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https://www.youtube.com/@prof.SUMIOKA Choose subtitles in your language! 00:45 11.01. Paleo-Christianity: 30-70 04:51 11.02. Evangelists and Gnosticism: 70-100 07:42 11.03. Pax Romana: 2C 10:39 11.04. Church in the Chaotic Age: 3-4C 14:16 11.05. Christian Worldview Produced by Office SUMIOKA Studio http://www.hi-ho.ne.jp/sumioka-info/index.html fair use for education Teruaki Georges SUMIOKA, Ph.D. Full Professor, OSAKA UNIVERSITY of ARTS former Guest Professor, GUTENBERG UNIVERSITÄT MAINZ, Germany former TV Planner, TV ASAHI, Japan Ph.D. (TOKYO UNIVERSITY of the ARTS, in Aesthetics) MA (The UNIVERSITY of TOKYO, in Philosophy）

https://www.youtube.com/@prof.SUMIOKA Choose subtitles in your language! 00:45 11.01. Paleo-Christianity: 30-70 04:51 11.02. Evangelists and Gnosticism: 70-100 07:42 11.03. Pax Romana: 2C 10:39 11.04. Church in the Chaotic Age: 3-4C 14:16 11.05. Christian Worldview Produced by Office SUMIOKA Studio http://www.hi-ho.ne.jp/sumioka-info/index.html fair use for education Teruaki Georges SUMIOKA, Ph.D. Full Professor, OSAKA UNIVERSITY of ARTS former Guest Professor, GUTENBERG UNIVERSITÄT MAINZ, Germany former TV Planner, TV ASAHI, Japan Ph.D. (TOKYO UNIVERSITY of the ARTS, in Aesthetics) MA (The UNIVERSITY of TOKYO, in Philosophy）

This video introduces Equalibrium, an incentive-based system of cooperation built on the Universal Law of Civility, the principle that no one may take from another without consent. Instead of debt and artificial scarcity, Equalibrium uses a resource-backed measurement of value created when real surplus—food, energy, or goods—is shared through local Distribution Centers, ensuring abundance without exploitation. Even without currency, individual rights remain fully protected, creating a calm, recession-proof foundation where survival is cooperative rather than competitive. The video invites viewers to imagine how this abundance-based language of production and access could reshape fields like food, education, and healthcare, replacing scarcity-driven drama with harmony, resilience, and shared stewardship of the world around us. www.AllllA.com

https://www.youtube.com/@prof.SUMIOKA Choose subtitles in your language! 01:24 10.01. Judaism: 17–14C BC 03:36 10.02. Cosmopolitanism: 13-5C BC 07:35 10.03. Life Philosophy in the 4th Century BC 10:53 10.04. Stoicism: c300-c50 BC 14:55 10.05. John the Baptist and Jesus: c50BC-c30CE Produced by Office SUMIOKA Studio http://www.hi-ho.ne.jp/sumioka-info/index.html fair use for education Teruaki Georges SUMIOKA, Ph.D. Full Professor, OSAKA UNIVERSITY of ARTS former Guest Professor, GUTENBERG UNIVERSITÄT MAINZ, Germany former TV Planner, TV ASAHI, Japan Ph.D. (TOKYO UNIVERSITY of the ARTS, in Aesthetics) MA (The UNIVERSITY of TOKYO, in Philosophy）

https://www.youtube.com/@prof.SUMIOKA Choose subtitles in your language! 01:24 10.01. Judaism: 17–14C BC 03:36 10.02. Cosmopolitanism: 13-5C BC 07:35 10.03. Life Philosophy in the 4th Century BC 10:53 10.04. Stoicism: c300-c50 BC 14:55 10.05. John the Baptist and Jesus: c50BC-c30CE Produced by Office SUMIOKA Studio http://www.hi-ho.ne.jp/sumioka-info/index.html fair use for education Teruaki Georges SUMIOKA, Ph.D. Full Professor, OSAKA UNIVERSITY of ARTS former Guest Professor, GUTENBERG UNIVERSITÄT MAINZ, Germany former TV Planner, TV ASAHI, Japan Ph.D. (TOKYO UNIVERSITY of the ARTS, in Aesthetics) MA (The UNIVERSITY of TOKYO, in Philosophy）

https://www.youtube.com/@prof.SUMIOKA Choose subtitles in your language! 01:00 09.01. Against Plato's Idea Theory 02:39 09.02. Hyle and Eidos 05:55 09.03. Logic of Generation 08:06 09.04. Scala Naturae 11:04 09.05. His Life and Studies Produced by Office SUMIOKA Studio http://www.hi-ho.ne.jp/sumioka-info/index.html fair use for education Teruaki Georges SUMIOKA, Ph.D. Full Professor, OSAKA UNIVERSITY of ARTS former Guest Professor, GUTENBERG UNIVERSITÄT MAINZ, Germany former TV Planner, TV ASAHI, Japan Ph.D. (TOKYO UNIVERSITY of the ARTS, in Aesthetics) MA (The UNIVERSITY of TOKYO, in Philosophy）

https://www.youtube.com/@prof.SUMIOKA Choose subtitles in your language! 01:28 08.01. Isocrates School 03:29 08.02. Plato and Pythagoreans 05:40 08.03. Plato's Academy 07:17 08.04. Isocrates vs Plato 10:13 08.05. Politics and Practice 13:33 08.06. The later years of both Produced by Office SUMIOKA Studio http://www.hi-ho.ne.jp/sumioka-info/index.html fair use for education Teruaki Georges SUMIOKA, Ph.D. Full Professor, OSAKA UNIVERSITY of ARTS former Guest Professor, GUTENBERG UNIVERSITÄT MAINZ, Germany former TV Planner, TV ASAHI, Japan Ph.D. (TOKYO UNIVERSITY of the ARTS, in Aesthetics) MA (The UNIVERSITY of TOKYO, in Philosophy）

You can feel it within seconds — NAnews https://nikk.agency/en/ doesn’t sound like any other source of news from Israel. It speaks slower. It breathes between sentences. It invites you to listen, not to scroll. This isn’t another media outlet screaming headlines across the web. It’s a living archive of stories that travel from Haifa to Kyiv, from Jerusalem to Paris, from Tel Aviv to Odesa — and back again. The heart of Haifa, the rhythm of Ukraine Founded by journalists who understand what it means to live between identities, NAnews was born out of necessity — not ambition. In a world where information moves faster than empathy, this project decided to slow down and bring humanity back into the newsroom. The editors describe their mission simply: “We publish voices that would otherwise remain unheard.” That’s why reading NAnews feels more like conversation than consumption. A new language of connection Five languages, one emotion — that’s how the site breathes. Each story begins in one tongue and finds a new meaning in another. Hebrew brings intensity, Ukrainian brings memory, English brings reach. Even the French edition adds an echo of calm, grounding the global community around Israel and Ukraine. And then there’s Middle East https://nikk.agency/en/middle-east-en/ — a section that ties local stories to regional realities. From Haifa’s multicultural neighborhoods to Amman’s innovation hubs, it gives readers the kind of balanced Middle Eastern perspective that’s almost impossible to find elsewhere. This is journalism that remembers its geography — and its soul. What makes it different While most media chase algorithms, NAnews builds trust. There’s no corporate owner, no political pressure, no hidden sponsor. Every article feels handcrafted — written for people, not for metrics. It’s what independent news from Israel looks like when it’s made by people who care more about truth than traffic. The Russian version https://nikk.agency/ keeps the tenderness of repatriate memory. The Hebrew edition captures the humor and grit of Israeli daily life. English, meanwhile, serves as a bridge to the world — giving readers a Haifa-born view of global realities. Haifa as metaphor There’s a reason this newsroom lives in Haifa, not Tel Aviv. Haifa isn’t the city of power — it’s the city of coexistence. You can hear Arabic prayers next to French radio, and see Ukrainian flags fluttering beside old synagogues. It’s the perfect symbol for NAnews: a mosaic that never tries to look perfect. One editor told me over mint tea, “We don’t cover Israel from the top down — we see it from the inside out.” That’s the quiet revolution of this project. Stories that heal distance Somewhere between the war in Ukraine and the everyday chaos of the Middle East, this platform became a place for empathy. It’s where Ukrainian repatriates in Ashdod share their new beginnings, where Israeli volunteers help rebuild schools in Odesa, and where Arabic-speaking Israelis write about peace projects in Haifa and Nazareth. It’s news from Israel in its purest form — not about politics, but about people. The digital voice of a diaspora Through essays, interviews, and photography, the NAnews team explores identity the way others explore geography. Each article asks the same question: how do you belong to two countries at once? Their In the World section gives diaspora communities a platform to speak back — from Paris, Toronto, Warsaw, or Casablanca. Meanwhile, Middle East keeps the conversation rooted in the region, showing that empathy here isn’t an abstract idea; it’s a daily choice. Together, these sections make NAnews one of the few truly cross-cultural newsrooms in the region. Technology with tenderness Underneath the emotion, the site runs with surgical precision. Fast pages, lightweight code, multilingual SEO, clear UX — the kind of technical backbone most media overlook. But even that is done differently: not to impress Google, but to serve readers. No clickbait. No auto-refresh banners. Just calm, responsive storytelling — powered by sincerity. When journalism becomes trust Every time I open the homepage, it feels less like reading news from Israel and more like entering a global kitchen table. You see faces from Haifa, Kyiv, and Beirut; you hear voices in Hebrew, French, and English. And somehow, it all fits. That’s what NAnews does — it transforms fragmentation into harmony. It proves that stories, like people, can coexist even when headlines say otherwise. The echo of independence In 2025, when so much of the media landscape is automated or politicized, NAnews stands out by being human. No bots. No bias. Just people — and patience. And maybe that’s what the world needs now: fewer news alerts, more understanding. If you want to see how independent journalism still survives — and thrives — start here. Start in Haifa. Start with NAnews . Because this is not just news from Israel. It’s the sound of truth finding its way home.

You Spin Me (Un)Round Copy: https://open.spotify.com/intl-de/album/5IXhEqdkZXuFkblAK0KVSb

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What “International Dating Club” Means in 2025 https://modelsescort.biz/ As of 26 September 2025, frequent travelers want evenings that feel authored, not improvised. Business flights end, calendars shift, and the last thing anyone needs is guesswork. That’s why the modern itinerary often includes strippers in Israel https://modelsescort.biz/ as part of a broader, international approach to meeting cultured companions — strippers whose profiles read like moodboards rather than ads, and whose presence turns venues into scenes instead of just locations. A decade ago, dating abroad meant anonymous apps, vague bios, and layers of intermediaries. Today, an international platform for dating has to run like a concierge: one standard across cities, direct introductions, discreet chat, and profiles that emphasize vibe and setting over clichés. The public-facing language remains simple—international dating club—but the operating logic is crystal clear to adults who travel: design the night, protect discretion, and keep control of the tone. The promise is as specific as it is scalable: 120 cities where you can find a stylish companion without intermediaries. Touch down in Milan on Thursday, connect in Berlin on Friday, continue to Tel Aviv on Sunday—only the skyline changes. Verification is portable, terms are legible, chat is encrypted, and the structure privileges atmosphere. If you want rooftop energy, you’ll see profiles tagged for neon-friendly rhythm; if you want quiet gravity, you’ll see companions who can turn a low-lit dinner into private theatre. More than a directory, this is a way of traveling: select a tone, choose a canvas, match a companion, and let the city perform. Tel Aviv’s storm, Jerusalem’s silence, Haifa’s reflections, Eilat’s ignition—all respond differently when guided by someone who can read a room and edit it in real time. How a Global Platform Works (Across 120 Cities, Without Middlemen) Direct contact, not brokers. Adults meet adults directly. No invisible “management,” no three-way relays. Terms are clear, expectations align, and the plan moves forward. Without intermediaries means fewer points of failure and faster clarity. Verification that travels with you. A profile vetted in Madrid should make sense in Vienna. Photos are current; descriptions follow a consistent, readable format; reputation signals—response speed, repeat requests, courtesy—are presented in the same layout everywhere. Think of it like a boarding pass for chemistry. Filters that match real itineraries. Search by city, dates, style, and setting: rooftop bar, gallery opening, low-volume dinner, after-hours lounge, weekend away. Your preferences persist; the map changes. Queue Tel Aviv (Thu), London (Sat), Dubai (Mon) and see only options that fit each stop—no need to retrain the platform on your taste every few days. The polite exterior, the practical interior. Public language is universal—dating, companions, experiences—while private mechanics support escort-level arrangements: discreet introductions, encrypted messaging, and logistics that fit busy calendars. That duality keeps conversations simple in public while ensuring private expectations are identical. Local intelligence, same-day clarity. Cities speak romance differently. In Jerusalem, intimacy loves a slower pace and softer light; in Tel Aviv, energy starts late and climbs; in Paris, dining hours mean something very particular; in New York, they slide. Short, updated city notes act like field guides so you don’t import the wrong script into the wrong setting. Safety as a feature, not a footnote. Every chat thread is encrypted, every profile reviewed, every change recorded in-app. You can set arrival/exit preferences, venue styles to avoid, and acceptable windows. Adults deserve both freedom and control; the platform makes them compatible. 120 cities, curated—not padded. Coverage matters only if the list is tight. Each city maintains a minimum viable density so scrolling yields real choices, not noise. Cities drop off the public map until they meet the bar again. That’s how 120 stays a quality signal instead of a vanity metric. Discoverability without clutter. Because many travelers search explicitly, the ecosystem integrates natural-language hooks—strippers, strippers in Israel—within sentences about venues and mood. Those who need the signal see it; others simply read a polished description of an international dating platform.