As Ian Levine once said:
The first pioneering record of the whole High Energy scene. Made after four years where I couldn't make a single recording simply because everyone said Disco was dead. Two million sales of this record proved them all wrong. But despite it being number one pop in France and Mexico, and number one in the US on Billboard's dance chart, it never even charted in England, despite selling fifty thousand copies here. Things have certainly changed since then.
Miquel came from Detroit, lived in England, had a small 1970s disco hit called "Symphony Of Love", and was the perfect artist to record my anthem. Her daughter, Sinitta, was Simon Cowell's first ever hit artist.
As Ian Levine wrote:
My first record to cross over in America. Barbara had first signed to Island but our two releases didn't take off like Evelyn Thomas and L.J. Johnson's did, and I was determined to give her a showcase record for her talent. "Twenty Four Hours A Day" started off breaking on the Northern Soul scene, and resulted in Richard Searling being forbidden to play it any more at Wigan. But my mentor Martin Davis signed it to United Artists, and it came out in America and topped the US Disco Charts in Billboard in 1977 for a staggering seven weeks, and people today still tell me it was one of the biggest and most beloved records of the entire Disco era.
The medical establishment and the government must now act, as they have done with female genital mutilation, to protect boys from medically unnecessary religious and cultural genital cutting.
A huge number of women CAN be convinced to not cut their sons and some can even become intactivists. The modern intactivist movement was started by a woman (Marilyn Milos). For every dumb pro-circ woman who won't listen, there's a "I'm circumcised and fine, I'll cut my son too to make him like me!" moron dude.
BIRTHDAY SURPRISE!!! Aubriel Dinga, a Las Vegas mom, was driving around on her birthday last night, not knowing that Bloodstained Men had a billboard on Las Vegas Blvd. Here's her story!
"BEST BIRTHDAY PRESENT! I knew it existed but didn’t even know its location and happened to drive by on my birthday because it’s in a very busy area and it was the best bday present I could ask for. After so many years of activism and watching awareness grow for this cause it felt amazing to see the huge billboard, almost brought me to tears, thinking of how many people this message can now reach!!"
Blood stained men has an ambitious schedule for 2022 beginning with the billboard pres conference in Las Vegas on February 25, join if you can all welcome!
John & Jennifer Adkison of Ventura, California at the Las Vegas billboard, January 22, 2022. The billboard will be there at the intersection of S. Las Vegas Blvd & Hidden Well Rd through March 22. Join Bloodstained Men for their press conference at the billboard on February 25, kicking off the 20-day Southwest Circumcision Crisis Protests, all welcome! Thank you ALL DONORS who made this billboard happen!
"Dance Yourself Dizzy" is a 1979 song by Liquid Gold taken from their self-titled album. It was the band's biggest hit in the UK, peaking at number two and being certified silver for sales of 250,000.
Recording
Some of the members of Liquid Gold did not have great belief in the song, such as Syd Twynham; however, lead singer Ellie Hope was more hopeful for its success. Syd Twynham recalled, "We didn't think it really going to happen but we were playing a residency at Caesar's Palace in Luton and the song came on and everyone was dancing so we were really surprised when it took off the way it did".
Reception
Barry Lederer in Billboard was positive: "As with the first hit, this new release is, equally, energetic, uplifting and a step forward for the group."[3]
MYTH: A boy should look like his circumcised father or friends.
FACT: There is no evidence of harm when a boy does not “match” his father, brothers, or peers. Differences are easily explained. A child’s emotional well-being is best supported through good parenting, not cosmetic surgery. Many families with circumcised fathers or older brothers are choosing to keep younger sons whole, without any problems whatsoever.
"Long, Long Time" is a song written by Gary White.[1] The song was a hit for Linda Ronstadt in 1970.
Linda Ronstadt version
In 1970, Linda Ronstadt released the song as a single and on the album Silk Purse.[1] The single spent 12 weeks on the Billboard Hot 100 chart, peaking at No. 25,[2] while reaching No. 15 on Canada's "RPM 100",[3] No. 8 on Canada's CHUM 30 chart,[4] and No. 20 on Billboard's Easy Listening chart.[5][6]
In 1971, Linda Ronstadt was nominated for a Grammy Award for Best Contemporary Female Vocal Performance for her rendition of "Long, Long Time".[7]
Other versions
In 1976, Larry Santos released a cover of the song, which reached No. 38 on Billboard's Easy Listening chart[9][10] and No. 109 on Billboard's "Bubbling Under the Hot 100".[11]
In 1998, Canadian singer/songwriter Alannah Myles covered the song for her compilation album The Very Best Of Alannah Myles.[12]
"This Is the Right Time" is a song recorded by British pop singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Coldcut. The song received favorable reviews from music critics.
Release
"This Is the Right Time" was released as the first European single on 31 July 1989. It included "Affection," "Big Thing" (recorded by Stansfield's 80s band Blue Zone) and remixes created by David Dorrell, CJ Mackintosh, Paul Witts and Eddie Gordon. The music video was directed by Big TV!. One year later, on 30 July 1990, "This Is the Right Time" was issued as the third North American single. It included previously unreleased track, "My Apple Heart" and new remixes created by Shep Pettibone and Yvonne Turner. The second music video for the North American market was directed by Jimmy Fletcher. In September 1990, just before Stansfield's European tour, the double A-side single "This Is the Right Time"/"You Can't Deny It" with new US remixes was released in selected European countries. In Japan, "This Is the Right Time" was released as a single on 3 October 1990.
The song was commercially successful reaching number twelve in Canada, number thirteen in the United Kingdom, number seventeen in Germany, number twenty in Austria and number twenty-four in Italy. In the United States, it peaked at number twenty-one on the Billboard Hot 100, number one on the Hot Dance Club Songs and number thirteen on the Hot R&B/Hip-Hop Songs.
In 2003, it was included on Biography: The Greatest Hits. In 2014, the remixes of "This Is the Right Time" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology (also on The Collection 1989–2003).
Critical reception
Music & Media described the song as a "Commercial 70s sounding disco single convincingly produced by Coldcut."[1]
The Gavin Report wrote: "The Jazz/Soul flavoring in her brand of Pop gives the music a distinctive sound polished off by the stunning vocal talent of this singer/songwriter. With songs this hot, Lisa and her partners Ian Devaney and Andy Morris should be getting lots of time—make that air time in the years ahead."[2]
Network 40 wrote: "This latest single from her Rolling Stone four-star rated LP maintains Stansfield's stunning soul licks while adding more tempo and house sounds than any of her previously released tracks. A great all-demo track that picks up where "All Around The World" left off, then digs a little deeper."[3]
I'm Not in Love:
"I'm Not in Love" is a song by English group 10cc, written by band members Eric Stewart and Graham Gouldman. It is known for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK singles chart for two weeks. The song was also the band's breakthrough hit worldwide, reaching number one in Ireland and Canada and number two on the Billboard Hot 100 in the US, as well as reaching the top 10 in Australia, New Zealand and several European countries.
Angel Dusted:
Co-starring Patrick Cassidy, a young Helen Hunt and Jean Stapleton's real-life son Putch in a terrific lead performance, Angel Dusted features an early score by award-winning composer James Horner. Based on the book by Ursula Etons, the film was adapted by Darlene Craviotto, who also plays the boy's psychiatrist.
Betty Wright (born December 21, 1953),[2] is an American soul and R&B singer and songwriter, who rose to fame in the 1970s with hits such as "Clean Up Woman" and "Tonight is the Night".
About a year later, Wright released her signature song, "Clean Up Woman", written by Clarence Reid and Willie Clarke when she was 17. The record reached number two on the R&B charts, where it stayed for eight weeks. It crossed over to the pop charts, peaking at number six and staying on the Billboard Hot 100 for 14 weeks.[2] It eventually sold over a million copies and was certified gold on December 30, 1971,[2] nine days after the singer turned 18.
Playlist:
I'll Love You Forever (1971)
Tonight Is The Night (1974)
Clean Up Woman (1971)
This is my vocal range video for the best queen of pop and disco from Canada the World has ever seen : Miss France Joli
Voice Type: Mezzo-soprano
Vocal Range: E3? - Bb5
Low Register: E3? - A3
Highest note: Bb5 ("Come To Me" and "The Heart to Break the Heart")
France Joli ([ˈfʁɑnʒɔˈli] born February 2, 1963) is a Canadian singer, best known for the disco classics "Come to Me" and "Gonna Get Over You".
Teen stardom
Born France Joly in Montreal, Quebec, Joli grew up in Dorion. Her father was a hardware merchant and her mother was a teacher.
As early as age four, Joli was performing for relatives lip-syncing to Barbra Streisand records while handling a skipping rope like a microphone; she had appeared on television by age six. At age 11, Joli left the public school system (her mother tutored her) to concentrate on her performing career appearing regularly in television commercials and talent shows. A mutual acquaintance suggested Joli meet up with musician Tony Green who Joli approached backstage after he'd given a concert, Joli inviting Green to be her record producer. Green didn't take the 13-year-old Joli seriously: he'd recall: "To get rid of her I [told] her to keep in touch." According to one source Joli eventually visited Green's home to sing for him; it's also reported that Green first heard Joli sing from the audience of an "end of school year show" in which she performed in the fall of 1978. Both accounts concur that Green first heard Joli singing along with a Streisand record. Green had written the song "Come to Me" for Joli by the next day.
When the producer Green originally commissioned to record Joli indicated a desire to develop Joli as a Francophone singer, Green himself took over production duties for Joli. The tracks Joli cut with Green were picked up by Prelude and released on April 17, 1979 as the album France Joli: the track "Come to Me" received a boost when Joli performed it as a last-minute replacement for Donna Summer at a concert held on Fire Island on July 7, 1979 before an estimated audience of five thousand.
"Come to Me" began a three-week reign atop the Billboard Hot Dance Club Play on 22 September 1979 and the France Joli album rose to #26. On the Billboard Hot 100 "Come to Me" peaked at #15 November 17, 1979, the same week that Donna Summer peaked at #2 with "Dim All the Lights".
Joli made her network television debut on 26 October 1979 broadcast of The Midnight Special and she co-hosted the 7 December episode. Her other TV credits included episodes of the talk shows of Mike Douglas, Merv Griffin and Dinah Shore and also a Bob Hope special.
1980 saw the release of Joli's second album Tonight with the ballad "This Time (I'm Giving All I've Got)" released as a single bubbling under for two weeks pk #103: this attempt to curry favor in the mainstream market was unsuccessful with Joli receiving support only in the dance club market where the tracks "The Heart to Break the Heart" and "Feel Like Dancing" achieved a joint position of #3: Tonight was ranked on the Billboard album chart at #175.
In 1981 Joli's third album Now – produced by Ray Reid and William Anderson from Crown Heights Affair rather than Tony Green1 – failed to generate even a low chart placing, success apparent only in another dance club smash with the track "Gonna Get Over You", which went to number two for two weeks on the American dance charts.[1] However Joli, as evidenced by her opening for the Commodores during their American tour of 1981, was still viewed as having star potential: she departed the dance music-oriented Prelude label for mainstream music giant Epic.
1The track: "Your Good Lovin'" was arranged and produced by Prelude regulars Eric Matthew and Darryl Payne.
2"Gonna Get Over You" reached #43 on the French Pop charts [1]
"Come to Me" is a #1 disco hit from 1979 performed by France Joli, who had recorded it at the age of fifteen with producer, Tony Green, who composed the song and briefly sings on it. The track also features the famed Philadelphia session vocalists, The Sweethearts of Sigma Sound. The song was introduced on the album France Joli, which was released in the US on 17 April 1979 on Prelude, and rose to #26. "Come to Me" received a major boost on 7 July when Joli performed it as a last minute replacement for Donna Summer at a concert held on Fire Island, whose estimated audience numbered 5,000.[citation needed] "Come to Me" began a three-week reign atop the Billboard Hot Dance Club Play chart on 22 September 1979.[1] "Come to Me" peaked at #15 on the Hot 100 and at #36 on the R&B chart.[2]
Cindy Bullens (born March 21, 1955 - female gender died as Cindy Bullens in 2011 from surgery and transition) was an American singer-songwriter who grew up in Massachusetts. Bullens released two albums in the late 1970s on United Artists and Casablanca and another in 1989.[1]
Bullens' 1978 debut album, Desire Wire (Cindy Bullens album) is described flatly by William Ruhlmann for Allmusic as: "One of the great lost rock albums of the 1970s, Bullens' debut release is full of tough, passionate, incredibly catchy rock & roll played to the hilt and sung with fire".[2] These early albums anticipated later work by a host of 1980s female and female-identified rock artists, from Pat Benatar, to Blondie, to the Go-Go's, to Headpins.
In 1974, Bullens performed background vocals on Gene Clark's album No Other and as one of the Sex-O-Lettes on the debut album by Disco-Tex and the Sex-O-Lettes.
Bullens also served as a backup vocalist on Rod Stewart's Atlantic Crossing and with Elton John on three major tours, as well as his album Blue Moves and his hit with Kiki Dee, "Don't Go Breaking My Heart" (both released in 1976).
Bullens provided vocals on three songs ("It's Raining on Prom Night," "Mooning," and "Freddy, My Love") on the soundtrack of the 1977 feature film, Grease. The album release Grease was nominated for the 1979 Grammy Award for "Album of the Year".
In 1980, she earned another Grammy nomination (as "best female rock singer") for her single "Survivor".
In January 1980, Bullens hit the Billboard Hot 100 with the song "Trust Me." It peaked at #90.[3]
Vocal type: Regular Soprano (1974 - 1989)
Lowest Note: G3 ("Steal the Night")
Highest Note: G5 (Background: "Get Dancing")
Vocal Range: 2 octaves
Uprising is a 1980 christian reggae album by Bob Marley and the Wailers. Marley died the following year, and Uprising was the final studio album released during his lifetime. This album is one of Marley's most directly religious, with nearly every song addressing his Rastafarian beliefs, culminating in the acoustic recording of "Redemption Song".
Uprising peaked at #41 on Billboard's (North America) Black Albums chart, and #45 on the Pop Albums chart. "Could You Be Loved" was #6 and #56 respectively on the Club Play Singles and Black Singles charts. The album fared better in the UK where it was a top ten hit along with the single "Could You Be Loved" which reached number 5 in the UK singles charts.
Track listing
Original album (1980)
All tracks written by Bob Marley.
Side one
1. "Coming in from the Cold" 4:30
2. "Real Situation" 3:08
3. "Bad Card" 2:50
4. "We and Them" 3:12
5. "Work" 3:41
Side two
6. "Zion Train" 3:36
7. "Pimper's Paradise" 3:27
8. "Could You Be Loved" 3:57
9. "Forever Loving Jah" 3:52
10. "Redemption Song" 3:47
Musicians:
Bob Marley – lead vocal, rhythm guitar, acoustic guitar
Aston Barrett – bass, piano, guitar, percussion
Carlton Barrett – drums, percussion
Carlton Davis - drums
Tyrone Downie, Earl Lindo – keyboards
Alvin Patterson – percussion
Al Anderson, Junior Marvin – lead guitar
I Threes (Rita Marley, Marcia Griffiths and Judy Mowatt), Tyrone Downie & Junior Marvin – united-in-song family-oriented backing vocals
Technical personnel:
Bob Marley and the Wailers - Producers
Chris Blackwell - Executive producer
Errol Brown – engineer, mixing engineer
the Wailers and Michael Rees - mixed
Chiao Ng – assistant engineer
Ted Jensen - mastering engineer
Neville Garrick – art direction
Adrian Boot – photo
Karen Grassle:
Karen Trust Grassle (born February 25, 1942) is an American actress, known for her role as Caroline Ingalls, the wife of Michael Landon's character and the mother of Melissa Sue Anderson’s and Melissa Gilbert's character, in the NBC television drama series Little House on the Prairie.[1]
Cry:
"Cry" is a song released by the English music duo Godley & Creme on 11 March 1985. It was included on the duo's album The History Mix Volume 1.
The song reached number 16 on the Billboard Hot 100 chart, becoming Godley & Creme's lone Top 40 hit in the US apart from their former band, 10cc. It reached No. 19 on the UK Singles Chart. The duo also directed the song's music video, which featured faces blended into each other using dissolving and wiping effects.
"People in Love" is a song by British band 10cc, released as a single in 1977. It appears on the album Deceptive Bends and was the group's third and final single from the album. The song reached No. 40 on the Billboard Hot 100,[1] No. 74 in Australia and No. 90 in Canada.
Uprising is a 1980 reggae album by Bob Marley and the Wailers. Marley died the following year, and Uprising was the final studio album released during his lifetime. This album is one of Marley's most directly religious, with nearly every song addressing his Rastafarian beliefs, culminating in the acoustic recording of "Redemption Song".
Uprising peaked at #41 on Billboard's (North America) Black Albums chart, and #45 on the Pop Albums chart. "Could You Be Loved" was #6 and #56 respectively on the Club Play Singles and Black Singles charts. The album fared better in the UK where it was a top ten hit along with the single "Could You Be Loved" which reached number 5 in the UK singles charts.
Track listing
Original album (1980)
All tracks written by Bob Marley.
Side one
1. "Coming in from the Cold" 4:30
2. "Real Situation" 3:08
3. "Bad Card" 2:50
4. "We and Them" 3:12
5. "Work" 3:41
Side two
6. "Zion Train" 3:36
7. "Pimper's Paradise" 3:27
8. "Could You Be Loved" 3:57
9. "Forever Loving Jah" 3:52
10. "Redemption Song" 3:47
Musicians:
Bob Marley – lead vocal, rhythm guitar, acoustic guitar
Aston Barrett – bass, piano, guitar, percussion
Carlton Barrett – drums, percussion
Carlton Davis - drums
Tyrone Downie – keyboards, backing vocal
Alvin Patterson – percussion
Junior Marvin – lead guitar, backing vocal
Earl Lindo – keyboards
Al Anderson – lead guitar
I Threes (Rita Marley, Marcia Griffiths and Judy Mowatt) – backing vocals
Technical personnel:
Bob Marley and the Wailers - Producers
Chris Blackwell - Executive producer
Errol Brown – engineer, mixing engineer
the Wailers and Michael Rees - mixed
Chiao Ng – assistant engineer
Ted Jensen - mastering engineer
Neville Garrick – art direction
Adrian Boot – photo
"People in Love" is a song by British band 10cc, released as a single in 1977. It appears on the album Deceptive Bends and was the group's third and final single from the album. The song reached No. 40 on the Billboard Hot 100,[1] No. 74 in Australia and No. 90 in Canada.
"Breakout" is a single from British act Swing Out Sister's debut album It's Better to Travel.
The single reached the number four position in the UK in the autumn of 1986, and rose to number six on the Billboard Hot 100 in the US and number one on the Adult Contemporary in the US in 1987. The song also resulted in a Grammy Award nomination for Best Pop Vocal Performance by a Duo or Group.
The single was written and performed while the group was still a trio. It was one of their biggest hits, and the song most closely associated with the act. In the US, "Breakout" remains a staple of adult contemporary and smooth jazz radio station playlists.
"I'm Not in Love" is a song by English group 10cc, written by band members Eric Stewart and Graham Gouldman. It is notable for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK singles chart for two weeks. The song was also the band's breakthrough hit worldwide, reaching number one in Ireland and Canada and number two on the Billboard Hot 100 in the US, as well as reaching the top ten in Australia, New Zealand and several European countries.
"I'm Not in Love" is a song by English group 10cc, written by band members Eric Stewart and Graham Gouldman. It is notable for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK singles chart for two weeks. The song was also the band's breakthrough hit worldwide, reaching number one in Ireland and Canada and number two on the Billboard Hot 100 in the US, as well as reaching the top ten in Australia, New Zealand and several European countries.
“Never2Late” is an easy listening yet upbeat pop song that displays Margo’s signature melodic flair and vocals. Following her last releases, “Colours” and “Tempted,” Margo is not stopping anytime soon to write inspiring songs for her fans and collaborate with talented musicians such as John Oates on this latest release. “Never 2 Late is also the first song that I wrote the music and lyrics with John Oates simultaneously. It was a joyful experience and I'm blessed to call him my friend and songwriting partner. John also honors this recording with his gorgeous Hall and Oates harmonies,” Margo states. “It’s a message that kindness makes everything better because it is human nature to desire kindness and the need to be understood.” This brand new single is the second collaboration with Oates, the first with top 20 Billboard charting “Let The Rain,” which became the theme song for non-profit organization Brides Against Breast Cancer. Margo’s alternative pop songs have captured a worldwide audience with her unforgettable melodies, groove oriented arrangements and enduring, socially conscious lyrics that always blend a variety of organic sounds with every bit of emotion. The Indie Music Digest says, “Her musical/vocal style is cut from the cloth of Celine Dion, Bonnie Raitt and Shania Twain.”
Muscle Car Of The Week Facebook Page: https://www.facebook.com/pages/Muscle-Car-Of-The-Week/155673761263376
There are many "one of one" cars in the Brothers Collection, cars that may be the only on made with specific options, engine, or color. This episode features one of the more significant 1/1 cars in the Collection.. a 1971 Plymouth 'Cuda 440 6-Pack Convertible! Plymouth only made 17 440 'Cuda convertibles in '71, 12 were automatics, and this is the only one in color code Y9 Tawny Gold. This car is also unique in that it is one of only 2 wit ht the optional Shaker hood and Billboard stripes on the quarters. It is a fully documented original car certified by Mopar expert Galen Govier, and it is regarded as the highest-optioned 'Cuda convertible built. Truly a unique car!
They made chart history. In honor of the 55th anniversary of its creation on August 4th, http://www.WatchMojo.com counts down our picks for the top 10 Billboard Hot 100 records.
Back from the big screen, ETCETERA has resurfaced with the re-release of his single “Yesterday feat Adam Shenk Hip Hop luminary ETCETERA has impressively returned tailgating the success of his first executively produced film soundtrack album entitled “Black Heart The Soundtrack”. Brooklyn’s own Boy Wonder has rolled right back to what made him one of the most successful artist in his genre. With the help of UMG/Republic Marketing and Distribution this heartfelt, reality released single Yesterday featuring up and coming pop sensation Adam Shenk did not get a chance to stretch its ability on its original release due to multiple conflicts of interest and label disputes but that is all in the past and now…. “Yesterday” has been embraced by radio stations across the country. BROOKLYN, NY – Now the home of the Brooklyn Nets has yet again forced the reinvented another child and has made given this native more reason to bring notice to the place that birth his sort after talent. The new rhythmic pop single labeled by Billboard explains the emotional struggles that Shawn “Etcetera” McClain had to face making his way to the stage. From writing rhymes in the night time to being at the awards sitting one seat from Usher. This song is definitely inspiring for those up and coming and current recording artist and DJ’s that don’t feel that they fit into any of the categories listed. The single is currently be played by club DJ's and received significant rotation on a majority of satellite and internet radio stations. Yesterday depicts a flashback of how one young man took adversity, bullying and a host of negatives and turned it into a positive picture. Single: Yesterday feat. Adam Shenk – Radio Impact date: June 2, 2013. Available Now on all digital outlets and also on Amazon on Demand Video: Yesterday feat. Adam Shenk – Impact date June 11, 2013 – Locations: Fuse, Vimeo, VEVO, VH1, MTV 2, Much Music, Music Choice, Youtube, MTV and more For more on ETCETERA visit www.iametcetera.com
Shauna Case, the teenage actress known for her role on Cartoon Network’s Incredible Crew, has just released her first music video for a single from her debut EP. The autobiographical track about a young woman leaving her small town to chase her dreams in the big city, “Some Kind of Fairytale,” was written by Case, Adia Haynie, and Grammy and AMA nominated, Billboard Award-winning producer Eddie Galan (B5, Clique Girlz, Ryan Cabrera, All Star Weekend, Backstreet Boys). “Some Kind of Fairytale” was shot over three days all over southern California. It was directed by Thomas Trail. Hair and Makeup by Klexius Kolby.
Billboard question and comments, a check giving to City Employees for a party and upcoming events comments, Hospital Board of Trustees comment, proposed reduction in pay and benefits on City Employees comment, and Western Regional Consulting Elaine Cullen gives final comments on moving the City of Needles forward comments and good byes during Public Appearance at the Needles City Council Meeting held on Tuesday, November 13th, 2012 in Needles, California.
LINK Facebook: Lincolnbrowder Twitter: @linkmusic69 Superstar Music Group Booking: Rodney Williams (214) 801-5335 Video Produced by itche for n'fectious muse nfectiousmuse@gmail.com Twitter & Instagram: @itche_itch Starring: Mystique Da Stallion, Michael Henry, and Shameka Hayes Make-up by; Tamisha Roberston Lincoln Browder, better known by his stage name Link, is an American R&B singer from Dallas, Texas. Browder sang in gospel choirs as a youngster and in a group in high school. Darrell Allamby recruited him to sing in the R&B group Protege, but the group split up before making any headway. After writing the hit "My Body" for the R&B supergroup LSG, Link was offered his own recording contract with Relativity Records.[1] His 1998 debut album, Sex Down, spawned one Top 40 hit single in the US, "Whatcha Gonna Do?" (#23 Billboard Hot 100, #15 US Billboard R&B).[2] The track peaked at #48 in the UK Singles Chart in November 1998.[3] In addition a second charting hit was issued, "I Don't Wanna See", which reached #43 on the US R&B chart and #25 on the Hot Singles Sales chart. Link also wrote songs for Silk, Kut Klose, and for Gerald Levert and Johnny Gill's solo albums.
Not that it’s any big surprise but, as of Sept. 6, it’s official: Carly Rae Jepsen’s “Call Me Maybe” is the song of the summer of 2012. Billboard tracked overall performances on the Hot 100 since June 9, and the infectious pop song landed at No. 1
Titanium Spanish Version by Multi-platinum Billboard award winner and Grammy nominated artist Alondra. Written: David Guetta - Sia Kate Isobelle Furler - Alondra (Spanish Lyrics) Produced by Tulio Tonelli and Gerardo Alton Ortega. Sony ATV 2012. (Original Video courtesy of EMI France)
Mandisa, (Mandisa Lynn Hundley) a California native, trained in vocal jazz and vocal performance and has a rich velvety, strong singing style. With the talent that she displays there is no way she can be boxed in.
In 2006 Mandisa's road led her from California to the American Idol stage, where she was the ninth-place finalist for the shows fifth season. Her creative flair is heavily influenced by personal experiences on her life's journeys. Her big voice takes off from the stage with grace and humbleness. She has stated her musical influences run the gamut from Whitney Houston to Def Leppard.
Her first single, "Only the World," was released on May 22, 2007. The song had a successful debut on the Billboard Hot Singles Sales chart, which tracks commercial single sales, debuting at number two and reached number one the following week.
Mandisa's first full-length album True Beauty was released on July 31, 2007. The album debuted at number one on the Top Christian Albums charts, making it the first ...