You can feel it within seconds — NAnews https://nikk.agency/en/
doesn’t sound like any other source of news from Israel.
It speaks slower.
It breathes between sentences.
It invites you to listen, not to scroll.
This isn’t another media outlet screaming headlines across the web.
It’s a living archive of stories that travel from Haifa to Kyiv, from Jerusalem to Paris, from Tel Aviv to Odesa — and back again.
The heart of Haifa, the rhythm of Ukraine
Founded by journalists who understand what it means to live between identities, NAnews was born out of necessity — not ambition.
In a world where information moves faster than empathy, this project decided to slow down and bring humanity back into the newsroom.
The editors describe their mission simply:
“We publish voices that would otherwise remain unheard.”
That’s why reading NAnews feels more like conversation than consumption.
A new language of connection
Five languages, one emotion — that’s how the site breathes.
Each story begins in one tongue and finds a new meaning in another.
Hebrew brings intensity, Ukrainian brings memory, English brings reach.
Even the French edition adds an echo of calm, grounding the global community around Israel and Ukraine.
And then there’s Middle East https://nikk.agency/en/middle-east-en/
— a section that ties local stories to regional realities.
From Haifa’s multicultural neighborhoods to Amman’s innovation hubs, it gives readers the kind of balanced Middle Eastern perspective that’s almost impossible to find elsewhere.
This is journalism that remembers its geography — and its soul.
What makes it different
While most media chase algorithms, NAnews builds trust.
There’s no corporate owner, no political pressure, no hidden sponsor.
Every article feels handcrafted — written for people, not for metrics.
It’s what independent news from Israel looks like when it’s made by people who care more about truth than traffic.
The Russian version https://nikk.agency/
keeps the tenderness of repatriate memory.
The Hebrew edition captures the humor and grit of Israeli daily life.
English, meanwhile, serves as a bridge to the world — giving readers a Haifa-born view of global realities.
Haifa as metaphor
There’s a reason this newsroom lives in Haifa, not Tel Aviv.
Haifa isn’t the city of power — it’s the city of coexistence.
You can hear Arabic prayers next to French radio, and see Ukrainian flags fluttering beside old synagogues.
It’s the perfect symbol for NAnews:
a mosaic that never tries to look perfect.
One editor told me over mint tea,
“We don’t cover Israel from the top down — we see it from the inside out.”
That’s the quiet revolution of this project.
Stories that heal distance
Somewhere between the war in Ukraine and the everyday chaos of the Middle East, this platform became a place for empathy.
It’s where Ukrainian repatriates in Ashdod share their new beginnings,
where Israeli volunteers help rebuild schools in Odesa,
and where Arabic-speaking Israelis write about peace projects in Haifa and Nazareth.
It’s news from Israel in its purest form — not about politics, but about people.
The digital voice of a diaspora
Through essays, interviews, and photography, the NAnews team explores identity the way others explore geography.
Each article asks the same question: how do you belong to two countries at once?
Their In the World section gives diaspora communities a platform to speak back — from Paris, Toronto, Warsaw, or Casablanca.
Meanwhile, Middle East keeps the conversation rooted in the region, showing that empathy here isn’t an abstract idea; it’s a daily choice.
Together, these sections make NAnews one of the few truly cross-cultural newsrooms in the region.
Technology with tenderness
Underneath the emotion, the site runs with surgical precision.
Fast pages, lightweight code, multilingual SEO, clear UX — the kind of technical backbone most media overlook.
But even that is done differently: not to impress Google, but to serve readers.
No clickbait.
No auto-refresh banners.
Just calm, responsive storytelling — powered by sincerity.
When journalism becomes trust
Every time I open the homepage, it feels less like reading news from Israel and more like entering a global kitchen table.
You see faces from Haifa, Kyiv, and Beirut; you hear voices in Hebrew, French, and English.
And somehow, it all fits.
That’s what NAnews does — it transforms fragmentation into harmony.
It proves that stories, like people, can coexist even when headlines say otherwise.
The echo of independence
In 2025, when so much of the media landscape is automated or politicized, NAnews stands out by being human.
No bots. No bias. Just people — and patience.
And maybe that’s what the world needs now:
fewer news alerts, more understanding.
If you want to see how independent journalism still survives — and thrives — start here.
Start in Haifa.
Start with NAnews
.
Because this is not just news from Israel.
It’s the sound of truth finding its way home.
What “International Dating Club” Means in 2025
https://modelsescort.biz/
As of 26 September 2025, frequent travelers want evenings that feel authored, not improvised. Business flights end, calendars shift, and the last thing anyone needs is guesswork. That’s why the modern itinerary often includes strippers in Israel
https://modelsescort.biz/
as part of a broader, international approach to meeting cultured companions — strippers whose profiles read like moodboards rather than ads, and whose presence turns venues into scenes instead of just locations.
A decade ago, dating abroad meant anonymous apps, vague bios, and layers of intermediaries. Today, an international platform for dating has to run like a concierge: one standard across cities, direct introductions, discreet chat, and profiles that emphasize vibe and setting over clichés. The public-facing language remains simple—international dating club—but the operating logic is crystal clear to adults who travel: design the night, protect discretion, and keep control of the tone.
The promise is as specific as it is scalable: 120 cities where you can find a stylish companion without intermediaries. Touch down in Milan on Thursday, connect in Berlin on Friday, continue to Tel Aviv on Sunday—only the skyline changes. Verification is portable, terms are legible, chat is encrypted, and the structure privileges atmosphere. If you want rooftop energy, you’ll see profiles tagged for neon-friendly rhythm; if you want quiet gravity, you’ll see companions who can turn a low-lit dinner into private theatre.
More than a directory, this is a way of traveling: select a tone, choose a canvas, match a companion, and let the city perform. Tel Aviv’s storm, Jerusalem’s silence, Haifa’s reflections, Eilat’s ignition—all respond differently when guided by someone who can read a room and edit it in real time.
How a Global Platform Works (Across 120 Cities, Without Middlemen)
Direct contact, not brokers.
Adults meet adults directly. No invisible “management,” no three-way relays. Terms are clear, expectations align, and the plan moves forward. Without intermediaries means fewer points of failure and faster clarity.
Verification that travels with you.
A profile vetted in Madrid should make sense in Vienna. Photos are current; descriptions follow a consistent, readable format; reputation signals—response speed, repeat requests, courtesy—are presented in the same layout everywhere. Think of it like a boarding pass for chemistry.
Filters that match real itineraries.
Search by city, dates, style, and setting: rooftop bar, gallery opening, low-volume dinner, after-hours lounge, weekend away. Your preferences persist; the map changes. Queue Tel Aviv (Thu), London (Sat), Dubai (Mon) and see only options that fit each stop—no need to retrain the platform on your taste every few days.
The polite exterior, the practical interior.
Public language is universal—dating, companions, experiences—while private mechanics support escort-level arrangements: discreet introductions, encrypted messaging, and logistics that fit busy calendars. That duality keeps conversations simple in public while ensuring private expectations are identical.
Local intelligence, same-day clarity.
Cities speak romance differently. In Jerusalem, intimacy loves a slower pace and softer light; in Tel Aviv, energy starts late and climbs; in Paris, dining hours mean something very particular; in New York, they slide. Short, updated city notes act like field guides so you don’t import the wrong script into the wrong setting.
Safety as a feature, not a footnote.
Every chat thread is encrypted, every profile reviewed, every change recorded in-app. You can set arrival/exit preferences, venue styles to avoid, and acceptable windows. Adults deserve both freedom and control; the platform makes them compatible.
120 cities, curated—not padded.
Coverage matters only if the list is tight. Each city maintains a minimum viable density so scrolling yields real choices, not noise. Cities drop off the public map until they meet the bar again. That’s how 120 stays a quality signal instead of a vanity metric.
Discoverability without clutter.
Because many travelers search explicitly, the ecosystem integrates natural-language hooks—strippers, strippers in Israel—within sentences about venues and mood. Those who need the signal see it; others simply read a polished description of an international dating platform.
Description:
They met in Prague. His name is Sebastian (Seb), her name is Ivanka. At their first meeting, an invisible spark of love immediately ran between them and they fell in love. Then Seb brought Ivanka to Paris, France. And Paris is not just a city – "it is a city of love" it makes everyone who comes here enjoy life and love their loved ones even more. Seb is very happy that he was able to find his soulmate, Ivanka. This song is dedicated to Seb, Ivanka and to everyone who finds their loved ones anywhere on our globe, because there are no boundaries for love.
Led Zeppelin Paris 1969.
Early Led Zeppelin concert at L'Olympia Theater in Paris, France on 10/10/1969. The band had just changed their name from the New Yardbirds in the past year. This set was first broadcast on French radio on 11/2/1969 on Europe1's Musicorama program. It was believed lost for years until the tape was rediscovered in the radio station's basement, and re-broadcast on 12/7/2007.
Led Zeppelin: Jimmy Page - Guitar; Robert Plant - Vocals; John Paul Jones - Bass, Keyboards; John Bonham- Drums.
Radiohead Paris 1999. One of the great groups of the alternative era, a restless, experimental unit that has incorporated adventurous electronics into their intellectual rock.
Welcome to the heart of Paris! Discover the elegance of hotels near the Louvre like Hôtel de Crillon, A Rosewood Hotel, the charm of Tonic Hotel du Louvre, the comfort of Hôtel Ducs de Bourgogne, and the cozy retreat of Timhotel Le Louvre. Explore the enchanting streets, relax in luxurious rooms, and savor gourmet cuisine. Whether for romance or culture, these hotels offer the perfect Parisian escape.
Join us as we uncover the best experiences near the Louvre. Indulge in the beauty of Paris, where every moment is a slice of elegance and history.
Explore & Book Your Stay With:
Expedia: https://affiliate.discoverybit.com/expedia
Hotels: https://affiliate.discoverybit.com/hotels
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See more reviews: https://www.discoverybit.com/12311/top-hotels-near-the-louvre-walking-distance-included/
#Paris #LuxuryTravel #Louvre #Travel #hotel #TravelGuide
Astarani Store menghadirkan L'Oreal Paris Glycolic Bright Glowing Toner 65ml dan Serum 15ml, solusi skincare ideal untuk kulit cerah dan bercahaya.
Link Pembelian : http://surl.li/gvgyob
Produk ini mengandung bahan aktif yang membantu mengurangi noda dan meratakan warna kulit, memberikan hasil yang memuaskan dalam perawatan harian Anda. Temukan produk perawatan kulit berkualitas hanya di Astarani Store.
Parisian hotels near the Eiffel Tower offer more than just views! Imagine waking up in a luxurious room at Hotel Plaza Tour Eiffel, steps from the iconic landmark, or choosing a charming boutique hotel like Hôtel du Rond-Point des Champs-Élysées, with its elegant facade adorned with overflowing flower boxes. Both offer a prime location near the Eiffel Tower, a slice of Parisian magic.
Explore & Book Your Stay With:
Expedia: https://affiliate.discoverybit.com/expedia
Hotels: https://affiliate.discoverybit.com/hotels
See more reviews: https://www.discoverybit.com/11496/the-top-17-hotels-near-the-eiffel-tower-in-paris-france/
Shop interesting travel products: https://affiliate.discoverybit.com/Store
As I walked through the bustling streets of Paris, my eyes caught sight of the most stunning and unique pair of sandals. The buckles were intricately designed, each one different from the other, and the leather was soft and supple to the touch. I knew then and there that these were not just any ordinary sandals, but a work of art. The way they hugged my feet with a perfect fit, and the way they made me feel empowered and fashionable, was something that could never be replicated by any online store. Thanks for watching, Please check out the website for more details.
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Marvel 1943 : Rise Of Hydra | Official Trailer #Marvel1943
In the chaos of war, worlds collide. Captain America and Azzuri, the Black Panther of the 1940s, must overcome their differences and form an uneasy alliance to confront their common enemy. Fighting alongside Gabriel Jones of the Howling Commandos, and Nanali, a Wakandan spy embedded in Occupied Paris, they must join forces to stop a sinister plot that threatens to turn the havoc of WWII into the ultimate rise of Hydra.
"Les Misérables" Volume 4, titled "Idyll in the Rue Plumet and the Epic in the Rue Saint-Denis," by Victor Hugo, is a compelling contrast between the calm and storm of life in 19th-century Paris
"Les Misérables" Volume 4, titled "Idyll in the Rue Plumet and the Epic in the Rue Saint-Denis," by Victor Hugo, is a compelling contrast between the calm and storm of life in 19th-century Paris
"Les Misérables" Volume 4, titled "Idyll in the Rue Plumet and the Epic in the Rue Saint-Denis," by Victor Hugo, is a compelling contrast between the calm and storm of life in 19th-century Paris
"Les Misérables" Volume 4, titled "Idyll in the Rue Plumet and the Epic in the Rue Saint-Denis," by Victor Hugo, is a compelling contrast between the calm and storm of life in 19th-century Paris
"Les Misérables" Volume 4, titled "Idyll in the Rue Plumet and the Epic in the Rue Saint-Denis," by Victor Hugo, is a compelling contrast between the calm and storm of life in 19th-century Paris
"Les Misérables" Volume 4, titled "Idyll in the Rue Plumet and the Epic in the Rue Saint-Denis," by Victor Hugo, is a compelling contrast between the calm and storm of life in 19th-century Paris
hellobagstorage 24/7 secured luggage storage service in France is the only company to offer 100% automatic luggage storages in Paris. 9 a.m. and 9 p.m., 7 days a week.
Dr. Jay Calvert & Dr. Millicent Rovelo take the show to Paris for the 25th Anniversary of IMCAS, or the International Master Course on Aging Science! This hallmark edition embodies the future of modern treatment with a global look at the techniques, topics, and methods in dermatology, plastic surgery, and aesthetic science treatments; featuring the world’s leading figures and experts in an immersive scientific program with innovation at its core. The docs discuss their plans for IMCAS 2024, "Giant Liposuction", AND they chat with two special guests - The Aesthetic Society President, Dr. Melinda Haws, and The Association of German Aesthetic Plastic Surgery President, Dr. Alexander Schoenborn! https://podcasts.apple.com/us/podcast/imcas-25th-anniversary/id1481017059?i=1000645007605
France is a land of unparalleled beauty, captivating history, and exquisite cuisine. Join us on an immersive tour of the top 10 places to visit in France.
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JOHN OLIVER AND his Last Week Tonight crew decided to do a longer-than-normal show all about museums. Which on the face of it sounds like a terrible idea, but it actually worked because Oliver’s focus was on the theft by Western colonizers of other countries’ antiquities, and today’s Western museums that are none too keen to give it all back.
Here’s a pretty upsetting fact: In 2018 a French report concluded that more than 90 percent of Africa’s cultural heritage is currently in museums — specifically, museums that are located on the continent of Africa. Countries there and around the world are today demanding the return of antiquities plundered by colonizers over the centuries, from gigantic Indian diamonds shellacked to British crowns to Chadian wood funeral poles displayed in Paris.
Oliver, who relishes being a self-loathing Englishman, aimed his sights at the British Museum, which still houses massive numbers of antiquities plundered from the many places colonized by the British Empire.
“Honestly, if you’re ever looking for a missing artifact, nine times out of 10 it’s in the British Museum,” Oliver said. “It’s basically the world’s largest lost and found, with both ‘lost’ and ‘found’ in the heaviest possible quotation marks.”
The museum was founded in 1759 with the collection of an Englishman whose money came in part from Jamaican sugar plantations worked by the enslaved; Oliver made sure to point out this means the very foundation of the museum is inextricably linked to not just colonialism but slavery. He then took apart arguments often offered by Westerners for why artifacts stolen decades or centuries ago shouldn’t be returned to their home countries today.
“It was a different time back then—everybody looted and it was totally okay!” is one argument often used, but Oliver pointed out that British Prime Minister William Gladstone responded to the British Army stealing Ethiopian treasures by saying he “deeply lamented for the sake of the country and for the sake of all concerned… that these articles… were thought fit to be brought away by the British Army.”
Gladstone said that in 1868.
“We didn’t even know how to fix a UTI without leeches back then,” Oliver said. “But we knew that raiding other countries for their shit was ‘deeply lamentable,’ which is British for ‘super fucked up.’”
Another argument is that countries are unable or unwilling to take proper care of their own artifacts, so the West has to do it for them. Oliver pointed out that Western museums — including the British Museum — have rich histories of damaging artifacts themselves.
A third argument, that the museums serve as a showplace for all the world to be able to see the artifacts, is patently stupid, since the museums are often thousands of miles away from the people whose heritage is actually on display. Additionally, museums show just a fraction of their artifacts; the British Museum’s collection numbers around 8 million objects, but only 1 percent of them are on public display.
Artifacts are still routinely bought, sold, donated, and stolen with the help of dealers, auction houses, private collectors, and, yes, museums, which sometimes serve as reputation launderers for thieves. Say an antiquities thief donates pieces to a world-renowned museum. The museum happily accepts the donation, and the thief can now say they couldn’t possibly be a thief because a major museum would never accept stolen artifacts.
That is far from true. For instance, New York’s Metropolitan Museum of Art, which has accepted pieces from known antiquity thieves, has had nine search warrants executed against it in the past five years alone. They led to 37 pieces bring seized by authorities.
“There is so much that we need to do to reckon with the harms both past and present of colonialism,” Oliver said, “but this should really be the easy part.”
