the realm of new age music.

The Who in Rio de Janeiro setembro de 2017. Full Concert. Set list 1- I Can't Explain 2- Substitute 3- Who Are You 4- The Kids Are Alright 5- I Can See For Miles 6- My Generation 7- Cry If You Want [Jam] 8- Behind Blue Eyes 9- Join Together 10- You Better You Bet 11- I'm One 12- 5.15 13- Love Reign O'er Me 14- Amazing Journey 15- Sparks 16- Pinball Wizard 17- See Me Feel Me 18- Baba O'Riley 19- Won't Get Fooled Again Line Up Roger Daltrey: Harmonica, Vocals, Guitar Pete Townshend: Vocals, Guitar Zak Starkey: Drums Simon Townshend: Backing Vocal, Guitar Jon Button: Bass Loren Gold: Backing Vocal, Keyboards Frank Simes: Backing Vocal, Keyboards John Corey: Keyboards

Ramones 1978-09-13 Live in Germany

Viagem pela Via Láctea (Journey through the Milky Way)

Iceland