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In which the new, heavier lineup of Flowerpot get to play right up to closing time in an extended fleece friday night.

In which chiming guitar and pulsing delay sets the rhythm for some high drama performances from the singer.

In which we get a dual drummered electro rock onslaught all the way from australia to shake us up/get us shaking.

In which we lighten things up a bit with some jangly indie-rock.

In which I once again get to see this band build slowly to full psychedelic rocking out.

In which we kick off an extra long fleece friday lineup with some solo acoustic playing bathed in disco lights.

In which Tom gives us an extended set of 80's influenced fingerpicking acoustica.

In which we stretch out several jazz standards with smooth vocals and twangy guitar.

In which we have some gentle humour to comfort us through the chaos of life.

In which Ursula and Chandra once again demonstrate the interplay between the Hang and Flute., which certainly isn't something you can say about any other gigs in bristol.

In which we switch instruments and ideas with increasing rapidity.

In which acoustic instruments are combined with plenty of effects for some extended gypsy psychedelia.

Time to say goodbye to mr wolfs as we know it with another show full of theatrical audience-engagement.

In which Faith makes the whole crowd her backing singers for some appropriately themed post-movie entertainment at the Watershed.

As usual, we keep going as long as we can ..... and then just a little bit longer.

Time for Jama to once again play an extended set full of various mulicultural rhythms.

Even when playing solo, she still takes the time to acknowledge influences, both famous and local.

In which I finally get to see what Sarah sounds like without any accompaniment at all, in a rare solo show.

In which the bass is set incredibly bright as we clang and snarl through the upgraded headliners set.

In which the ironically named second act incorporate some duelling saxophone into their heavy punk sound.

In which both the singer and drummer shred their vocal cords, and keep the sound busy enough we don't miss the bass, as we kick off the first anniversary of noise annoys.

In which we spin things out a little longer than expected with some encore trickery.

In which all 4 band members are loaded up on effects units, and use them to full effect for a glossy dance-rock hybrid.

In which we keep the crowd busy with some melodic, instrumental heavy guitar rock.

In which we go back to the 80's for some fabulously dressed synthpop action.

In which as many effects pedals are used as possible to combine beautiful melodies with deafening blasts of noise.

In which we jack up the guitar and organ, and have a raucous tearthrough some classic rock and roll.

In which Gi strips back the sound, but keeps the effects and then some for some swirling looping and echoing acoustic action.

In which Paul demonstrates his versatility with programmed backings, unaccompanied playing, ukulele and loopstation.

In which we kick off a double bill of fabulous piano balladry from Brighton.

In which songsmith is graced with one of the most infectiously enthusiastic performers around and his brand new songs.

In which we kick off with some effortless flipping between original and cover material, often within the same song.

In which Matt puts a selection of effects on top of his organ, and manipulates & launches the resulting sounds in all directions.

In which we're treated to a sweaty high energy assault of synth, drums & shouting that ends with both bandmembers shirtless.

In which we have a compilation of the poetry delivered between the music.

In which we channel the spirit of Hedwig with some punky cross-dressing rock action.

In which we dirty up simple songs with a whole range of strange keyboards and other instruments.

In which we slow things down for some spooky Tarantino soundtrack ballardry.

In which Heloise lets real percussion instruments shimmer and chime over her electronic noisescapes.

In which we learn how to call for an encore in German, and are rewarded for it twice.

In which the stage is filled with a revolving set of singers fronting a metal supergroup. Oh, and tons of smoke and lights, once again.

In which it's time for some dual guitar leads, keytar playing, and synchronised headbanging to put the play part back in playing heavy.

In which it's time to crank up the volume and the smoke machine even before the sun has fully set, as the hatchet kicks off early with an evening packed with the heavy stuff.

In which we get to hear some serious shit as the flux capacitors rocket through their songs with the help of a few guest stars.

In which the idestroy girls once again slash and burn through a short sharp set.

In which the singer sets up right on the middle of the floor and gets the audience to join in on some rousing call and response.

In which the cultural references come fast and furious as our first act combines short tv show songs with equally short originals.

In which we try to reduce the number of rapid bass switches.

In which the Truetones are stripped back to the essentials, but still pack more than enough punch to keep the Lion's share of the attention.

In which we go for the full on cheese as we power our way through the final stretch.