The Mohammed bin Rashid Al Maktoum Solar Park represents one of the most sophisticated integrations of renewable-energy technologies in the region. Its layered system of photovoltaic fields, concentrated solar power units and advanced research operations reflects a carefully engineered layout designed to maximize efficiency and long-term output. With its planned capacity exceeding 7,000 MW by 2030, the Solar Park continues to demonstrate how technology and planning can align to create measurable environmental impact.
Our production explores this system with a focus on clarity. Each segment of the film breaks down a component of the Solar Park, allowing viewers to understand how different technologies interact within a unified framework. The visuals highlight the structural logic behind the engineering, showing the progression from conceptual design to large-scale execution.
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https://www.youtube.com/watch?v=N0RRcQtwt78
Equalibrium presents a bold vision of a world free from greed, violence, and coercion — one built on the Universal Law of Civility, where no one takes from another without consent. This video explores a new societal framework founded on fairness, self-governance, and collaboration, replacing debt and exploitation with resource-backed Credit, shared decision-making, and guaranteed shelter for all. Through “mirror justice,” voluntary cooperation, and local caretaking, Equalibrium reimagines civilization as a system of abundance, respect, and balance — a blueprint for a peaceful, sustainable future driven by human and collaborative intelligence.
Note: This straightforward female traditional disco single version of this song is with only Janis Siegel singing alone a la Debbie Jacobs, Evelyn Thomas, Miquel Brown, Gloria Gaynor and Thelma Houston in the powerhouse disco style of Ian Levine & Fiachra Trench.
The text describes a "straightforward female traditional disco single version" of "Twilight Zone/Twilight Tone" by Manhattan Transfer, featuring Janis Siegel singing alone in a "powerhouse disco style of Ian Levine & Fiachra Trench" reminiscent of artists like Debbie Jacobs, Evelyn Thomas, Miquel Brown, Gloria Gaynor, and Thelma Houston.[1] This suggests a focus on the vocal performance and the production style.
The Manhattan Transfer and "Twilight Zone/Twilight Tone"
The Manhattan Transfer is an American vocal group known for their diverse musical styles, including jazz, pop, and disco. Their song "Twilight Zone/Twilight Tone" was released in 1979 and became a notable disco hit.[2] The song is a medley of two distinct pieces: "Twilight Zone" (a vocal adaptation of the theme from the television series The Twilight Zone) and "Twilight Tone" (an original disco composition).[3] While the group typically features multiple vocalists, the description specifically highlights a version where Janis Siegel, one of the group's female vocalists, performs solo.
Janis Siegel's Vocal Style
Janis Siegel is a renowned vocalist, celebrated for her powerful and versatile voice. Her ability to deliver a "powerhouse disco style" aligns with the characteristics of many prominent female disco singers of the era.[4] This style often involves strong, clear vocals, a wide vocal range, and an energetic delivery suitable for dance music.
Ian Levine & Fiachra Trench's Production Style
Ian Levine is a prolific British record producer and songwriter, particularly known for his work in the disco and Hi-NRG genres.[5] Fiachra Trench is an Irish composer, arranger, and producer who has also contributed significantly to various musical styles, including disco.[6] Their combined production style is often associated with a classic, high-energy disco sound, characterized by prominent basslines, driving rhythms, and lush orchestral arrangements. The comparison to their style suggests that this particular version of "Twilight Zone/Twilight Tone" would feature these production hallmarks.
Comparison to Other Disco Artists
The mention of Debbie Jacobs, Evelyn Thomas, Miquel Brown, Gloria Gaynor, and Thelma Houston provides a strong contextual framework for the vocal style. These artists are all iconic figures in disco music, known for their powerful female vocals and their contributions to the genre's golden age.[7]
Debbie Jacobs: Known for hits like "Don't Stop the Music."[8]
Evelyn Thomas: Famous for "High Energy."[9]
Miquel Brown: Best known for "So Many Men, So Little Time."[10]
Gloria Gaynor: An undisputed disco queen, famous for "I Will Survive."[11]
Thelma Houston: Achieved massive success with "Don't Leave Me This Way."[12]
These comparisons reinforce the idea that the described version of "Twilight Zone/Twilight Tone" is a classic, high-energy disco track with a strong female lead vocal.
"I'm Not in Love" (Serious Version) by 10cc is based on the The Message Version of:
Isaiah 22:1-3
A Country of Cowards
22 1-3 A Message concerning the Valley of Vision:
What’s going on here anyway? All this partying and noisemaking,
Shouting and cheering in the streets, the city noisy with celebrations!
You have no brave soldiers to honor, no combat heroes to be proud of.
Your leaders were all cowards, captured without even lifting a sword,
A country of cowards captured escaping the battle.
Jeremiah 4:30-31
30-31 And you, what do you think you’re up to?
Dressing up in party clothes,
Decking yourselves out in jewelry, putting on lipstick and rouge and mascara!
Your primping goes for nothing. You’re not going to seduce anyone. They’re out to kill you!
And what’s that I hear? The cry of a woman in labor, the screams of a mother giving birth to her firstborn. It’s the cry of Daughter Zion, gasping for breath, reaching out for help:
“Help, oh help me! I’m dying!
The killers are on me!”
Genesis 31:37
36-37 Now it was Jacob’s turn to get angry. He lit into Laban: “So what’s my crime, what wrong have I done you that you badger me like this? You’ve ransacked the place. Have you turned up a single thing that’s yours? Let’s see it—display the evidence. Our two families can be the jury and decide between us.
1 Kings 3:18-21
16-21 The very next thing, two prostitutes showed up before the king. The one woman said, “My master, this woman and I live in the same house. While we were living together, I had a baby. Three days after I gave birth, this woman also had a baby. We were alone—there wasn’t anyone else in the house except for the two of us. The infant son of this woman died one night when she rolled over on him in her sleep. She got up in the middle of the night and took my son—I was sound asleep, mind you!—and put him at her breast and put her dead son at my breast. When I got up in the morning to nurse my son, here was this dead baby! But when I looked at him in the morning light, I saw immediately that he wasn’t my baby.”
Ezekiel 36:37-38
37-38 “‘Message of God, the Master: Yet again I’m going to do what Israel asks. I’ll increase their population as with a flock of sheep. Like the milling flocks of sheep brought for sacrifices in Jerusalem during the appointed feasts, the ruined cities will be filled with flocks of people. And they’ll realize that I am God.’”
Here's an analysis of the 10cc song "I'm Not in Love" and its connection to biblical themes, specifically focusing on the "Message Version" and its lyrical interpretations.
The song "I'm Not in Love" by 10cc is a complex exploration of denial and emotional vulnerability. The "Message Version" appears to connect the song's themes to biblical passages. This version likely reinterprets the song's lyrics through a lens of heartbreak, separation, and spiritual reflection, drawing parallels to specific verses from the Bible. The core theme of the song, as suggested by the provided context, revolves around the pain of separation and the struggle to admit feelings of love and loss.
The "Message Version" of "I'm Not in Love" seems to use biblical verses to deepen the emotional impact of the song, transforming it into a commentary on heartbreak and spiritual struggle. The specific verses mentioned in the prompt – Isaiah 22:1, Jeremiah 4:30, Genesis 31:37, 1 Kings 3:18, and Ezekiel 36:37 – provide a framework for understanding the song's message. These verses touch upon themes of lament, deception, loss, and the search for divine intervention.
Isaiah 22:1: This verse speaks of a "valley of vision," likely referring to Jerusalem, and the sorrow and distress within it. This could be interpreted as the singer's internal emotional landscape, a place of pain and suffering.
Jeremiah 4:30: This verse describes a woman adorning herself in vain, suggesting a futile attempt to attract love or attention. This could reflect the singer's feelings of rejection and the emptiness of superficial efforts.
Genesis 31:37: This verse relates to Jacob's complaint to Laban, highlighting accusations of deception and betrayal. This could be connected to the singer's feelings of being wronged or betrayed in a relationship.
1 Kings 3:18: This verse describes a situation where two women claim the same baby, and Solomon's wisdom is used to determine the true mother. This could be a metaphor for the singer's struggle to discern truth and justice in a relationship.
Ezekiel 36:37: This verse speaks of God's promise to restore Israel. This could be interpreted as a glimmer of hope or a plea for divine intervention in the singer's suffering.
The "Message Version" likely uses these verses to create a narrative of heartbreak, denial, and a search for solace, possibly through faith. The lyrics of the song, when interpreted through these biblical lenses, become a lament for lost love, a reflection on the pain of separation, and a plea for spiritual healing. The specific way these verses are incorporated into the song's lyrics would require a close examination of the "Message Version" itself. The use of these biblical references adds a layer of depth and spiritual significance to the song, transforming it from a simple love song into a more profound exploration of human suffering and the search for meaning.
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Este vídeo ha sido eliminado por la persona que lo subió, o bien es privado.
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Este vídeo ha sido eliminado por la persona que lo subió, o bien es privado.
Este vídeo ha sido eliminado por la persona que lo subió, o bien es privado.
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Hiroshi Katanishi is an expert of the European Judo Federation. Specialist of the highest class. Conducts seminars around the world in the framework of the project "Improve your club". Winner of the 8th dan. https://kfvideo.ru/
YOU ARE AN AWESOME SELLER!!!!!!!!!A++++ABOVE & BEYOND!!!
Hiroshi Katanishi is an expert of the European Judo Federation. Specialist of the highest class. Conducts seminars around the world in the framework of the project"Improve your club". Winner of the 8th dan. This is the most sought-after expert compared to 20 other specialists working on this project. It is easier to name the countries where he has not been yet than to list his seminars. It should be noted that the judo technique, which he demonstrates at the seminar, is completely based on the Japanese school of education. Date of birth March 11, 1952.
Judo technique, which Katanishi analyzed at the seminar.
Kansetsu-waza. Osaekomi-waza. Shime-waza.
この映画や他の映画はここで購入できます。https://www.ebay.com/itm/HIROSHI-KATANISHI-Judo-seminar-2016-NE-WAZA-/153661434377
https://kfvideo.ru/
https://kfvideo.com/
Direction: Judo lesson
Time: 61 min./1DVD
Author: Pavlov D.
Language: French.
Fomat of video: PAL (DVD: 0/All)
Year: 2016
Shooting: Belgium
YOU ARE AN AWESOME SELLER!!!!!!!!!A++++ABOVE & BEYOND!!!
Hiroshi Katanishi is an expert of the European Judo Federation. Specialist of the highest class. Conducts seminars around the world in the framework of the project"Improve your club". Winner of the 8th dan. This is the most sought-after expert compared to 20 other specialists working on this project. It is easier to name the countries where he has not been yet than to list his seminars. It should be noted that the judo technique, which he demonstrates at the seminar, is completely based on the Japanese school of education. Date of birth March 11, 1952.
Judo technique, which Katanishi analyzed at the seminar.
Kansetsu-waza. Osaekomi-waza. Shime-waza.
この映画や他の映画はここで購入できます。https://www.ebay.com/itm/HIROSHI-KATANISHI-Judo-seminar-2016-NE-WAZA-/153661434377
https://kfvideo.ru/
https://kfvideo.com/
Direction: Judo lesson
Time: 61 min./1DVD
Author: Pavlov D.
Language: French.
Fomat of video: PAL (DVD: 0/All)
Year: 2016
Shooting: Belgium
Hiroshi Katanishi is an expert of the European Judo Federation.
この映画や他の映画はここで購入できます。 https://www.ebay.com/itm/HIROSHI-KATANISHI-Judo-seminar-2015-NAGE-WAZA-NE-WAZA-/153593417971
Specialist of the highest class. Conducts seminars around the world in the framework of the project "Improve your club". Winner of the 8th dan. This is the most sought-after expert compared to 20 other specialists working on this project. It is easier to name the countries where he has not been yet than to list his seminars. It should be noted that the judo technique, which he demonstrates at the seminar, is completely based on the Japanese school of education. Date of birth March 11, 1952. Judo technique, which Katanishi analyzed at the seminar. Sasae-tsurikomi-ashi. De-ashi-barai. O-soto-gari.
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