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Wrapped in shadows and soft neon glow, I sit between worlds — where the game hums in my hands and the night listens quietly. Black lipstick sealed with confidence, headphones on like armor, I’m not just playing… I’m escaping, commanding, owning my space. The room fades, the posters watch, the candle flickers, and for a moment it’s just me, the controller, and whatever darkness I decide to conquer next. This isn’t about winning — it’s about control, mood, and the beauty of being completely untouchable in your own little universe.

Knut Milas, a young man from the distant shores of New Zealand, arrived at the bustling studios of Radio PTR. He was a stranger in a new land, his voice an unfamiliar melody among the familiar hum. His task was simple: to share the music of his home. One day, as he prepared his show, he noticed Elara, the station's sound engineer, through the glass. She moved with a quiet grace, her focus absolute. To Knut, she was like a rare bird, beautiful and slightly untouchable. He found reasons to visit the control room, asking about levels and frequencies just to hear her explain things in her calm, clear voice. Elara, in turn, was intrigued by the gentle giant with the accent. She loved how his eyes lit up when he spoke of the fjords and forests of his homeland. He wasn't like the brash, fast-talking hosts; he was a steady, deep river. Their conversations were brief, stolen between songs and news bulletins. A shared laugh over static, a smile exchanged while cueing a track. It was a romance built not on grand gestures, but on the quiet understanding that happens in the space between words, in the shared love of making something beautiful for listeners they would never see. The moral? The most profound connections often begin not with a shout, but with a whisper, finding their rhythm in the shared silence of a common passion. Lyrics The streets glow cold and empty A whisper dances in the evening sea The shadows flee from my step But I'm not following any goal No step back The stars are silent But I hear her screaming A light in the distance It will set me free Through the night Through time I'm looking for the What remains One spark is enough A heart that screams Through the night I'm ready The city tells about old pain Graffiti dreams of a new heart tact beat breath I believe in tomorrow A new courage The stars are silent But I hear her screaming A light in the distance It will set me free Through the night Through time I'm looking for the What remains One spark is enough A heart that screams Through the night I'm ready Lyrics written Kai-Dominik Bertha (ELAG ERFURT) Copyright by Radio PTR Radio PTR Inc. Slowakei Most SNP, 851 01 Bratislava #song #party #disco #newzealand #musik #musikvideo #dance #dancevideo

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She lies in the quiet power of darkness—unafraid, untamed, and impossibly composed. Black velvet hugs her like a second skin, while silver fragments and shadows bear witness to her calm dominance. A serpent coils against her warmth, not as a threat, but as a symbol of trust, instinct, and ancient strength. Her gaze is steady, lips dark with intention, crowned not to impress—but to claim what is already hers. This is not vulnerability. This is control wrapped in elegance, beauty sharpened by confidence, and silence that speaks louder than fear.

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Edit for headphones. 2nd Chapter Of Acts: Annie, Nelly and Matthew Ward in the good old days... 1987 I think it was. Lee (Lieland) Jones: bass Jim Tenneboe: keyboards Curt Bartlett from Kansas City (Missouri): guitar Mike (Michael) Celenza: drums Annie Herring - Ward: vocals & keyboard Nelly Greisen - Ward: vocals Matthew Ward: vocals The original uploader of these video's wrote: "Hi! I'm the bass player in the video and I'm glad you enjoy it....back in the '70s I travelled and performed in Norway, including Bergen. The group was "New Hope" and we were there several times. I love Norway and would like to visit again sometime. Blessings to you. Lee Jones" https://www.youtube.com/@Llelandj/videos In some other comments Lee wrote: "This was a vcr tape of a tape that was recorded by a television station. I'm sure there are no masters and even if there were they probably wouldn't release them. This is what it is, and is all that exists as far as I know." And: "I came later ('84-'88) and played on the Hymns albums, Matts solo album and Far Away Places." And: "Most of the (bass) parts I was playing in these videos were taken from the recorded versions although I had a fair amount of freedom to embelish them, and I did. When I played on their albums (3 of them) the structure of the song was there but I created the bass parts, and they either liked them or they asked me to try something else. That was rare however. I never met Keith Green, but his wife Melody kept my kids at her house while I was travelling sometimes." And: "This came from a television shoot that happened during a Jesus Midwest festival near Chicago. I just happened to get a tape to copy for my own use, and I'm sure it has never been sold. I just thought folks might appreciate seeing this since there is not much video available." And: "2nd Chapter were fanatics about the music sounding like the records when played live. Auditioning for my gig with them was definately the toughest I've done. We rehearsed the stuff before we went out on tour but we were expected to know it already and just sharpen it up when we got together. This was a great band to play with, the guitarist and I also played with Phil Keaggy and Paul Clark together." And: "Where the girl's parts with Acts were pretty constantly the same, Matt never sang the songs the same way twice. Constant improvisation." Lee Jones once responded after I asked him why these videos were banned from one of my channels: "ruudtes, I am Lee Jones, bass player for 2nd Chapter Of Acts and I posted this video on YouTube. I too got a summons on one of the videos and I explained to Steve that 1. I was in all the videos 2. They were not posted for financial gain. 3. The tape was from a television broadcast and was public domain. 4. Steve doesn't own copywright it on any of these songs, nor does his company. He backed off when he found out who he was flagging, he apologized and I haven't heard from him on this since." Someone commented that this was broadcast on WCFC TV-38: "WCFC-TV38 was in some ways, a typical television station. Cameras, studio, set’s, lights, video tape machines, a master control, offices. But in other ways, more profound ways, WCFC-TV38 was different. The call letters, W-C-F-C stood for “Winning Chicagoland for Christ.” At the time, TV-38 was the largest, independent Christian television station in America and part of an emerging trend that saw the rise and public fall of famous televangelists like Jim Bakker and Jimmy Swaggert, the emergence of the religious right on the conservative political landscape, and a mainstreaming of the American Pentecostal movement. And in more subtle ways, TV-38 also nurtured a grass-roots ecumenical movement that crossed ecclesiastical, racial and economic barriers that had divided Christians in Chicago for decades BEWARE MY HEART (Annie Herring) beware my heart don't let pride start tick tock time is eroding seconds are floating and I can't catch them racing 'round in a hurry makes worry it's time to steal away beware my heart bon't let pride start to get a hold take my heart into a silent place I've got to take my heart into a silent place I've got to take my heart and teach it silence, silence silence your heart set it apart silence your heart silence tick tock time is eroding seconds are floating and I can't catch them racing 'round in a hurry markes worry it's time to steal away beware my heart don't let pride start to get a hold take my heart into a silent place I've got to take my heart into a silent place I've got to take my heart and teach it silence, silence, silence silence your heart set it apart beware silence your heart set it apart beware silence your heart ®© Capitol CMG Publishing, Adorando Brazil, LatinAutorPerf, AA-MRG, LatinAutor - UMPG ®© ruudtes All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.

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POV: I’m your baddie in shining armor, ruling the skies with power and confidence. My dragon roars beneath me as fire lights the world below — fearless, fierce, and untouchable. I’m not here to be saved; I’m the one who does the saving, with style and attitude. Watch me take control of fantasy itself and turn it into my playground.

What “International Dating Club” Means in 2025 https://modelsescort.biz/ As of 26 September 2025, frequent travelers want evenings that feel authored, not improvised. Business flights end, calendars shift, and the last thing anyone needs is guesswork. That’s why the modern itinerary often includes strippers in Israel https://modelsescort.biz/ as part of a broader, international approach to meeting cultured companions — strippers whose profiles read like moodboards rather than ads, and whose presence turns venues into scenes instead of just locations. A decade ago, dating abroad meant anonymous apps, vague bios, and layers of intermediaries. Today, an international platform for dating has to run like a concierge: one standard across cities, direct introductions, discreet chat, and profiles that emphasize vibe and setting over clichés. The public-facing language remains simple—international dating club—but the operating logic is crystal clear to adults who travel: design the night, protect discretion, and keep control of the tone. The promise is as specific as it is scalable: 120 cities where you can find a stylish companion without intermediaries. Touch down in Milan on Thursday, connect in Berlin on Friday, continue to Tel Aviv on Sunday—only the skyline changes. Verification is portable, terms are legible, chat is encrypted, and the structure privileges atmosphere. If you want rooftop energy, you’ll see profiles tagged for neon-friendly rhythm; if you want quiet gravity, you’ll see companions who can turn a low-lit dinner into private theatre. More than a directory, this is a way of traveling: select a tone, choose a canvas, match a companion, and let the city perform. Tel Aviv’s storm, Jerusalem’s silence, Haifa’s reflections, Eilat’s ignition—all respond differently when guided by someone who can read a room and edit it in real time. How a Global Platform Works (Across 120 Cities, Without Middlemen) Direct contact, not brokers. Adults meet adults directly. No invisible “management,” no three-way relays. Terms are clear, expectations align, and the plan moves forward. Without intermediaries means fewer points of failure and faster clarity. Verification that travels with you. A profile vetted in Madrid should make sense in Vienna. Photos are current; descriptions follow a consistent, readable format; reputation signals—response speed, repeat requests, courtesy—are presented in the same layout everywhere. Think of it like a boarding pass for chemistry. Filters that match real itineraries. Search by city, dates, style, and setting: rooftop bar, gallery opening, low-volume dinner, after-hours lounge, weekend away. Your preferences persist; the map changes. Queue Tel Aviv (Thu), London (Sat), Dubai (Mon) and see only options that fit each stop—no need to retrain the platform on your taste every few days. The polite exterior, the practical interior. Public language is universal—dating, companions, experiences—while private mechanics support escort-level arrangements: discreet introductions, encrypted messaging, and logistics that fit busy calendars. That duality keeps conversations simple in public while ensuring private expectations are identical. Local intelligence, same-day clarity. Cities speak romance differently. In Jerusalem, intimacy loves a slower pace and softer light; in Tel Aviv, energy starts late and climbs; in Paris, dining hours mean something very particular; in New York, they slide. Short, updated city notes act like field guides so you don’t import the wrong script into the wrong setting. Safety as a feature, not a footnote. Every chat thread is encrypted, every profile reviewed, every change recorded in-app. You can set arrival/exit preferences, venue styles to avoid, and acceptable windows. Adults deserve both freedom and control; the platform makes them compatible. 120 cities, curated—not padded. Coverage matters only if the list is tight. Each city maintains a minimum viable density so scrolling yields real choices, not noise. Cities drop off the public map until they meet the bar again. That’s how 120 stays a quality signal instead of a vanity metric. Discoverability without clutter. Because many travelers search explicitly, the ecosystem integrates natural-language hooks—strippers, strippers in Israel—within sentences about venues and mood. Those who need the signal see it; others simply read a polished description of an international dating platform.

The energy kicks in, the self-control checks out, and suddenly I’m unstoppable.

Movepe Launches: Relocation with Instant Booking and Real-Time Tracking Hyderabad, August 21, 2025 - Workfinity Private Limited has released a new service called Movepe. It’s a logistics marketplace that lets you find and book trusted packers and movers instantly. The motto is to make relocation seamless, secure, and transparent. Why this matters Anyone who has relocated in India knows the story. Endless calls, vague estimates, hidden charges, movers who vanish or show up late. Families get stressed. Businesses lose time. Honestly, people have just accepted this as part of the deal. Movepe says it wants to change that. How? Only verified movers are listed. Booking is instant. A few clicks and you’re set. You can track your stuff live, from pick-up till it reaches. Prices are upfront. No surprises after the truck arrives. And if you need help, there’s support from start to finish. Sounds basic, but anyone who’s gone through a messy move will know how big a difference this makes. Where this idea came from The folks at Workfinity, some tech people, some logistics veterans say they’ve seen the chaos in this industry for years. They wanted moving to be stress-free, predictable, and, well, honest. That’s how Movepe came up. It’s meant to bridge the gap between customers and professional movers. Instead of chasing random contacts, you deal with proper service providers. Everything is in one place, and you stay in control. Looking ahead With this launch, Workfinity is hoping to set a new bar in the relocation business. They’re betting on technology to remove the guesswork and mistrust that’s been there forever. Real-time tracking, verified movers, clear pricing, all rolled into one. Industry people are already taking note. Whether it really reshapes moving in India, time will tell. But for now, Movepe is out there, promising a smarter way to relocate your home and offices. If you’re curious, check out movepe.com. Book a mover in minutes. Or just call the team and ask. About Workfinity Private Limited Workfinity is into building digital solutions that simplify old-school industries. They work at the intersection of tech and logistics, with one thing in mind, earning customer trust. Contact: Karri Teja Sundeep Reddy Workfinity Private Limited Phone: +91 80747 33489 Email: support@movepe.com