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http://www.jefflitmanmusic.com Open Arms: studio version from Jeff Litman's 2009 release, Postscript.
Open Arms - 4:22
Put down your keys,
and take your coat off for awhile.
Be my distraction one more time.
When you are here
I have no reason not to smile.
Let me pretend that youâre still mine.
I always hoped
you would come around again.
And I know I should run away.
But I welcome you with open arms,
until you have taken up your fill,
then Iâll watch the sky fall down as you are leaving.
Iâll look at the mess you left,
and Iâll start cleaning.
Give me one kiss,
oh how Iâve missed
that familiar taste.
You know I donât want another fight.
Just say the word,
and all the hurt will be erased.
Just help me get some sleep tonight.
I always hoped
that someday youâd change your mind
and you donât have to tell me why
I will welcome you with open arms
until you have taken up your fill,
and Iâll watch the sky fall down as you are leaving.
Iâll look at the mess you left,
and Iâll start cleaning.
I want you to ...
http://www.jefflitmanmusic.com Postscript: studio version from Jeff Litman's 2009 release, Postscript.
It felt so tragic
to be left in the dark
suffering for the want of a punctuation mark.
I have been waiting
for what never comes
for some little consolation prize
just to see some tears in your eyes.
Now it ends.
We canât be friends.
The only thing left to do
is throw away your photographs,
throw your letters in the trash,
forget I ever knew you at all.
Youâre weaker by far
than I could have guessed.
To bulldoze me like you did with out once looking back.
You should have been there
while I fell apart,
and for my consolation prize,
you could see some tears in my eyes.
But, now it ends.
We canât be friends.
The only thing left to do
is throw away your photographs,
throw your letters in the trash,
forget I ever knew you at all.
I built up this house
just to watch it burn down.
I need to know why,
but you donât make a sound.
What to do with this empty room and broken glass,
but just send it all into the ...
http://www.jefflitmanmusic.com Knock Me Down: studio version from Jeff Litman's 2009 release, Postscript.
Maybe I was hallucinating,
but I thought that I saw you in the park.
Itâs not that youâre so damn fascinating.
I just canât seem to lose you in the dark.
Oh my dreams,
pleasant as they seem,
youâre right before my eyes.
You come back,
and taunt me with your kiss.
I should have known
it was all a disguise.
When I get up you knock me down.
Every time that I turn around.
I run away you lie in wait.
Everywhere I see your face
this is more than I can take.
Even though I donât want to see you,
I just canât seem to help but scan the street.
Every night is a long rehearsal,
scripting what I would say if we should meet.
Oh that scene,
when I just want to sleep.
It knocks me to the floor.
There you are,
just like it was before,
âtill daylight comes
and it slams the door.
When I get up you knock me down.
Every time that I turn around.
I run away you lie in wait.
Everywhere I see your face
this is more ...
http://www.jefflitmanmusic.com Maine: studio version from Jeff Litman's 2009 release, Postscript.
In a lazy old new england town
I found myself back in my former life.
But the summerâs heat was not so sweet,
the pilgrimsâ hats were not so black and white.
And when the winds of change had blown,
I found myself without a home at night.
All those crazy aspirations,
had to cut their respiration off and die.
No, you canât go home
when everythingâs been blown.
So Iâll just scratch the epitaph,
Itâs all gonna be ok.
And Iâll leave that silly pipe dream up in Maine.
Well, I came with nothing else to do,
to keep myself from drifting back to you.
But I know itâs useless to pretend,
to rend my garments just to see it through.
So I guess Iâll just jump off the tracks,
and then there ainât no turning back to do.
All this ceaseless circling to the past,
this carousel has faded out of use.
And no you canât go home
when everythingâs been blown.
So Iâll just scratch the epitaph,
Itâs all gonna be ok.
And, Iâll leave ...
http://www.jefflitmanmusic.com Detroit Layover: studio version from Jeff Litman's 2009 release, Postscript.
The train roars past down an endless hall,
Iâm the last one standing up against the wall.
And it donât make sense.
This looks a little familiar.
88 days since I made up my mind,
but its all the same,
I got nothing but time.
And this rain delay
is getting longer and longer.
This Detroit Layoverâs gone on too long.
the second hand is ticking round and round
I have bounced around from state to state,
but now I just want to go home.
Someone come and get me off the ground.
Reverse Course, thought Iâd give it a try
just had to cut my losses, itâll all be fine.
But the pilot says, âit looks like weâre going nowhere.
Off and running put my foot on the gas,
I drive around in circles,
going nowhere fast
and I donât know how Iâm going to find my way out there.
Oh, this Detroit Layoverâs gone on too long.
the second hand is ticking round and round
I have bounced around from state to state,
but now I ...
http://www.jefflitmanmusic.com Everything You're Not: studio version from Jeff Litman's 2009 release, Postscript.
Once you go away,
I will take everything you ever gave,
throw it all in a small paper box.
You think you own my mind,
but in time I will leave you behind.
Then sheâll set me free,
and you wonât matter anymore to me.
When she comes along,
Iâll know that you were wrong.
When she comes along,
youâll have been sung your last song.
I hope sheâs understanding,
and I hope sheâs complementary.
I hope sheâs everything youâre not.
You criticized my sound,
broke me down,
had me clinging to the ground.
Well that kind of support,
I donât need.
I thought that you were sweet,
but it seems that you are not the girl of my dreams.
Maybe someone else will be the one to break me from your spell.
When she comes along,
Iâll know that you were wrong.
When she comes along,
youâll have been sung your last song.
I hope sheâs understanding,
and I hope sheâs complementary.
I hope sheâs everything youâre ...
http://www.jefflitmanmusic.com Anna, studio version from Jeff Litman's 2009 release, Postscript.
Annaâs a blast
Sheâs got a nice smile, and she thinks Iâm a gas.
Iâve never met someone like her.
We walk the streets.
I open the door, and she shuffles her feet.
It feels like June in November.
But she stops me and says
âIâm so glad youâre my friend,
I need someone to confide in.â
Anna is perfect, but sheâs got a boyfriend.
She says heâs not worth it,
but itâs never gonna end.
Why do I always get hung up on someone like her.
When am I gonna learn?
Sometimes itâs rough.
Heâll push her aside when heâs had enough.
She keeps on saying he means no harm.
I nod and stare,
playing the part of somebody who cares.
I guess thatâs all part of my charm.
I want to tell her sheâs wrong,
heâs no good for her now.
She needs someone to rely on.
Anna is perfect, but sheâs got a boyfriend.
She says heâs not worth it,
but itâs never gonna end.
Why do I always get hung up on someone like her.
When am I gonna learn?
Stay ...
http://www.jefflitmanmusic.com Complicate: studio version from Jeff Litman's 2009 release, Postscript.
In my little world,
you never left.
But now there you sit
in his caress.
And Iâll never resurrect
my shattered hope that youâll come back.
I walked a thousand miles
in the brightness of your smile,
but thatâs all gone.
It always ends that way for me,
but I hold on,
and I know itâs wrong,
but you still complicate me.
I try not to think
about that time.
I had everything
when you were mine.
And I hope youâre doing fine,
but I know you canât be happy with that guy.
I walked a thousand miles
in the brightness of your smile,
but thatâs all gone.
It always ends that way for me,
but I hold on,
and I know itâs wrong,
but you still complicate me.
And its just another drink or two
so I donât have to think about you, girl.
You really messed me up this time,
but Iâm not gonna cry.
Despite the daydreams in my head,
Iâll never see you in my bed again.
But I just canât let it die.
Jeff Litman: lead/background ...
20 Years ago, Bruce Kumar Frantzis was asked to to teach Wu style Tai Chi at the New Mexico State Penitentiary. The experiment had a profound effect on the prisoner's lives and reduced the violence. This led to a brief televised documentary on Postscript.
Michael Jahn is a true industry veteran. He's a printing industry consultant, color specialist, PDF evangelist and glob-trotting presenter. He's also a surfer, goof-ball and trickster.
He talked about what's changed for content creators, designers and publishers in the last 20 years. He's been involved with PDF since it was just "P" (for postscript). He describes why now is one of the most exciting times ever for digital publishing.
We spoke in Orlando just before his CRE8 presentation entitled, "What Color is Your Cheese Doodle?"
Visit www.AquentStudios.com for more information.