You can feel it within seconds — NAnews https://nikk.agency/en/
doesn’t sound like any other source of news from Israel.
It speaks slower.
It breathes between sentences.
It invites you to listen, not to scroll.
This isn’t another media outlet screaming headlines across the web.
It’s a living archive of stories that travel from Haifa to Kyiv, from Jerusalem to Paris, from Tel Aviv to Odesa — and back again.
The heart of Haifa, the rhythm of Ukraine
Founded by journalists who understand what it means to live between identities, NAnews was born out of necessity — not ambition.
In a world where information moves faster than empathy, this project decided to slow down and bring humanity back into the newsroom.
The editors describe their mission simply:
“We publish voices that would otherwise remain unheard.”
That’s why reading NAnews feels more like conversation than consumption.
A new language of connection
Five languages, one emotion — that’s how the site breathes.
Each story begins in one tongue and finds a new meaning in another.
Hebrew brings intensity, Ukrainian brings memory, English brings reach.
Even the French edition adds an echo of calm, grounding the global community around Israel and Ukraine.
And then there’s Middle East https://nikk.agency/en/middle-east-en/
— a section that ties local stories to regional realities.
From Haifa’s multicultural neighborhoods to Amman’s innovation hubs, it gives readers the kind of balanced Middle Eastern perspective that’s almost impossible to find elsewhere.
This is journalism that remembers its geography — and its soul.
What makes it different
While most media chase algorithms, NAnews builds trust.
There’s no corporate owner, no political pressure, no hidden sponsor.
Every article feels handcrafted — written for people, not for metrics.
It’s what independent news from Israel looks like when it’s made by people who care more about truth than traffic.
The Russian version https://nikk.agency/
keeps the tenderness of repatriate memory.
The Hebrew edition captures the humor and grit of Israeli daily life.
English, meanwhile, serves as a bridge to the world — giving readers a Haifa-born view of global realities.
Haifa as metaphor
There’s a reason this newsroom lives in Haifa, not Tel Aviv.
Haifa isn’t the city of power — it’s the city of coexistence.
You can hear Arabic prayers next to French radio, and see Ukrainian flags fluttering beside old synagogues.
It’s the perfect symbol for NAnews:
a mosaic that never tries to look perfect.
One editor told me over mint tea,
“We don’t cover Israel from the top down — we see it from the inside out.”
That’s the quiet revolution of this project.
Stories that heal distance
Somewhere between the war in Ukraine and the everyday chaos of the Middle East, this platform became a place for empathy.
It’s where Ukrainian repatriates in Ashdod share their new beginnings,
where Israeli volunteers help rebuild schools in Odesa,
and where Arabic-speaking Israelis write about peace projects in Haifa and Nazareth.
It’s news from Israel in its purest form — not about politics, but about people.
The digital voice of a diaspora
Through essays, interviews, and photography, the NAnews team explores identity the way others explore geography.
Each article asks the same question: how do you belong to two countries at once?
Their In the World section gives diaspora communities a platform to speak back — from Paris, Toronto, Warsaw, or Casablanca.
Meanwhile, Middle East keeps the conversation rooted in the region, showing that empathy here isn’t an abstract idea; it’s a daily choice.
Together, these sections make NAnews one of the few truly cross-cultural newsrooms in the region.
Technology with tenderness
Underneath the emotion, the site runs with surgical precision.
Fast pages, lightweight code, multilingual SEO, clear UX — the kind of technical backbone most media overlook.
But even that is done differently: not to impress Google, but to serve readers.
No clickbait.
No auto-refresh banners.
Just calm, responsive storytelling — powered by sincerity.
When journalism becomes trust
Every time I open the homepage, it feels less like reading news from Israel and more like entering a global kitchen table.
You see faces from Haifa, Kyiv, and Beirut; you hear voices in Hebrew, French, and English.
And somehow, it all fits.
That’s what NAnews does — it transforms fragmentation into harmony.
It proves that stories, like people, can coexist even when headlines say otherwise.
The echo of independence
In 2025, when so much of the media landscape is automated or politicized, NAnews stands out by being human.
No bots. No bias. Just people — and patience.
And maybe that’s what the world needs now:
fewer news alerts, more understanding.
If you want to see how independent journalism still survives — and thrives — start here.
Start in Haifa.
Start with NAnews
.
Because this is not just news from Israel.
It’s the sound of truth finding its way home.
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You Spin Me Round Baby:
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パラダイス・ア・ゴーゴー ／ ヴェンチャーズ
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Ten Seconds to Heaven ／ The Ventures
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ダッタン人の踊り 「 歌劇・イーゴリ公 = ボロディン 」
Polovtsian Dances 「 Prince Igor = Alexander Borodin 」
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Video ini telah dihapus oleh pengunggah, atau diatur sebagai pribadi.
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Buy Now HJC Helmets for Superior Safety & Comfort in India All right, riders, it's time for an upgrade if you're still wearing that outdated helmet! The correct helmet isn't just essential it's a game-changer, whether you're racing in urban areas or on open roads. Better comfort, increased safety, and let's face it, a ton more style. What's the best part? The cheapest pricing in India may be found when purchasing HJC Helmets online!
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HJC has been crafting top-tier motorcycle helmets for over 50 years, delivering cutting-edge designs that don’t just meet safety standards—they exceed them. Whether you need a full-face racing helmet, a modular touring lid, or a lightweight open-face for city cruising, HJC’s got you covered.
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Which penis extender is the best in 2025, PeniMaster or PHALLOSAN Forte? To find the solution, I tested both gadgets for months. In this straightforward analogy, I dissect: ✅ Build Quality: What is the more robust extender? (Spoiler alert: It feels "cheap.") ✅ Usability: Why it takes 30 seconds to put on PeniMaster compared to 5 minutes for PHALLOSAN ✅ Comfort: Why PHALLOSAN prevails in this case, but does comfort translate into success? ✅ My Findings: Which gadget actually improved my erection quality, length, and girth?
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00:00 Why I Started Using Penis Extenders
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Mike Oldfield Tubular Bells Live at the BBC 1973.
Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music. Oldfield plays all the instruments himself, including such oddities as the Farfisa organ, the Lowrey organ, and the flageolet. The familiar eerie opening, made famous by its use in The Exorcist, starts the album off slowly, as each instrument acoustically wriggles its way into the current noise that is heard, until there is a grand unison of eccentric sounds that wildly excites the ears. Throughout the album, the tempos range from soft to intense to utterly surprising, making for some excellent musical culminations. Mandolins and Spanish guitars are joined by grinding organs and keyboards, while oddball bells and cranking noises resound in the distance. In the middle of the album, guest Vivian Stanshall announces each instrument seconds before it is heard, ending with the ominous sounding tubular bells, a truly powerful and dominating instrument. The most interesting and overwhelming aspect of this album is the fact that so many sounds are conjured up yet none go unnoticed, allowing the listener a gradual submergence into each unique portion of the music. Tubular Bells is a divine excursion into the realm of new age music.
OEM Electric Juicers Blenders are the perfect kitchen appliances for someone who loves to enjoy fresh, healthy drinks every day. With their powerful motors and high-quality blades, they can easily blend fruits, vegetables, and ice into a perfect smoothie or juice in seconds! What's more, these juicers and blenders come in a variety of styles and designs, allowing you to choose the one that suits your needs and preferences.
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“Super Trouper” was a hit single for Swedish pop group ABBA, and was the title track from their 1980 studio album Super Trouper, written by Benny Andersson and Björn Ulvaeus. The song, with lead vocals by Anni-Frid Lyngstad, was the last to be written and recorded for this album. “Super Trouper” is included on the Gold: Greatest Hits compilation, as well as in the Mamma Mia! musical.
The name “Super Trouper” referred to the spotlights used in stadium concerts.
Music video
In October 1980, the music video for “Super Trouper” used the largest number of artists that ABBA have ever used in a music video. The spotlight featured throughout the music video is, in fact, a CCT Silhouette follow spot, as opposed to a real Super Trouper. The city of Glasgow mentioned in the lyric was suggested by Howard Huntridge who worked with their then-UK publishers Bocu Music. The music video was directed by Lasse Hallström.
Reception
“Super Trouper” was a successful single for ABBA. It topped the charts in Belgium, West Germany, the UK (their ninth and final No. 1 in the UK Singles Chart),[1][2] Republic of Ireland and the Netherlands. It reached the Top 5 in Austria, France, Norway, Switzerland and Mexico, while peaking in the Top 10 in Finland and Spain. In the United States, where ABBA never quite managed to achieve the same sort of popularity experienced elsewhere, the single reached No. 45. However, combined with “Lay All Your Love on Me” and “On and On and On”, it topped the US Hot Dance Club Play chart.
“Super Trouper” was A-Teens' second single from their 1st album The ABBA Generation, a cover of ABBA’s song. When the single came out in the fall of 1999, it became a hit around the globe, just as its predecessor “Mamma Mia”, also an ABBA cover. “Super Trouper” debuted at No. 2 in Sweden and was later certified platinum .[5]
It also became their only Top 5 hit in Germany peaking at #4. The single also reached No. 21 in the United Kingdom, No. 18 in Switzerland, No. 15 in Norway, No. 11 in Austria and No. 12 in Netherlands.
Music video
The music video was directed by Sebastian Reed and was filmed in Sweden. The video shows a girl so obsessed with the band that she owns posters, magazines, mugs, clothing, and even a key chain. She also copies the band’s choreography that is shown on TV. Some of the articles that feature pictures of the band come to life in the video.
In the first few seconds of the video, before the actual song starts, Mamma Mia can be faintly heard in the background.
The video was a hit in most TV stations charting inside the Top 10 countdowns in late 1999 and early 2000.
American alto pop singer Debbie Sims covered this song from her 1998 album, “Songs of Andersson & Ulvaeus”, produced by disco producer Ed O'Loughlin (who produced for American girl-group disco/soul singer Carol Douglas) in an American disco style with a lot of rhythmic, percussive disco beats that sound like “Do You Love What You Feel” by R&B star Chaka Kahn and her band Rufus.
Personnel
Acoustic Guitar – Björn Ulvaeus
Bass – Mike Watson
Drums – Per Lindvall
Guitar – Janne Schaffer
Keyboards, Synthesizer – Benny Andersson
Percussion – Åke Sundqvist
Debbie Sims 1998 cover
Lead Vocals – Debbie Sims
Backing Vocals – Christine Burnett, Dennis Englewood, Helen Taylor, Joyce Berry, Laurie Maitland, Liz McKay, Lupe MacKenzie, Matthew Foster, Tricia Copperfield
Bass – Vince Fay
Drums & Congas – Daryl Burgee
Electric Piano – Joel Bryant, Greg Phillinganes
Grand Piano – Laurie Maitland
Guitars – Paul Jackson Jr.
Horns Arranged by Lou Del Gatto
Percussion – Alan Estes
Producer – Ed O'Loughlin
Strings Arranged & Conducted by Don Renaldo
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