Garry Gary Beers INXS bassist performance video. "Shine Like The Sun" rock song by Igni Ferroque.
A podcast interview combined with the strong curiosity of a proud member of my favorite band INXS brought me to ggbbasses.com. After carefully navigating the site, one section offered to “HIRE GARRY!” on a track. Naturally, I was very interested in all of the additional options associated with the bass session. As luck would have it, my company produced a song, "Shine like the sun" performed by the Costa Rican guitarist Igni Ferroque. Filling out a form to contact Garry Gary Beers was an unbelievable surreal request that was cool in and of itself.
https://youtu.be/ieGjN5H4xPQ
To my astonishment, Mr. Beers personally followed up with an email the next day. Along with the courtesy of proper introductions, we mutually confirmed my intention to purchase the full bass session package. Caught in the moment, I insisted on a good faith deposit for his time and close the deal. Mr. Beers had naturally shaped the pace of doing business in a relaxed way. "By all means send me the tracks. I’ll have a good listen and let you know my thoughts on moving forward. That work for you?" It did work as a potential new client and placed me in a good frame of mind from the start.
Fortunately, Mr. Beers had informed me of the positive news about the song making the cut. "Hey Richard, the music is great! Looking forward to having a play on it". He offered many secure payment options along with the value placed on all four elements. The expenditure was more than justified and deemed a gift when considering his talents and achievements. Mr. Beers never pressed for any money nor attempted a hard sell. He is a nice man that loves music, period.
In a trustworthy spirit, Mr. Beers offered me the convenience of sending a comfortable amount of money to start the project. The value of the arrangement was so good that I immediately choose to commit 100%. We sent a full deposit, sat back and prepared to enjoy the ride. As the secure funds entered the GGB business account, Mr. Beers had already taken the liberty to record the bass tracks and was at the ready to send the audio files. He added a sincere compliment as well, "Music is excellent by the way- really reminds me of Rainbow- one of my fav bands."
Mr. Beers walked me through the easy process of combining his work with the initial recording for the finished product. The steps were simple, “2 tracks of bass version 1 – DI and Amp.2 tracks of bass version 2 – DI and Amp- Both of these takes have a click at the top to verify it syncing to your track. They are recorded to the tracks you sent with the click intro so they should sync perfectly." Mr. Beers added an additional spark, “I’m also sending synth tracks to accompany the bass tracks- Intro only. I have included a mix track and the individual synth tracks." The music had a studio quality sound and GGB grooves. It rocked along with the enjoyment of plug and play. A video of Mr. Beers playing on the track was coming up next and the apex of my unique musical journey.
Like clockwork, Mr. Beers enthusiastically contacted me about the video and the confident reaction to his bass session. "Glad to hear it" He wrote. "I enjoyed playing the tracks… Let me know which bass track versions 1 or 2 you used with the intro and the track so I can send a matching performance video.” Handing over Mr. Beers all creative control was logical and showed a true respect for his craft. The consideration by Mr. Beers to collaborate on a decision was unforeseen and very appealing. How do you choose one groove when both versions are slick? I decided to mix and match the funk from the tracks provided. Mr. Beers had agreed and gave the feeling of excitement by his response, "That would have been my choice. The Intro bass with the fuzz and Wah is a trip!"
The performance videos sent by Mr. Beers had simple instructions: "Hey Richard, here's 2 videos- the Intro -take 2 with fuzz and Wah - and the song - take 1 with pick. The intro track has a click count in so it should be easy to sync." He added, "The main track video has the guitar intro so you can sync to that. Hope this works for you." The final production was amazing and combined perfectly. In addition, Mr. Beers mentioned the project on his personal Facebook Page, “Last night I finished bass tracks for an amazing Costa Rican heavy rock artist- really great stuff and a lot of fun for me to play on.”
Everyone noticed that Mr. Beers showed an authentic enjoyment as he adjusted his amp and started jamming in an Aussie themed studio. Apart from the brilliant music created, a heartfelt chest tap happened as he finished the song and the video ended. The final act of my personal experience working with Garry Gary Beers was a strong transfer of positive electromagnetic energy that was widely felt and well received. Thank you Mr. Beers for the luxury.
I highly recommend Mr. Garry Gary Beers. The working relationship was easy and stress free. My firsthand knowledge involved the attention to detail, clarity to avoid miscommunication and the generosity of his sincere efforts. Experiencing a comfortable first time business deal was a pleasure. The financial investment in working with Mr. Beers was worth the extemporaneous chance to meet a multi-platinum bass guitarist. Most importantly, the bonus of sharing his music and imagination with fans.
In conclusion, I am a very satisfied customer of Mr. Garry Gary Beers and admire his ingenuity on this special project.
Richard Blank
CEO
Costa Rica's Call Center
Loyal INXS Fan
"Shine like the Sun" by Igni Ferroque is a powerful anthem that celebrates perseverance, determination, and the pursuit of one's dreams. It encourages listeners to embrace challenges head-on and to strive for success, no matter the obstacles they may face. The opening lines of the song immediately set the tone, questioning the listener's willingness to leave their comfort
The famous Latino guitarist, IGNI FERROQUE teams up with CCC to produce a classic MTV retro video.The band is promoting their 44th anniversary album and national tour sponsored by Costa Rica's Call Center. The hot single has become the official 15 year anniversary theme song for CCC. Pura Vida.
IGNI FERROQUE. Banda de rock original costarricense fundada en 1978.
Shine like the sun lyrics:
Have you every thought of leaving home?
How far would you go to find you space?
Are you willing to start all alone?
Without letting your mind scatter...Out of place
Working hard everyday dawn to dawn
Hitting the phone to reach the goal
Fitting in your spot in paradise
Never take your eye off the prize
YOU BETTER SHINE LIKE THE SUN
YOU BETTER DO THINGS RIGHT
IT'S A GAME OF WIN OR GO BACK HOME
BUT YOU'RE A WINNER, YOU TAKE IT ALL
No matter how strong you feel you are
No time for breaks until you're all done
With all your goals there is always stress
And everybody needs to rest
And yet there is no dream that comes alone
Once you feel great, you feel at home
You find the beauty of a smiling face
You find the love, you find the GRACE
YOU BETTER SHINE LIKE THE SUN
YOU BETTER DO THINGS RIGHT
IT'S A GAME OF WIN OR GO BACK HOME
BUT YOU'RE A WINNER, YOU TAKE IT ALL
Producer: Greibyn Krriyo
Executive Producer: Richard Blank
Production Assistant: Rolando Araya
Igni Ferroque
Roberto Ferroque Ruiz
Eduardo Doryan Jara
Harold Webb
Guest Musician: Garry Gary Beers - INXS Bassist
Models:
Dayana Solis
Silvia Rojas
Rebeca Meneses
Shirley Rodmon
Fabiola Castillo
Julissa Meneses
Yoselyn Fonseca
Maria Jose Castro
Free Spirit Hippie: Eddie Fridovich
Call Center BOSS: Richard Blank
Special Appearance: Grace Borbon
Grips:
Edder Nuñez
Fabian Sequeira
Post Production video and audio mix: Harold Webb
Post Production video mix assistant: Edder Nuñez
Video Record: Jersan Jimenez
Edition / Post Production: Michael Arce Mora
Sunset Productions CR 2023
Filmed at Costa Rica's Call Center
1993 Gottleib Street Fighter II Pinball Machine
1994 Bally World Cup Pinball Machine
1992 Data East Hook Pinball Machine
1995 Midway Ultimate Mortal Kombat 3 Arcade Machine
1993 Sega In the Hunt Arcade Machine
1979 Atari Asteroids Arcade Machine
1996 Namco Alpine Racer 2 Arcade Machine
1996 Midway Killer Instinct 2 Arcade Machine
1958 Seeburg 220 Jukebox
1964 Wurlitzer 2810 Jukebox
1961 Seeburg AY160 Jukebox
1995 Dynamo Air Hockey Table
1992 Volkswagen Cabriolet
Igni Ferroque is a Costa Rican rock group that was born at the end of 1978. Igni Ferroque, which from Latin means iron and fire, performed its first concert in the Colegio La Salle auditorium on September 15, 1978.Roberto "Ferroque" Ruiz all the weight of the direction of the group and it was then that all the musical work and the creative genius of Roberto Ruiz rose that this legendary Costa Rican band has not left to this day and marked the beginning of a process of musical growth and development of relevance inside and outside of Costa Rica.
Throughout its long history, full of ups and downs, the group visited Mexico, Guatemala, El Salvador and Ecuador between 1986 and 1992, bringing to all those forums the Original Rock that has always characterized them. Based on the anti-arms and pro-environmental theme, its lyrics are clear: "If rock is a means of mass communication, the message must be clear and positive," Roberto Ruiz told Rodrigo Farías Bárcenas, a Mexican journalist, in an extensive interview given to Diario Uno más Uno in 1986; that phrase defines the idiosyncrasy of Igni Ferroque.
His hits include "Si Quieres Paz" (1990), "Dance in the Swamp of the Dead" (Inspired by a passage from the Lord of the Rings, 1986), "San Lucas" (1982), "Silences" (1980) , "Homeland" (1980) and "La radio" (1979). Their music has been described as jazz-rock with influences from heavy, blues, reggae, and classical, quite progressive for Costa Rican standards. Currently, the group is sounding "better than ever" as confirmed by the excellent musician Calilo Pardo, director of the Academy of Modern Music. They have shared the stage with groups such as El Tri, Alux Nahual, Botellita de Jerez, Kenny y los Eléctricos, Depeche Mode. They also shared in the biggest party in the history of Rock in Costa Rica during "Human Rights Now" in 1987 alongside Bruce Springteen, Sting, Peter Gabriel, Yossu Nandour and Tracy Chapman.
https://youtu.be/ieGjN5H4xPQ
INXS, Garry Gary Beers, Igni Ferroque, Shine like the sun, Richard Blank,Costa Rica's Call Center, Outsourcing, Telemarketing Call Centre, BPO, Nearshore Contact Center, Sales, Entrepreneur, B2B, Business, Podcast, Gamification,rock n roll, music
Garry Gary Beers INXS bassist performance video. "Shine Like The Sun" rock song by Igni Ferroque.
A podcast interview combined with the strong curiosity of a proud member of my favorite band INXS brought me to ggbbasses.com. After carefully navigating the site, one section offered to “HIRE GARRY!” on a track. Naturally, I was very interested in all of the additional options associated with the bass session. As luck would have it, my company produced a song, "Shine like the sun" performed by the Costa Rican guitarist Igni Ferroque. Filling out a form to contact Garry Gary Beers was an unbelievable surreal request that was cool in and of itself.
https://youtu.be/ieGjN5H4xPQ
To my astonishment, Mr. Beers personally followed up with an email the next day. Along with the courtesy of proper introductions, we mutually confirmed my intention to purchase the full bass session package. Caught in the moment, I insisted on a good faith deposit for his time and close the deal. Mr. Beers had naturally shaped the pace of doing business in a relaxed way. "By all means send me the tracks. I’ll have a good listen and let you know my thoughts on moving forward. That work for you?" It did work as a potential new client and placed me in a good frame of mind from the start.
Fortunately, Mr. Beers had informed me of the positive news about the song making the cut. "Hey Richard, the music is great! Looking forward to having a play on it". He offered many secure payment options along with the value placed on all four elements. The expenditure was more than justified and deemed a gift when considering his talents and achievements. Mr. Beers never pressed for any money nor attempted a hard sell. He is a nice man that loves music, period.
In a trustworthy spirit, Mr. Beers offered me the convenience of sending a comfortable amount of money to start the project. The value of the arrangement was so good that I immediately choose to commit 100%. We sent a full deposit, sat back and prepared to enjoy the ride. As the secure funds entered the GGB business account, Mr. Beers had already taken the liberty to record the bass tracks and was at the ready to send the audio files. He added a sincere compliment as well, "Music is excellent by the way- really reminds me of Rainbow- one of my fav bands."
Mr. Beers walked me through the easy process of combining his work with the initial recording for the finished product. The steps were simple, “2 tracks of bass version 1 – DI and Amp.2 tracks of bass version 2 – DI and Amp- Both of these takes have a click at the top to verify it syncing to your track. They are recorded to the tracks you sent with the click intro so they should sync perfectly." Mr. Beers added an additional spark, “I’m also sending synth tracks to accompany the bass tracks- Intro only. I have included a mix track and the individual synth tracks." The music had a studio quality sound and GGB grooves. It rocked along with the enjoyment of plug and play. A video of Mr. Beers playing on the track was coming up next and the apex of my unique musical journey.
Like clockwork, Mr. Beers enthusiastically contacted me about the video and the confident reaction to his bass session. "Glad to hear it" He wrote. "I enjoyed playing the tracks… Let me know which bass track versions 1 or 2 you used with the intro and the track so I can send a matching performance video.” Handing over Mr. Beers all creative control was logical and showed a true respect for his craft. The consideration by Mr. Beers to collaborate on a decision was unforeseen and very appealing. How do you choose one groove when both versions are slick? I decided to mix and match the funk from the tracks provided. Mr. Beers had agreed and gave the feeling of excitement by his response, "That would have been my choice. The Intro bass with the fuzz and Wah is a trip!"
The performance videos sent by Mr. Beers had simple instructions: "Hey Richard, here's 2 videos- the Intro -take 2 with fuzz and Wah - and the song - take 1 with pick. The intro track has a click count in so it should be easy to sync." He added, "The main track video has the guitar intro so you can sync to that. Hope this works for you." The final production was amazing and combined perfectly. In addition, Mr. Beers mentioned the project on his personal Facebook Page, “Last night I finished bass tracks for an amazing Costa Rican heavy rock artist- really great stuff and a lot of fun for me to play on.”
Everyone noticed that Mr. Beers showed an authentic enjoyment as he adjusted his amp and started jamming in an Aussie themed studio. Apart from the brilliant music created, a heartfelt chest tap happened as he finished the song and the video ended. The final act of my personal experience working with Garry Gary Beers was a strong transfer of positive electromagnetic energy that was widely felt and well received. Thank you Mr. Beers for the luxury.
I highly recommend Mr. Garry Gary Beers. The working relationship was easy and stress free. My firsthand knowledge involved the attention to detail, clarity to avoid miscommunication and the generosity of his sincere efforts. Experiencing a comfortable first time business deal was a pleasure. The financial investment in working with Mr. Beers was worth the extemporaneous chance to meet a multi-platinum bass guitarist. Most importantly, the bonus of sharing his music and imagination with fans.
In conclusion, I am a very satisfied customer of Mr. Garry Gary Beers and admire his ingenuity on this special project.
Richard Blank
CEO
Costa Rica's Call Center
Loyal INXS Fan
"Shine like the Sun" by Igni Ferroque is a powerful anthem that celebrates perseverance, determination, and the pursuit of one's dreams. It encourages listeners to embrace challenges head-on and to strive for success, no matter the obstacles they may face. The opening lines of the song immediately set the tone, questioning the listener's willingness to leave their comfort
The famous Latino guitarist, IGNI FERROQUE teams up with CCC to produce a classic MTV retro video.The band is promoting their 44th anniversary album and national tour sponsored by Costa Rica's Call Center. The hot single has become the official 15 year anniversary theme song for CCC. Pura Vida.
IGNI FERROQUE. Banda de rock original costarricense fundada en 1978.
Shine like the sun lyrics:
Have you every thought of leaving home?
How far would you go to find you space?
Are you willing to start all alone?
Without letting your mind scatter...Out of place
Working hard everyday dawn to dawn
Hitting the phone to reach the goal
Fitting in your spot in paradise
Never take your eye off the prize
YOU BETTER SHINE LIKE THE SUN
YOU BETTER DO THINGS RIGHT
IT'S A GAME OF WIN OR GO BACK HOME
BUT YOU'RE A WINNER, YOU TAKE IT ALL
No matter how strong you feel you are
No time for breaks until you're all done
With all your goals there is always stress
And everybody needs to rest
And yet there is no dream that comes alone
Once you feel great, you feel at home
You find the beauty of a smiling face
You find the love, you find the GRACE
YOU BETTER SHINE LIKE THE SUN
YOU BETTER DO THINGS RIGHT
IT'S A GAME OF WIN OR GO BACK HOME
BUT YOU'RE A WINNER, YOU TAKE IT ALL
Producer: Greibyn Krriyo
Executive Producer: Richard Blank
Production Assistant: Rolando Araya
Igni Ferroque
Roberto Ferroque Ruiz
Eduardo Doryan Jara
Harold Webb
Guest Musician: Garry Gary Beers - INXS Bassist
Models:
Dayana Solis
Silvia Rojas
Rebeca Meneses
Shirley Rodmon
Fabiola Castillo
Julissa Meneses
Yoselyn Fonseca
Maria Jose Castro
Free Spirit Hippie: Eddie Fridovich
Call Center BOSS: Richard Blank
Special Appearance: Grace Borbon
Grips:
Edder Nuñez
Fabian Sequeira
Post Production video and audio mix: Harold Webb
Post Production video mix assistant: Edder Nuñez
Video Record: Jersan Jimenez
Edition / Post Production: Michael Arce Mora
Sunset Productions CR 2023
Filmed at Costa Rica's Call Center
1993 Gottleib Street Fighter II Pinball Machine
1994 Bally World Cup Pinball Machine
1992 Data East Hook Pinball Machine
1995 Midway Ultimate Mortal Kombat 3 Arcade Machine
1993 Sega In the Hunt Arcade Machine
1979 Atari Asteroids Arcade Machine
1996 Namco Alpine Racer 2 Arcade Machine
1996 Midway Killer Instinct 2 Arcade Machine
1958 Seeburg 220 Jukebox
1964 Wurlitzer 2810 Jukebox
1961 Seeburg AY160 Jukebox
1995 Dynamo Air Hockey Table
1992 Volkswagen Cabriolet
Igni Ferroque is a Costa Rican rock group that was born at the end of 1978. Igni Ferroque, which from Latin means iron and fire, performed its first concert in the Colegio La Salle auditorium on September 15, 1978.Roberto "Ferroque" Ruiz all the weight of the direction of the group and it was then that all the musical work and the creative genius of Roberto Ruiz rose that this legendary Costa Rican band has not left to this day and marked the beginning of a process of musical growth and development of relevance inside and outside of Costa Rica.
Throughout its long history, full of ups and downs, the group visited Mexico, Guatemala, El Salvador and Ecuador between 1986 and 1992, bringing to all those forums the Original Rock that has always characterized them. Based on the anti-arms and pro-environmental theme, its lyrics are clear: "If rock is a means of mass communication, the message must be clear and positive," Roberto Ruiz told Rodrigo Farías Bárcenas, a Mexican journalist, in an extensive interview given to Diario Uno más Uno in 1986; that phrase defines the idiosyncrasy of Igni Ferroque.
His hits include "Si Quieres Paz" (1990), "Dance in the Swamp of the Dead" (Inspired by a passage from the Lord of the Rings, 1986), "San Lucas" (1982), "Silences" (1980) , "Homeland" (1980) and "La radio" (1979). Their music has been described as jazz-rock with influences from heavy, blues, reggae, and classical, quite progressive for Costa Rican standards. Currently, the group is sounding "better than ever" as confirmed by the excellent musician Calilo Pardo, director of the Academy of Modern Music. They have shared the stage with groups such as El Tri, Alux Nahual, Botellita de Jerez, Kenny y los Eléctricos, Depeche Mode. They also shared in the biggest party in the history of Rock in Costa Rica during "Human Rights Now" in 1987 alongside Bruce Springteen, Sting, Peter Gabriel, Yossu Nandour and Tracy Chapman.
https://youtu.be/ieGjN5H4xPQ
INXS, Garry Gary Beers, Igni Ferroque, Shine like the sun, Richard Blank,Costa Rica's Call Center, Outsourcing, Telemarketing Call Centre, BPO, Nearshore Contact Center, Sales, Entrepreneur, B2B, Business, Podcast, Gamification,rock n roll, music
Do Me Baby:
"Do Me, Baby" is a 1981 ballad performed by Prince, from his fourth album, Controversy. Although it was credited as being written by him, it is alleged to have been written by his former bassist and childhood friend André Cymone.[3] It was released as the third and final US single from the album. It was later included on his 1993 compilation The Hits/The B-Sides. In 1986, the song was notably covered by R&B singer Meli'sa Morgan. It was featured in one of the opening scenes of the 2007 film Rush Hour 3, with Chris Tucker's character singing along while listening to it on his headphones and simultaneously directing traffic with the dance sequences of Michael Jackson.
Meli'sa Morgan:
Meli'sa Morgan iis an American R&B/Soul singer–songwriter. Morgan had a string of urban contemporary hits from the mid–1980s to the mid–1990s. Most notable include her cover version of Prince's "Do Me, Baby" (1985), "Do You Still Love Me" (1986) and "Still in Love with You" (1992).
Do Me Baby:
"Do Me, Baby" is a 1981 ballad performed by Prince, from his fourth album, Controversy. Although it was credited as being written by him, it is alleged to have been written by his former bassist and childhood friend André Cymone.[3] It was released as the third and final US single from the album. It was later included on his 1993 compilation The Hits/The B-Sides. In 1986, the song was notably covered by R&B singer Meli'sa Morgan. It was featured in one of the opening scenes of the 2007 film Rush Hour 3, with Chris Tucker's character singing along while listening to it on his headphones and simultaneously directing traffic with the dance sequences of Michael Jackson.
Meli'sa Morgan version
"Do Me Baby"
American singer Meli'sa Morgan released a cover of "Do Me, Baby" in November 1985. Her version was a number one hit on the US Hot Black Singles chart,[7] where it spent a total of 24 weeks in 1986. It was also her only entry on the US Hot 100, where it charted for a total of 14 weeks and peaked at 46.
“Super Trouper” was a hit single for Swedish pop group ABBA, and was the title track from their 1980 studio album Super Trouper, written by Benny Andersson and Björn Ulvaeus. The song, with lead vocals by Anni-Frid Lyngstad, was the last to be written and recorded for this album. “Super Trouper” is included on the Gold: Greatest Hits compilation, as well as in the Mamma Mia! musical.
The name “Super Trouper” referred to the spotlights used in stadium concerts.
Music video
In October 1980, the music video for “Super Trouper” used the largest number of artists that ABBA have ever used in a music video. The spotlight featured throughout the music video is, in fact, a CCT Silhouette follow spot, as opposed to a real Super Trouper. The city of Glasgow mentioned in the lyric was suggested by Howard Huntridge who worked with their then-UK publishers Bocu Music. The music video was directed by Lasse Hallström.
Reception
“Super Trouper” was a successful single for ABBA. It topped the charts in Belgium, West Germany, the UK (their ninth and final No. 1 in the UK Singles Chart),[1][2] Republic of Ireland and the Netherlands. It reached the Top 5 in Austria, France, Norway, Switzerland and Mexico, while peaking in the Top 10 in Finland and Spain. In the United States, where ABBA never quite managed to achieve the same sort of popularity experienced elsewhere, the single reached No. 45. However, combined with “Lay All Your Love on Me” and “On and On and On”, it topped the US Hot Dance Club Play chart.
“Super Trouper” was A-Teens' second single from their 1st album The ABBA Generation, a cover of ABBA’s song. When the single came out in the fall of 1999, it became a hit around the globe, just as its predecessor “Mamma Mia”, also an ABBA cover. “Super Trouper” debuted at No. 2 in Sweden and was later certified platinum .[5]
It also became their only Top 5 hit in Germany peaking at #4. The single also reached No. 21 in the United Kingdom, No. 18 in Switzerland, No. 15 in Norway, No. 11 in Austria and No. 12 in Netherlands.
Music video
The music video was directed by Sebastian Reed and was filmed in Sweden. The video shows a girl so obsessed with the band that she owns posters, magazines, mugs, clothing, and even a key chain. She also copies the band’s choreography that is shown on TV. Some of the articles that feature pictures of the band come to life in the video.
In the first few seconds of the video, before the actual song starts, Mamma Mia can be faintly heard in the background.
The video was a hit in most TV stations charting inside the Top 10 countdowns in late 1999 and early 2000.
American alto pop singer Debbie Sims covered this song from her 1998 album, “Songs of Andersson & Ulvaeus”, produced by disco producer Ed O'Loughlin (who produced for American girl-group disco/soul singer Carol Douglas) in an American disco style with a lot of rhythmic, percussive disco beats that sound like “Do You Love What You Feel” by R&B star Chaka Kahn and her band Rufus.
Personnel
Acoustic Guitar – Björn Ulvaeus
Bass – Mike Watson
Drums – Per Lindvall
Guitar – Janne Schaffer
Keyboards, Synthesizer – Benny Andersson
Percussion – Åke Sundqvist
Debbie Sims 1998 cover
Lead Vocals – Debbie Sims
Backing Vocals – Christine Burnett, Dennis Englewood, Helen Taylor, Joyce Berry, Laurie Maitland, Liz McKay, Lupe MacKenzie, Matthew Foster, Tricia Copperfield
Bass – Vince Fay
Drums & Congas – Daryl Burgee
Electric Piano – Joel Bryant, Greg Phillinganes
Grand Piano – Laurie Maitland
Guitars – Paul Jackson Jr.
Horns Arranged by Lou Del Gatto
Percussion – Alan Estes
Producer – Ed O'Loughlin
Strings Arranged & Conducted by Don Renaldo
Dance Party USA playlist:
Oldie pop hit from 1981: Squeeze - Tempted
Poison - Your Mama Don't Dance
Eighth Wonder - Cross My Heart
Ten City - That's the Way Love Is
Jody Watley – Real Love
Jomanda - Make My Body Rock
Grace Jones - I'm Not Perfect (But I'm Perfect For You)
Alexander O'Neal - (What Can I Say) To Make You Love Me
Evelyn King – I Don’t Know If It’s Right – R&B/Disco oldie from 1977
Guy - Teddy's Jam
Tiffany Darwish - Radio Romance
Guy - I Like
Sweet Sensation - Never Let You Go
Diana Ross – Love Hangover ‘89
Dance Party USA playlist:
Love Child - Sweet Sensation
If You Were Mine – U-Krew
Heartbeat – Seduction
Friday Night In the U.S.A. - Gigi On The Beach
Whole Wide World – A’Me Lorain
I Wanna Be Rich – Calloway
This Beat Is Technotronic – Technotronic
Get Up (Before The Night Is Over) – Technotronic
Dance Party USA playlist:
Girl-group disco /pop /soul music oldie from 1976: Donna Summer - Try Me I Know We Can Make It
Will to Power - Dreaming (1988)
Loverboy - Hometown Hero (1988)
Pointer Sisters - Be There (1988)
Janet Jackson - The Pleasure Principle (1987)
Elisa Fiorillo - Who Found Who (1987)
Dance Party USA Hawaiian Luau episode playlist:
The Ventures – Hawaii 5-O
Fat Boys with The Beach Boys – Wipeout (1987)
Otaya – Motuliu South Pacific Review – lipsynch performance
Samantha Fox – I Want to Have Some Fun (1987)
Beach Boys – Kokomo (1988)
Girl-group disco /soul / pop oldie from 1976: Donna Summer – Try Me I Know We Can Make It – short edit pop music version
2 songs by Salt & Pepper: “Twist & Shout”, “Shake Your Thing”
Girl-group disco /soul oldie from 1976: Roberta Kelly – Love Power (1976)
Rhythm & Blues /soul ballad oldie from 1981: Kenny Hamilton – The Same Folks (1981)
Girl-group disco /pop oldie from 1975: Silver Convention – Fly Robin Fly (1975)
The Techniques with Pat Kelly – You Don’t Care for Me (1978)
Katrina & The Waves – Walking on Sunshine (1985)
Dance Party USA upbeat playlist:
Mony Mony – Billy Idol (1981)
Bad – Michael Jackson (1987)
Causing a Commotion – Madonna Cicconne (1987)
Dance music oldie from 1983: “Spaced Out” – Pure Energy
Paper in Fire – John Mellencamp (1987)
Fake – Alexander O’Neal (1987)
Oldies pop ballad slow dance: “The Power of Love” – Heidi Stern (Jennifer Rush) (1984)
Wipeout – Fat Boys & The Beach Boys (1987)
Catch Me I’m Falling – Pretty Poison (1987)
Disco oldie from 1979: “Stand Up, Sit Down” – A.K.B.
Lipsynch performance: Serious - Donna Allen (1987)
Lost in Emotion – Lisa Lisa & Cult Jam (1987)
I Heard a Rumor – Bananarama (1987)
with original commercials, aired in Philadelphia, Pennsylvania on channel 17, The Great Entertainer
hosted by Bill O'Brien
Dancin’ On Air playlist:
Kool & The Gang – Fresh (1984)
Phil Collins – Sussudio (1985)
David Lee Roth - Just a Gigolo / I Ain't Got Nobody (1985)
The B-52’s – Rock Lobster (1979)
Sheila Escovedo – The Glamorous Life (1984)
Klymaxx – Meeting in the Ladies Room (1984)
Slow dance: Philadelphia United – In the Name of Brotherly Love (1985)
Limahl & Beth Anderson - Never Ending Story (1985)
The Human League - Don't You Want Me (1982)
Simple Minds - Don't You Forget About Me (1985)
Boy Meets Girl – Oh Girl (1985)
René & Angela - Save Your Love (For # 1) (1985)
Katrina & The Waves – Walking on Sunshine (1985)
Can we talk about the buffer boomerang technique? Stand Out Get Noticed podcast (The C Method Episode 283) guest Richard Blank.
Christina Canters: Can we talk about the buffer boomerang technique? Because you held up the piece of paper and for the people who are listening on the audio, can you explain, so I'm gonna read it now. So at one side there's buffer and a two in the circle, and then there's a, it's like a smiley face. And at the other end of the smiley face it says boomerang.
And underneath it says, that is a good question. Can you explain, Richard, what the buffer boomerang
Richard Blank: technique is? Well, you saw the negative two in the buffer cuz someone's negative. And so what I need to do is I need to buffer the negative name, drop you to get your attention. Again, I can't say it's a great question every time.
You can't beat that horse of death, but let's just use it to the, that's an excellent question. Repeat the question back, which I did to Aaron, and then send it, and if your audience can't see or the ones that can, I was smiling the entire time talking to you, and I was leaning forward the entire time using my hands as illustrators.
To give myself that balance and rhythm. I mean, you could tell, and there are certain extended pauses. I like to adjust my voice to go really high and then to loud whispers to make a statement.
Christina Canters: So why is that effective? Why, why is that
Richard Blank: effective? Because monotony, you only catch a, a monotonous speaking in monotone.
You catch one in five. So you really need to, it's almost like a dessert tray, Christina, you, you don't bring everything out on one level. You know how they have it stacked in different levels so you can see it and enjoy it. Each one deserves its own marquee and imagery, and so each one deserves its pause to see if there's a positive or negative reinforcement.
You never know, and I don't like jumping the gun because some people could be so amazed. And they're pondering and they're waiting to say something back. And so I love to allow people to feel more comfortable with me, to become more engaged in a conversation. This is not a lecture, and I'm not just checking off boxes and, and, and interrogating you.
It's a conversation con with sation. And it's, I mean, my, I don't learn anything new when I. I love hearing what other people have to say to see what I have in common. And I get a lot of compliments for being a very good listener. And I take copious notes. I believe in meeting minutes because there's accountability.
People might forget something. And it's just an excellent way to avoid any sort of conflict and, and you could take the initiative, you can be proactive, you can make sure the target dates are hit and the times to call back are. , um, everyone needs to lead the dance. Might as well be you and allowing them to think that they are, which is fine.
Influence People Over The Phone With These Powerful Communication Techniques – with Richard Blank Costa Rica's Call Center [The C Method podcast Episode 283]
The C Method podcast guest Richard Blank Costa Rica's Call Center.
The C Method podcast has accepted Richard Blank's invitation to join the audience for a solid discussion regarding moving abroad and starting a company from scratch in Costa Rica. Christina Canters discusses with Richard advanced telemarketing strategy, conflict management, interpersonal soft skills, customer support, rhetoric, gamification, employee motivation, phonetic micro expression reading and INXS.
The C Method provides public speaking and communication skills training for high performing professionals.As a manager and leader, your ability to speak up, present with confidence and communicate well is key to career success.You may be highly skilled, intelligent and work harder than anyone, but if you can’t articulate your ideas clearly, engage your team or influence others to take action, it will hold you back from getting the promotions, opportunities, and recognition you deserve. Listen to the 'Stand Out Get Noticed' podcast. Now at 2 million+ downloads! Discover how to develop a success mindset, speak with confidence, articulate yourself clearly and build strong relationships for more influence and impact in the workplace. Topics include: public speaking, mindset, social skills, overcoming fear, workplace communication, relationships and leadership.
Have you ever wanted to have more influence over the phone?
My guest this week is Richard Blank, CEO of Costa Rica’s Call Centre. He is a master of the cold call, and has trained over 10,000 telemarketers to improve their communication techniques over the phone.Richard is here to share his powerful techniques for improving your ability to lead and influence in conversation – and some of them are much simpler than you think!This will benefit you if you want to build better relationships and be more persuasive with your team, senior managers and clients.
“I love to allow people to feel more comfortable with me, to become more engaged in a conversation. This is not a lecture, and I’m not just checking off boxes and interrogating you. It’s a conversation. And it’s I mean, I don’t learn anything new when I speak. I love hearing what other people have to say to see what I have in common.”
This is Richard Blank’s story…
My name is Richard Blank and I’m the CEO of Costa Rica’s Call Center. I’m skilled in reading phonetic micro expressions and use this to my advantage when speaking with people, especially over the phone.
I’ve found that by using someone’s name, asking how their company is doing, and sharing interesting facts about myself, I’m able to build rapport and influence the person I’m speaking with. This has been beneficial in both my personal and professional life.
In this episode, you will discover:
Phonetics is the purest form of communication, the sound of speech, not the semantics or even the tone.
The tone of voice should always be positive and empathetic.
0 seconds to 2 minutes is the best time to gauge a person.
How to gauge someone. They discuss some of the techniques they use to do it.
Richard believes in open-ended questions and specific name drops.
He also believes in the art of speech and meeting minutes to avoid conflict.
Richard’s advice to people is to be authentic.
When he was in his 20s, he tried to change his personality for a job interview, but he realised it was not going to work for him. Now he allows people to grow naturally.
He believes that people that feel seen, they feel heard, and they feel like they matter through the way that they communicate with others.
Richard’s journey in the call center space is filled with twists and turns. When he was 27 years old, he relocated to Costa Rica to train employees for one of the larger call centers in San Jose. With a mix of motivational public speaking style backed by tactful and appropriate rhetoric, Richard shared his knowledge and trained over 10 000 bilingual telemarketers. Richard Blank has the largest collection of restored American Pinball machines and antique Rockola Jukeboxes in Central America making gamification a strong part of CCC culture.Richard Blank is the Chief Executive Officer for Costa Rica’s Call Center since 2008.
Mr. Richard Blank holds a bachelors degree in Communication and Spanish from the University of Arizona and a certificate of language proficiency from the University of Sevilla, Spain. A Keynote speaker for Philadelphia's Abington High School 68th National Honors Society induction ceremony. Giving back to Abington Senior High School is very important to Mr. Blank. As such, he endows a scholarship each year for students that plan on majoring in a world language at the university level.
Costa Rica’s Call Center (CCC) is a state of the art BPO telemarketing outsource company located in the capital city of San Jose, Costa Rica. Our main focus has been, and will always be to personally train each and every Central America call center agent so that we may offer the highest quality of outbound and inbound telemarketing solutions and bilingual customer service to small and medium sized international companies, entrepreneurs as well as fortune 500 companies.
We encourage you to visit one of our call centers on your next personal vacation or business trip to Central America’s paradise, Costa Rica. While you are here, we would recommend taking an extra day of your trip to visit breathtaking virgin beaches, play golf next to the ocean, try your luck at deep sea fishing, explore tropical jungles, climb volcanos or just relax in natural hot springs. Come and see for yourself why call center outsourcing in Costa Rica is a perfect solution for your growing company and a powerhouse in the BPO industry.
https://costaricascallcenter.com/en/outbound-bpo-campaigns/
https://youtu.be/Wl_tS1ielGg
https://youtu.be/fE6Ufvn-1Nc
https://youtu.be/NWxjuBEkzMI
https://youtu.be/R2GTKLTPkiA
https://youtu.be/M-x7nAeWBxw
https://youtu.be/dQWPUr_rsII
https://youtu.be/XnFQgNqQ3iA
https://youtu.be/aX85iiUrR88
https://thecmethod.com/podcast/standoutgetnoticed/influence-people-over-the-phone-with-these-powerful-communication-techniques-with-richard-blank-ceo-of-costa-ricas-call-centre-episode-283/
https://open.spotify.com/episode/0JaJIUI4BKQ7mhAmW4b8To?si=5cc254ba7af14830
https://player.fm/series/2694716/346501897
https://podtail.com/podcast/stand-out-get-noticed-by-the-c-method-business-com/283-influence-people-over-the-phone-with-these-pow/
https://www.stitcher.com/show/stand-out-get-noticed/episode/283-influence-people-over-the-phone-with-these-powerful-communication-techniques-with-richard-blank-208353649
https://podknife.com/episodes/283-influence-people-over-the-phone-with-these-powerful-communication-techniques-with-richard-blank
https://getpodcast.com/es/podcast/stand-out-get-noticed/283-influence-people-over-the-phone-with-these-powerful-communication-_1ba52e93a1
https://podcasts.apple.com/pe/podcast/283-influence-people-over-the-phone-with-these/id984946507?i=1000585579846
https://deezer.page.link/pPgVrtZwEi988y6H6
https://chartable.com/podcasts/stand-out-get-noticed-by-the-c-method-business-communication-skills-confidence-public-speaking/episodes/127787912-283-influence-people-over-the-phone-with-these-powerful-communication-techniques-with-richard-blank
https://podcasts.google.com/feed/aHR0cHM6Ly9hdWRpb2Jvb20uY29tL2NoYW5uZWxzLzQ0MjAzODAucnNz/episode/aHR0cHM6Ly90aGVjbWV0aG9kLmNvbS8_cG9zdF90eXBlPXBvZGNhc3QmcD0yNTM5Mg?sa=X&ved=0CAUQkfYCahcKEwjoi-a949v7AhUAAAAAHQAAAAAQAQ
https://pdcstly.com/en/episod/283-influence-people-over-the-phone-with-these-powerful-communication-techniques-with-richard-blank/17826865
https://poddtoppen.se/podcast/984946507/stand-out-get-noticed/283-influence-people-over-the-phone-with-these-powerful-communication-techniques-with-richard-blank
I prefer the shortened version that is less Halloween to me and more nighltfie disco with only the singing part, provided by Janis Siegel as a powerful disco diva in the style of Ian Levine & Fiachra Trench from that pop music vocal group.
Here's the story behind the full original from Disco Lab (Halloween Edition):
Sometimes disco was futuristic (robots controlled by the beat) and sometimes it looked to the past (New York high society steppin’ out to mingle). The retro vibe gave a boost to The Manhattan Transfer, a swing-vocal combo formed in 1969 who found a surprise hit with the gospel number “Operator” in 1975. For a few years, the group’s retro ’20s-’30s sound struggled to have hit records in the US, though they broke through consistently in the UK.
All this would change with the group’s fourth album Extensions. One cut, the disco-inflected medley “Twilight Zone/Twilight Tone,” became a surprise hit for the group. It fused the trademark Transfer vocal sound with a spooky, mystical vibe. Extensions was released on Halloween, 1979, which meant that the diehard MT fans had a great supernatural dance party jam for the evening. Everyone else had to wait a year because “Zone/Tone” wasn’t issued as a single until 1980.
“Twilight Zone/Twilight Tone” fuses the theme from the ’60s TV show Twilight Zone with an eerie new composition. Its title perhaps inspired by Duke Ellington’s “In A Mellow Tone,” “Twilight Tone” describes a magical piece of music that sucks its listeners “through a tunnel of the mind” into some alternate dimension. The third verse suggests that swing-band leader Glenn Miller’s 1944 disappearance over the English Channel led to him “play[ing] trombone in the mystic unknown zone.” (Manhattan Transfer had a UK hit years earlier with Miller’s “Tuxedo Junction.”)
The first minute or so of the record recreates the famous Twilight Zone TV theme, complete with ersatz Rod Serling narration; “Rod” returns later to set the stage for the Glenn Miller segment. (Serling passed away in 1975; one wonders if he’d have been flattered to have been immortalized on a dance record.)
The 6:22 remix (extended only slightly from the 6:05 LP version) plays through the TV intro and the first two verses, then lapses beautifully into a guitar solo. A breakdown picks up the Herrmann theme again via a couple different guitar lines, bringing us into the Serling reprise. After the Glenn Miller section, the record ends disappointingly with endless repetition of the “here in the twilight” lyric, perhaps of interest to present-day vampire-fiction fans but boring to everyone else. At least a boogie-woogie piano solo creates some interest.
This bright and energetic number does a good job of propelling a Halloween party into a “pyramidal locomotion from a mystic unknown zone.” And that’s before the jello shots!
AMWF Cristina Confalonieri Italian Girl Kim Hyun joon South Korean Guy International Marriage Couple "Vocalist, college lecturer My South Korean husband likes me when I wear a short skirt, but he doesn't like when I wear an open-breasted T-shirt. I don't want to eat breakfast. My husband manages the money, At first, my husband hated skinship outside. we dance occasionally after dinner in the evening."
AMWF Kirsty Reynolds Australian Woman Lee Hyun Jin South Korean Man International Marriage Couple "It's scary because I'm sometimes beaten by my Australian wife, South Korean men often bluff, but it's good to show the truth without pretense. We fight sometimes. Before marriage, my mother always provided breakfast, lunch, and dinner, but after marriage, my wife mixes vitamin powder with water and eats it. I like to eat garlic and kiss her."
AMWF Inna Maslova Russian Female Kim Sang il South Korean Male International Marriage Couple "Being kind and polite is a way to win the hearts of foreign women. I eat Russian food and my South Korean Husband oppa eats Korean food. It's hard to eat a food like Bone soup called "TushenceMyaso". My Russian wife used to give me Pin money 300,000 won a month, but now she gives me 200,000 won a month." Misuda Live In South Korea Foreigner Global Talk Show Chitchat Of Beautiful Ladies
amwf 크리스티나 콘팔로니에리 이탈리아인 여자 김현준 한국인남자 국제결혼커플 "성악가, 대학강사 한국남편이 내가 짧은 치마 입으면 괜찮지만, 가슴 오픈된 티셔츠를 입으면 남편이 안좋아해요, 저는 아침식사를 먹고싶지 않아요. 남편이 돈 관리 해요, 처음에 남편이 밖에서 스킨쉽하는거 싫어했다. 저녁에 식사 후 가끔 춤을 춘다."
amwf 커스티 레이놀즈 호주인 여성 이현진 한국인 남성 국제결혼커플 "내 호주아내한테 가끔 맞아봐서 무섭다, 한국남자들은 허세를 부리는 경우가 많은데, 가식없이 진실된 모습을 보여주는게 좋다, 새벽에 맨체스터 유나이티드 축구를 보는데, 아내가 빛과 소리에 민감해서 잠을 잘 수 없어서 우리는 가끔 싸운다, 결혼 전에는 아침, 점심, 저녁을 어머니가 꼭 챙겨주셨는데, 결혼 후 아내가 비타민파우더를 물에 타서 먹는다. 마늘을 먹고 뽀뽀하는걸 좋아한다."
amwf 이나 마슬로바 러시아인 여자 김상일 한국인 남자 국제결혼커플 "착하고 매너있는 모습이 외국인여성들의 마음을 얻는 방법이다, 저는 러시아음식을 먹고, 오빠는 한국음식을 먹는다. 투셔너예 미아소라는 곰국같은 음식이 먹기 힘들다. 러시아아내가 한달에 30만원 용돈을 줬었는데, 이제는 한달에 20만원 용돈을 준다." 미수다 미녀들의수다 한국거주외국인 글로벌토크쇼 해외원정창녀들 성매매 매춘부 호스티스 카라오케 도우미 노래방 에스코트걸
Yellow East Asian Male Fuck White Female Sexy Big Tits Chubby Bitch International Sex Stay Live In South Korea Foreigner Study Korean Language Overseas Expedition Streetwalker Women Harlot Prostitution Hostess Karaoke Dowoomi Noraebang Escort Girl
Please watch: "HUSBAND TAG | HILARIOUS DANCE CHALLENGE WITH MY HUSBAND | #shimmerandmusebysapna"
https://www.youtube.com/watch?v=b9tDJ... --~--
Hi Angels,
In this video i have talked about and DIYed uses of aloevera gel. I use the WOW aloevera gel as it is the purest form of aloevera after the naturally extracted one from the plant itself.
Its really important to incorporate aloevera in our daily lives as it has incredible benefits for skin, hair and overall well being. You can buy this aloevera gel from the following links:
Buy wow https://www.buywow.in/products/wow-skin-science-aloe-vera
Snapdeal: https://www.googleadservices.com/page...
Myntra: https://www.googleadservices.com/page...
Hope you enjoyed this video.
For more videos please check out my channel:
https://www.youtube.com/c/shimmerandmusebysapna
For PR/Business queries: sapnav2412@gmail.com
For more posts & updates you can also find me at:
https://www.facebook.com/shimmerandmuse
https://www.instagram.com/shimmerandmuse
www. shimmerandmuse.com -Blog
https://www.roposo.com/@shimmerandmuse
Music credits: NCS Royalty Free music for YouTube
DISCLAIMER: THIS VIDEO IS NOT SPONSORED. THERE IS NO PRODUCT ENDORSEMENT. ALL VIEWS EXPRESSED IN THIS VIDEO ARE MINE.
Dancin On Air playlist:
Sister Sledge & Chic - We Are Family (1979)
Chic - Good Times (1979)
Donna Summer - I Feel Love (1977)
The 4 Tops with The Andantes on backup vocals - Reach out for Me (1966)
Donna Summer - Love Is in Control (1982)
ABC - The Look of Love (1982)
Melba Moore - Loves Coming At You (1982)
Kool & The Gang with Something Sweet - Ladies Night (1979)
10cc - Run Away - with Andrew Gold on backup vocals (1982) -
slow dance
Kool & The Gang - Big Fun (1982)
Linda Ronstadt - Get Closer (1982)
The Cast of The Pirate Movie - Happy Ending (1982)
Playlist:
Deck The Halls - The Salsoul Orchestra with Marian Rolle
Working For The Weekend - Loverboy
Under Pressure - Queen with David Bowie
Come Go With Me - The Beach Boys
Take My Heart (You Can Have It If You Want It) - Kool & The Gang
Our Lips Are Sealed - The Go-Go's
Shake It Up - The Cars
Hooked On Classics - The Royal Philharmonic Orchestra
Centerfold - The J. Geils Band
Diamond Ring – Billy Nichols
I Can't Go For That (No Can Do) - Daryl Hall & John Oates
It Doesn't Matter at All - 10cc - slow dance
Let's Groove Tonight - Earth, Wind & Fire
You Don't Know a Good Thing - Michael Zager Band
The most addictive dance song J.Juice Shake A Leg directed by Johnny B Good AKA J.Juice For Money Juice Entertainment. Song available everywhere: https://smarturl.it/shakealegbyjjuice LIKE, SUBSCRIBE, COMMENT & SHARE SHARE SHARE! #jjuice #shakealeg #shakealegchallenge Thank you to everybody that helps with the Shake A Leg video. Camera Man: Samuel, Isaiah, Kyra, Destiny, Jordan for Money Juice ENT & Karanja with 1 Shot Filmz. Dancers: Kyra Jean, Kimberly, Teedo with Money Juice ENT. & Nicole, Charles & Seraphim with Bitta Records, Panessia Young for stopping by & DeAnna Liburd Sumter & Antonio Sumter for letting us use your place Next N Line Event Hall.
Follow me:
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YouTube: https://www.youtube.com/user/JJuice2006
Source: https://youtu.be/GrkP9FKJuNE
The Story Behind The Most Anticipated Dance video.
J.Juice Do Da Bird Dance
Produced By Zakee.
Directed By Johnny B Good AKA J.Juice.
I was making We Buy Houses sign for my Wholesale Real Estate Business when my partner Zakee sent me this beat to listen too. The beat got into my soul and I started dancing. I started waving my arms and the hook just came out of my mouth, so I knew we had something special so I called Zakee and asked him if I could have the beat to my follow up after my viral song Shake A Leg. He said YES! Then I rushed to meet him at the Waffle House parking lot because he just finishes eating lunch with his co-worker and right there I did the dance and hook. He went crazy and said that's a hit. Then we went to his job and show it to another co-worker and he went nuts. The rest is history.
The song available HERE: https://smarturl.it/jjuicebirddance
Apple Music/iTunes https://music.apple.com/us/album/do-da-bird-dance-single/1507411161?l
Spotify: https://open.spotify.com/album/6Uu7F0...
Tidal: https://tidal.com/browse/track/137128669
Amazon: https://www.amazon.com/dp/B086Z5PFKR/
Follow me at:
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Snapchat: http://snapchat.com/jjuice803
YouTube: http://youtube.com/jjuice2006
#jjuice #birddancechallenge
Source: https://youtu.be/Zf4iDXimqXw
"Come to Me" by France Joli with Tony Green is based on:
John 8:43-45
43 Why do you not understand what I say? It is because you
cannot bear to hear my word. 44 You are of your father the
devil, and your will is to do your father's desires. He was a
murderer from the beginning, and has nothing to do with the
truth, because there is no truth in him. When he lies, he speaks
out of his own character, for he is a liar and the father of lies.
45 But because I tell the truth, you do not believe me.
Isaiah 66:13
13 As a mother comforts her child, so will I comfort you; and
you will be comforted over Jerusalem.”
Jeremiah 31:13
13 Then young women will dance and be glad, young men and
old as well.
I will turn their mourning into gladness; I will give them comfort
and joy instead of sorrow.
Isaiah 51:19
19 These double calamities have come upon you— who can
comfort you?—
ruin and destruction, famine and sword— who can[a] console
you?
Nahum 2:10
10 She is pillaged, plundered, stripped! Hearts melt, knees give
way, bodies tremble, every face grows pale.
Numbers 11:12
12 Did I conceive all these people? Did I give them birth? Why
do you tell me to carry them in my arms, as a nurse carries an
infant, to the land you promised on oath to their ancestors?
Ezekiel 13:20
20 “‘Therefore this is what the Sovereign Lord says: I am
against your magic charms with which you ensnare people
like birds and I will tear them from your arms; I will set free
the people that you ensnare like birds.
John 21:15
Jesus Reinstates Peter
15 When they had finished eating, Jesus said to Simon Peter,
“Simon son of John, do you love me more than these?”
“Yes, Lord,” he said, “you know that I love you.”
Jesus said, “Feed my lambs.”
John 21:16
16 Again Jesus said, “Simon son of John, do you love me?”
He answered, “Yes, Lord, you know that I love you.”
Jesus said, “Take care of my sheep.”
John 21:17
17 The third time he said to him, “Simon son of John, do you
love me?”
Peter was hurt because Jesus asked him the third time, “Do
you love me?” He said, “Lord, you know all things; you know
that I love you.”
Jesus said, “Feed my sheep.
Isaiah 43:4
4 Since you are precious and honored in my sight, and because
I love you,
I will give people in exchange for you, nations in exchange for
your life.
Titus 3:8
8 This is a trustworthy saying. And I want you to stress these
things, so that those who have trusted in God may be careful
to devote themselves to doing what is good. These things are
excellent and profitable for everyone.
Acts 24:21
21 unless it was this one thing I shouted as I stood in their
presence: ‘It is concerning the resurrection of the dead that I
am on trial before you today.’”
This is my vocal range video for the best queen of pop and disco from Canada the World has ever seen : Miss France Joli
Voice Type: Mezzo-soprano
Vocal Range: E3? - Bb5
Low Register: E3? - A3
Highest note: Bb5 ("Come To Me" and "The Heart to Break the Heart")
France Joli ([ˈfʁɑnʒɔˈli] born February 2, 1963) is a Canadian singer, best known for the disco classics "Come to Me" and "Gonna Get Over You".
Teen stardom
Born France Joly in Montreal, Quebec, Joli grew up in Dorion. Her father was a hardware merchant and her mother was a teacher.
As early as age four, Joli was performing for relatives lip-syncing to Barbra Streisand records while handling a skipping rope like a microphone; she had appeared on television by age six. At age 11, Joli left the public school system (her mother tutored her) to concentrate on her performing career appearing regularly in television commercials and talent shows. A mutual acquaintance suggested Joli meet up with musician Tony Green who Joli approached backstage after he'd given a concert, Joli inviting Green to be her record producer. Green didn't take the 13-year-old Joli seriously: he'd recall: "To get rid of her I [told] her to keep in touch." According to one source Joli eventually visited Green's home to sing for him; it's also reported that Green first heard Joli sing from the audience of an "end of school year show" in which she performed in the fall of 1978. Both accounts concur that Green first heard Joli singing along with a Streisand record. Green had written the song "Come to Me" for Joli by the next day.
When the producer Green originally commissioned to record Joli indicated a desire to develop Joli as a Francophone singer, Green himself took over production duties for Joli. The tracks Joli cut with Green were picked up by Prelude and released on April 17, 1979 as the album France Joli: the track "Come to Me" received a boost when Joli performed it as a last-minute replacement for Donna Summer at a concert held on Fire Island on July 7, 1979 before an estimated audience of five thousand.
"Come to Me" began a three-week reign atop the Billboard Hot Dance Club Play on 22 September 1979 and the France Joli album rose to #26. On the Billboard Hot 100 "Come to Me" peaked at #15 November 17, 1979, the same week that Donna Summer peaked at #2 with "Dim All the Lights".
Joli made her network television debut on 26 October 1979 broadcast of The Midnight Special and she co-hosted the 7 December episode. Her other TV credits included episodes of the talk shows of Mike Douglas, Merv Griffin and Dinah Shore and also a Bob Hope special.
1980 saw the release of Joli's second album Tonight with the ballad "This Time (I'm Giving All I've Got)" released as a single bubbling under for two weeks pk #103: this attempt to curry favor in the mainstream market was unsuccessful with Joli receiving support only in the dance club market where the tracks "The Heart to Break the Heart" and "Feel Like Dancing" achieved a joint position of #3: Tonight was ranked on the Billboard album chart at #175.
In 1981 Joli's third album Now – produced by Ray Reid and William Anderson from Crown Heights Affair rather than Tony Green1 – failed to generate even a low chart placing, success apparent only in another dance club smash with the track "Gonna Get Over You", which went to number two for two weeks on the American dance charts.[1] However Joli, as evidenced by her opening for the Commodores during their American tour of 1981, was still viewed as having star potential: she departed the dance music-oriented Prelude label for mainstream music giant Epic.
1The track: "Your Good Lovin'" was arranged and produced by Prelude regulars Eric Matthew and Darryl Payne.
2"Gonna Get Over You" reached #43 on the French Pop charts [1]
"Come to Me" is a #1 disco hit from 1979 performed by France Joli, who had recorded it at the age of fifteen with producer, Tony Green, who composed the song and briefly sings on it. The track also features the famed Philadelphia session vocalists, The Sweethearts of Sigma Sound. The song was introduced on the album France Joli, which was released in the US on 17 April 1979 on Prelude, and rose to #26. "Come to Me" received a major boost on 7 July when Joli performed it as a last minute replacement for Donna Summer at a concert held on Fire Island, whose estimated audience numbered 5,000.[citation needed] "Come to Me" began a three-week reign atop the Billboard Hot Dance Club Play chart on 22 September 1979.[1] "Come to Me" peaked at #15 on the Hot 100 and at #36 on the R&B chart.[2]
"Try Me, I Know We Can Make It" is a song by American singer and songwriter Donna Summer from her third studio album A Love Trilogy album released in 1976. Summer's breakthrough had come in the form of the disco song "Love to Love You Baby" which in its entirety lasted almost seventeen minutes and took up the entire first side of the album of the same name. Due to its success (and also its success as a 12" maxi single) the format was repeated with the next album and with this song. In fact, "Try Me, I Know We Can Make It" actually lasted even longer than "Love To Love You Baby", clocking in at eighteen minutes. Edited versions were also released on the 7" single format.
The song peaked at number eighty on the American pop chart and number thirty-five on the soul chart.[1] It was more popular with disco audiences, however, becoming Summer's second number one single on the dance chart in May 1976 and remaining atop that chart for three weeks.[2] The song also peak #6 in Spain singles charts and #22 in Spain Radio chart.[3]
Opening Theme "Soul Train '75"
1st song, on record, Dancers: "Boogie Fever" (The Sylvers).
2nd song, on record, Dancers: "We're On The Right Track" (South Shore Commission).
Soul Train Scramble Board: "Sing A Song" (Earth, Wind & Fire).
Performance: David Ruffin - "Walk Away From Love."
3rd song, on record, Dancers: "That's The Way (I Like It)" (KC & The Sunshine Band).
Performance: Rufus & Chaka Khan - Medley: "Dance With Me," "Ooh I Like Your Loving" & "Have A Good Time" plus an interview.
Performance: Rufus & Chaka Khan - "Sweet Thing."
Performance: David Ruffin - "Wild Honey" plus an interview.
Soul Train Line: "I Love Music" (The O'Jays)
Performance: Rufus & Chaka Khan - "Fool's Paradise."
Closing credits
Music Video Track listing
"Rubber Bullets" (Godley, Creme, Gouldman) - 4:43
"Donna" (Godley, Creme) - 2:56
"Silly Love" (Stewart, Creme) - 3:15
"The Dean and I" (Godley, Creme) - 2:52
"Life Is a Minestrone" (Creme, Stewart) - 4:27
"The Wall Street Shuffle" (Stewart, Gouldman) - 3:52
"Art for Art's Sake" (Stewart, Gouldman) - 4:21 - '80s Dance Aerobics Version
"I'm Mandy, Fly Me" (Stewart, Gouldman, Godley) - 5:21 - The Woman Hunter Version
"Good Morning Judge" (Stewart, Gouldman) - 2:54
"Dreadlock Holiday" (Stewart, Gouldman) - 3:22
"For You and I" (Stewart, Gouldman) - 5:01 - Frankie Crocker Version from Early VH-1 Video Hits One
"People in Love" (Stewart, Gouldman) - 6:06 - with clips of Clark Gable & Carole Lombard, then Steve & Kayla from "Days of Our Lives"
"I'm Not in Love" (Stewart, Gouldman) - serious ballad version, minus Kathy Redfern's part -Breakup Version
"The Things We Do for Love" (Stewart, Gouldman) - Shane & Kmberly Version
Dance Party USA playlist:
Take Me Home - Cher
Think It Over - Cissy Houston
Dance With Me - Peter Brown with Betty Wright
Wiggle It - 2 In A Room
Limbo Rock - Chubby Checker
Straight From The Heart - Loose Change
Let's Have A Party Tonight - Danielle
Dance Party USA playlist:
Dario, Can You Get Me Into Studio 54 - Dana & Gene
You Don't Care - The Techniques
Always On My Mind - Fam-Lee
It Should Have Been Me - Adeva
No Good Girl / My Love - BB Seaton
Hello Stranger - Yvonne Elliman
Video Spotlight: I'm Mandy Fly Me - 10cc - The Woman Hunter Version
You Can Do It - Al Hudson & The Partners w/ Alicia Myers
Boogie Oogie Ooogie - A Taste Of Honey
"Try Me, I Know We Can Make It" is a song by American singer and songwriter Donna Summer from her third studio album A Love Trilogy album released in 1976. Summer's breakthrough had come in the form of the disco song "Love to Love You Baby" which in its entirety lasted almost seventeen minutes and took up the entire first side of the album of the same name. Due to its success (and also its success as a 12" maxi single) the format was repeated with the next album and with this song. In fact, "Try Me, I Know We Can Make It" actually lasted even longer than "Love To Love You Baby", clocking in at eighteen minutes. Edited versions were also released on the 7" single format.
The song peaked at number eighty on the American pop chart and number thirty-five on the soul chart.[1] It was more popular with disco audiences, however, becoming Summer's second number one single on the dance chart in May 1976 and remaining atop that chart for three weeks.[2] The song also peak #6 in Spain singles charts and #22 in Spain Radio chart.[3]
♥ Hello welcome ♥
We pursuit of Sound and Thrilling fun Enjoy greatly is Life itself...
Want to be a connection with music lover people in the world
But We do not want to become famous
No glory No name Pursuit of sound fun
Dance music, Creator, Performance...
An ago it was active-Trance G Performer, TEAM we formed with FRIENDS at the time. We involved in many, genres,
Not usual in our Party stage-" Electro Dance MUSIC " Style...♥
"ELECTRIO DANCE MUSIC ALL-GENRES PLAYR AND CREATOR PRODUCE AND CYBER RADIO❤
❤ MUSIC &PEACE SOUND OF LOVER ✌
CES✪Ch ( Live Fes Rave..) PromoV
※Youtube https://youtube.com/c/CyberElectroSoundsTV
※SoundCloud@ AK47G (Me)
https://soundcloud.com/ces-performer-ami
※ RMX
https://soundcloud.com/thelastgunslinger
※ INCMO Records
https://soundcloud.com/agroup-incmo-records more your Search plz<3
先に旅立った親友が好きだった曲を中心に作りました
Memorial album dedicated to Motonao
1,I CRY FOR YOU/SHY ROSE
2,(YOU'RE)MY LOVE(YOU'RE)MY LIFE/PATTY RYAN
3,IT'S A SIN/PET SHOP BOYS
4,SUBURBIA/PET SHOP BOYS
5,ALWAYS ON MY MIND/PET SHOP BOYS
6,LIKE A BURNING STAR/JESSICA
7,GIVE ME UP/MICHAEL FORTUNATI
8,SAME/SOPHIE
9,CHILDREN OF THE SKY/GIORGIA MORANDI
10,TOGETHER FOREVER/RICK ASTLEY
11,TURN IT INTO LOVE/HAZELL DEAN
12,MONKEY MONKEY/FLO ASTAIRE
13,BABY,DON'T YOU BREAK(MY HEART)/ARGENTINA
14,TOKIO TOWN/SARHA
15,LOOKING FOR LOVE/TOM HOOKER
16,HARLEM DESIRE/LONDON BOYS
17,PLAY BOY/DAVID LYME
18,ONE NIGHT/TOMMY
19,EXTRA/MECCANO
20,I WAS MADE FOR LOVIN' YOU/THE NASTY BOYS
21,DANCE YOUR LOVE AWAY/MICHAEL PRINCE
22,PISTOL IN MY POCKET/LANA PELLAY
23,BOOM BOOM/PAUL LEKAKIS
24,MEET MY FRIEND/EDDY HUNTINGTON
25,MEDLEY~DJ HIT THAT BUTTON/DEAD OR ALIVE
26,DANCE DANCE DANCE/LONDON BOYS
27,DANCE WITH ME/ALPHAVILL
28,HEAVEN/BRYAN ADAMS
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GK編集部Kindle作品リスト☆⇒ http://www.amazon.co.jp/-/e/B00C3DSEDW
ANDREA Instagram❤ https://instagram.com/andrea_happyjoy/
❤3D ANDREA Twinkle&Dance&Figure Skate❤動くスタンプ❤ http://line.me/S/sticker/1290122
❤LINE ANDREA Sticker❤LINEスタンプ❤ http://line.me/S/shop/sticker/author/640
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3D RACHEL❤ https://store.line.me/themeshop/product/085a25af-c2d2-41c3-a20f-cb278fd26207
3D KING❤ https://store.line.me/themeshop/product/3400b420-d1b6-464e-a8c9-76c24c4f8a58
『アンドレア』&童話&小説☆小川大翔⇒ http://www.amazon.co.jp/-/e/B009Z3THMK
GK編集部Kindle作品リスト☆⇒ http://www.amazon.co.jp/-/e/B00C3DSEDW
ANDREA Instagram❤ https://instagram.com/andrea_happyjoy/
Steps Ahead - Music is so Wonderful June 18th, 1995 - Now w/Marty as MC Opening sequence Bounce to the Beat Tootsee Roll The House is Rockin Walk the Dinosaur Louies Tune(Music from Monte Carlo I brought back with me - Named it after Grandpa Louie) I Just Can’t Wait to be King Kiss the Girl Let the Beat Control Your Body Stagger Lee Rock with the Cave Man Turn the Beat Around Jingo Rock Step t the Rhythm I Wanna Be Like You Monte Carlo Stomp Toon Medley Cho Cho Cha Boogie Babe We’re Gonna Love Tonight Faculty - The Mask! The (3 class) Can Can - No, Not the “Can, Can Can" Act Two LionSleeps Tonight - Remix Jump, Jive, n Wail Burning Like Fire Doop I’ve Got No Strings Cotton Eye Joe Movin On Up Itty Bitty Pretty One Get Up Off Your Feet Straight Up Mickey Mouse Remix Dancin w/the Mouse Faculty - James Bond Baby Likes to Rock It Got the Flava Another Day with You What’s Up La Cuca Marcha Bop Sho Wada Wada Tarentella Fathers Day Dance Con Fi’Gon Awards, Intros, Finale #’s
I love the beat and swing feel to Texas Swing music. I am playing extremely modern solo ideas nothing like the traditional style. I hope you enjoy my video Texas Swing Guitar Solo. The real Texas Swing originated in the late 1020s in the west and the south and made a ton of Western String Swing Bands. It is so uplifting you just want to dance to the swing. This music has a gypsy influence and it caught on with the Americans in Texas, Oklahoma, and California,virtually everywhere today you can hear traditional and modern Texas Swing feel music. It filled dance halls for over 20 years 1930’s and 40s and it unfortunately declined in 1944 because of federal war time nightclub taxes. There are some great modern players that influence me like Matt Glaser String Fiddle in the swing style and also the Texas Gypsy’s. http://www.texasgypsies.com/thankyou.html. Please check them out here is the URL. I also like Doyle Dykes, Bob Wills, Ricardo Tamez, and many more. My name is Rick Washbrook guitar lessons in Newmarket York Region Ontario Canada. www.washbrookmusic.com I used a Less Paul guitar and a ART MP mic preamp,and a Marshall amp on clean. I also used the old Dyna Comp MXR pedal compressor.
Hello!I am Schun-chee,Japanese singer song writter.
I want to be an artist who can heal the spirits.
I hope you will enjoy my music.
The theme of this song is oneness.
There is no border on anything.
Gaia is the name of the earth.
So to speak,The earth is living,thinking,talking and dancing...etc
I made this song in the morning of the newyear's day.
So I looked at TV Japanese EKIDEN Race.
TASUKI is a Baton which connects bonds of the heart.
I Looked at the Truck,and I thought that looked like a Cosmos.And I thought Stars are like runners of the universe.
Gaia is a great runner of the Universe.
I am glad if you sympathize with me.
Thank you!
Your cosmic friend's Schun-chee
http://schunchee.blog.fc2.com/
“Gaia slow dance”
Lyric,Arrange,Sing and Song written by Schun-chee
Packeged in album"CARAT"
NOW ON SALE at Amazon
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Grab some popcorn, this epic three hour collection of ancient Counter-Strike flashmovies will bring you back to the dark ages of the internet. This is a collection of old Counter-Strike flashes from the year 2000-2003. The flashes were taken from several sites, such as CStoons, CSnation, CScentral, CSbanana and Newgrounds (Don't hate me, Tom Fulp). Making this compilation together with my own animations took me about 1 1/2 weeks of non-stop work. I take no credit for any of the flashes inside the collection. The only things I created myself were: Intro, Outro, Credits and a new explosion. The other stuff I did though was massive editing, resyncing of sound and converting. See below for additional info. I made some modifications to the following parts: -RzE introduction video: I added music to this flash, as it had no sound what so ever. -Casino scene: I added new sound effects to the CT part, as it had almost no sound. -Counter-Tom: Cut the super-annoying, overly long shooting sequence down to a minimum. -The "Live Well" flash had a convertion problem, I tried to fix it but it's much slower than it should be. (EDIT: This flash is broken, it's completely black. Probably another video conversion problem) -I added a new handmade explosion effect for RzE's dance. (It was previously a flashbang effect, eventhough the grenade said HE on it) -RzE Jeepathon2k: I replaced the hamster dance music at the end of the flash with a new sound that fits the situation better. -CS school: Added coughing in one part to the almost silent flash. -CS punchout: Added an old computer (ATARI ST) loading sound.
Miami-based dance pop artist Darre Ockert recently released the music video for "You Don't Know Me", the first single right off of his upcoming album, Short Story Long.The single itself, which features an infectious melody and danceable beats, is decorated with twinkling loops, poppy synths. Ockert's voice helps bring out the single's positive message, encouraging everybody to be themselves. The single accompanies the #YouDontKnowMe project, in which Ockert invites everybody who at some point felt prejudiced because of their appearance to post and share video diaries. He hope to combat stereotypes and lead to understanding with this project.
UK Based jazz-pop duo Miss 600 recently released their new video, "Dance With You". Nothing but listening with your own two ears will do this song justice. The beat is an up tempo cut that has plenty of spunk, passion and a powerhouse vocal performance from Miss 600, which includes singer-songwriter Hannah Garner and multi-instrumentalist David Amar. This is feel good music at its best! In many ways, Garner's vocal style reminds me of Beyonce, and yet it remains extraordinarily unique. This lady doesn't fit into anyone's shadow or mold. The music has a full orchestra sound, with horns and an arrangement that just doesn't quit! Amar also shows his prowess, flexing his musical muscles, and believe me, he's much more Superman in that respect than he is Clark Kent. You just can't listen to this without it impacting your mood. The duo is on a supersonic flight to stardom, and as a reviewer, I have to say that "this is a pair of artists to keep your eye on." Whether you've ever heard of them before or not, you will without a doubt find them on your radar, probably sooner than later. One can tell easily that they enjoy what they're doing, and when you have that along with the cohesiveness and brilliance the team exudes, along with raw talent and songs that transport and allow you to feel like you're at a show instead of just listening to a record, that's a winning combination. http://www.miss600.com
曲:Kotoko "Agony"
以下、動画作成者Sayde氏のコメント(一部):
In the words of Takefuji."Dance pwns angst."
This amv is the result of me simply wanting to watch some of the new Crisis Core: FFVII footage to a j-pop song. Other than the footage used, there's not much originality to find here. As far as digital effects go, I decided to keep things simple this time. The fast paced action really did a lot of the work for me. Special effects would've just been overkill IMO. My only regret is that I wish I could've worked with the beats a little more than I did. But I couldn't for the life of me figure out an effective way to use the beats that wouldn't have resulted in the butchering of my video. I guess one could say, this song was beyond my skill level. lol
D-R-U-N-K @ Herr Zimmerman Stage @ Dance Valley Festival (NL) 04-08-2012 http://www.D-R-U-N-K.com Soundtrack: "I Dont Need To Sleep" by D-R-U-N-K with MARSEILLE "Ghetto" by D-R-U-N-K Buy D-R-U-N-K tracks: http://www.amazon.com/D-R-U-N-K/e/B008N23R5W D-R-U-N-K @ Dance Valley DJ mix: http://www.mixcloud.com/D_R_U_N_K/d-r-u-n-k-valley-aug-2012/ Bookings: Mario Martinez: info@HerrZimmerman.eu Tel 0031 6 136 538 3 Video produced by Daniël Martens danielmartens(at)me.com D-R-U-N-K on Soundcloud https://www.facebook.com/pages/D-R-U-N-K/300919526592322 D-R-U-N-K on Twitter http://twitter.com/d_r_u_n_k_ D-R-U-N-K on Soundcloud http://soundcloud.com/d-r-u-n-k