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Edit for headphones. 2nd Chapter Of Acts: Annie, Nelly and Matthew Ward in the good old days... 1987 I think it was. Lee (Lieland) Jones: bass Jim Tenneboe: keyboards Curt Bartlett from Kansas City (Missouri): guitar Mike (Michael) Celenza: drums Annie Herring - Ward: vocals & keyboard Nelly Greisen - Ward: vocals Matthew Ward: vocals The original uploader of these video's wrote: "Hi! I'm the bass player in the video and I'm glad you enjoy it....back in the '70s I travelled and performed in Norway, including Bergen. The group was "New Hope" and we were there several times. I love Norway and would like to visit again sometime. Blessings to you. Lee Jones" https://www.youtube.com/@Llelandj/videos In some other comments Lee wrote: "This was a vcr tape of a tape that was recorded by a television station. I'm sure there are no masters and even if there were they probably wouldn't release them. This is what it is, and is all that exists as far as I know." And: "I came later ('84-'88) and played on the Hymns albums, Matts solo album and Far Away Places." And: "Most of the (bass) parts I was playing in these videos were taken from the recorded versions although I had a fair amount of freedom to embelish them, and I did. When I played on their albums (3 of them) the structure of the song was there but I created the bass parts, and they either liked them or they asked me to try something else. That was rare however. I never met Keith Green, but his wife Melody kept my kids at her house while I was travelling sometimes." And: "This came from a television shoot that happened during a Jesus Midwest festival near Chicago. I just happened to get a tape to copy for my own use, and I'm sure it has never been sold. I just thought folks might appreciate seeing this since there is not much video available." And: "2nd Chapter were fanatics about the music sounding like the records when played live. Auditioning for my gig with them was definately the toughest I've done. We rehearsed the stuff before we went out on tour but we were expected to know it already and just sharpen it up when we got together. This was a great band to play with, the guitarist and I also played with Phil Keaggy and Paul Clark together." And: "Where the girl's parts with Acts were pretty constantly the same, Matt never sang the songs the same way twice. Constant improvisation." Lee Jones once responded after I asked him why these videos were banned from one of my channels: "ruudtes, I am Lee Jones, bass player for 2nd Chapter Of Acts and I posted this video on YouTube. I too got a summons on one of the videos and I explained to Steve that 1. I was in all the videos 2. They were not posted for financial gain. 3. The tape was from a television broadcast and was public domain. 4. Steve doesn't own copywright it on any of these songs, nor does his company. He backed off when he found out who he was flagging, he apologized and I haven't heard from him on this since." Someone commented that this was broadcast on WCFC TV-38: "WCFC-TV38 was in some ways, a typical television station. Cameras, studio, set’s, lights, video tape machines, a master control, offices. But in other ways, more profound ways, WCFC-TV38 was different. The call letters, W-C-F-C stood for “Winning Chicagoland for Christ.” At the time, TV-38 was the largest, independent Christian television station in America and part of an emerging trend that saw the rise and public fall of famous televangelists like Jim Bakker and Jimmy Swaggert, the emergence of the religious right on the conservative political landscape, and a mainstreaming of the American Pentecostal movement. And in more subtle ways, TV-38 also nurtured a grass-roots ecumenical movement that crossed ecclesiastical, racial and economic barriers that had divided Christians in Chicago for decades BEWARE MY HEART (Annie Herring) beware my heart don't let pride start tick tock time is eroding seconds are floating and I can't catch them racing 'round in a hurry makes worry it's time to steal away beware my heart bon't let pride start to get a hold take my heart into a silent place I've got to take my heart into a silent place I've got to take my heart and teach it silence, silence silence your heart set it apart silence your heart silence tick tock time is eroding seconds are floating and I can't catch them racing 'round in a hurry markes worry it's time to steal away beware my heart don't let pride start to get a hold take my heart into a silent place I've got to take my heart into a silent place I've got to take my heart and teach it silence, silence, silence silence your heart set it apart beware silence your heart set it apart beware silence your heart ®© Capitol CMG Publishing, Adorando Brazil, LatinAutorPerf, AA-MRG, LatinAutor - UMPG ®© ruudtes All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.

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孤高の放浪詩人。路上ハ-モニカ演奏家。密行第一、多聞第一、詩人第一、妙音現一切色身仏。Isolated roam poet. Harmonica player on the road. משורר נודד בודד. מפוחית רחוב נגנים. 全国北は北海道稚内市から南は九州鹿児島まで全国主要都市で路上ライブをしてきました。そのほとんどを動画にし記録したものです。毎月必ず一曲と数回の路上ライブを行っております。チャンネル登録よろしくお願いします。 We have performed on the streets in major cities across the country, from Wakkanai City in Hokkaido in the north to Kagoshima in Kyushu in the south. Most of it was recorded on video. We always perform one song and perform several times on the street every month. Please subscribe to the channel https://www.youtube.com/@tomozo1234

大阪市柴島の柴島スポーツの室内テニスコートでソフトボールレッスンを行った時のビデオです。スイングを見て下さい。

wise Hindu

阿部真様分

In 1982, at age 83, Alonzo Mann — the former office boy at the National Pencil Company — came forward with a sworn affidavit that shattered the narrative of one of America's most infamous miscarriages of justice: the 1913 conviction and 1915 lynching of Leo M. Frank for the murder of 13-year-old Mary Phagan. Mann, who was just 14 in 1913, revealed he had withheld crucial information out of fear. On Confederate Memorial Day, April 26, 1913, he returned to the factory shortly after noon and saw janitor Jim Conley holding the unconscious (or dead) body of Mary Phagan on the first floor. Conley, alone with the girl slung over his shoulder, threatened Mann: "If you ever mention this, I'll kill you." Terrified, the young boy fled and told only his mother, who insisted he remain silent to protect him and the family. Mann testified briefly at Frank's trial but was never asked about what he saw upon returning. Conley's testimony — claiming Frank killed Phagan and forced him to help move the body — was riddled with lies, according to Mann. Conley alone had the body on the ground floor, not Frank. Mann believed Conley attacked Phagan for her $1.20 paycheck, not for sexual motives, as her money was never found. Haunted for nearly 70 years, Mann regretted his silence, believing his full testimony would have acquitted Frank and prevented his lynching by a Marietta mob. He shared the secret with family, friends, and even a reporter decades earlier, but only in 1982 — facing heart issues and a pacemaker — did he make it public through reporters Jerry Thompson and Bob Sherborne. This affidavit highlights how fear, antisemitic crowds yelling "Kill the Jew," perjured testimony, and a rushed trial led to tragedy. It underscores that courts and juries can err gravely, with irreversible consequences. Mann hoped revealing the truth, even late, would clear the record: Leo Frank was innocent; Jim Conley was the killer. Keywords: Leo Frank case, Mary Phagan murder, Alonzo Mann affidavit, Jim Conley lies, 1913 Atlanta trial, wrongful conviction, antisemitism history, exoneration evidence.