Brindille, the amazing french cabaret singer!
Die großartige französische Kabarettsängerin!
El increíble cantante de cabaret francés!
令人惊叹的法国歌舞表演歌手！
Удивительная французская певица кабаре!
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From album Mad, Bad, And Dangerous To Know.
Crosscut Saw were a top draw blues-rock band in Tallahassee, Florida in the mid- to late '70s. The band was led by two charismatic frontmen Pat Ramsey, a gifted harmonica wiz and singer, and lead guitarist Julien Kasper.
Ramsey was from Shreveport, LA, and began playing harmonica at 17. After hitchhiking around the U.S. for a couple of years, Ramsey ended up in Denver, in 1973, where he joined the Bunny Brooks Blues Band. After contributing blues harp to Johnny Winter's White Hot & Blue album, Ramsey joined Butch Trucks' Florida-based Trucks band. Eventually moving to Tallahassee, Ramsey met a teen-aged Julien Kasper and formed Crosscut Saw.
Kasper had fallen in love with the blues early, but had only owned an electric guitar for a year when Crosscut Saw was formed, but his Jimi Hendrix-styled showmanship on-stage (not to mention his considerable chops), coupled with Ramsey's singing and harmonica, made the band a top draw in clubs and bars all up and down the Eastern Seaboard.
Crosscut Saw played the circuit for five years or so, and released a single album, Mad, Bad and Dangerous to Know, on the independent Surprise label in 1975.
Ramsey and Kasper stayed in touch after the group disbanded, and their annual Crosscut Saw reunions are still a big draw in Tallahassee.
In 2005 Akarma Records re-released Mad, Bad and Dangerous to Know on CD.
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If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
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If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
If a producer, label or copyright holder is not satisfied with an upload, please contact us via one of our social networks. The content will then be removed immediately (radio.ptr.inc@gmail.com), but before you decide to remove the copyrighted film, I would like to inform you that you have the opportunity to set the copyrighted content. In this case, all monetization goes to the copyright holder. Your distributor should be able to claim royalties for you!
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Introduction to “Some Guys Have All the Luck”
The song “Some Guys Have All the Luck” has a rich history, having been originally recorded by The Persuaders in 1973. It gained further popularity through Rod Stewart’s cover in 1984, which became a significant hit. However, Gina Lee’s version released on the Clocktower record label in 1980, produced by Tommy Cowan & Harold Butler, also garnered attention and has its own dedicated following. In contrast, Maxi Priest’s remake in the early 1990s did not achieve the same level of acclaim among certain listeners. This analysis will explore why some people today prefer Gina Lee’s rendition as well as those by The Persuaders and Rod Stewart over Maxi Priest’s version.
Gina Lee’s Version (1980)
Gina Lee’s interpretation of “Some Guys Have All the Luck” stands out for several reasons:
Vocal Style and Emotion: Gina Lee brings a unique vocal quality that resonates with listeners who appreciate a more soulful and emotive delivery. Her voice combines power with vulnerability, allowing her to convey the song’s themes of longing and envy effectively.
Production Quality: The production of her version reflects the late ‘70s and early ‘80s sound, characterized by rich instrumentation and a polished finish that appeals to fans of that era. The arrangement complements her vocal style, enhancing the overall listening experience.
Nostalgia Factor: For many listeners who grew up during this time, Gina Lee’s version evokes nostalgia. It represents a specific moment in music history that resonates with their personal experiences.
Cultural Context: In the context of female artists emerging during this period, Gina Lee’s rendition can be seen as part of a broader movement where women were beginning to assert themselves in genres traditionally dominated by male artists.
The Persuaders’ Original (1973)
The original version by The Persuaders holds its own significance:
Authenticity: As the first recording of the song, it carries an authenticity that many purists appreciate. Fans often prefer original versions for their rawness and originality.
Soulful Roots: The Persuaders infused their rendition with classic soul elements that resonate deeply with fans of Motown and similar genres. Their harmonies and instrumental backing create an engaging atmosphere that captures the essence of soul music.
Historical Significance: Being part of the early ‘70s soul scene gives this version historical importance, appealing to those who value music history and its evolution over time.
Rod Stewart’s Cover (1984)
Rod Stewart’s cover is another popular choice among listeners:
Mainstream Appeal: Stewart’s version achieved significant commercial success, reaching high positions on various charts worldwide. His distinctive raspy voice adds a different flavor to the song that attracts mainstream audiences.
Rock Influence: By incorporating rock elements into his cover, Stewart broadened the song’s appeal beyond just soul or pop audiences, attracting fans from various musical backgrounds.
Iconic Status: Rod Stewart is an iconic figure in rock music; thus, his association with “Some Guys Have All the Luck” lends it additional prestige and recognition among casual listeners.
Maxi Priest’s Remake
In contrast, Maxi Priest’s remake has not resonated as strongly with certain segments of listeners:
Reggae Influence: While Maxi Priest brought reggae influences into his version, some fans feel this stylistic shift detracts from the original sentiment of longing expressed in earlier renditions.
Comparative Reception: Although Maxi Priest is celebrated for his contributions to reggae fusion, his take on this particular song did not capture hearts in quite the same way as previous versions did—leading some to view it as less impactful or memorable.
Generational Differences: Younger audiences may have different preferences shaped by contemporary musical trends; thus they might gravitate towards more modern interpretations but still find themselves drawn back to earlier renditions due to their emotional depth or nostalgic connections.
Conclusion
In summary, preferences for Gina Lee’s version alongside those by The Persuaders and Rod Stewart over Maxi Priest’s remake can be attributed to factors such as vocal style, emotional resonance, production quality, historical significance, and cultural context surrounding each artist’s interpretation of “Some Guys Have All the Luck.” Each rendition offers something unique; however, many listeners find themselves connecting more deeply with those earlier versions due to their authenticity and emotional weight.
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Composed by Dominique Guiot and Eric Mallet. From a discontinued Koka Media album; this rip was recorded on the Nichion website before their rights to the label expired. I do not own this track or MotorWeek.
Brindille, the amazing french cabaret singer!
Die großartige französische Kabarettsängerin!
El increíble cantante de cabaret francés!
令人惊叹的法国歌舞表演歌手！
Удивительная французская певица кабаре!
On all platforms!
More on: https://brindillechanteur.com
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