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2nd Chapter Of Acts - beautiful music - two sisters and their brother, Annie, Nelly, Matthew Ward in the good old days... 1987 I think it was. The original release is on their album "Mansion Builder". The original uploader of this video https://www.youtube.com/watch?v=EmxcotW-O0w wrote: "Hi! I'm the bass player in the video and I'm glad you enjoy it....back in the '70s I travelled and performed in Norway, including Bergen. The group was "New Hope" and we were there several times. I love Norway and would like to visit again sometime. Blessings to you. Lee Jones" In some other comments Lee wrote: "This was a vcr tape of a tape that was recorded by a television station. I'm sure there are no masters and even if there were they probably wouldn't release them. This is what it is, and is all that exists as far as I know." And: "I came later ('84-'88) and played on the Hymns albums, Matt's solo album and Far Away Places." And: "Most of the (bass) parts I was playing in these (live) videos were taken from the recorded versions although I had a fair amount of freedom to embelish them, and I did. When I played on their albums (3 of them) the structure of the song was there but I created the bass parts, and they either liked them or they asked me to try something else. That was rare however. I never met Keith Green, but his wife Melody kept my kids at her house while I was travelling sometimes. MANSION BUILDER (Annie Herring) I've been told that there are those who will learn how to fly and I've been told that there are those who will never die and I've been told that there are stars that will never lose their shine and that there is a Morning Star who knows my mind so why should I worry why should I fret 'cause I've got a Mansion Builder who ain't through with me yet why should I worry why should I fret 'cause I've got a Mansion Builder who ain't through with me yet and I've been told that there's a crystal lake in the sky and every tear from my eyes is saved when I cry and I've been told there'll come a time when the sun will cease to shine and that there is a Morning Star who knows my mind so why should I worry why should I fret 'cause I've got a Mansion Builder who ain't through with me yet why should I worry why should I fret 'cause I've got a Mansion Builder who ain't through with me yet with me yet ®© therock&rollingsixties (All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

**Titel: "Wo gehen wir hin? (Where Do We Go From Here?)"** Die Stadt erstarb. Der Lärm schrumpfte zu einem Flüstern, und das alte Haus warf lange Schatten. Leo stand im Wohnzimmer, umgeben von halb fremden Gesichtern. Eine Party, die er nicht wollte. Die Luft war dick von unausgesprochenen Worten und falschem Lachen. Wer war hier Freund? Wer war Feind? Im flackernden Licht einer einzigen Kerze sah er sie plötzlich: Mia. Ihre Blicke trafen sich über den Raum hinweg. Dann ging das Licht aus. Ein kollektives Aufatmen, dann Stille. Ein echtes, helles Lachen durchschnitt die Dunkelheit – es war ihres. Und plötzlich war alles klar. Was eben noch fremd und kompliziert war, wurde einfach. Er tastete sich durch den Raum, fand ihre Hand. „Oh, the lights went out in New York City,“ flüsterte er auf Englisch, den Refrain eines alten Songs im Kopf. „But darling, you're still shining bright for me!“ Ihr Blick in der Stille war ein Echo der Wahrheit, kein Traum. Alle Fassaden waren mit den Lichtern gefallen. In dieser neuen, dunklen Welt fielen die Masken. Ein Flüstern im Dunkeln, und alles wurde wahr. Als die Lichter zurückkamen, blinzelten alle. Aber Leo und Mia standen noch immer Hand in Hand, näher als zuvor. Die Antwort war gefunden. Im Dunkeln hatte er sie gefunden. Und er würde sie nie wieder loslassen. Lyrics Die Stadt hält den Atem an, der Lärm wird ganz klein, Ein Haus voller Schatten, und ich bin nicht allein. Verwechslung und Lüge, wer ist Freund und wer ist Feind? I m Schein einer Kerze sind wir seltsam uns vereint. Ein Lachen im Dunkeln, und alles wird klar, Was eben noch fremd war, ist plötzlich so nah! Oh, the lights went out in New York City, But darling, you're still shining bright for me! In the dark, oh, where do we go from here? Maybe closer, my dear, maybe closer, my dear! Dein Blick in der Stille, ein Echo im Raum, Es fühlt sich an wie Wahrheit und nicht nur wie ein Traum. Jede Fassade bricht, jede Maske fällt, In dieser neuen, dunklen, unerwarteten Welt. Ein Flüstern im Dunkeln, und alles wird klar, Was eben noch fremd war, ist plötzlich so wahr! Oh, the lights went out in New York City, But darling, you're still shining bright for me! In the dark, oh, where do we go from here? Maybe closer, my dear, maybe closer, my dear! Manchmal braucht es Finsternis, damit man wieder klarer sieht... So we can finally see... what's meant to be. Die Wahrheit braucht kein Neonlicht, um endlich aufzugeh'n... It's a crazy, mixed-up game we're playing! Oh, the lights went out in New York City, But darling, you're still shining bright for me! In the dark, oh, where do we go from here? Maybe closer, my dear, maybe closer, my dear! Und als die Lichter wiederkamen... war nichts mehr wie zuvor. Im Dunkeln fand ich dich... and I'll never let you go. Lyrics written Kai-Dominik Bertha (ELAG ERFURT) Copyright by Radio PTR Radio PTR Inc. Slowakei Most SNP, 851 01 Bratislava #song #dorisday #dancevideo

She lounges comfortably, music playing softly in the background as she lets the moment breathe. The sound fills the room, not loud enough to demand attention, just enough to set the tone. She stretches out, scrolling aimlessly, occasionally swaying to the rhythm without realizing it. There’s no rush, no pressure, just a calm pause in her day. The melody mixes with the quiet, wrapping her in an easy, relaxed mood. She looks completely at ease, enjoying the simple pleasure of doing nothing at all while the music keeps her company.

Wrapped in shadows and soft neon glow, I sit between worlds — where the game hums in my hands and the night listens quietly. Black lipstick sealed with confidence, headphones on like armor, I’m not just playing… I’m escaping, commanding, owning my space. The room fades, the posters watch, the candle flickers, and for a moment it’s just me, the controller, and whatever darkness I decide to conquer next. This isn’t about winning — it’s about control, mood, and the beauty of being completely untouchable in your own little universe.

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Edit for headphones. 2nd Chapter Of Acts: Annie, Nelly and Matthew Ward in the good old days... 1987 I think it was. Lee (Lieland) Jones: bass Jim Tenneboe: keyboards Curt Bartlett from Kansas City (Missouri): guitar Mike (Michael) Celenza: drums Annie Herring - Ward: vocals & keyboard Nelly Greisen - Ward: vocals Matthew Ward: vocals The original uploader of these video's wrote: "Hi! I'm the bass player in the video and I'm glad you enjoy it....back in the '70s I travelled and performed in Norway, including Bergen. The group was "New Hope" and we were there several times. I love Norway and would like to visit again sometime. Blessings to you. Lee Jones" https://www.youtube.com/@Llelandj/videos In some other comments Lee wrote: "This was a vcr tape of a tape that was recorded by a television station. I'm sure there are no masters and even if there were they probably wouldn't release them. This is what it is, and is all that exists as far as I know." And: "I came later ('84-'88) and played on the Hymns albums, Matts solo album and Far Away Places." And: "Most of the (bass) parts I was playing in these videos were taken from the recorded versions although I had a fair amount of freedom to embelish them, and I did. When I played on their albums (3 of them) the structure of the song was there but I created the bass parts, and they either liked them or they asked me to try something else. That was rare however. I never met Keith Green, but his wife Melody kept my kids at her house while I was travelling sometimes." And: "This came from a television shoot that happened during a Jesus Midwest festival near Chicago. I just happened to get a tape to copy for my own use, and I'm sure it has never been sold. I just thought folks might appreciate seeing this since there is not much video available." And: "2nd Chapter were fanatics about the music sounding like the records when played live. Auditioning for my gig with them was definately the toughest I've done. We rehearsed the stuff before we went out on tour but we were expected to know it already and just sharpen it up when we got together. This was a great band to play with, the guitarist and I also played with Phil Keaggy and Paul Clark together." And: "Where the girl's parts with Acts were pretty constantly the same, Matt never sang the songs the same way twice. Constant improvisation." Lee Jones once responded after I asked him why these videos were banned from one of my channels: "ruudtes, I am Lee Jones, bass player for 2nd Chapter Of Acts and I posted this video on YouTube. I too got a summons on one of the videos and I explained to Steve that 1. I was in all the videos 2. They were not posted for financial gain. 3. The tape was from a television broadcast and was public domain. 4. Steve doesn't own copywright it on any of these songs, nor does his company. He backed off when he found out who he was flagging, he apologized and I haven't heard from him on this since." Someone commented that this was broadcast on WCFC TV-38: "WCFC-TV38 was in some ways, a typical television station. Cameras, studio, set’s, lights, video tape machines, a master control, offices. But in other ways, more profound ways, WCFC-TV38 was different. The call letters, W-C-F-C stood for “Winning Chicagoland for Christ.” At the time, TV-38 was the largest, independent Christian television station in America and part of an emerging trend that saw the rise and public fall of famous televangelists like Jim Bakker and Jimmy Swaggert, the emergence of the religious right on the conservative political landscape, and a mainstreaming of the American Pentecostal movement. And in more subtle ways, TV-38 also nurtured a grass-roots ecumenical movement that crossed ecclesiastical, racial and economic barriers that had divided Christians in Chicago for decades BEWARE MY HEART (Annie Herring) beware my heart don't let pride start tick tock time is eroding seconds are floating and I can't catch them racing 'round in a hurry makes worry it's time to steal away beware my heart bon't let pride start to get a hold take my heart into a silent place I've got to take my heart into a silent place I've got to take my heart and teach it silence, silence silence your heart set it apart silence your heart silence tick tock time is eroding seconds are floating and I can't catch them racing 'round in a hurry markes worry it's time to steal away beware my heart don't let pride start to get a hold take my heart into a silent place I've got to take my heart into a silent place I've got to take my heart and teach it silence, silence, silence silence your heart set it apart beware silence your heart set it apart beware silence your heart ®© Capitol CMG Publishing, Adorando Brazil, LatinAutorPerf, AA-MRG, LatinAutor - UMPG ®© ruudtes All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.

Just me hanging out, chatting, and having fun while keeping the vibe soft and flirty. No rush, no stress—just a chill time together. I love connecting, laughing, and making the moment feel personal, like it’s just you and me. Whether I’m teasing a little, playing with my hair, or giving you that look, it’s all about keeping things light and irresistible. Come spend some time with me and see where the mood takes us.

Just me, the beach, and a little sunset magic ✨ The waves were teasing my toes, the wind was playing with my hair, and I couldn’t stop smiling. Maybe it’s the view… or maybe I just love being a little flirty when the sun goes down 😉🌊

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It started as an innocent invite — just a movie, some takeout, and a quiet night in. When I walked into his place, the lights were dim, music playing softly in the background, and he greeted me with that familiar, mischievous smile. We sat close on the couch, sharing popcorn and playful glances that said more than words ever could. Every time our hands brushed, the air seemed to thicken a little. I could feel the pull between us growing stronger, impossible to ignore. Then came that moment — the pause, the look, the shared breath before everything changed. It wasn’t planned, it just happened, like our chemistry had been waiting for the right spark. What started as a casual night turned into something much deeper, warmer, and unforgettable. Maybe it was the music, maybe the mood — or maybe, it was just us.

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