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War of the Worlds musical by Jeff Wayne. Jeff Wayne's Musical Version of The War of the Worlds is a studio double album by American-born British musician, composer, and record producer Jeff Wayne, released on 9 June 1978 by CBS Records. It is an album musical adapted from the science-fiction novel The War of the Worlds by H. G. Wells in a rock opera style with a rock band, orchestra, narrator, and leitmotifs to carry the story and lyrics that express the feelings of the various characters. The album features guest artists David Essex, Justin Hayward, Phil Lynott, Chris Thompson, and Julie Covington, with actor Richard Burton as the narrator. The album became a commercial success in the UK, debuting at No. 5 on the UK Albums Chart. It won two Ivor Novello Awards, including one for Wayne and main lyricist Gary Osborne for Best Instrumental or Popular Orchestral Work. The album has enjoyed enduring popularity since its release and attracted critical acclaim. It has sold over 2.7 million copies in the UK, and an estimated 15 million copies worldwide. In 2018, it was the UK's 32nd best-selling studio album of all time.

Todd Rundgren's Utopia Theme Live 2018 Todd Rundgren was exploring weird instrumental avenues, creating a warped, synth-fueled variation of prog rock. This wasn't the culmination of the weirdness A Wizard, A True Star initiated -- it was merely the beginning. Not long after completing Todd, Rundgren assembled Utopia, a prog rock group with no less than three synth players, plus guitar, bass and drums. Ostensibly, the band was a collective effort, with Rundgren contributing no more than the remaining quintet, but the possessive nature of the title of their debut, Todd Rundgren's Utopia, illustrates who the driving force of the group was. And it is true that TR's Utopia picks up where Todd left off, expanding the already lengthy experimental instrumentals by adding layers of synthesizers that stretch on forever -- which is no exaggeration, since only one track ("Freedom Fighters") is single-length, with the remaining three cuts clocking in between ten and thirty minutes. For anyone who isn't a dedicated fan, slogging through these seemingly endless prog excursions is a little tedious, and even the devoted may find that these roads, while occasionally interesting, don't necessarily lead anywhere.