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Daftar baru (gratis)🌌宇宙も細胞も、すべては波動でできている——いのちの共振に耳をすます時間 私たちの身体は、臓器も細胞も、すべてが波動=エネルギーでできています。 そしてそれぞれが、お互いに“共振”しながら、その役割を果たしてくれている。 それはまるで、宇宙に浮かぶ惑星たちが、 おたがいのバランスを取りながら、美しいハーモニーを奏でているのと同じ。 大きいとか、小さいとか、そんな価値はもう必要ない。 すべてはつながり合い、共鳴し合い、「今この瞬間」を共に創っているのだから。 この動画は、宇宙的な視点から“わたしたち自身の存在”を見つめなおす、 波動と共振のスピリチュアル・メッセージです。 あなたの中にも、宇宙と同じ音が流れています。 どうぞ、耳をすまして感じてみてください🌠
Shop the Best Motorcycle Accessories for Every Rider in India Okay, road warriors, you're not prospering, you're just surviving, if you're still riding stock. The correct motorcycle accessories may transform your ride from a basic motorcycle to a beast, whether you're navigating through twisting mountain roads or avoiding city traffic. This is where comfort, style, and performance all come together. And you know what? Premium motorcycle accessories are available online in India and can be delivered right to your house. Let’s talk upgrades. Crash Guards & Frame Sliders India’s roads don’t forgive mistakes, but the right protection gear will. Crash guards and frame sliders don’t just shield your bike from damage—they’re an investment in peace of mind. Ride hard, ride safe. Comfort Seats & Gel Pads Long rides? No problem. Ditch that factory seat and switch to comfort-enhancing options that support your back and legs. Add a gel pad and suddenly 300 km feels like 30. All-Weather Covers & Tank Bags Protect your ride from sun, rain, and dust with a waterproof bike cover. Add a tank bag or saddlebag and now you’re built for touring—carry your tools, essentials, and more, without weighing down your back. LED Lights & Auxiliary Lamps See and be seen. Upgrade your visibility with high-intensity LED headlights and auxiliary fog lamps. Not only do they make night riding safer, but they also make your bike look next-level futuristic. Phone Mounts, USB Chargers & Riding Tech Stay connected with sturdy mobile mounts, on-the-go USB chargers, and action camera mounts for recording your ride. These aren’t just accessories—they’re essentials for the modern-day rider. Performance Accessories Brake and clutch levers, adjustable rear sets, high-grip foot pegs—everything you need for precise control and a sportier feel. Perfect for Yamaha, Suzuki, Honda, and Royal Enfield owners who demand more from their machines. Style Mods Bar-end mirrors, tank grips, frame sliders in custom colors, rim stickers, and sleek visors—this is where performance meets personality. Let your bike reflect your riding style. Whether you're riding solo across states or just commuting through chaos, the right bike accessories change everything. Better comfort, more control, more style—and all of it available at unbeatable prices at Bikegear.in. Need help choosing the best gear for your ride? Hit us up at +91 9610311313. We’ve got everything you need—from helmets and exhausts to full touring kits. Shop now, mod your machine, and ride like you mean it!
Что представляет из себя эта практика, для чего ее можно использовать и каким образом
Brawl Stars #989 El Orlando y sus poderosisimos subs
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🌌宇宙も細胞も、すべては波動でできている——いのちの共振に耳をすます時間 私たちの身体は、臓器も細胞も、すべてが波動=エネルギーでできています。 そしてそれぞれが、お互いに“共振”しながら、その役割を果たしてくれている。 それはまるで、宇宙に浮かぶ惑星たちが、 おたがいのバランスを取りながら、美しいハーモニーを奏でているのと同じ。 大きいとか、小さいとか、そんな価値はもう必要ない。 すべてはつながり合い、共鳴し合い、「今この瞬間」を共に創っているのだから。 この動画は、宇宙的な視点から“わたしたち自身の存在”を見つめなおす、 波動と共振のスピリチュアル・メッセージです。 あなたの中にも、宇宙と同じ音が流れています。 どうぞ、耳をすまして感じてみてください🌠
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Overview of Jackie Edwards and His Music Jackie Edwards was a Jamaican singer-songwriter known for his contributions to the ska and reggae genres. He gained popularity in the 1960s and 1970s, with notable hits such as “Keep on Running,” which became a significant success in 1965. This song was later covered by various artists, including The Spencer Davis Group, further cementing its place in music history. Analysis of “Love & Affection” Medley Album In 1979, Jackie Edwards released a medley album featuring “Love & Affection,” which included background vocals from Kate Swadling. This album showcased Edwards’ ability to blend different musical styles and highlighted his vocal talents alongside Swadling’s contributions. However, despite its artistic merits, this album did not achieve the same level of commercial success as “Keep on Running.” Factors Influencing Commercial Success Market Trends: By 1979, the music landscape had shifted significantly since the mid-1960s. The rise of disco and punk rock altered listener preferences, leading to a decline in the popularity of traditional ska and reggae sounds that characterized much of Edwards’ earlier work. Competition: The late 1970s saw an influx of new artists and genres competing for radio play and chart positions. This increased competition made it more challenging for established artists like Edwards to maintain their previous levels of success. Promotion and Distribution: The marketing strategies employed for the medley album may not have been as robust or effective as those used for “Keep on Running.” A lack of promotional support can significantly impact an album’s visibility and sales. Cultural Shifts: The cultural context in which music is consumed also plays a crucial role in its success. By the time of the medley album’s release, listeners were gravitating towards more contemporary sounds that resonated with their experiences during that era. Audience Demographics: The audience that enjoyed “Keep on Running” may have aged or shifted their musical tastes by 1979, leading to a smaller core fan base for Edwards’ newer work compared to his earlier hits. Conclusion In summary, while Jackie Edwards’ medley album featuring Kate Swadling showcased his musical talent and creativity, it faced several challenges that contributed to its lesser commercial success compared to his iconic single “Keep on Running.” These challenges included changing market trends, increased competition from emerging genres, promotional shortcomings, cultural shifts in music consumption, and demographic changes among listeners.
Mike Oldfield Ommadawn part 2. Although it features the beautiful recorder of Leslie Penny and the Chieftains' Paddy Maloney playing the uilean pipe, Ommadawn didn't gain Mike Oldfield the success he was looking for. The album was released in the same year as the David Bedford-arranged Orchestral Tubular Bells and nine months after Oldfield picked up a Grammy award for the original Tubular Bells album. The most pleasing attribute of Ommadawn is its incorporation of both African and Irish music in its symphonic rock & roll mainframe. Boosted by a hearty amount of different horns, piano, cello, trumpet, and synthesizer, the album has its moments of rising action, but the whole of Ommadawn fails to keep its lovely segments around long enough, and there are some rather lengthy instances that include bland runs of unvaried music. Another plus is Oldfield's use of a choir, giving the album a soft, humanistic feel when contrasted against the keyboards or synthesizer. While it does include flashes of Mike Oldfield's brilliance, the entire album may seem a little anticlimactic when compared to some of his other releases.
Popol Vuh Nicht hoch im Himmel, from album Hosianna Mantra, 1972. Florian Fricke pioneered the use of synthesizers in German rock, but by the time of Hosianna Mantra he had abandoned them (eventually selling his famous Moog to Klaus Schulze). While In den Gärten Pharaos had blended synths with piano and African and Turkish percussion, Hosianna Mantra focuses on organic instrumentation. Conny Veit contributes electric guitar, but other than that, Fricke pulls the plug and builds the album around violin, tamboura, piano, oboe, cembalo, and Veit's 12-string, often with Korean soprano Djong Yun's haunting voice hovering above the arrangements. As the album's title suggests, Fricke conceived of Hosianna Mantra as a musical reconciliation of East and West, a harmonization of seemingly opposed terms, combining two devotional music traditions. That notion of cultural hybridity resonates throughout. On "Kyrie" droning tamboura, simple piano patterns, ethereal, gull-like guitars, and yearning oboe ebb and flow before coalescing in a passage of intensity and release. The epic title track adds another dimension to the fusion, emphasizing a Western rock sound with Veit's spectacular playing to the fore, simultaneously smoldering and liquid, occasionally yielding to Djong Yun's celestial vocals. Above all, Fricke envisioned this as sacred music, intimately linked to religious experience; however, as his musical synthesis of disparate religious traditions indicates, he was seeking to foment a spiritual experience beyond the specificity of any particular faith. Indeed, Fricke called this album a "mass for the heart" and that aspect can be heard most succinctly on the melancholy "Abschied" and the gossamer-fragile "Segnung," which blend an austere hymnal sensibility with a more mystical vibe. Julian Cope has said that Hosianna Mantra sounds like it was made in a "cosmic convalescent home" -- an excellent description underscoring the timeless, healing quality of this music, which is far removed from the everyday world and yet at one with it.
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人妻さんが毎晩行うストレッチをご紹介します。 美容と健康の為にも一緒にストレッチいかがでしょうか!? プロフもご覧なってみて下さい。
アダルトビデオのモザイクってどうやってかけてるんでしょう? 今回も前回に引き続き、 Premiereを使って、より実践的なモザイクのかけかたについて、説明いたします。 実際に女優さんに協力いただいて、 最も難しいといわれるフェラチオシーンにフォーカスして実践的なモザイクのかけ方について 詳しくレクチャーしていきます。 マスクのかけかた、マスクの変形の仕方、マスクのON・OFFについて、マスクのフェードイン、フェードアウトの仕方など、前回学んだことをすべて応用して、本格的なモザイクかけに挑戦です。 アダルトビデオのモザイク処理でお困りの方がいらっしゃいましたら、ぜひ、ご参考ください。 【前回】 https://video.fc2.com/content/20200912BbxEMxh2/ ■公式HP https://www.irina-entame.com/ ■公式Twitter https://twitter.com/shirohame8585 ■note http://note.mu/shirohame8585
アダルトビデオのモザイクってどうやってかけてるんでしょう? 今回はPremiereを使って、より実践的なモザイクのかけかたについて、説明いたします。 マスクのかけかた、マスクの変形の仕方、マスクのON・OFFについて、マスクのフェードイン、フェードアウトの仕方などについてレクチャーいたします。 アダルトビデオのモザイク処理でお困りの方がいらっしゃいましたら、ぜひ、ご参考ください。 【前回】 https://video.fc2.com/content/20200912BbxEMxh2/ ■公式HP https://www.irina-entame.com/ ■公式Twitter https://twitter.com/shirohame8585 ■note http://note.mu/shirohame8585
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