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‘Don’t Walk Away’, by ELO, was the firing of the ‘Creation of Hippie-ville’ in early 2023. It was a cold grey cloudy day. Summer was cold and bleak. Winter was long and it engulfed eleven months of the year. I had spent all of 2021, ’22, and early 2023, numb. My dog and I walked many beaches in some listless search for a reasoning behind the catastrophe that had occurred in 2021. Many paths we had walked along the beach and each day our steps were washed away. Walking, aimlessly, just puzzled with the true realities of human suffering, attachment, and simply trying to make sense of all things after a traumatic event. Songs had played out in my mind many times, but this succession of songs (Hippie-ville Creation Series) had repeated themselves throughout many “therapeutic” dog walk sessions along Somerset beach, and there upon a story unfolded. A story of emptiness, alienation, and building new foundations. Irrespective of one’s pain and suffering, life, the external manifestation of life, continues in its unrelenting fashion. And life pays no mind to one’s own mortal misery. But numb, I sat on the idea of Hippie-ville for many months with no real action. Then in August 2023, the first shooting of the series began (Everybody’s Talkin’) and what laid out before me was a full story depicting recovery from a traumatic event, and a phoenix flight to a new life. ‘Don’t Walk Away’ is set in 2021/’22/’23, and it is Part One of a DOUBLE ALBUM concept, that describes the loss, the pain, the rebuilding. In Part Two ‘Always Welcome’ ( • Always Welcome, Creation Series 5/8. , begins its story in Jan 2024, and it describes the phoenix rising out of the ashes, a settled frame of mind and time of rebirth and a new life. Electric Light Orchestra, ‘Don’t Walk Away’. Written by: Jeff Lynne. Album: Discovery, 1979. Jet Records. https://en.wikipedia.org/wiki/Don%27t...) https://www.jefflynneselo.com/music/ Sound effects: www.zapsplat.com www.hippie-ville.com.au

扭計色｛魔術方塊｝一分鐘：三面花樣2：色中有色4：色中格仔，框順角反 Rubik's Cube for a Minute: Trihedral Patterns 2: Cube in a Cube 4: For Checkerboard in a Cube, turn frame clockwise, corner counterclockwise 這個花樣，叫做「色中格仔」(Checkerboard in a Cube)。背面。 （本來的格仔見《邊粒花樣1：格仔棋盤1：格仔棋盤，對面半圈》。） 我們邊塊［邊粒］先，角塊［角粒］後，再加上整個框， 你看一下這些小方塊［色仔］都跑到哪裏了，看到就知道怎樣做。 現在暫停播放［播映］。 好！現在繼續。 這三顆［粒］邊塊，在［個］框的順時鐘方向那一面。 而［個］框呢，在家的順時鐘方向那一面。 而這粒［粒］小方塊［色仔］（角塊［角粒］）， 在［個］框的反時鐘方向那一面。 那麼第一步就是，把這三顆［粒］邊塊［邊粒］， 順時鐘方向轉［扭］（見《邊粒花樣2：三粒環調》系列）。 第二步，是把整個框，也順時鐘方向轉［扭］ （見《框花樣1：中心點1：中心一點，對面一骨》）， 那麼就得出「什錦［雜錦］三民治」這個樣 （見《框花樣2：邊粒環調3：雜錦三民，邊順框順》）。 第三步呢，就（是）把這顆［粒］角塊［角粒］（右前上）， 反時鐘方向（轉［扭］，把白色的一格）再轉上來［扭翻上嚟］ （見《角粒花樣3：邊粒環調2：雜錦丫叉，邊順角反》）。 這樣就做好了。 但是，你會發現，［啲］（些）面塊［面粒］的方向，就會變成， 與角塊［角粒］不同。你可以另外把它弄回［整翻］一樣， 好像現在，兩個紅中、兩個發財、兩個萬子，背面，這樣了。

扭計色｛魔術方塊｝一分鐘：三面花樣3：大蟒蛇2：利用外框，準備角粒 Rubik's Cube for a Minute: Trihedral Patterns 3: Anaconda 2: Use the frame to prepare for corner cubies 「大蟒蛇」的角塊［角塊］，全部［咸不論］都不在家。 但是，正面的角塊，在家的順時針方向那面［便］（註一）； 背面的角塊，在家的逆時針方向那面［便］。 與其把［啲］（些）角塊轉［扭］回不是家呢， 我們就不如把［啲］（些）角塊轉［扭］回家（註二）［嘞］。 也就是如果這個是最後一步的結果呢， 倒數第二步［尾二嗰步］的結果就是， 所有角塊都在家，也就是這樣。 （影片把框用「中心點」順時鐘方向轉到倒數第二步的結果， 做法見《框花樣1：中心點1：中心一點，對面一骨》。） 那麼也就是第二大步呢，我們看着黃色這面 （正確講法：把黃色這面放在上面）， 把整個框，轉［扭］向順時針方向那面［便］。 然後呢，第三大步，就把所有角塊都轉［扭］回家。 下一段短片繼續。 註一：〈粵〉語常說「順／反時鐘方向」，國語常說「順／逆時針方向」。另外「逆」字〈粵〉語常見音「亦」，異讀音「額」，筆者家中有長輩講用此音，而此音亦與《信心銘》一文中「逆」字的押韻情況一致。此處請體會故意用〈粵〉語講「順／逆［音額］時針方向」的感覺。 註二：同樣手法出現在《三面花樣1：高級格仔5：三面十字，格仔近親》。

The Playful Pet Toy Mouse Ball Cage is an engaging and stimulating to your furry friend’s playtime to satisfy their natural hunting instincts while ensuring safety and durability. This inventive toy blends multiple materials: a lightweight non-toxic plastic and frame that's serves as the primary structure, while the vibrant soft fabric covering provides a comforting yet durable surface for your pet to interact with. Interestingly, a series of small, resilient rubber balls and mouse are strategically placed within the cage to entice your pet's curiosity and encourage playful exploration. This clever combination not only promotes exercise but also alleviates boredom, making it an essential item for pet owners seeking to enhance their pets’ well-being. The thoughtful design ensures that each component works harmoniously, creating an interactive experience that captivates pets, keeping them entertained and active for hours on end. Please like, share, subscribe and visit our website. Thanks For Watching. www.oceanblueways.com/shop

Always Welcome’, by Mint Royale, begins its story in Jan 2024. It is Part Two of a DOUBLE ALBUM concept, and ‘Don’t Walk Away’ is Part One ( • Don't Walk Away, Creation Series 4/8. . ‘Always Welcome’, describes the phoenix rising out of the ashes, a settled frame of mind and time of rebirth and a new life. Having spent the best part of three years in the trenches of absolute existential crisis, there arrived a clearer direction and a full program of what is the next thing to do. Get on with it and take time to enjoy it! We reach back into the past for building positive foundations of strength for the future to come. This deliverance of lessons and clarity of mind depicts a grander expression of one’s own humble mortal existence. What can one do to build a better future? Starting from scratch is the blessed of all actions, because we can then build a new life, new rules, new strengths, and finally fulfill our goals, destiny, and live a life well examined. Socrates: A life unexamined is not a life worth living. Mint Royale, ‘Always Welcome’. Written by: Baker, Claxton, Kenneth Gamble, Leon Huff, McLaughlin. Album: Dancehall Places (2002). Records: Faith & Hope. https://en.wikipedia.org/wiki/Danceha... Sound effects: www.zapsplat.com www.hippie-ville.com.au

扭計色｛魔術方塊｝一分鐘：三面花樣2：色中有色3：中又有色，框反角反 Rubik's Cube for a Minute: Trihedral Patterns 2: Cube in a Cube 3: For Cube in a Cube in a Cube, turn frame counterclockwise, corner counterclockwise 這個花樣，叫做「色中有色又有色」(Cube in a Cube in a Cube)。 背面。我們邊塊［邊粒］先，角塊［角粒］後，再加上整個框， 你想一下可以怎樣做，想到才繼續。 現在暫停播放［播映］。 來［嗱］！現在繼續。 第一步，是把這三顆［粒］邊塊［邊粒］， 轉到了［扭咗去］整個框的順時鐘方向那面 （見《邊粒花樣2：三粒環調》系列）。 第二步，是把整個框，轉到了家的反時鐘方向轉那面 （也把三顆［粒］邊塊轉回來了） （見《框花樣1：中心點1：中心一點，對面一骨》）， 那麼也就是「三民治」這個樣［註一］ （見《框花樣2：邊粒環調1：從框看邊，從家看角》）。 那麼第三步呢，就是把這顆［粒］角塊［角粒］（前上右）， 轉到了反時鐘方向轉的一面 （見《角粒花樣3：邊粒環調2：雜錦丫叉，邊順角反》）， 也就是白色的一格，跑到了［走咗嚟］這裏（右面）。 這樣就做好了。 但是，你會發現，面塊［面粒］是與邊塊［邊粒］不同（方向）的。 你可以另外把面塊［面粒］弄回［整翻］與邊塊［邊粒］一樣， 也就是好像現在，三個紅中、三個發財、三個萬子，背面，這樣了。 註一：你在上一段短片應有注意到，「三民治」魔術方塊［扭計色］ 的白色面塊［面粒］已經另外調正了。

This video, part of The American Mercury’s centennial series, examines Reuben R. Arnold’s defense arguments in the 1913 Leo Frank trial for the murder of 13-year-old Mary Phagan at the National Pencil Company in Atlanta. Arnold, alongside Luther Rosser, claimed antisemitism tainted the trial. Drawing from the Leo Frank Trial Brief of Evidence, the video focuses on Arnold’s closing arguments on August 22–23, 1913, where he challenged the forensic evidence—blood and hair in the factory—as circumstantial and attacked Jim Conley’s testimony, alleging Conley was the murderer. Arnold argued the trial was prejudiced in the Jim Crow South, where Conley, a Black janitor, was believed over Frank, a white Jewish man, due to societal biases. He defended Frank’s character, calling the case a “frame-up.” Frank was convicted, lynched in 1915 after a commutation, and the Anti-Defamation League (ADL) was founded. As of May 23, 2025, the case remains debated, with the Georgia Innocence Project seeking exoneration, opposed by Phagan’s family, who cite the trial record. X debates reflect this divide, with some referencing Alonzo Mann’s 1982 affidavit implicating Conley, while others affirm the verdict. The video frames Arnold’s defense as a critical examination of justice and prejudice.

In this video, explore the key features and benefits of the 125 Watt 36 Cell Solar Panel manufactured in India by Rhine Solar. This panel is designed for compact energy needs such as off-grid systems, rural electrification, and small-scale applications. You’ll discover how its advanced cell technology, robust aluminum frame, and anti-reflective coating ensure high energy efficiency and durability in Indian weather conditions. With corrosion resistance, easy installation, and PID protection, it’s ideal for long-term sustainable energy use. Learn how Rhine Solar commitment to quality and innovation makes this panel a smart choice for reliable solar performance.

扭計色｛魔術方塊｝一分鐘：框花樣2：邊粒環調3：雜錦三民，邊順框順 Rubik's Cube for a Minute: Frame Patterns 2: Edge cubies cyclically permuted 3: For Mixed Sandwich, turn edges clockwise, frame clockwise 這個樣，面面都有三種顏色：這六顆（疑應說格）一種顏色， 這兩顆一種顏色，這一顆一種顏色。你想一下怎樣做，想到才繼續。 來（嗱）！現在暫停播放［播映］。 來（嗱）！現在繼續。 所有的邊塊［邊粒］都不在家，但是這三顆［粒］邊塊［邊粒］， 相對於整個框來講，它是從［喺］反時鐘方向那面， 順時鐘方向轉［扭］過來的。而角塊［角粒］， 也全部［咸不論］不在家，但是它們（是）互相一致的。 相對於家來講，它是轉到了［扭咗去］順時鐘方的一面。 它的做法，就是拿三顆［粒］邊塊［邊粒］， 已經順時鐘方向換了位［調咗位］做出發點 （詳見《邊粒花樣2：三粒環調》系列）， 然後把整個框順時鐘方向轉 （見《框花樣1：中心點1：中心一點，對面一骨》）， 這樣就做到了［嘞］。背面，正面，這樣了［嘞］。 事後修改：「面面三色」改為「雜錦三民」。 Changed "Three colours on each face" to "Mixed Sandwich".

扭計色｛魔術方塊｝一分鐘：三面花樣2：色中有色2：色中有色，框反角順 Rubik's Cube for a Minute: Trihedral Patterns 2: Cube in a Cube 2: For Cube in a Cube, turn frame counterclockwise, corner clockwise 我們要［想］做「色中有色」。 第一步，是把這三顆［粒］邊塊［邊粒］，順時鐘方向， 轉［扭］三分［份］之一個圈（見《邊粒花樣2：三粒環調》系列）。 第二步，是把整個框，當然也［埋］包括這四顆小方塊［色仔］， 反時鐘方向，轉（三分［份］之一個圈，把三顆［粒］邊塊轉）回來 （見《框花樣1：中心點1：中心一點，對面一骨》）， 使得這三顆邊塊又回家了，也就是與面塊［面粒］同一種顏色。 但是，也（╳是）把面塊［面粒］搞［攪］（註一）到方向不對。 做了這兩步之後呢，其實就是「三民治」這個樣 （見《框花樣2：邊粒環調1：從框看邊，從家看角》）。 第三步，就是把這顆小方塊（角塊［角粒］）（前上右）， 順時鐘方向，轉［扭］三分［份］之一個圈 （見《角粒花樣3：邊粒環調1：丫叉花樣，邊順角順》）。 這樣就做得出這個樣了。 如果你想把［啲］（些）面塊再調對［校翻啱］， 最後就是得出這個樣：四個紅中、四個發財、四個萬子，背面，這樣了。 註一：國語「搞」本字為「攪」，在〈粵〉就是寫做「攪」。語言學家〈趙元任〉有一場演講提到此字，名為《方言跟標準語》，收錄在《語言問題》一書。

扭計色｛魔術方塊｝一分鐘：三面花樣3：大蟒蛇4：外框歸位，面邊成蛇 Rubik's Cube for a Minute: Trihedral Patterns 3: Anaconda 4: Frame homing, face and edge cubies form a snake 我們現在要完成「大蟒蛇」(Anaconda)這個樣。 第三大步，所有角塊［角粒］全部［咸不論］回家之後， 現在（第四大步、最後一大步）要把，框的這六顆［粒］邊塊［邊粒］， 轉［扭］（回［翻］）與面塊［面粒］（中心塊［中心粒］）同一面。 也就是，白色這面向上，然後把框向順時鐘方向轉［扭］ （見《框花樣1：中心點1：中心一點，對面一骨》）。 這樣就做成了。 那麼這個樣之所以叫做「大蟒蛇」呢，（是）因為所有的面塊［面粒］， 與與（註一）它同一面的邊塊［邊粒］，全部［咸不論］串在一齊， 是一條大蟒蛇［嚟嘅］。（拿成正面三面在下，背面三面在上）包括， 正面的紅色、白色、藍色，以及背面的橙色、黃色、綠色。 那麼你看不看得到這條大蟒蛇在哪裏呢？ 那麼也就是這樣了（放在座上，白色在下）。 註一：句法有兩個「與［同］」字相連，不可省一， 見《框花樣2：邊粒環調2：三民治樣，邊順框反》。 自評：漏講「第四大步、最後一大步」。「轉［扭］到」應為「轉［扭］回［翻］」。因為動作已可接受，就不想再錄了。

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