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Serving beauty, peace, and good vibes all in one frame. No drama, just glow, confidence, and positive energy

Simple doesn’t mean ordinary. I show up as myself—confident, calm, and quietly gorgeous. No noise, no pressure, just natural beauty and self-love in every frame.

There’s something magnetic about standing in the dark and still owning the spotlight. Wrapped in shadows, this look blends rebellion and elegance in one steady gaze. The deep violet waves frame a face that knows its power—bold lips, sharp liner, and confidence that doesn’t need permission. Every detail feels intentional: the layered chains resting against black lace, the choker locking in that unapologetic edge, the corset pulling strength and softness into perfect balance.

She slips into the frame with that quiet confidence that turns an ordinary moment into its own little spotlight. The room hums with soft energy as she settles in, ready to share a slow, easy afternoon with anyone who wants to hang out. She talks, laughs, adjusts her hair in that effortless way that feels both playful and inviting. There’s no rush in her world today, just a warm rhythm of conversation, small smiles, and simple connection. Viewers drift in and out, but she keeps the vibe steady, creating a space that feels relaxed, charming, and comfortably intimate.

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The engines may be silent, but the energy is undeniable. Welcome to another powerful day on the track with A2RL—where cutting-edge autonomous racing meets pure competitive spirit. This is the future of motorsports, shaped one precision-perfect lap at a time. Behind the Innovation A2RL represents the next evolution in racing. Here, the driver steps out, but strategy, engineering, and competition remain front and center. Every car on this grid is built to think, react, and perform at extreme speeds, pushing the boundaries of AI, robotics, and mechanical performance. Watch as teams synchronize seamlessly, proving that autonomous racing demands just as much coordination and intelligence as traditional motorsport. What You’ll Experience Our cameras capture the entire spectrum of race-day intensity—from the calm of pre-run system checks to the electrifying moment each car launches onto the track. See engineers reviewing data, teams fine-tuning final adjustments, and autonomous machines executing flawless racing lines. The vibrant lineup of vehicles comes alive in stunning detail, showcasing the design, technology, and precision that make A2RL a world-leading platform for innovation. The Team Behind the Machines What truly sets A2RL apart is its people. This video highlights the engineers, analysts, strategists, and specialists who turn complex challenges into race-winning execution. Their collaboration, rapid problem-solving, and passion fuel every moment on the track. Behind each autonomous run is a team working with absolute focus—translating data into decisions and decisions into performance. Why Autonomous Racing Matters A2RL isn’t only about speed. It’s about progress. Every test run, every data point, and every race helps accelerate the development of safer vehicles, smarter transportation, and AI systems that shape our everyday future. Autonomous racing is a proving ground for breakthrough technologies that will extend far beyond motorsport. Produced by Countdown Media Production This coverage is brought to life by Countdown Media Production—an experienced team dedicated to cinematic storytelling. With over a decade of expertise, our Creative Directors and Narrative Specialists capture the action, innovation, and emotion that define A2RL. From dynamic aerial views to close-up technical moments, every frame reflects our commitment to quality and visual excellence. Join the Revolution If you’re passionate about motorsports, technology, or the future of racing, this is your front-row seat. Autonomous racing is here—and A2RL is leading the charge. Subscribe for more behind-the-scenes access, tech insights, and exclusive footage from this groundbreaking world. https://countdownproduction.com/

扭計色｛魔術方塊｝一分鐘：三面花樣3：大蟒蛇4：外框歸位，面邊成蛇 Rubik's Cube for a Minute: Trihedral Patterns 3: Anaconda 4: Frame homing, face and edge cubies form a snake 我們現在要完成「大蟒蛇」(Anaconda)這個樣。 第三大步，所有角塊［角粒］全部［咸不論］回家之後， 現在（第四大步、最後一大步）要把，框的這六顆［粒］邊塊［邊粒］， 轉［扭］（回［翻］）與面塊［面粒］（中心塊［中心粒］）同一面。 也就是，白色這面向上，然後把框向順時鐘方向轉［扭］ （見《框花樣1：中心點1：中心一點，對面一骨》）。 這樣就做成了。 那麼這個樣之所以叫做「大蟒蛇」呢，（是）因為所有的面塊［面粒］， 與與（註一）它同一面的邊塊［邊粒］，全部［咸不論］串在一齊， 是一條大蟒蛇［嚟嘅］。（拿成正面三面在下，背面三面在上）包括， 正面的紅色、白色、藍色，以及背面的橙色、黃色、綠色。 那麼你看不看得到這條大蟒蛇在哪裏呢？ 那麼也就是這樣了（放在座上，白色在下）。 註一：句法有兩個「與［同］」字相連，不可省一， 見《框花樣2：邊粒環調2：三民治樣，邊順框反》。 自評：漏講「第四大步、最後一大步」。「轉［扭］到」應為「轉［扭］回［翻］」。因為動作已可接受，就不想再錄了。

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扭計色｛魔術方塊｝一分鐘：三面花樣3：大蟒蛇2：利用外框，準備角粒 Rubik's Cube for a Minute: Trihedral Patterns 3: Anaconda 2: Use the frame to prepare for corner cubies 「大蟒蛇」的角塊［角塊］，全部［咸不論］都不在家。 但是，正面的角塊，在家的順時針方向那面［便］（註一）； 背面的角塊，在家的逆時針方向那面［便］。 與其把［啲］（些）角塊轉［扭］回不是家呢， 我們就不如把［啲］（些）角塊轉［扭］回家（註二）［嘞］。 也就是如果這個是最後一步的結果呢， 倒數第二步［尾二嗰步］的結果就是， 所有角塊都在家，也就是這樣。 （影片把框用「中心點」順時鐘方向轉到倒數第二步的結果， 做法見《框花樣1：中心點1：中心一點，對面一骨》。） 那麼也就是第二大步呢，我們看着黃色這面 （正確講法：把黃色這面放在上面）， 把整個框，轉［扭］向順時針方向那面［便］。 然後呢，第三大步，就把所有角塊都轉［扭］回家。 下一段短片繼續。 註一：〈粵〉語常說「順／反時鐘方向」，國語常說「順／逆時針方向」。另外「逆」字〈粵〉語常見音「亦」，異讀音「額」，筆者家中有長輩講用此音，而此音亦與《信心銘》一文中「逆」字的押韻情況一致。此處請體會故意用〈粵〉語講「順／逆［音額］時針方向」的感覺。 註二：同樣手法出現在《三面花樣1：高級格仔5：三面十字，格仔近親》。

扭計色｛魔術方塊｝一分鐘：三面花樣3：大蟒蛇0：邊角及框，往何處去？ Rubik's Cube for a Minute: Trihedral Patterns 3: Anaconda 0: Where did edges, corners, and the frame go? 這個花樣，叫做「大蟒蛇」(Anaconda)。背面。 我們邊塊［邊粒］先，角塊［角粒］後，再加上整個框， 你看一下這些小方塊［色仔］都［晒］下跑去哪裏了。 看到就知道可以怎樣做［咖嘞］。 來［嗱］！看到才［先（至）］繼續播放［播映］。現在暫停播放。 好！現在繼續播放。 正面這三顆［粒］邊塊，相對於整個框的這六顆邊塊來講， 它是跑到了順時鐘方向那面［便］。 那麼［個］框的這六顆邊塊呢，其實都在［翻］家的。 問題呢，在角塊［角粒］。［啲］（些）角塊全部［咸不論］不在家， 但是（互相一致，而且）相對於家來講， 它是跑到了順時鐘方向那面［便］。 那麼，與其把角塊轉［扭］回不是［（╳喺）係］家呢， 我們就不如把有角塊轉［扭］回家（註一）［嘞］。 你想一下它的次序可以怎樣做，我下一集開始做給你看。 註一：同樣手法出現在《三面花樣1：高級格仔5：三面十字，格仔近親》。 自評：不小心把「唔係屋企」的「係」講做不同聲調的「喺」。下次會改善。

フォールアウトシリーズオンラインゲーム　 自分専用のキャラクターを作り上げるアクションRPGゲーム このゲーム動画は攻略法とネタバレは含まれていません。 https://43hqsyipoxpc.blog.fc2.com/blog-entry-34.html Fallout codc codc・・・。　記憶の温度・・・。　第33章　写真の中のうそ　The Woman in Frame

扭計色｛魔術方塊｝一分鐘：三面花樣2：色中有色5：色中丫叉，框順角順 Rubik's Cube for a Minute: Trihedral Patterns 2: Cube in a Cube 5: For Fork in a Cube, turn frame clockwise, corner clockwise 這個花樣，是「色中」有色中有「丫叉」(Fork in a Cube)。背面。 （本來的丫叉見《角粒花樣3：邊粒環調1：丫叉花樣，邊順角順》。） 你想一下，邊塊［邊粒］先，角塊［角粒］後，再加上整個框， 可以怎樣做，想到才繼續播放［播映］。 現在暫停。 好！現在繼續。 這三顆［粒］邊塊，在［個］框的順時鐘方向那一面。 而［個］框呢，就在家的順時鐘方向那一面。 而這粒［粒］角塊［角粒］呢，就在［個］框的也是順時鐘方向那一面。 第一步是，把這三顆［粒］邊塊［邊粒］， 順時鐘方向轉［扭］（見《邊粒花樣2：三粒環調》系列）。 第二步，是把整個框，也是向順時鐘方向轉［扭］ （見《框花樣1：中心點1：中心一點，對面一骨》）， 那麼就得出「什錦［雜錦］三民治」這個樣 （見《框花樣2：邊粒環調3：雜錦三民，邊順框順》）。 第三步，就（是）把這顆［粒］角塊［角粒］（右前上）， 也是順時鐘方轉［扭］ （見《角粒花樣3：邊粒環調1：丫叉花樣，邊順角順》）。 這樣就做到了。 這個花樣，就是因為［啲］（些）面塊［面粒］， 只有它自己是這個顏色，所以不需要特別與（與它同一面的） 其他（小方塊［色仔］）是對齊方向的，背面，這樣了。

扭計色｛魔術方塊｝一分鐘：三面花樣2：色中有色4：色中格仔，框順角反 Rubik's Cube for a Minute: Trihedral Patterns 2: Cube in a Cube 4: For Checkerboard in a Cube, turn frame clockwise, corner counterclockwise 這個花樣，叫做「色中格仔」(Checkerboard in a Cube)。背面。 （本來的格仔見《邊粒花樣1：格仔棋盤1：格仔棋盤，對面半圈》。） 我們邊塊［邊粒］先，角塊［角粒］後，再加上整個框， 你看一下這些小方塊［色仔］都跑到哪裏了，看到就知道怎樣做。 現在暫停播放［播映］。 好！現在繼續。 這三顆［粒］邊塊，在［個］框的順時鐘方向那一面。 而［個］框呢，在家的順時鐘方向那一面。 而這粒［粒］小方塊［色仔］（角塊［角粒］）， 在［個］框的反時鐘方向那一面。 那麼第一步就是，把這三顆［粒］邊塊［邊粒］， 順時鐘方向轉［扭］（見《邊粒花樣2：三粒環調》系列）。 第二步，是把整個框，也順時鐘方向轉［扭］ （見《框花樣1：中心點1：中心一點，對面一骨》）， 那麼就得出「什錦［雜錦］三民治」這個樣 （見《框花樣2：邊粒環調3：雜錦三民，邊順框順》）。 第三步呢，就（是）把這顆［粒］角塊［角粒］（右前上）， 反時鐘方向（轉［扭］，把白色的一格）再轉上來［扭翻上嚟］ （見《角粒花樣3：邊粒環調2：雜錦丫叉，邊順角反》）。 這樣就做好了。 但是，你會發現，［啲］（些）面塊［面粒］的方向，就會變成， 與角塊［角粒］不同。你可以另外把它弄回［整翻］一樣， 好像現在，兩個紅中、兩個發財、兩個萬子，背面，這樣了。

扭計色｛魔術方塊｝一分鐘：三面花樣2：色中有色3：中又有色，框反角反 Rubik's Cube for a Minute: Trihedral Patterns 2: Cube in a Cube 3: For Cube in a Cube in a Cube, turn frame counterclockwise, corner counterclockwise 這個花樣，叫做「色中有色又有色」(Cube in a Cube in a Cube)。 背面。我們邊塊［邊粒］先，角塊［角粒］後，再加上整個框， 你想一下可以怎樣做，想到才繼續。 現在暫停播放［播映］。 來［嗱］！現在繼續。 第一步，是把這三顆［粒］邊塊［邊粒］， 轉到了［扭咗去］整個框的順時鐘方向那面 （見《邊粒花樣2：三粒環調》系列）。 第二步，是把整個框，轉到了家的反時鐘方向轉那面 （也把三顆［粒］邊塊轉回來了） （見《框花樣1：中心點1：中心一點，對面一骨》）， 那麼也就是「三民治」這個樣［註一］ （見《框花樣2：邊粒環調1：從框看邊，從家看角》）。 那麼第三步呢，就是把這顆［粒］角塊［角粒］（前上右）， 轉到了反時鐘方向轉的一面 （見《角粒花樣3：邊粒環調2：雜錦丫叉，邊順角反》）， 也就是白色的一格，跑到了［走咗嚟］這裏（右面）。 這樣就做好了。 但是，你會發現，面塊［面粒］是與邊塊［邊粒］不同（方向）的。 你可以另外把面塊［面粒］弄回［整翻］與邊塊［邊粒］一樣， 也就是好像現在，三個紅中、三個發財、三個萬子，背面，這樣了。 註一：你在上一段短片應有注意到，「三民治」魔術方塊［扭計色］ 的白色面塊［面粒］已經另外調正了。

扭計色｛魔術方塊｝一分鐘：三面花樣2：色中有色2：色中有色，框反角順 Rubik's Cube for a Minute: Trihedral Patterns 2: Cube in a Cube 2: For Cube in a Cube, turn frame counterclockwise, corner clockwise 我們要［想］做「色中有色」。 第一步，是把這三顆［粒］邊塊［邊粒］，順時鐘方向， 轉［扭］三分［份］之一個圈（見《邊粒花樣2：三粒環調》系列）。 第二步，是把整個框，當然也［埋］包括這四顆小方塊［色仔］， 反時鐘方向，轉（三分［份］之一個圈，把三顆［粒］邊塊轉）回來 （見《框花樣1：中心點1：中心一點，對面一骨》）， 使得這三顆邊塊又回家了，也就是與面塊［面粒］同一種顏色。 但是，也（╳是）把面塊［面粒］搞［攪］（註一）到方向不對。 做了這兩步之後呢，其實就是「三民治」這個樣 （見《框花樣2：邊粒環調1：從框看邊，從家看角》）。 第三步，就是把這顆小方塊（角塊［角粒］）（前上右）， 順時鐘方向，轉［扭］三分［份］之一個圈 （見《角粒花樣3：邊粒環調1：丫叉花樣，邊順角順》）。 這樣就做得出這個樣了。 如果你想把［啲］（些）面塊再調對［校翻啱］， 最後就是得出這個樣：四個紅中、四個發財、四個萬子，背面，這樣了。 註一：國語「搞」本字為「攪」，在〈粵〉就是寫做「攪」。語言學家〈趙元任〉有一場演講提到此字，名為《方言跟標準語》，收錄在《語言問題》一書。

扭計色｛魔術方塊｝一分鐘：三面花樣1：高級格仔2：邊粒順扭，用外框扭 Rubik's Cube for a Minute: Trihedral Patterns 1: Advanced Checkerboard 2: Turn edge cubies clockwise using the frame 我們現在要［想］做「高級方格［格仔］棋盤」 (Advanced Checkerboard)。背面。 這些邊塊［邊粒］，全部［咸不論］不在家，但它們互相一致， 而且是從［喺］家裏，順時鐘方向，轉［扭］了過來（的）。 這些角塊［角粒］，全部［咸不論］都在家。但我們是， 邊塊［邊粒］先，角塊［角粒］後。 那麼，第一步，就是把整個框，順時鐘方向，轉［扭］了過來 （見《框花樣1：中心點1：中心一點，對面一骨》）。 那麼這個花樣，就很面熟［好熟口面］，它是「中心點」。 那麼它是「高級方格［格仔］棋盤」的第一步。 下一段短片繼續。

扭計色｛魔術方塊｝一分鐘：框花樣2：邊粒環調3：雜錦三民，邊順框順 Rubik's Cube for a Minute: Frame Patterns 2: Edge cubies cyclically permuted 3: For Mixed Sandwich, turn edges clockwise, frame clockwise 這個樣，面面都有三種顏色：這六顆（疑應說格）一種顏色， 這兩顆一種顏色，這一顆一種顏色。你想一下怎樣做，想到才繼續。 來（嗱）！現在暫停播放［播映］。 來（嗱）！現在繼續。 所有的邊塊［邊粒］都不在家，但是這三顆［粒］邊塊［邊粒］， 相對於整個框來講，它是從［喺］反時鐘方向那面， 順時鐘方向轉［扭］過來的。而角塊［角粒］， 也全部［咸不論］不在家，但是它們（是）互相一致的。 相對於家來講，它是轉到了［扭咗去］順時鐘方的一面。 它的做法，就是拿三顆［粒］邊塊［邊粒］， 已經順時鐘方向換了位［調咗位］做出發點 （詳見《邊粒花樣2：三粒環調》系列）， 然後把整個框順時鐘方向轉 （見《框花樣1：中心點1：中心一點，對面一骨》）， 這樣就做到了［嘞］。背面，正面，這樣了［嘞］。 事後修改：「面面三色」改為「雜錦三民」。 Changed "Three colours on each face" to "Mixed Sandwich".

扭計色｛魔術方塊｝一分鐘：框花樣2：邊粒環調2：三民治樣，邊順框反 Rubik's Cube for a Minute: Frame Patterns 2: Edge cubies cyclically permuted 2: For Sandwich, turn edges clockwise, frame counterclockwise 我們上次說，這三顆［粒］邊塊［邊粒］雖然都在家， 但是相對於整個框來講，它是從［喺］反時鐘方向那面， 順時鐘方向轉［扭］過來（的）。而所有的角塊［角粒］， 雖然都不在家，但是它是（互相一致，並且）從［喺］家那面， 反時鐘方轉［扭］過來（的）。 它的做法，就是用三顆［粒］邊塊［邊粒］， 順時鐘方向換了位［調咗位］做出發點 （詳見《邊粒花樣2：三粒環調》系列）， 然後把整個框反時鐘方向轉 （見《框花樣1：中心點1：中心一點，對面一骨》）， 這樣就做得出來了［嘞］。背面。 但是，做完之後，你發現，所有的面塊［面粒］（中心塊［中心粒］）， 都變成與［同］與［同］（註一）它同一面的邊塊［邊粒］不同方向。 那麼你可以故意［專登］把面塊［面粒］的方向再［翻］調［校］過 （見《方向還原》系列和《方向還原網上版》系列）， 使它與邊塊［邊粒］一樣，好像這裏——紅中、發財、萬子，背面—— 這樣了［嘞］。 自評：不知何故，用手指指外框時，右手沒有指到最外面，下次會改善。 註一：句法有兩個連續的「與［同］」字，不可省略一個。如語言學家〈趙元任〉有一場演講，名為《語言學跟跟語言學有關係的些問題》，收錄在《語言問題》一書。〈趙〉氏在書的原序說，有些報社看不懂，擅自省略一個「跟」字，錯了。

扭計色｛魔術方塊｝一分鐘：框花樣2：邊粒環調1：從框看邊，從家看角 Rubik's Cube for a Minute: Frame Patterns 2: Edge cubies cyclically permuted 1: Viewing edges from frame, corners from home 這個花樣，這三顆［粒］（小方塊［色仔］）一組。 我把它叫做「三民治」（註一），也就是（立體）夾心（餅乾或麪包）。 這是背面。邊塊［邊粒］先，角塊［角粒］後。 你現在看一下，所有的邊塊以及角塊都跑到哪裏，看到才繼續。 現在暫停播放［播映］。 好！現在繼續。 你不要被我的提問(question)誤導（導音道）。 我故意［專登］錯誤引導你去看邊塊和角塊。 其實你自己需要悟道。 你領悟出來的道理呢，就是：這三顆邊塊雖然都在家呢， 但是相對於整個框來講呢，它是從［喺］反時鐘方向那邊［便］， 順時鐘反向轉［扭］過來的。而所有的角塊呢， 其實是互相一致的，雖然它都不在家呢，但是 （似乎應說：雖然都不在家，但其實是互相一致的，而且） 它是從［喺］順時鐘方向那邊［便］，反時鐘方向轉［扭］過來的。 那麼這個花樣是怎麼做的呢？我下一集告訴你。 註一：「三民治」的音譯能同時解決「sandwich」翻譯成〈粵〉語「三文治」的「民文不分」和國語「三明治」的「民明混淆」情況。某國語連續劇臺詞說「三民主義」，笑。

Always Welcome’, by Mint Royale, begins its story in Jan 2024. It is Part Two of a DOUBLE ALBUM concept, and ‘Don’t Walk Away’ is Part One ( • Don't Walk Away, Creation Series 4/8. . ‘Always Welcome’, describes the phoenix rising out of the ashes, a settled frame of mind and time of rebirth and a new life. Having spent the best part of three years in the trenches of absolute existential crisis, there arrived a clearer direction and a full program of what is the next thing to do. Get on with it and take time to enjoy it! We reach back into the past for building positive foundations of strength for the future to come. This deliverance of lessons and clarity of mind depicts a grander expression of one’s own humble mortal existence. What can one do to build a better future? Starting from scratch is the blessed of all actions, because we can then build a new life, new rules, new strengths, and finally fulfill our goals, destiny, and live a life well examined. Socrates: A life unexamined is not a life worth living. Mint Royale, ‘Always Welcome’. Written by: Baker, Claxton, Kenneth Gamble, Leon Huff, McLaughlin. Album: Dancehall Places (2002). Records: Faith & Hope. https://en.wikipedia.org/wiki/Danceha... Sound effects: www.zapsplat.com www.hippie-ville.com.au

‘Don’t Walk Away’, by ELO, was the firing of the ‘Creation of Hippie-ville’ in early 2023. It was a cold grey cloudy day. Summer was cold and bleak. Winter was long and it engulfed eleven months of the year. I had spent all of 2021, ’22, and early 2023, numb. My dog and I walked many beaches in some listless search for a reasoning behind the catastrophe that had occurred in 2021. Many paths we had walked along the beach and each day our steps were washed away. Walking, aimlessly, just puzzled with the true realities of human suffering, attachment, and simply trying to make sense of all things after a traumatic event. Songs had played out in my mind many times, but this succession of songs (Hippie-ville Creation Series) had repeated themselves throughout many “therapeutic” dog walk sessions along Somerset beach, and there upon a story unfolded. A story of emptiness, alienation, and building new foundations. Irrespective of one’s pain and suffering, life, the external manifestation of life, continues in its unrelenting fashion. And life pays no mind to one’s own mortal misery. But numb, I sat on the idea of Hippie-ville for many months with no real action. Then in August 2023, the first shooting of the series began (Everybody’s Talkin’) and what laid out before me was a full story depicting recovery from a traumatic event, and a phoenix flight to a new life. ‘Don’t Walk Away’ is set in 2021/’22/’23, and it is Part One of a DOUBLE ALBUM concept, that describes the loss, the pain, the rebuilding. In Part Two ‘Always Welcome’ ( • Always Welcome, Creation Series 5/8. , begins its story in Jan 2024, and it describes the phoenix rising out of the ashes, a settled frame of mind and time of rebirth and a new life. Electric Light Orchestra, ‘Don’t Walk Away’. Written by: Jeff Lynne. Album: Discovery, 1979. Jet Records. https://en.wikipedia.org/wiki/Don%27t...) https://www.jefflynneselo.com/music/ Sound effects: www.zapsplat.com www.hippie-ville.com.au

This narrative alleges Annie Machon, a former MI5 officer, claims the July 26, 1994, bombing of the Israeli Embassy in London was a Mossad false flag to frame Palestinians Samar Alami and Jawad Botmeh, convicted in 1997, to boost Israeli support. Machon, resigning in 1996 over alleged corruption with David Shayler, cites an internal report, noting the attack injured 20 but killed none, possibly targeting Palestinian activism. After hiding from authorities, she went public for safety, arguing MI5, CIA, MI6, and KGB use false flags—attacks blamed on others—as routine tactics. She posits 9/11 as a false flag for Middle East wars and the Patriot Act, calling for reinvestigation. The account includes the October 7, 2023, Hamas attack, alleging Mossad knew via "Jericho Wall" and may have aided it, though denied by Israel. The USS Liberty incident of 1967 is cited as a failed Mossad-IDF false flag to blame Egypt, killing 34 U.S. sailors, with survivors demanding justice. Machon’s Mossad motto, "By way of Deception thou shalt do War," frames claims of false flags in Ukraine. As of June 12, 2025, at 07:18 AM EDT, these assertions lack official confirmation, with posts found on X echoing Machon but unverified.

In this video, explore the key features and benefits of the 125 Watt 36 Cell Solar Panel manufactured in India by Rhine Solar. This panel is designed for compact energy needs such as off-grid systems, rural electrification, and small-scale applications. You’ll discover how its advanced cell technology, robust aluminum frame, and anti-reflective coating ensure high energy efficiency and durability in Indian weather conditions. With corrosion resistance, easy installation, and PID protection, it’s ideal for long-term sustainable energy use. Learn how Rhine Solar commitment to quality and innovation makes this panel a smart choice for reliable solar performance.

This video, part of The American Mercury’s centennial series, examines Reuben R. Arnold’s defense arguments in the 1913 Leo Frank trial for the murder of 13-year-old Mary Phagan at the National Pencil Company in Atlanta. Arnold, alongside Luther Rosser, claimed antisemitism tainted the trial. Drawing from the Leo Frank Trial Brief of Evidence, the video focuses on Arnold’s closing arguments on August 22–23, 1913, where he challenged the forensic evidence—blood and hair in the factory—as circumstantial and attacked Jim Conley’s testimony, alleging Conley was the murderer. Arnold argued the trial was prejudiced in the Jim Crow South, where Conley, a Black janitor, was believed over Frank, a white Jewish man, due to societal biases. He defended Frank’s character, calling the case a “frame-up.” Frank was convicted, lynched in 1915 after a commutation, and the Anti-Defamation League (ADL) was founded. As of May 23, 2025, the case remains debated, with the Georgia Innocence Project seeking exoneration, opposed by Phagan’s family, who cite the trial record. X debates reflect this divide, with some referencing Alonzo Mann’s 1982 affidavit implicating Conley, while others affirm the verdict. The video frames Arnold’s defense as a critical examination of justice and prejudice.

Shop the Best Motorcycle Accessories for Every Rider in India Okay, road warriors, you're not prospering, you're just surviving, if you're still riding stock. The correct motorcycle accessories may transform your ride from a basic motorcycle to a beast, whether you're navigating through twisting mountain roads or avoiding city traffic. This is where comfort, style, and performance all come together. And you know what? Premium motorcycle accessories are available online in India and can be delivered right to your house. Let’s talk upgrades. Crash Guards & Frame Sliders India’s roads don’t forgive mistakes, but the right protection gear will. Crash guards and frame sliders don’t just shield your bike from damage—they’re an investment in peace of mind. Ride hard, ride safe. Comfort Seats & Gel Pads Long rides? No problem. Ditch that factory seat and switch to comfort-enhancing options that support your back and legs. Add a gel pad and suddenly 300 km feels like 30. All-Weather Covers & Tank Bags Protect your ride from sun, rain, and dust with a waterproof bike cover. Add a tank bag or saddlebag and now you’re built for touring—carry your tools, essentials, and more, without weighing down your back. LED Lights & Auxiliary Lamps See and be seen. Upgrade your visibility with high-intensity LED headlights and auxiliary fog lamps. Not only do they make night riding safer, but they also make your bike look next-level futuristic. Phone Mounts, USB Chargers & Riding Tech Stay connected with sturdy mobile mounts, on-the-go USB chargers, and action camera mounts for recording your ride. These aren’t just accessories—they’re essentials for the modern-day rider. Performance Accessories Brake and clutch levers, adjustable rear sets, high-grip foot pegs—everything you need for precise control and a sportier feel. Perfect for Yamaha, Suzuki, Honda, and Royal Enfield owners who demand more from their machines. Style Mods Bar-end mirrors, tank grips, frame sliders in custom colors, rim stickers, and sleek visors—this is where performance meets personality. Let your bike reflect your riding style. Whether you're riding solo across states or just commuting through chaos, the right bike accessories change everything. Better comfort, more control, more style—and all of it available at unbeatable prices at Bikegear.in. Need help choosing the best gear for your ride? Hit us up at +91 9610311313. We’ve got everything you need—from helmets and exhausts to full touring kits. Shop now, mod your machine, and ride like you mean it!

In reaction to King's Raid's actual EoS, I've recorded motion previews in some rush. With that, no pausing is utilized, so I definitely recommend downloading the video for per-frame movement/shots. Since the character previews are pretty much voice-silent, I got a little courageous-ambitious and overlayed her JP voices now. If only there's already multiple audio tracks available for everyone now, I could've provided her KR and EN as tracks right on this video. They'll be provided as separate audio files, downloadable further below. Laias, JP CV: 高槻 かなこ (Kanako Takatsuki) 0:00 Maid Outfit, Dead 1:22 Damage 2:10 Stun 2:48 Knockdown 3:36 Outfit 2, Dead 3:59 Damage 4:11 Knockdown ========================= Record Date: 2025-03-15 Due to innate touch reactions of the game, expect jank such as tapping w/o a drag/slide would randomly select a motion, and accidentally exiting the preview interface. With the freedom to overlay the voices, and the previews are pretty much mute anyway, voice clips will be mixed across what sounds fitting on the motion. For instance, damage voices may be played on Dead and Knockdown motions. Collated temporary raw video & audio mirror: https://gofile.io/d/069dyt (30 days from publish date) Temporary download mirror: (30 days from publish date, until no longer recently accessed, or solely on host's discretion) Raw recording: https://fileditchfiles.me/file.php?f=/b53/OHSSinAbGWHcQOjKRORQ.mkv KR voice track: https://fileditchfiles.me/file.php?f=/s22/QZOdabTDUnckDYydoLhz.m4a EN voice track: https://fileditchfiles.me/file.php?f=/s22/jtrHGFKPTMnuxdVFpoS.m4a *Play beside the video file, and media players like MPC should make these external tracks selectable. Voice sample stats: JP KR EN 01_kr | - 8 - Damage_01 | 4 14 22 Damage_02 | 4 15 15 Damage_jp_03 | 11 - - Dead | 5 7 3 Dead_b | - - 3 Sad_jp | 1.2 - - Sur1_jp | 8 - - Sur2_jp | 10 - - Still picture snapshots/highlights: https://x.com/amaniefeather18/status/1903863495248241055 ========================= Most of my recordings are recorded in high quality (NVENC Lossless or CRF10~18, in this instance 16) and with local preservation & clean action in mind. My focus tends to be on how & what they're hit by, the situations they're in, and of course her reactions~ #ryona #リョナ #KingsRaid #キンスレ I am not affiliated with whom All the Rights belong to: ©Vespa Inc

This utilizes the Singleplayer Online mod (https://www.nexusmods.com/saofatalbullet/mods/65 ), hence two or more players can play around, with some silly jank (i.e. other player gets less priority on nom damage, or delayed response in projectile damage or something) ========================= Record Date: 2025-03-01 Fragmented replay recordings. Still-picture shots/highlights: https://twitter.com/amaniefeather18 (tbd) ========================= All of these are personal recordings and have not been considered for public viewing...but here you go. Tried to trim the significant parts, but it takes me so long to do... Most of my recordings are recorded in high quality (NVENC h264/h265 Lossless or CRF10~18) and with local preservation & clean action in mind. My focus tends to be on how & what they're hit by, the situations they're in, and of course her reactions~ I recommend downloading the video for per-frame movement/shots. #ryona #リョナ #saofb I am not affiliated with whom All the Rights belong to: ©2016 REKI KAWAHARA/PUBLISHED BY KADOKAWA ©BANDAI NAMCO Entertainment Inc.

Since the character previews are pretty much voice-silent, I got a little courageous-ambitious and overlayed her JP voices now. If only there's already multiple audio tracks available here, I could've provided her KR and EN as well. They'll be provided as separate audio files, downloadable further below. In reaction to King's Raid's actual EoS, I've recorded in some rush. With that, no pausing is utilized, so I definitely recommend downloading the video for per-frame movement/shots; or move per-frame here by pressing , or . keys, but it tends to perform very slowly depending how far the frame is from the keyframe. Lavril, JP CV: 春野 杏 (Anzu Haruno) 0:00 Outfit 1, Dead 1:07 Damage 1:34 Stun 1:54 Knockdown 2:38 Outfit 2, Dead 3:32 Outfit 3 (accident), Dead 4:34 Damage (x1) 4:45 Knockdown ========================= Record Date: 2025-03-15 Due to innate touch reactions of the game, expect jank such as tapping w/o a drag/slide would randomly select a motion, and accidentally exiting the preview interface. With the freedom to overlay the voices, and the previews are pretty much mute anyway, voice clips will be mixed across what sounds fitting on the motion. For instance, damage voices may be played on Dead and Knockdown motions. General raw file mirror: https://gofile.io/d/069dyt (30 days from publish date) Raw recording temporary download mirror: https://fileditchfiles.me/file.php?f=/b53/FpMStmexHoUxBuxMMjgM.mp4 (mute ver.)(30 days from publish date, until no longer recently accessed, or solely on host's discretion) Audio language tracks (for those who's downloaded the raws already): JP: https://fileditchfiles.me/file.php?f=/s21/kjQyodJYnkXJcYwsfWRG.m4a KR: https://fileditchfiles.me/file.php?f=/s21/jflSJLJpeLtFfcSEJsQi.m4a EN: https://fileditchfiles.me/file.php?f=/s21/GmhrNdwNaMHJDaHiqq.m4a Play beside the video-only file, and your media player like MPC should pick it up and play the same-named audio by default. Still picture snapshots/highlights: https://x.com/amaniefeather18/status/1901310037429231786 https://x.com/amaniefeather18/status/1901319539381706840 (Extra: non-video screenshots of her Wedding Swimsuit) ========== Most of my recordings are recorded in high quality (NVENC Lossless or CRF10~18, in this instance 16) and with local preservation & clean action in mind. My focus tends to be on how & what they're hit by, the situations they're in, and of course her reactions~ #ryona #リョナ #KingsRaid #キンスレ I am not affiliated with whom All the Rights belong to: ©Vespa Inc

Academic｜アカデミック (CV:Aoi Yuuki | 悠木 碧) Meteor Crash Site -Core-｜隕石落下地点-中心- Playing DragonNest JP, so it's Japanese voice. ========================= Record Date: 2019-02-01 Collation of fragmented replays and full recordings. Still-picture shots/highlights: https://x.com/amaniefeather18/status/1902279847805862393 ========================= All of these are personal recordings and have not been considered for public viewing...but here you go. Most of my recordings are recorded in high quality (NVENC Lossless or CRF10~18) and with local preservation & clean action in mind. My focus tends to be on how & what they're hit by, the situations they're in, and of course her reactions~ I recommend downloading the video for per-frame movement/shots. #ryona #リョナ #ドラゴンネスト I am not affiliated with whom All the Rights belong to: © EYEDENTITY GAMES Inc.

In reaction to King's Raid's actual EoS, I've recorded motion previews in some rush. With that, no pausing is utilized, so I definitely recommend downloading the video for per-frame movement/shots; or move per-frame here by pressing , or . keys, but it tends to perform very slowly depending how far the frame is from the keyframe. Since the character previews are pretty much voice-silent, I got a little courageous-ambitious and overlayed her JP voices now. If only there's already multiple audio tracks available for everyone now, I could've provided her KR and EN as tracks right on this video. Demia, JP CV: 神田 みか (Mika Kanda) 0:00 Dead 1:08 Damage 1:36 Stun 1:46 Knockdown ========================= Record Date: 2025-03-15 Due to innate touch reactions of the game, expect jank such as tapping w/o a drag/slide would randomly select a motion, and accidentally exiting the preview interface. With the freedom to overlay the voices, and the previews are pretty much mute anyway, voice clips will be mixed across what sounds fitting on the motion. For instance, damage voices may be played on Dead and Knockdown motions. Collated temporary raw video & audio mirror: https://gofile.io/d/069dyt (30 days from publish date) Temporary download mirror: (30 days from publish date, until no longer recently accessed, or solely on host's discretion) Raw recording: https://fileditchfiles.me/file.php?f=/b53/UrcJhKQaVCxaOeFxJiYF.mkv KR voice track: https://fileditchfiles.me/file.php?f=/s21/UDOqXffKLhijucFXnzV.m4a EN voice track: https://fileditchfiles.me/file.php?f=/s21/agmOJTsKEVZhFLZdjjul.m4a *Play beside the video file, and media players like MPC should make these external tracks selectable. Voice sample stats: JP KR EN Sur1 | 1 - - Sur2 | 2 - - Attack2 | - - 1 Attack3 | - - 1 Attack4 | - - 2 Attack5 | - - 1 Attack8 | - - 1 Damage_01 | 1 7 3 Damage_01_b | 1 - - Damage_02 | 3 6 2 Damage_02_b | 2 - - Damage_03 | 2 - - Damage_03_b | 2 - - Damage_07 | - - 3 Dead | 2 5 3 Dead_b | 1 - 2 Sad | 1 1/8 - - Still picture snapshots/highlights: https://x.com/amaniefeather18/status/1902008334238257278 ========================= Most of my recordings are recorded in high quality (NVENC Lossless or CRF10~18, in this instance 16) and with local preservation & clean action in mind. My focus tends to be on how & what they're hit by, the situations they're in, and of course her reactions~ #ryona #リョナ #KingsRaid #キンスレ I am not affiliated with whom All the Rights belong to: ©Vespa Inc

Academic｜アカデミック (CV:Aoi Yuuki | 悠木 碧) Mutant Habitat｜変異体生息地 Playing DragonNest JP, so it's Japanese voice. =========== Record Date: 2019-02-01 Collation of fragmented replay-recordings. Still-picture shots/highlights: https://x.com/amaniefeather18/status/1902335833035960421 ========== All of these are personal recordings and have not been considered for public viewing...but here you go. Most of my recordings are recorded in high quality (NVENC Lossless or CRF10~18) and with local preservation & clean action in mind. My focus tends to be on how & what they're hit by, the situations they're in, and of course her reactions~ I recommend downloading the video for per-frame movement/shots. #ryona #リョナ #ドラゴンネスト I am not affiliated with whom All the Rights belong to: © EYEDENTITY GAMES Inc.

Academic｜アカデミック (CV:Aoi Yuuki | 悠木 碧) Withered Leaves Forest, Explosion Zone 1｜枯葉の森 -爆心地- Playing DragonNest JP, so it's Japanese voice. Time-limited promo outfit, so I likely have this expired now. ========================= Record Date: 2019-02-03 Collation of fragmented replay-recordings. Still-picture shots/highlights: https://x.com/amaniefeather18/status/1884031196855972184 ========================= All of these are personal recordings and have not been considered for public viewing...but here you go. Most of my recordings are recorded in high quality (NVENC Lossless or CRF10~18) and with local preservation & clean action in mind. My focus tends to be on how & what they're hit by, the situations they're in, and of course her reactions~ I recommend downloading the video for per-frame movement/shots. #ryona #リョナ #ドラゴンネスト I am not affiliated with whom All the Rights belong to: © EYEDENTITY GAMES Inc.

Master the art of cinematic composition with Jake Seal Black Hangar Studios! In this video, we break down the 5 essential rules of composition that every filmmaker should know. These techniques help create visually stunning and emotionally engaging shots from the Rule of Thirds to Depth and Layering. Whether you're a beginner or an experienced director, these principles will elevate your storytelling. Jake Seal Black Hangar Studios is known for its world-class production facilities and cutting-edge filmmaking techniques. Learn how Hollywood professionals frame their shots and apply these rules to your projects. 🔥 Don’t forget to like, subscribe, and hit the bell for more filmmaking tips! #JakeSeal #BlackHangarStudios #Filmmaking #Cinematography #FilmComposition #FilmmakerTips #MovieMaking #CameraAngles #RuleOfThirds #FilmmakingEssentials

The Playful Pet Toy Mouse Ball Cage is an engaging and stimulating to your furry friend’s playtime to satisfy their natural hunting instincts while ensuring safety and durability. This inventive toy blends multiple materials: a lightweight non-toxic plastic and frame that's serves as the primary structure, while the vibrant soft fabric covering provides a comforting yet durable surface for your pet to interact with. Interestingly, a series of small, resilient rubber balls and mouse are strategically placed within the cage to entice your pet's curiosity and encourage playful exploration. This clever combination not only promotes exercise but also alleviates boredom, making it an essential item for pet owners seeking to enhance their pets’ well-being. The thoughtful design ensures that each component works harmoniously, creating an interactive experience that captivates pets, keeping them entertained and active for hours on end. Please like, share, subscribe and visit our website. Thanks For Watching. www.oceanblueways.com/shop

The innovative UV Resistant Sport Sunglasses are designed for the active individual, merging functionality with style. With USB charging capabilities and lens folding technology, they easily transition from sporty to casual. The addition of a radio microphone ensures seamless communication during adventures, while scalable features allow for a customizable fit. Their folding joints offer convenient portability, making these sunglasses perfect for on-the-go lifestyles. A built-in Bluetooth headset allows for hands-free calls, keeping you connected without missing a beat. Crafted from durable polycarbonate for the lenses, lightweight aluminum for the frame, and silicone for the ear pads, these sunglasses are constructed from three primary materials to ensure longevity and comfort. Please like, share, subscribe and visit our website. Thanks For Watching. www.oceanblueways.com/shop

Exuding a natural beauty that captivates

今回の動画では、Windows 10/11で動画をコマ送り再生する方法をご紹介します。 動画形式変換ソフトのダウンロード先： https://www.videoconverterfactory.com/dl/products/hdpro.html 関連記事： https://www.videoconverterfactory.com/jp/tips/view-a-video-frame-by-frame-on-windows.html

In this video, we'll show you a fast and beginner-friendly way to change the frame rate of any video to 24, 30, 60, etc. fps. Follow this video to get started! Check more information and software download in https://www.videoconverterfactory.com/tips/frame-rate-converter.html

Concert Star Ailee 20230525 2124 에일리. 오륜문 광장 Chunan-si University Concert South Korea 1280x720 24fps VBR80 192kbps 48khz Full-Frame S-Cinetone(Sony Company Movie Color Technology) 1080p 24fps Original Bitrate, Sound Bitrate 1500kbps Video This Link Youtube Uploading. https://www.youtube.com/watch?v=uFMR1p45ihc

扭計色｛魔術方塊｝一分鐘：框花樣1：中心點3：四面一點，用對格做 Rubik's Cube for a Minute: Frame Patterns 1: Dots 3: For Dots on four faces, do with Checkboard on opposite edges 這個樣，上下都是純色，而側面［側邊］都是中心點。 它可以用對邊兩格的方格［格仔］繼續做出來 （對邊兩格見《邊粒花樣1：格仔棋盤2：對邊格仔，分面半圈》）。 現在我用做這兩格的方法，也［埋］做這兩邊。 用這個方向（把魔術方塊轉到，想做的兩格在前上、前下）。 上面半圈（上二(U2)）；左右半圈（左二(L2)、右二(R2)）： 下面半圈（下二(D2)）；然後左右半圈（左二(L2)、右二(R2)）。 然後放回這個方向（把魔術方塊轉到，做好的兩格在右前、右後。） 現在第二層的小方塊［色仔］……的邊塊［邊粒］全部變成對面的顏色。 如果我把上下兩層也轉成［都扭（埋）做］對面的顏色 （上二(U2)、下二(D2)），我就能做出來了。 這段短片，與上一段（的）不同呢，就是面塊［面粒］的方向是不同的。

扭計色｛魔術方塊｝一分鐘：框花樣1：中心點2：四面一點，他向再做 Rubik's Cube for a Minute: Frame Patterns 1: Dots 2: For Dots on four faces, do again in another orientation 這個樣，上下都是純色，而側面［側邊］都是中心點。 它可以用中心點繼續，看着另一個方向，續續做，做出來的。 例如我現在看着這個方向（白色在上，橙色在前，藍色在右）， 用反時鐘方向，轉［扭］三分［份］之一個圈。 上面（上反(U')、下(D)）、前面（前反(F')、後(B)）、 右面（右反(R')、左(L)），然後， 再［翻］輪到上面（上反(U')、下(D)）。這樣就能做出來了。 利用上一段短片，和這段短片的技巧， 可以任人選兩種顏色，中間一種顏色，旁邊一種顏色， 你可以，中間和旁是，他指定的那種顏色的。

扭計色｛魔術方塊｝一分鐘：框花樣1：中心點1：中心一點，對面一骨 Rubik's Cube for a Minute: Frame Patterns 1: Dots 1: For Dots, rotate opposite faces for a quarter of a circle 首先要感謝一位貴人，他把這個花樣用〈中〉文的「中心點」來稱呼 （它的〈英〉文名字叫做「Dots」）。 每一面只剩中心一顆（小方塊［色仔］）是自己的顔色。 整個框向反時鐘方向轉［扭］了三分［份］之一個圈。 背面是整個框向順時鐘方向轉［扭］了三分［份］之一個圈。 它的做法，是我看書學回來的。現在我們要［想］做上面、前面和右面， 反時鐘方向（註一）。對面一齊轉四分［份］之一個圈［一個骨］： 上面（上反(U')、下(D)）、前面（前反(F')、後(B)）、 右面（右反(R')、左(L)），然後， 再［翻］輪到上面（上反(U')、下(D)）。這樣就能做出來了。 這樣，每次三分［份］之一個圈，所以三次一個循環。 但是，如果你也［埋］看方向呢，中間這些（中心塊［中心粒］）， 是差了一次的。所以，就是變成，十二次才［先至］一個循環了。 註一：這裏的「反時鐘方向」有雙重意涵：一、上、前、右三面， 整個框向反時鐘方扭了。二、上、前、右三面，要各自向反時鐘方向扭。

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The Engwe Electric Bike is a powerful and efficient mode of transportation that's perfect for those who want to explore the great outdoors in style and comfort. With its sleek design and durable construction, this bike can handle just about any challenge you throw its way, whether you're hitting the trails, cruising around town, or commuting to work. The electric motor provides plenty of power for quick acceleration and easy hill climbing, while the adjustable suspension system helps smooth out rough terrain and keep you comfortable during long rides. Plus, with its lightweight frame and compact size, the Engwe Electric Bike is easy to maneuver and store, making it an ideal choice for anyone who wants to get around quickly and easily. Please like, share, subscribe and visit our website. Thanks for watching! https://www.oceanblueways.com/shop

今回の動画では、動画のフレームレートを確認する方法をご紹介していきます。 動画形式変換ソフトのダウンロード先： https://www.videoconverterfactory.com/dl/products/hdpro.html 関連記事： https://www.videoconverterfactory.com/jp/convert-video/check-the-frame-rate-of-a-video.html

Personalized gifts are beyond ordinary items. These gifts have emotions, memories, care, and a lot more. They are unlike traditional ones, they directly connect with the recipient's heart. We all want the best thing to give to our loved ones.

Maintaining Your Awning During the Winter To prepare your awning for winter, embark on a cleaning regimen that will help preserve its condition and longevity. Here are the steps to follow: Remove Loose Debris: Begin by using a soft-bristle brush or a leaf blower to gently eliminate loose dirt and debris. Take care to avoid causing any damage to the fabric or frame. Tackle Stubborn Stains: Gently scrub the affected areas and then rinse thoroughly with water to ensure all traces of soap are removed. Customized Cleaning: Recognize that different types of awnings may require specific cleaning methods. Avoid Structural Damage: The weight of accumulated snow can place undue stress on the awning’s frame or motorized mechanism. Contact us at: Phone: 303-838-7291 Email: sales@myawnings.com Address: 11485 Old US Hwy 285, Suite 120 Conifer, CO 80433 Website: https://www.myawnings.com/

Bolster and Side Frame Automatic Painting Line is an automated painting production line for industrial equipment. The production line adopts automated spraying process and advanced control system. #paintingline #automatedpainting

Join me in a thought-provoking debate on solving global issues! In this video, I challenge experts from any world and time frame to a competition focused on addressing homelessness, world hunger, cancer, natural disasters, and defining civility. Watch as I defend my innovative solutions within 10 minutes while challengers have 24 hours to respond. Let's push the boundaries of our shared systems and technologies through orchestrated challenges. Witness the power of creativity and leadership in shaping a better future for all. Are you ready to take on the challenge? Appearing in this episode: @InfiniteWatersRalphSmart @acornlandlabs *Video made with AI images and tools www.AllllA.com

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