Note: This straightforward female traditional disco single version of this song is with only Janis Siegel singing alone a la Debbie Jacobs, Evelyn Thomas, Miquel Brown, Gloria Gaynor and Thelma Houston in the powerhouse disco style of Ian Levine & Fiachra Trench.
The text describes a "straightforward female traditional disco single version" of "Twilight Zone/Twilight Tone" by Manhattan Transfer, featuring Janis Siegel singing alone in a "powerhouse disco style of Ian Levine & Fiachra Trench" reminiscent of artists like Debbie Jacobs, Evelyn Thomas, Miquel Brown, Gloria Gaynor, and Thelma Houston.[1] This suggests a focus on the vocal performance and the production style.
The Manhattan Transfer and "Twilight Zone/Twilight Tone"
The Manhattan Transfer is an American vocal group known for their diverse musical styles, including jazz, pop, and disco. Their song "Twilight Zone/Twilight Tone" was released in 1979 and became a notable disco hit.[2] The song is a medley of two distinct pieces: "Twilight Zone" (a vocal adaptation of the theme from the television series The Twilight Zone) and "Twilight Tone" (an original disco composition).[3] While the group typically features multiple vocalists, the description specifically highlights a version where Janis Siegel, one of the group's female vocalists, performs solo.
Janis Siegel's Vocal Style
Janis Siegel is a renowned vocalist, celebrated for her powerful and versatile voice. Her ability to deliver a "powerhouse disco style" aligns with the characteristics of many prominent female disco singers of the era.[4] This style often involves strong, clear vocals, a wide vocal range, and an energetic delivery suitable for dance music.
Ian Levine & Fiachra Trench's Production Style
Ian Levine is a prolific British record producer and songwriter, particularly known for his work in the disco and Hi-NRG genres.[5] Fiachra Trench is an Irish composer, arranger, and producer who has also contributed significantly to various musical styles, including disco.[6] Their combined production style is often associated with a classic, high-energy disco sound, characterized by prominent basslines, driving rhythms, and lush orchestral arrangements. The comparison to their style suggests that this particular version of "Twilight Zone/Twilight Tone" would feature these production hallmarks.
Comparison to Other Disco Artists
The mention of Debbie Jacobs, Evelyn Thomas, Miquel Brown, Gloria Gaynor, and Thelma Houston provides a strong contextual framework for the vocal style. These artists are all iconic figures in disco music, known for their powerful female vocals and their contributions to the genre's golden age.[7]
Debbie Jacobs: Known for hits like "Don't Stop the Music."[8]
Evelyn Thomas: Famous for "High Energy."[9]
Miquel Brown: Best known for "So Many Men, So Little Time."[10]
Gloria Gaynor: An undisputed disco queen, famous for "I Will Survive."[11]
Thelma Houston: Achieved massive success with "Don't Leave Me This Way."[12]
These comparisons reinforce the idea that the described version of "Twilight Zone/Twilight Tone" is a classic, high-energy disco track with a strong female lead vocal.
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Want to craft unforgettable characters like the pros? In this video, we explore 5 Secrets to Creating Memorable Characters — inspired by insights from Jake Seal and the creative excellence at Black Hangar Studios. Whether you're writing for film, television, or novels, these tips will help you develop compelling, multi-dimensional characters that resonate with audiences.
From giving your characters a powerful goal to shaping their unique voice and backstory, we’ll break down what makes characters stick in viewers' minds long after the story ends. Perfect for screenwriters, filmmakers, and storytellers looking to elevate their craft.
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ようこそ、DJ まるbeeの世界へ 第８０回です。今回は、Psychedelic Rockをお届けします
SIDE B（Venus In Furs/ The Velvet Underground、Guiding Light/ Television、Flowers In December/ Mazzy Star、Carried Away/ Television）
The video was AI upscaled from 480p to 1080p, the frame rate doubled, and the audio was replaced with a carefully remastered version from the 1991 album "God fodder"
Mary Phagan-Kean, the grand-niece of Little Mary Phagan, is interviewed by CBS-46 where she reveals how over twenty female employees left the National Pencil Company due to the fact that Leo Frank had engaged in unprofessional sexual misconduct with them.
with clips of "Dancing Lady" (1933) - with Joan Crawford and "Blansky's Beauties"(1977) - with Caren Kaye & Nancy Walker
Joan Crawford:
Joan Crawford (March 23, c. 1904–1908 – May 10, 1977) was an American actress. Starting as a dancer in traveling theatrical companies before debuting on Broadway, Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford began a campaign of self-publicity and became nationally known as a flapper by the end of the 1920s. In the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money and by the end of the 1930s she was labeled "box office poison".
Caren Kaye:
Caren Kaye (born March 12, 1951) is a retired American television and film actress who has appeared in dozens of films and guest-starred in many TV series. She attended Carnegie Mellon University and holds a Ph.D. in psychology. She is best known for her roles in the 1983 film My Tutor and the short-lived sitcoms The Betty White Show (1977-1978), Who's Watching the Kids? (1978), and It's Your Move (1984-1985).
Nancy Walker:
Nancy Walker (May 10, 1922 – March 25, 1992) was an American actress and comedian of stage, screen, and television. She was also a film and television director (such as of The Mary Tyler Moore Show, on which she also made several guest appearances). During her five-decade-long career, she may be best remembered for her long-running roles as Mildred on McMillan & Wife and Ida Morgenstern, who first appeared on several episodes of The Mary Tyler Moore Show and later became a prominent recurring character on the spinoff series Rhoda.
Dancing Queen:
"Dancing Queen" is a Europop song by the Swedish group ABBA, released as the lead single from their fourth studio album, Arrival. It was written by Benny Andersson, Björn Ulvaeus and Stig Anderson. Andersson and Ulvaeus also produced the song. "Dancing Queen" was released as a single in Sweden on 15 August 1976, followed by a UK release and the rest of Europe a few days later. It was a worldwide hit. It became ABBA's only number one hit in the United States, and topped the charts in Australia, Canada, the Netherlands, Belgium, Ireland, Mexico, New Zealand, Norway, South Africa, Spain, Sweden, the United Kingdom, Germany and Rhodesia. "Dancing Queen" also reached the top five in many other countries.
Dancing Lady:
Dancing Lady is a 1933 American pre-Code musical film starring Joan Crawford and Clark Gable, and featuring Franchot Tone, Fred Astaire, Robert Benchley, and Ted Healy and His Stooges (who later became The Three Stooges with Curly, Moe and Larry). The picture was directed by Robert Z. Leonard, produced by John W. Considine Jr. and David O. Selznick, and was based on the novel of the same name by James Warner Bellah, published the previous year. The movie had a hit song in "Everything I Have Is Yours" by Burton Lane and Harold Adamson.
Blansky's Beauties:
Blansky's Beauties is an American sitcom television series and ostensible spin-off of Happy Days that aired on ABC from February 12 to June 27, 1977. The main character of the series was introduced on an episode of Happy Days, then set in the early 1960s, but the show is set in the present-day of 1977. The series was a ratings flop and was cancelled after only 13 episodes.
A drunkard witnessed a murder by an Unidentified Lifeform near a Church. Meanwhile, Yusuke is bothered by the idea of fighting and is unsure if it was right until he saw the daughter of one of the slain archeologists crying.
