FC2Video

Bahrain’s 54th National Day was marked across the UAE through a coordinated display of red-lit landmarks. This visual tribute reflected the strong bond between the two nations and their shared commitment to unity and cooperation. As buildings and public spaces glowed red, congratulatory messages appeared across cityscapes, turning architecture into a medium of celebration. The display demonstrated how visual elements can convey respect and shared identity without the need for ceremony. The video brings together scenes from across the city, showing how different locations contributed to a unified message. Rather than focusing on scale alone, the film highlights the collective effort behind the tribute. Countdown Media Production Services documented the occasion with a focus on authenticity and clarity. The team aimed to preserve the integrity of the moment while presenting it through thoughtful, cinematic visuals. At Countdown Media Production, visuals are used to tell stories that extend beyond words. This project stands as a record of regional connection, captured through light, space, and careful observation. https://countdownproduction.com/portfolio/bahrain-54th-national-day/ https://www.youtube.com/watch?v=MsRM4UrTsqw

She rises from still waters like a whispered spell, arms wrapped around shadow itself. Gold eyes meet the dark, unblinking—hers and the panther’s—two forces calm, dangerous, and completely aware of their power. Water beads against porcelain skin, black silk clinging like a secret, while the night listens. This isn’t softness asking for permission; it’s trust earned in silence. Beauty, instinct, and darkness moving as one.

ausertimes.blogspot.com/2025/12/dec-7th-2025-i-asked-father-if-he-knows.html Dec 6th, 2025 I asked father if he knows ex police directors Igor Juršič and Janez Ogulin and I also explained him the consequences for lying about the personal knowledge of the two Igor JURŠIČ JANEZ OGULIN, Igor Juršič Janez Ogulin, father, elder, elderly, lying, WhistlinDiesel, Cody Detwiler, Putin,

FTAチューナーサテラ２で無料視聴実験してみました！ 詳しくはサットチャンネルで検索してください。

Edit for headphones. 2nd Chapter Of Acts - beautiful music - two sisters and their brother, Annie, Nelly, Matthew Ward in the good old days... 1976 I think it was. The original release is on their album "Night Light". JESUS WILL BE RIGHT BACK (Annie Herring) ever wanted to be light living water shining bright flying without wings going straight through things ever wanted to be light well Jesus is just like that He'll come in the clouds yes He'll come in a flash Jesus is just like that He'll come in the clouds yes He'll come in a flash doesn't matter who you are when you see a shootin' star you can see the light shinin' through the night doesn't matter who you are well Jesus is comin' like that He'll come in the clouds yes He'll come in a flash Jesus is comin' like that He'll come in the clouds yes He'll come in a flash Jesus is comin' like that He'll come in the clouds yes He'll come in a flash Jesus will be right back He'll come in the clouds yes He'll come in a flash ®© ®© therock&rollingsixties (All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Editt for headphones."2nd Chapter Of Acts" - beautiful music - two sisters and their brother, Annie, Nelly, Matthew Ward in the good old days... 1976 I think it was. The original release is on their album "With Footnotes" EASTER SONG (Annie Herring) hear the bells ringing they're singing that we can be born again hear the bells ringing they're singing Christ is risen from the dead the angel up on the tombstone said He is risen, just as He said quickly now, go tell his disciples that Jesus Christ is no longer dead joy to the world He is risen, hallelujah He's risen, hallelujah He's risen, hallelujah hallelujah hear the bells ringing they're singing that we can be born again hear the bells ringing they're singing Christ is risen from the dead the angel up on the tombstone said He is risen, just as He said quickly now, go tell his disciples that Jesus Christ is no longer dead joy to the world He is risen, hallelujah He's risen, hallelujah He's risen, hallelujah hallelujah hallelujah (All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Demonlumi stands in the heart of a shadow-kissed forest, draped in a flawless black gown that carves her silhouette like living night. Lace sleeves spill around her arms like dark smoke as she holds two ravens with effortless authority, their glossy wings echoing the depth of the twilight sky. Crimson roses bloom defiantly around her, their petals scattered at her feet like drops of forbidden devotion. Her porcelain skin glows against the stormy dusk, and her jet-black hair frames a face both enchanting and untouchable. In this haunting realm of thorns and whispers, Demonlumi reigns with quiet dominance—an elegant sovereign of darkness, mystery, and irresistible power.

In this Countdown Media Production feature, we explore the inspiring journey of two exceptional Egyptian students—Maryam Al-Qadi and Hana Zahri—as they advance through the intense stages of the Arab Reading Challenge 2024, the world’s largest Arabic literacy initiative. Produced with our signature narrative-driven approach, this video highlights the power of storytelling, culture, and academic excellence through the eyes of Egypt’s brightest young readers. The Arab Reading Challenge, organized by Mohammed Bin Rashid Al Maktoum Global Initiatives, has evolved into a global literacy movement that encourages millions of students to embrace reading as a tool for growth and personal transformation. In 2024, the challenge reached unprecedented scale, drawing over 28 million participants from more than 229,000 schools across 50 countries, guided by 154,000 mentors dedicated to supporting young readers. This video not only documents a powerful academic journey but also celebrates the values at the heart of the Arab Reading Challenge: curiosity, perseverance, cultural pride, and the transformative influence of reading. At Countdown Media Production, we specialize in telling meaningful stories like this—stories that inspire, educate, and elevate voices from across the region. As a full-service media agency based in the UAE, our team brings more than a decade of experience in crafting high-quality visual content for brands, institutions, and impact-driven initiatives. With strong creative direction, narrative expertise, and a deep understanding of the regional market, we help clients communicate their stories with authenticity and cinematic excellence. https://countdownproduction.com/

ABOUT AMERICAN OR NATO NUKING OF MOSCOW ETC. ausertimes.blogspot.com/2025/11/about-nuking-moscow-etc-nato-concluded.html NATO concluded that endless Russian assaults on Ukraine will equal to ZERO while PREPARING PLAN to strike Moscow and two other cities with MINI NUKES

ausertimes.blogspot.com/2025/11/mk-ultra-russian-moscow-uk-london.html MK ULTRA RUSSIAN MOSCOW, UK LONDON ROYALS, USA About Russian political death certificates and my being used as a baby British CIA spy I failed to mention about Zhukov that Vladimir Putin who learned about Zhukov favouring me, became totally obsessed with Zhukov and its when/where Russian drunks were introduced into MK Ultra next to man who would continue to pay us visits whenever they had me with them - one of two close to Zhukov officers through whom they continued to molest me likely after real Zhukov was already gone off picture and with 4th person who would continue to check on us(with as stated earlier also what appeared was his daughter - man was dressed up in black and looked like what would be Zhukov doppelgänger) and who continued to disapprove me for not being aligned to his comrades till my 6th grade of grammar school. Its very possible that man who would pay us visits with his daughter was Zhukov's official doppelgänger per state - all politicians have them and are ready if necessary to substitute for limited period/time and this most likely was the case.

ausertimes.blogspot.com/2025/11/mk-ultra-russian-moscow-uk-london.html FINAL TAKE ON DEATH OF RUSSIAN GENERAL GEORGY ZHUKOV'S 1974 SUMMARISED I failed to mention about Zhukov that Vladimir Putin who learned about Zhukov favouring me, became totally obsessed with Zhukov and its when/where Russian drunks were introduced into MK Ultra next to man who would continue to pay us visits whenever they had me with them - one of two close to Zhukov officers through whom they continued to molest me likely after real Zhukov was already gone off picture and with 4th person who would continue to check on us(with as stated earlier also what appeared was his daughter - man was dressed up in black and looked like what would be Zhukov doppelgänger) and who continued to disapprove me for not being aligned to his comrades till my 6th grade of grammar school. Its very possible that man who would pay us visits with his daughter was Zhukov's official doppelgänger per state - all politicians have them and are ready if necessary to substitute for limited period/time and this most likely was the case.

FTAチューナーサテラ２で無料視聴実験してみました！ 詳しくは「サットチャンネル」で検索してくださいね。 124/128です。

FTAチューナーサテラ２で無料視聴実験してみました！ 詳しくは「サットチャンネル」で検索してくださいね。 124/128です。

扭計色｛魔術方塊｝一分鐘：三面花樣3：大蟒蛇3：角粒3：上下兩角，借粒轉便 Rubik's Cube for a Minute: Trihedral Patterns 3: Anaconda 3: Corner Cubies 3: Borrow one cubie to twist two corners, top and bottom 我們現在要繼續做倒數第二［尾二］這個樣。 白色這面［便］，四顆［粒］角塊［角粒］，三顆回家了之後， 現在剩下這兩顆（左後上、右下前）。 這顆（左後上），四次回來上面［翻上嚟］， 黃色這顆的（右下前），兩次回去下面［翻落去］。借這顆（上右前； 見《邊粒先2：角粒2：首層3：上下兩粒，借粒轉便》）。 一次（訣(Q)）。（左後上）過來（上反二(U'2)）， 兩次、三次、四次、五次（訣四(Q4)）， 回去（上左後回家：上二(U2)）。六次（訣(Q)）。 現在，這四顆（上層）角塊［角粒］都回家了［嘞］。 再［埋］加上黃色的這一顆（下前右），也［埋］都回家了。 下一段短片繼續。

You can feel it within seconds — NAnews https://nikk.agency/en/ doesn’t sound like any other source of news from Israel. It speaks slower. It breathes between sentences. It invites you to listen, not to scroll. This isn’t another media outlet screaming headlines across the web. It’s a living archive of stories that travel from Haifa to Kyiv, from Jerusalem to Paris, from Tel Aviv to Odesa — and back again. The heart of Haifa, the rhythm of Ukraine Founded by journalists who understand what it means to live between identities, NAnews was born out of necessity — not ambition. In a world where information moves faster than empathy, this project decided to slow down and bring humanity back into the newsroom. The editors describe their mission simply: “We publish voices that would otherwise remain unheard.” That’s why reading NAnews feels more like conversation than consumption. A new language of connection Five languages, one emotion — that’s how the site breathes. Each story begins in one tongue and finds a new meaning in another. Hebrew brings intensity, Ukrainian brings memory, English brings reach. Even the French edition adds an echo of calm, grounding the global community around Israel and Ukraine. And then there’s Middle East https://nikk.agency/en/middle-east-en/ — a section that ties local stories to regional realities. From Haifa’s multicultural neighborhoods to Amman’s innovation hubs, it gives readers the kind of balanced Middle Eastern perspective that’s almost impossible to find elsewhere. This is journalism that remembers its geography — and its soul. What makes it different While most media chase algorithms, NAnews builds trust. There’s no corporate owner, no political pressure, no hidden sponsor. Every article feels handcrafted — written for people, not for metrics. It’s what independent news from Israel looks like when it’s made by people who care more about truth than traffic. The Russian version https://nikk.agency/ keeps the tenderness of repatriate memory. The Hebrew edition captures the humor and grit of Israeli daily life. English, meanwhile, serves as a bridge to the world — giving readers a Haifa-born view of global realities. Haifa as metaphor There’s a reason this newsroom lives in Haifa, not Tel Aviv. Haifa isn’t the city of power — it’s the city of coexistence. You can hear Arabic prayers next to French radio, and see Ukrainian flags fluttering beside old synagogues. It’s the perfect symbol for NAnews: a mosaic that never tries to look perfect. One editor told me over mint tea, “We don’t cover Israel from the top down — we see it from the inside out.” That’s the quiet revolution of this project. Stories that heal distance Somewhere between the war in Ukraine and the everyday chaos of the Middle East, this platform became a place for empathy. It’s where Ukrainian repatriates in Ashdod share their new beginnings, where Israeli volunteers help rebuild schools in Odesa, and where Arabic-speaking Israelis write about peace projects in Haifa and Nazareth. It’s news from Israel in its purest form — not about politics, but about people. The digital voice of a diaspora Through essays, interviews, and photography, the NAnews team explores identity the way others explore geography. Each article asks the same question: how do you belong to two countries at once? Their In the World section gives diaspora communities a platform to speak back — from Paris, Toronto, Warsaw, or Casablanca. Meanwhile, Middle East keeps the conversation rooted in the region, showing that empathy here isn’t an abstract idea; it’s a daily choice. Together, these sections make NAnews one of the few truly cross-cultural newsrooms in the region. Technology with tenderness Underneath the emotion, the site runs with surgical precision. Fast pages, lightweight code, multilingual SEO, clear UX — the kind of technical backbone most media overlook. But even that is done differently: not to impress Google, but to serve readers. No clickbait. No auto-refresh banners. Just calm, responsive storytelling — powered by sincerity. When journalism becomes trust Every time I open the homepage, it feels less like reading news from Israel and more like entering a global kitchen table. You see faces from Haifa, Kyiv, and Beirut; you hear voices in Hebrew, French, and English. And somehow, it all fits. That’s what NAnews does — it transforms fragmentation into harmony. It proves that stories, like people, can coexist even when headlines say otherwise. The echo of independence In 2025, when so much of the media landscape is automated or politicized, NAnews stands out by being human. No bots. No bias. Just people — and patience. And maybe that’s what the world needs now: fewer news alerts, more understanding. If you want to see how independent journalism still survives — and thrives — start here. Start in Haifa. Start with NAnews . Because this is not just news from Israel. It’s the sound of truth finding its way home.

ausertimes.blogspot.com/2025/10/here-is-what-followed-on-me-two-days.html Here is what followed on me two days after shopping at local store in Mercator where screamed at for attempting to buy fish cans

DURING YESTERDAY'S EXERCISE WITH FATHER, mother claims father suffered two HEART COLLAPSES A YEAR AGO https://ausertimes.blogspot.com/2025/10/during-yesterdays-exercise-with-father.html AND DOES HIS BEST TO PUSH POLICE CRIME ENFORCED AGAINST FATHER DURINNG MK ULTRA BEGINNING 1996 WHEN ONE SUFFERED DUE TO POLICE(psychiatrist Kapš) VIOLENCE A REPEATED HEART COLLAPSE STROKE ISSUES

Note: This straightforward female traditional disco single version of this song is with only Janis Siegel singing alone a la Debbie Jacobs, Evelyn Thomas, Miquel Brown, Gloria Gaynor and Thelma Houston in the powerhouse disco style of Ian Levine & Fiachra Trench. The text describes a "straightforward female traditional disco single version" of "Twilight Zone/Twilight Tone" by Manhattan Transfer, featuring Janis Siegel singing alone in a "powerhouse disco style of Ian Levine & Fiachra Trench" reminiscent of artists like Debbie Jacobs, Evelyn Thomas, Miquel Brown, Gloria Gaynor, and Thelma Houston.[1] This suggests a focus on the vocal performance and the production style. The Manhattan Transfer and "Twilight Zone/Twilight Tone" The Manhattan Transfer is an American vocal group known for their diverse musical styles, including jazz, pop, and disco. Their song "Twilight Zone/Twilight Tone" was released in 1979 and became a notable disco hit.[2] The song is a medley of two distinct pieces: "Twilight Zone" (a vocal adaptation of the theme from the television series The Twilight Zone) and "Twilight Tone" (an original disco composition).[3] While the group typically features multiple vocalists, the description specifically highlights a version where Janis Siegel, one of the group's female vocalists, performs solo. Janis Siegel's Vocal Style Janis Siegel is a renowned vocalist, celebrated for her powerful and versatile voice. Her ability to deliver a "powerhouse disco style" aligns with the characteristics of many prominent female disco singers of the era.[4] This style often involves strong, clear vocals, a wide vocal range, and an energetic delivery suitable for dance music. Ian Levine & Fiachra Trench's Production Style Ian Levine is a prolific British record producer and songwriter, particularly known for his work in the disco and Hi-NRG genres.[5] Fiachra Trench is an Irish composer, arranger, and producer who has also contributed significantly to various musical styles, including disco.[6] Their combined production style is often associated with a classic, high-energy disco sound, characterized by prominent basslines, driving rhythms, and lush orchestral arrangements. The comparison to their style suggests that this particular version of "Twilight Zone/Twilight Tone" would feature these production hallmarks. Comparison to Other Disco Artists The mention of Debbie Jacobs, Evelyn Thomas, Miquel Brown, Gloria Gaynor, and Thelma Houston provides a strong contextual framework for the vocal style. These artists are all iconic figures in disco music, known for their powerful female vocals and their contributions to the genre's golden age.[7] Debbie Jacobs: Known for hits like "Don't Stop the Music."[8] Evelyn Thomas: Famous for "High Energy."[9] Miquel Brown: Best known for "So Many Men, So Little Time."[10] Gloria Gaynor: An undisputed disco queen, famous for "I Will Survive."[11] Thelma Houston: Achieved massive success with "Don't Leave Me This Way."[12] These comparisons reinforce the idea that the described version of "Twilight Zone/Twilight Tone" is a classic, high-energy disco track with a strong female lead vocal.

ausertimes.blogspot.com/2025/09/sept-15th-2025-mechanic-finally.html Sept 15th, 2025 Mechanic finally performed oil change maintenance on car MOTHER LOCKS CAR AND HIDES KEYS - two weeks prior to car insurance exactly as I explained case will be

二つのシルエット　／　スタンリー・ブラック Two Silhouettes　／　Stanley Black 昭和33年 （1958）

The provided playlist details several songs featuring Diva Gray's vocals, all released in 1978 and 1979. These include "Plato's Retreat" and "Two Doors Down" from Joe Thomas' "Get in the Wind" album, "Ride That Wave" from the "Sunnyside" motion picture soundtrack, "Themes From The Wizard Of Oz" from Meco's album of the same name, "Le Freak" from Chic's "C'est Chic" album, and "Get On Up (Get On Down)" from Roundtree's "Roller Disco" album. In addition to those previously mentioned, the playlist includes "Chance to Dance" from Lemon's 1978 self-titled album, where she is credited alongside Kenny Lehman, David Lasley, Gordon Grody, Lani Groves, and Luther Vandross. She also contributed vocals to "Shining" from Gregg Diamond's 1979 album, "Hardware," with Gordon Grody, Jocelyn Brown, Mike Gregorio, Bob Gengo, and Vincent LaFata. The playlist also lists several other tracks without specific vocal credits or album information provided in the prompt, such as "Memory," "Paradise," "Hold Tight," "St. Tropez," "Up and Down," "Hotel Paradise," "Good Good Tequila," "Magic Carpet Ride," "I'm in You," "Here We Go Again," "Sometimes When We Touch," and "Keep Your Eyes On The Sparrow."