Monday, 28th April 1913 - Apprehended as the Maiden’s Murderer [JOHN M. GANTT], Atlanta Georgian reports the detention of J. M. Gantt, a former National Pencil Company bookkeeper, accused of murdering 14-year-old Mary Phagan, found strangled on April 26, 1913, in the factory basement. Arrested in Marietta, Gantt told a Georgian reporter he was innocent, claiming he was home at 284 East Linden Street after a parade, ball game, getting shoes with Leo Frank and Newt Lee, and pool with Arthur White and O.G. Bagley until 10:30 p.m. His landlady, Mrs. F. C. Terrell, denied seeing him for three weeks. Gantt’s appearance matched Edgar L. Sentell’s midnight observation with Phagan. The Atlanta Georgian detailed the case—Lee’s discovery, Mullinax’s custody, Skipper’s account of three men with a dazed girl—leading to factory closure and the Leo Frank investigation’s escalation, amid 1913 Atlanta’s racial tensions.
Journalist Britt Craig, Atlanta Constitution, Mary Phagan, Sun, Apr 27, 1913, Atlanta, GA - 13-Yr-Old Mary Phagan Executed documents the horrific event that shook Atlanta on that Sunday morning. Night watchman Newt Lee found 13-year-old Mary Phagan’s body in the National Pencil Company basement, sparking a rapid police response. Craig, on site with Officers Dobbs, Starnes, and Black within ten minutes, described Phagan’s face coated in soot and shavings, a severe head injury, and a cord around her neck. Her lavender dress, marked by blood and urine, and the absence of one shoe pointed to a savage assault. Police debated her race due to the debris, confirming her whiteness after adjusting her stocking. Two factory letterhead notes hinting at “a long tall black negro” fueled suspicion. Lee’s custody for questioning initiated the investigation, as Atlanta mourned. Craig’s Atlanta Constitution special extra edition fueled public demand for answers, framing a 1913 case rife with racial undertones.
Between late April and early May 1913, Atlanta’s Coroner Paul Donehoo, a prodigious mind with a photographic memory despite his blindness, led the Mary Phagan murder inquest following the 13-year-old’s strangulation on April 26. This formal inquiry, spanning April 30 to May 8, involved a six-man jury and a series of sworn testimonies. Leo Frank, the factory superintendent, testified twice with shifting alibis, while Newt Lee, the night watchman, detailed the crime scene discovery. Lemmie Quinn’s contradictory statements and Dr. J. W. Hurt’s medical findings, coupled with Pinkerton detective Harry Scott’s note of Frank’s agency contact, shaped the narrative. The inquest ended with a recommendation to detain Frank and Lee, leading to Frank’s unanimous grand jury indictment on May 24. Donehoo’s meticulous oversight turned this investigation into a defining moment, fueling a trial that gripped Atlanta with its emotional and legal complexities.
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This AI-generated video focuses on Newt Lee’s testimony as the third witness in the Leo Frank trial on July 28, 1913, at Fulton County Superior Court in Atlanta, Georgia. Lee, a night watchman at the National Pencil Company, testified that Leo Frank told him to arrive at 4:00 PM on April 26, 2013, and sent him away until 6:00 PM, deviating from routine. Lee described Frank’s nervous behavior—rubbing his hands, fumbling with the time clock, and appearing startled by J.M. Gantt’s arrival. Frank’s unusual call to Lee that night further raised suspicion. Lee found Mary Phagan’s body in the basement at 3:00 AM, raped and strangled, implicating Frank, who had the opportunity to commit the murder during Lee’s absence. Lee’s account of the locked double doors, accessible to Frank, supported the prosecution’s case that Frank killed Phagan. The trial, per the Leo Frank Trial Brief of Evidence, resulted in Frank’s conviction, his 2015 lynching, and the ADL’s founding. As of May 26, 2025, at 08:45 PM EDT, the case remains debated, with the Georgia Innocence Project seeking exoneration, opposed by Phagan’s family. X discussions reflect this, with some citing Alonzo Mann’s 1982 affidavit, while others support the verdict.
This video, part of The American Mercury’s centennial series, examines the first week (July 28–August 3, 1913) of the Leo Frank trial for the murder of 13-year-old Mary Phagan in Atlanta. Sourced from the Leo Frank Trial Brief of Evidence, it details the prosecution’s opening, led by Hugh Dorsey, with testimonies from Phagan’s mother and Newt Lee, who found her body in the National Pencil Company basement on April 27, 1913. Forensic evidence, including blood and hair in the factory, suggested a violent struggle, implicating Frank, the Jewish superintendent. The defense, led by Luther Rosser and Reuben Arnold, began to counter, alleging antisemitism biased the proceedings. The video notes the racial dynamics of the Jim Crow South, where Jim Conley, a Black janitor, would later testify against Frank, a rare occurrence. The trial ended with Frank’s conviction on August 25, 1913, and his 1915 lynching after Governor John Slaton’s commutation, sparking the Anti-Defamation League’s (ADL) founding. As of May 20, 2025, the case remains contentious, with the Georgia Innocence Project advocating for exoneration, opposed by Phagan’s family, who cite the trial evidence. X debates reflect this divide, with some referencing Alonzo Mann’s 1982 affidavit implicating Conley, while others affirm the original verdict. The video sets the stage for exploring the trial’s impact on justice and prejudice.
Episode 68 of the Fight Back podcast, hosted by Jake Shields and released on April 26, 2025, dives deep into the 1913 murder of 13-year-old Mary Phagan, a case that remains one of the most controversial in American legal history. Shields begins by recounting the tragic events of April 26, 1913, when Phagan, a worker at the National Pencil Company in Atlanta, visited the factory to collect her wages and was later found raped and strangled in the basement by watchman Newt Lee. The podcast details the swift investigation that zeroed in on Leo Frank, the factory’s Jewish superintendent, who admitted to seeing Phagan that day but denied any wrongdoing. Shields examines the prosecution’s case, led by Hugh Dorsey and Frank Hooper, which presented forensic evidence—blood and hair in the factory’s machine room—and relied heavily on the testimony of Jim Conley, a janitor with a criminal past who claimed Frank confessed to the murder and instructed him to dispose of Phagan’s body. The episode explores the defense’s counterarguments, led by attorneys Luther Rosser and Reuben Arnold, who portrayed Conley as the real killer, a theory later bolstered by Alonzo Mann’s 1982 affidavit, where Mann, a former office boy, claimed he saw Conley with Phagan’s body but remained silent out of fear. Shields delves into the trial’s social context, highlighting the antisemitism allegations that surrounded Frank’s prosecution, which the defense argued biased the jury. The podcast notes the trial’s conclusion on August 25, 1913, with Frank’s conviction and death sentence, a verdict that sparked national outrage and led to the founding of the Anti-Defamation League (ADL) to address antisemitism. Shields critiques the ADL’s ongoing efforts to posthumously exonerate Frank, pointing to the Leo Frank Trial Brief of Evidence, which documented extensive forensic and witness testimony upheld through appeals to the U.S. Supreme Court. The episode also covers the aftermath: Governor John Slaton’s 1915 commutation of Frank’s sentence, which incited public fury, and the subsequent lynching of Frank by a mob in Marietta on August 17, 1915, an act carried out by a group calling themselves the Knights of Mary Phagan. Shields addresses the racial dynamics of the case, noting the unusual circumstance in the Jim Crow South where a Black man’s testimony (Conley’s) was prioritized over a white man’s (Frank’s), reflecting the complex interplay of race and prejudice. The podcast reflects on the 1986 pardon by the Georgia State Board of Pardons and Paroles, which acknowledged procedural errors but stopped short of exonerating Frank, and recent developments as of May 20, 2025, including advocacy by groups like the Georgia Innocence Project for a full exoneration, which remains contentious. Shields incorporates contemporary perspectives from X, where users debate Frank’s guilt, with some citing Mann’s affidavit as evidence of innocence, while others, including Phagan’s family, maintain the trial’s verdict was just. The episode concludes by emphasizing the case’s lasting impact on discussions of justice, antisemitism, and racial bias, urging listeners to grapple with the complexities of historical truth in a polarized modern context.
Dance Party USA playlist
The Spinners - Working My Way Back to You (1979) - disco soul oldie
Joe Thomas - Plato's Retreat - with Diva Gray, Jocelyn Brown & Gwen Guthrie on vocals (1978) - disco oldie
Stereo MCs - Elevate My Mind (1990) - lipsynch performance
Splish Splash I Was Taking A Bath - Bobby Darin (1958)
Lisa Lisa & Cult Jam - Let The Beat Hit 'Em (1991)
Rhythm & Blues / disco oldie: "Now That We Found Love" - Third World (1978)
Rhythm Syndicate - P.A.S.S.I.O.N. (1991)
Disco oldie from 1976: "Mary Hartman" - Sounds of Inner City with Dick Lee & The Sweethearts of Sigma
Introduction to “Some Guys Have All the Luck”
The song “Some Guys Have All the Luck” has a rich history, having been originally recorded by The Persuaders in 1973. It gained further popularity through Rod Stewart’s cover in 1984, which became a significant hit. However, Gina Lee’s version released on the Clocktower record label in 1980, produced by Tommy Cowan & Harold Butler, also garnered attention and has its own dedicated following. In contrast, Maxi Priest’s remake in the early 1990s did not achieve the same level of acclaim among certain listeners. This analysis will explore why some people today prefer Gina Lee’s rendition as well as those by The Persuaders and Rod Stewart over Maxi Priest’s version.
Gina Lee’s Version (1980)
Gina Lee’s interpretation of “Some Guys Have All the Luck” stands out for several reasons:
Vocal Style and Emotion: Gina Lee brings a unique vocal quality that resonates with listeners who appreciate a more soulful and emotive delivery. Her voice combines power with vulnerability, allowing her to convey the song’s themes of longing and envy effectively.
Production Quality: The production of her version reflects the late ‘70s and early ‘80s sound, characterized by rich instrumentation and a polished finish that appeals to fans of that era. The arrangement complements her vocal style, enhancing the overall listening experience.
Nostalgia Factor: For many listeners who grew up during this time, Gina Lee’s version evokes nostalgia. It represents a specific moment in music history that resonates with their personal experiences.
Cultural Context: In the context of female artists emerging during this period, Gina Lee’s rendition can be seen as part of a broader movement where women were beginning to assert themselves in genres traditionally dominated by male artists.
The Persuaders’ Original (1973)
The original version by The Persuaders holds its own significance:
Authenticity: As the first recording of the song, it carries an authenticity that many purists appreciate. Fans often prefer original versions for their rawness and originality.
Soulful Roots: The Persuaders infused their rendition with classic soul elements that resonate deeply with fans of Motown and similar genres. Their harmonies and instrumental backing create an engaging atmosphere that captures the essence of soul music.
Historical Significance: Being part of the early ‘70s soul scene gives this version historical importance, appealing to those who value music history and its evolution over time.
Rod Stewart’s Cover (1984)
Rod Stewart’s cover is another popular choice among listeners:
Mainstream Appeal: Stewart’s version achieved significant commercial success, reaching high positions on various charts worldwide. His distinctive raspy voice adds a different flavor to the song that attracts mainstream audiences.
Rock Influence: By incorporating rock elements into his cover, Stewart broadened the song’s appeal beyond just soul or pop audiences, attracting fans from various musical backgrounds.
Iconic Status: Rod Stewart is an iconic figure in rock music; thus, his association with “Some Guys Have All the Luck” lends it additional prestige and recognition among casual listeners.
Maxi Priest’s Remake
In contrast, Maxi Priest’s remake has not resonated as strongly with certain segments of listeners:
Reggae Influence: While Maxi Priest brought reggae influences into his version, some fans feel this stylistic shift detracts from the original sentiment of longing expressed in earlier renditions.
Comparative Reception: Although Maxi Priest is celebrated for his contributions to reggae fusion, his take on this particular song did not capture hearts in quite the same way as previous versions did—leading some to view it as less impactful or memorable.
Generational Differences: Younger audiences may have different preferences shaped by contemporary musical trends; thus they might gravitate towards more modern interpretations but still find themselves drawn back to earlier renditions due to their emotional depth or nostalgic connections.
Conclusion
In summary, preferences for Gina Lee’s version alongside those by The Persuaders and Rod Stewart over Maxi Priest’s remake can be attributed to factors such as vocal style, emotional resonance, production quality, historical significance, and cultural context surrounding each artist’s interpretation of “Some Guys Have All the Luck.” Each rendition offers something unique; however, many listeners find themselves connecting more deeply with those earlier versions due to their authenticity and emotional weight.
自分のお社を手に入れて喜ぶ夜ト。一方、道標としての自覚を持ち始めた雪音は、より強くなるため兆麻に術の教えを乞う。夜トの喜びようが気になっていたひよりは、小福から神様に関する話を聞いていた。”無名の神は人に忘れられたら消えてしまう”……それを知ったひよりは、夜トの過去について考え始める。それぞれが新たな一歩を踏み出そうとしている中、それを阻むかのように夜トの前に現れる野良。彼女の真意とは……。
脚本：福田裕子
絵ｺﾝﾃ：伊藤智彦
演出：無田武
作画監督：Shin Hyung Woo Lee Eun Young
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The events that occurred after the death of Mary Phagan, a 13 year old worker at the National Pencil Company begins with Newt Lee, the night watchman doing his rounds. It was quiet until Newt found something that frightened him by scurrying up a ladder.
Let us find out if there discrimination against Jews present during the trial. Sargent Dobbs, one of the first people on the scene, Newt Lee, the night watchman who discovered the body, and Mary Phagan's mother, take the stand and recount what happened.
When Leo Frank was first arrested for the murder of Mary Phagan, his and his defense team’s major focus was placing the blame on Newt Lee, the Black night watchman who discovered the murdered girl’s body.
Newt Lee, the nightwatchman of the National Pencil Company was being framed for the murder of Mary Phagan. We know now without the slightest doubt that Lee was innocent. But the pro-Frank forces were already engaging in the planting of evidence.
