https://www.youtube.com/@prof.SUMIOKA
Choose subtitles in your language!
00:52 14.01. Crusade Reaction: Early 13C
04:12 14.02. Scholasticism: mid 13C
06:36 14.03. Room for Philosophy: late 13C
08:55 14.04. Plague and Humanity: 14C
13:33 14.05. Glamorous Quattrocento: the first half of 15C
17:01 14.06. the Light and the Shadow: the latter half of 15C
Produced by Office SUMIOKA Studio
http://www.hi-ho.ne.jp/sumioka-info/index.html
fair use for education
Teruaki Georges SUMIOKA, Ph.D.
Full Professor, OSAKA UNIVERSITY of ARTS
former Guest Professor, GUTENBERG UNIVERSITÄT MAINZ, Germany
former TV Planner, TV ASAHI, Japan
Ph.D. (TOKYO UNIVERSITY of the ARTS, in Aesthetics)
MA (The UNIVERSITY of TOKYO, in Philosophy）
https://www.youtube.com/@prof.SUMIOKA
Choose subtitles in your language!
00:44 13.01. Around the Black Sea: 6-9C
04:12 13.02. Cultural Competition: 10C
08:15 13.03. Innovation from Peripheries: the first half of 11C
13:00 13.04. Investiture Controversy: the latter half of 11C
17:16 13.05. The Crusade: the first half of 12C
22:15 13.06. Fall of Jerusalem: the latter half of 12C
Produced by Office SUMIOKA Studio
http://www.hi-ho.ne.jp/sumioka-info/index.html
fair use for education
Teruaki Georges SUMIOKA, Ph.D.
Full Professor, OSAKA UNIVERSITY of ARTS
former Guest Professor, GUTENBERG UNIVERSITÄT MAINZ, Germany
former TV Planner, TV ASAHI, Japan
Ph.D. (TOKYO UNIVERSITY of the ARTS, in Aesthetics)
MA (The UNIVERSITY of TOKYO, in Philosophy）
I didn’t erase myself — I revealed myself 🌟, peeling back the layers I once wore to survive and letting the truth breathe for the first time. What looked like disappearance was actually becoming, a quiet rebellion against shrinking, a return to the parts of me that were always there but waiting to be claimed.
https://www.youtube.com/@prof.SUMIOKA
Choose subtitles in your language!
00:44 13.01. Around the Black Sea: 6-9C
04:12 13.02. Cultural Competition: 10C
08:15 13.03. Innovation from Peripheries: the first half of 11C
13:00 13.04. Investiture Controversy: the latter half of 11C
17:16 13.05. The Crusade: the first half of 12C
22:15 13.06. Fall of Jerusalem: the latter half of 12C
Produced by Office SUMIOKA Studio
http://www.hi-ho.ne.jp/sumioka-info/index.html
fair use for education
Teruaki Georges SUMIOKA, Ph.D.
Full Professor, OSAKA UNIVERSITY of ARTS
former Guest Professor, GUTENBERG UNIVERSITÄT MAINZ, Germany
former TV Planner, TV ASAHI, Japan
Ph.D. (TOKYO UNIVERSITY of the ARTS, in Aesthetics)
MA (The UNIVERSITY of TOKYO, in Philosophy）
Users appreciate Yonoel’s focus on quality and versatility. These kits offer great value alongside durable materials and comprehensive supplies, making them a smart pick for families, outdoor adventures, or vehicle safety.
Learn more about Yonoel’s emergency essentials—take a look: https://www.yonoelfirstaid.com/product/
Facebook shuts down my account in identical way as Google founders did for new years week RIGHT AFTER I POSTED IN FACEBOOK GROUPS https://ausertimes.blogspot.com/2026/01/facebook-shuts-down-my-account-in.html SECOND TIME ALREADY with first time last year going without facebook due to prior MK Ultra brainwash torture procedure perhaps for a month(few weeks)
FACEBOOK, Meta, ROTHSCHILDS, PETE HEGSETH, TRUMP, MARK ZUCKERBERG, 9/11, SEPTEMBER 11, 2001, TWIN TOWERS BOMBING, Sergey Mikhailovich Brin, Christopher A. Wray
ausertimes.blogspot.com/2026/01/charles-windsors-first-recruitment-mk.html British royal MK Ultra brainwash video from 80s that remained as a part of brainwash 35 years
CIA brainwash, royal brainwash, prince Charles, Charles Windsor, prince Harry, prince William, prince Philip, Rondò Veneziano, La Serenissima, prince Edward, CIA, MI5, BND
In the late hours, when the city was sleeping in the dim light, and only the neon signs were quietly flickering, he woke up – the Echo Sounder of the Night. No one knew his name, no one knew where he came from. Sometimes you just thought you heard a soft hum, as if the wind itself was carrying a melody.
That evening he was wandering around among the shelves of a small, almost empty supermarket. The few people who were still shopping did not notice him. But he heard them – every whisper, every thought, every laugh. From these voices he formed his stories.
A young woman was mindlessly humming a song while selecting apples. An elderly man quietly muttered the names of his grandchildren. Two teenagers were arguing half-heartedly about which snack was the best. For the world, they were just everyday sounds. For him, it was sparks.
And so a new song was born inside him – a song about longing, courage and quiet everyday moments that are often overlooked. A song that interweaved into a whole story with unusual ease.
When he left the store, only a delicate reverberation remained, like a barely perceptible echo in the night. People continued to follow their paths, not knowing that they had become part of a song.
The Echo Sounder of the Night smiled. The night was full of voices. And he was ready to listen to them.
Lyrics
Deep blue echo sounder
Distant drums
Quiet construction
Old choirs breathing space
We are pulsating
Dream in a dream
Your shoes full of shine
Black jacket
Cold dance
Our shadows are much too loud
You're laughing wildly
I can hardly hold myself
Indian colors in your gaze
Red stripes
A small piece
Under lights
Bright and clear
Let's become a star radar
Echo Sounder of the night
Feel how it crashes into us
Every step is a radio signal
Getting deeper and deeper
Radical
Echo Sounder of the night
We dive hand in hand
Through the noise to the melody
Until the morning eludes us
Your voice hits my blood
High reputation
The throat is glowing
At the back, the choir is already lifting
Holy wild
As if you can
Finnish cold air in the hall
But the forehead has long been totally
Sweating
Are you laughing in my ear
"Seven minutes
Then we are gone“
Echo Sounder of the night
Feel how it crashes into us
Every step is a radio signal
Getting deeper and deeper
Radical
Echo Sounder of the night
We dive hand in hand
Through the noise to the melody
Until the morning eludes us
Oho
Oho
We call across the sea (oho)
Oho
Oho
No way back from here (hey!)
Gospel hands in the air
Winds are burning through the air
Everything is spinning
Everything is screaming
And yet we are on time
Echo Sounder of the night
Feel how it crashes into us
Every step is a radio signal
Getting deeper and deeper
Radical
Echo Sounder of the night
We dive hand in hand
Through the noise to the melody
Until the morning eludes us
Echo sounder
Echo sounder
Calling my heart in the overbot
Echo sounder
Echo sounder
Until the first red of the day
Lyrics written Kai-Dominik Bertha (ELAG ERFURT)
Copyright by Radio PTR
Radio PTR Inc. Slowakei
Most SNP, 851 01 Bratislava
#song #dance #dancevideo
In 1982, at age 83, Alonzo Mann — the former office boy at the National Pencil Company — came forward with a sworn affidavit that shattered the narrative of one of America's most infamous miscarriages of justice: the 1913 conviction and 1915 lynching of Leo M. Frank for the murder of 13-year-old Mary Phagan.
Mann, who was just 14 in 1913, revealed he had withheld crucial information out of fear. On Confederate Memorial Day, April 26, 1913, he returned to the factory shortly after noon and saw janitor Jim Conley holding the unconscious (or dead) body of Mary Phagan on the first floor. Conley, alone with the girl slung over his shoulder, threatened Mann: "If you ever mention this, I'll kill you." Terrified, the young boy fled and told only his mother, who insisted he remain silent to protect him and the family.
Mann testified briefly at Frank's trial but was never asked about what he saw upon returning. Conley's testimony — claiming Frank killed Phagan and forced him to help move the body — was riddled with lies, according to Mann. Conley alone had the body on the ground floor, not Frank. Mann believed Conley attacked Phagan for her $1.20 paycheck, not for sexual motives, as her money was never found.
Haunted for nearly 70 years, Mann regretted his silence, believing his full testimony would have acquitted Frank and prevented his lynching by a Marietta mob. He shared the secret with family, friends, and even a reporter decades earlier, but only in 1982 — facing heart issues and a pacemaker — did he make it public through reporters Jerry Thompson and Bob Sherborne.
This affidavit highlights how fear, antisemitic crowds yelling "Kill the Jew," perjured testimony, and a rushed trial led to tragedy. It underscores that courts and juries can err gravely, with irreversible consequences.
Mann hoped revealing the truth, even late, would clear the record: Leo Frank was innocent; Jim Conley was the killer.
Keywords: Leo Frank case, Mary Phagan murder, Alonzo Mann affidavit, Jim Conley lies, 1913 Atlanta trial, wrongful conviction, antisemitism history, exoneration evidence.
The morning sun bathes the runway horizon in warm gold, while Captain Lena performs her last check at the cockpit of her Boeing 737. Her hands glide over switches and displays, a choreography of precision and familiarity. A smile plays around your lips – not only because of the perfect weather report. Today, she not only transports 180 souls to the coast, but also a small, carefully packed package in the cargo hold. In it: the medication for a boy in Lena's destination city, urgently needed, ordered overnight.
"Good morning, dear passengers, this is your captain speaking. We are ready for a quiet flight in clear skies.“ Her voice in the speaker is calm and confident. She thinks of the countless faces behind her – the business traveler who wants to see his family again, the young student on her first big adventure, the grandmother hugging her grandson. And to the boy who is waiting for the cargo in the belly of the plane.
As the plane gently ascends into the blue sky, co-pilot Mika monitors the systems with watchful eyes. For outsiders, it may be just machines and procedures. For them it is a promise. A promise of security, of connection, of responsibility. Every check, every decision, every little course correction is made with this silent commitment: *To get them all safely where they need to go. All.*
Years ago, Lena recalls, when she was still piloting cargo flights across the Atlantic, it was about machine spare parts that kept a factory running, or about fresh fish for a restaurant remote from the continent. The cargo was anonymous, the responsibility was the same. Whether passengers or parcels – both are valuable cargoes, entrusted pieces of life and everyday life.
Somewhere above the cloud-covered mountains, air traffic control reports with a slight route change due to a weather cell. Lena and Mika nod to each other, work synchronously. No hassle, just focused professionalism. The path is rarely a perfect straight line, but the goal remains immovable.
When the landing gear lands on the runway hours later – a gentle, barely noticeable *whoosh* - it's more than just a good landing. It is a fulfilled promise. The passengers clap softly, a man sighs with relief. Lena smiles. While the doors are being opened and people are pouring in, the special package is already being sorted out at the bottom and taken on its way to the hospital.
Later, in the abandoned cabin, Lena looks out at the rolling luggage belt. She sees the reunited families, the hurried businessmen. She knows that in an hour a colleague will be sitting in her machine to deliver cargo to Oslo – electronics, documents, perhaps again vital medicine.
It's never just about flying. It's about the in-between. To build the bridge you need, day after day, flight after flight. For the people out there and for the packages that contain wishes, hopes and necessities. Their heaven is not a lonely place; it is full of meaning, a rail network of care at an altitude of 10,000 meters. And tomorrow she will do it again.
Lyrics
In skies of trust, I spread my wings,
Carry the world where winds and clouds align.
Through storms and calm, I soar and glide,
With every flight, I feel alive.
Clouds like blankets, soft and wide,
Protect me as I ride the skies.
Cargo and folks, they rest in peace,
Safe in my hands, no need to cease.
In skies of trust, I'm free to fly,
Through wind and weather, I stand tall and high.
Proud when trusted, I take them near,
In skies of trust, we're always clear.
In skies of trust, I'm free to fly,
Through wind and weather, I stand tall and high.
Proud when trusted, I take them near,
In skies of trust, we're always clear.
Above the clouds, I see the light,
Guiding me through, day and night.
With every flight, I gain more strength,
In skies of trust, I find my length.
In skies of trust, I'm free to roam,
Over mountains, seas, and home.
With every flight, I feel so alive,
In skies of trust, I can't deny.
In skies of trust, I'm free to fly,
Through wind and weather, I stand tall and high.
Proud when trusted, I take them near,
In skies of trust, we're always clear.
In skies of trust, I'm free to fly,
Through wind and weather, I stand tall and high.
Proud when trusted, I take them near,
In skies of trust, we're always clear.
Lyrics written Kai-Dominik Bertha (ELAG ERFURT)
Copyright by Radio PTR
Radio PTR Inc. Slowakei
Most SNP, 851 01 Bratislava
#song #dream #dance #fly
ausertimes.blogspot.com/2025/12/the-one-who-took-down-my-blog-based-on.html The one who took down my blog based on his own promises was and is Pete Hegseth - HEGSETH INSISTED MORE BLOG(he referred to my testimony about genocide as blog) TAKEDOWNS WILL BE NECESSARY AFTER FIRST INITIAL BLOG TAKEDOWN - INSISTED FOR FIRST BLOG TAKEDOWN TO BE JUST A BAD JOKE CIA WOULD PLAY ON MILAN KUČAN/PUTIN EVEN SLOVENIAN POLICE, BUT SOON AGAIN CHANGED HIS MIND
blog takedown, Auser Times, Pete Hegseth, JD Vance, James David Vance, Donald Trump, Robert Golob, Milan Kučan, Tito Ortiz
December 26, 2025, in front of Yurakucho Station, Tokyo
Japan Communist Party, Social Democratic Party, New Socialist Party, and Okinawa no Kaze
Shot by Hiroshi Harada
Sharp lace, cold leather, and a stare that doesn’t ask for permission. This look blends classic gothic elegance with modern dominance—soft white collars against jet-black structure, corseted confidence pulling everything into control. The dark lips say silence is intentional, the fishnets say rebellion is effortless, and every detail feels deliberate. Sweet at first glance, dangerous if underestimated. This isn’t just an outfit—it’s a warning wrapped in beauty.
扭計色｛魔術方塊｝一分鐘：十二粒次2：大蟒蛇2：還原3：首層四角，正反交替
Rubik's Cube for a Minute: Twelve Cubie-Times 2:
Anaconda 2: Restoration 3:
For four corners on the first layer, do it with Forward and Backward Quad Moves
黃色（的角塊［角粒］）好了之後，輪到白色（的角塊［角粒］）。
右邊這顆（右上後），正兩次，
後面這顆（左後上），顛倒［倒轉］兩次。
前面（上右前）和左邊這兩顆（上前左），（都是）正反各一次。
右邊（右上後）過來（上(U)），
下反(D')、右反(R')、下(D)、右(R)，正一次（訣(Q)）。
先回去（上反(U')：先把上層歸位再觀察）。
它（下面：前右下）的家在前面。
正兩次（訣(Q)），前面（上右前）好了［掂咗］。
這顆（下面：右下前）的家在左邊（過來：上反(U')）。
顛倒一次（訣反(Q')），左邊（上前左）好了（回去：上(U)）。
這顆（下面：前右下）的家在右邊（過來：上(U)）。
正一次（訣(Q)），右邊（上後右）好了（回去：上反(U')）。
剩下後面（上左後）這顆（過來：上二(U2)）。
顛倒兩次（訣反二(Q'2)），後面（好了）回去（上二(U2)）。
那麼現在（整顆魔術方塊［扭計色］還原），
就全部做好［掂晒］了［嘞］。
扭計色｛魔術方塊｝一分鐘：十二粒次2：大蟒蛇1：角粒3：首層四角，左訣六次
Rubik's Cube for a Minute: Twelve Cubie-Times 2:
Anaconda 1: Corners 3:
For four corners on the first layer, do it with six Left Quad Moves
我們現在要把白色這面的四顆［粒］角塊［角粒］轉［扭］回家。
用左手做，（藍色）前面、（白色）上面、（紅色）左邊。
（一面這顆）三次，（上面這顆）兩次，（右邊這顆）兩次，
（後面這顆）兩次，總共九顆次［粒次］。
再加上（不屬於這三顆的左邊）這顆三次，總共十二顆次［粒次］。
右邊過來（上(U)）。下(D)、左(L)、下反(D')、左反(L')，一次，
兩次（左訣二(LQ2)）。
右邊好了［掂咗］（回去：上反(U')）。
三次（左訣(LQ)）。上面好了。
左邊過來（上反(U')）。四次（左訣(LQ)）。
左邊好了（回去：上(U)）。
後面過來（上二(U2)）。五次、六次（左訣二(LQ2)）。
後面也好了［掂埋］（回去：上二(U2)）。
那麼就連下面這顆也［埋］都好了。也就是，做好了。
扭計色｛魔術方塊｝一分鐘：十二粒次2：大蟒蛇1：角粒2：首層四角，六次能否？
Rubik's Cube for a Minute: Twelve Cubie-Times 2:
Anaconda 1: Corners 2:
For four corners on the first layer, can we do it with six rounds?
「大蟒蛇」第三大步，角塊［角粒］的下半步，是白色這面，
四顆［粒］角塊［角粒］要回家。
現在，下面這顆（下前右），三次回來上面（上右前）。
上面這顆（右前上），反時鐘方向回左邊（上前左）。
右邊這顆（後右上），反時鐘方向回來自己這裏（上後右）。
如果我用左手做呢，它的動作，就是黃色那面，右手做，的左右鏡像。
如果我用右手做呢，就是我錄過的那一段短片
（見《三面花樣3：大蟒蛇3：角粒2：首層三角，角訣六次》）。
但是現在呢，我希望把第四顆（後面這顆：左後上），反時鐘方向，
回來自己這裏（上左後），也［埋］都弄了，
也就是四顆白（色角）塊［粒］，全部［咸不論］弄了。
那麼當然，黃色這顆（家在下面），一樣也會回家。
那麼如果我用右做呢，就是，會超過十二顆次［粒次］，無法做到。
那麼你想一下可以怎樣做。下一段短片告訴你。
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Thank you so much for watching!!!
▼Main Channel: YOUR Life Tokyo
https://www.youtube.com/channel/UCMjUr6spKSQnW03fFPtvGSQ
#yokohamajapan #japantravel #DayTripFromTokyo #visitjapan #yokohama
Allure turned all the way up — the kind that doesn’t beg for attention but naturally pulls every eye in the room. It’s the slow-burn confidence, the quiet fire in the way you move, the soft elegance that turns into something irresistible when the light hits just right. A presence that lingers, a vibe that wraps around you and stays, effortlessly magnetic from the first glance to the last.
She’s just sitting there, calm and content, soaking in the moment as the camera captures her gentle smile. The light hits her face perfectly, giving everything a warm and soft glow. There’s no rush—just pure, quiet presence. You can almost feel the comfort through the screen as she plays with her hair and relaxes, lost in her own thoughts. This wholesome first person POV feels like sharing a peaceful afternoon with someone who loves the simple things—soft laughter, natural beauty, and the calm of being present. A soothing, genuine moment made to melt your stress away.
I’m just popping in with a sweet reminder: don’t forget to follow so you never miss any of my new content. Hitting that follow button means you’ll always be updated whenever I post something fun, relaxing, or a little bit cheeky. I love hanging out, chatting, and sharing good vibes with you, and following is the easiest way to stay close and keep our connection going. If you enjoy spending time with me here, make sure you’re subscribed and following, so you’re always the first to see what I’m up to next.
Lyrics
I wanna travel through the night
To the stars where I can write
A brand new chapter, erase the pain
Meet the man in the moon, feel like I'm gaining
In dreams I float, in memories I dive
Wish I could live life twice
From every corner, every eye
Hear my voice, let me fly
Echoes of yesterday, I hear them calling
Wanna rewrite the story, feeling small
Travel to the stars, find my way
Meet the man in the moon, come what may
Through the darkness, through the light
Wish I could just start right
From the first note, to the last
Feel like I'm finally starting
In the silence, in the sound
Wish I could be found
By someone who understands
My story, my hands
Echoes of yesterday, they're guiding me
Wanna rewrite the story, feel alive
Travel to the stars, find my peace
Meet the man in the moon, set me free
I wanna fly to the stars and find the man in the moon
Redefine my destiny, start over, leave the past behind
With every step I take, I'm rewriting my tale
Hoping to catch a glimpse of what I want to be
From the shadows, I emerge, a new chapter begins
With dreams in my heart, and a brand new design
I'll chase the moon, till I find where I belong
In this world, I'll shine, and let my light be strong
Attention, please, I need some recognition
I'm reaching for the stars, let me be seen
I wanna live my life, no more hiding, no more hiding
Rewriting my destiny, it's time to ignite
Echoes of yesterday, they're guiding me
Wanna rewrite the story, feel alive
Travel to the stars, find my peace
Meet the man in the moon, set me free
Lyrics written Kai-Dominik Bertha (ELAG ERFURT)
Copyright by Radio PTR
Radio PTR Inc. Slowakei
Most SNP, 851 01 Bratislava
#song #dance
Lyrics
In Queenstown's heart, where the mountains rise,
I find my soul, where the rivers flow.
Maori stories, they whisper at night,
Of canoes and lands, so rich and bright.
Queenstown dreams, hold me close,
In your arms, I find my home.
The Haka dance, and the stars above,
In Queenstown, I'm never alone.
By the lake, under the Southern Cross,
Promises made, forever locked.
The kiwi's call, the wind's soft kiss,
Queenstown, you'll always be my first.
The gondola up, the sky so blue,
With friends who share my every dream.
We toast to love, to laughter new,
In Queenstown, we're never the same.
Sunset paints the sky in gold,
Memories etched, stories told.
In Queenstown's embrace, I unfold,
A heart full of joy, a soul unold.
Queenstown dreams, hold me close,
In your arms, I find my home.
The Haka dance, and the stars above,
In Queenstown, I'm never alone.
Lyrics written Kai-Dominik Bertha (ELAG ERFURT)
Copyright by Radio PTR
Radio PTR Inc. Slowakei
Most SNP, 851 01 Bratislava
#song #newzealand
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扭計色｛魔術方塊｝一分鐘：三面花樣3：大蟒蛇3：角粒2：首層三角，角訣六次
Rubik's Cube for a Minute: Trihedral Patterns 3:
Anaconda 3: Corner Cubies 2:
Home three corners on the first layer with six Quad Moves
倒數第二［尾二］這個樣，本身也是一個三面花樣［嚟嘅］（來的）。
它是（背面）框的這六顆，也就是（正面）這六顆［粒］邊塊［邊粒］，
跑到了家的反時鐘反向那面。
我們第三大步的下半步，是要把白色這面的四顆角塊［角粒］，
轉［扭］回家。
下面這顆（下前右），三次回來上面［翻上嚟］（上右前）。
這顆（右前上），四次回過去［翻過去］（註一）（上前左）。
這顆（後右上），四次回來上面［翻上嚟］（上後右）。
（共用次數方式見《邊粒花樣3：兩粒轉便4：以上陪下，節省次數》。）
（後右上過來：上(U)），一次、兩次（訣二(Q2)），
（右上後先回去：上反(U')）。
三次，回來了（上右前回家）。
（右上後再過來：上(U)），四次、五次（訣二(Q2)），
回來了（上後右回家：上反(U')）。
（前左上過來：上反(U')），六次（訣(Q)），
回來了（上前左回家：上(U)）。
這三顆（上後右、上前左、上右前）先回家了。
剩下這兩顆（左後上、右下前），下次繼續。
註一：「翻過去」想不到書面語，直譯為「回過去」。
自評：先錄左手（即上一集的鏡像；左手手法見《三面花樣1：高級格仔4：首層四角，左訣六次》），但頭兩次扭錯又退錯，第三次完整但效果不好。這次回到右手，事先找出次序，完整動作只錄了一次。臨尾用錯手指是左手手法留下，下次會改善。
Crashing my first campus party at 18 like I totally belong here 😜🎉 Lights, loud music, and way too much energy — but hey, that’s the fun part! Didn’t plan to stay long… but somehow ended up on the dance floor till 2am 💃 Who’s inviting me to the next one? 👀
https://www.youtube.com/@prof.SUMIOKA
Choose subtitles in your language!
00:57 06.01. Pentecontaetia: first half of 5C BC
03:10 06.02. Nomos and Physis: mid of 5C BC
05:29 06.03. Peloponnesian War: second half of 5C BC
07:19 06.04. Socrates and his Disciples: late of 5C BC
09:28 06.05. Execution of Socrates: c400 BC
Produced by Office SUMIOKA Studio
http://www.hi-ho.ne.jp/sumioka-info/index.html
Copyright reserved
Teruaki Georges SUMIOKA, Ph.D.
Full Professor, OSAKA UNIVERSITY of ARTS
former Guest Professor, GUTENBERG UNIVERSITÄT MAINZ, Germany
former TV Planner, TV ASAHI, Japan
Ph.D. (TOKYO UNIVERSITY of the ARTS, in Aesthetics)
MA (The UNIVERSITY of TOKYO, in Philosophy）
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