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扭計色｛魔術方塊｝一分鐘：框花樣2：邊粒環調1：從框看邊，從家看角 Rubik's Cube for a Minute: Frame Patterns 2: Edge cubies cyclically permuted 1: Viewing edges from frame, corners from home 這個花樣，這三顆［粒］（小方塊［色仔］）一組。 我把它叫做「三民治」（註一），也就是（立體）夾心（餅乾或麪包）。 這是背面。邊塊［邊粒］先，角塊［角粒］後。 你現在看一下，所有的邊塊以及角塊都跑到哪裏，看到才繼續。 現在暫停播放［播映］。 好！現在繼續。 你不要被我的提問(question)誤導（導音道）。 我故意［專登］錯誤引導你去看邊塊和角塊。 其實你自己需要悟道。 你領悟出來的道理呢，就是：這三顆邊塊雖然都在家呢， 但是相對於整個框來講呢，它是從［喺］反時鐘方向那邊［便］， 順時鐘反向轉［扭］過來的。而所有的角塊呢， 其實是互相一致的，雖然它都不在家呢，但是 （似乎應說：雖然都不在家，但其實是互相一致的，而且） 它是從［喺］順時鐘方向那邊［便］，反時鐘方向轉［扭］過來的。 那麼這個花樣是怎麼做的呢？我下一集告訴你。 註一：「三民治」的音譯能同時解決「sandwich」翻譯成〈粵〉語「三文治」的「民文不分」和國語「三明治」的「民明混淆」情況。某國語連續劇臺詞說「三民主義」，笑。

「西洋絵画、どこから見るか？ールネサンスから印象派まで　サンディエゴ美術館 vs 国立西洋美術館」　展覧会です。国立西洋美術館にて撮影しました（開催　2025年3月11日－6月8日）。写真撮影は許可されていました。 使用音楽：The Lovely Moon - Twilight's Glow　 Attribution-NonCommercial-ShareAlike 4.0 International 　　　　　Scott Buckley － Wildflowers Creative Commons Attribution 4.0 VSQ MUSIC 0069 / Aギター　ピアノ ご視聴、ありがとうございました。

The kind of presence that doesn’t need to announce itself—felt the moment I arrive and remembered long after I leave. Quiet confidence, soft power, and a vibe that lingers without trying. I don’t compete for attention; it finds me.

“I didn’t flip him, I just showed him options.”

扭計色｛魔術方塊｝一分鐘：十二粒次2：大蟒蛇1：角粒1：末層三角，要粒七次 Rubik's Cube for a Minute: Twelve Cubie-Times 2: Anaconda 1: Corners 1: For three corners on the third layer, seven times for needed cubies 我們看一下，「大蟒蛇」第三大步的上半步 （見《三面花樣3：大蟒蛇3：角粒1：末層三角，角訣六次》）。 它的結果是，黃色這面，四顆［粒］角塊［角粒］，三顆［粒］回家了。 現在，下面［便］這顆（下前右），三次回上面［便］（上右前）。 上面［便］這顆（前上右），兩次回右邊［便］（上後右）。 左邊［便］這顆（左上前），兩次回來自己這裏（上前左）。七次。 不屬於這三顆的右邊這顆（上後右），五次。總共十二顆次［粒次］。 你現在看着右邊這顆（上後右），看一下它跑到哪裏。 下反(D')、右反(R')、下(D)、右(R)（訣(Q)），一次。 （右邊那顆）過來（上(U)）。兩次（訣(Q)）。下去了。 右邊這顆（上後右）好了［掂咗］，回去（上反(U')）。 三次、四次（訣二(Q2)）。上面這顆（上右前）好了［掂咗］。 輪到左邊這顆（左上前）（過來：上反(U')）。 五次、六次（訣二(Q2)）。 左邊這顆（上前左）也好了［掂埋］（回去：上(U)）。 而不屬於這三顆的那顆，（就）跑來了下面這裏。就是這樣［嘞］。 自評：這段短片是在沒有陽光的情況下錄的，大家覺得畫面的光線怎樣？

Academic｜アカデミック (CV:Aoi Yuuki | 悠木 碧) Mutant Habitat｜変異体生息地 Playing DragonNest JP, so it's Japanese voice. =========== Record Date: 2019-02-01 Collation of fragmented replay-recordings. Still-picture shots/highlights: https://x.com/amaniefeather18/status/1902335833035960421 ========== All of these are personal recordings and have not been considered for public viewing...but here you go. Most of my recordings are recorded in high quality (NVENC Lossless or CRF10~18) and with local preservation & clean action in mind. My focus tends to be on how & what they're hit by, the situations they're in, and of course her reactions~ I recommend downloading the video for per-frame movement/shots. #ryona #リョナ #ドラゴンネスト I am not affiliated with whom All the Rights belong to: © EYEDENTITY GAMES Inc.

Since the character previews are pretty much voice-silent, I got a little courageous-ambitious and overlayed her JP voices now. If only there's already multiple audio tracks available here, I could've provided her KR and EN as well. They'll be provided as separate audio files, downloadable further below. In reaction to King's Raid's actual EoS, I've recorded in some rush. With that, no pausing is utilized, so I definitely recommend downloading the video for per-frame movement/shots; or move per-frame here by pressing , or . keys, but it tends to perform very slowly depending how far the frame is from the keyframe. Lavril, JP CV: 春野 杏 (Anzu Haruno) 0:00 Outfit 1, Dead 1:07 Damage 1:34 Stun 1:54 Knockdown 2:38 Outfit 2, Dead 3:32 Outfit 3 (accident), Dead 4:34 Damage (x1) 4:45 Knockdown ========================= Record Date: 2025-03-15 Due to innate touch reactions of the game, expect jank such as tapping w/o a drag/slide would randomly select a motion, and accidentally exiting the preview interface. With the freedom to overlay the voices, and the previews are pretty much mute anyway, voice clips will be mixed across what sounds fitting on the motion. For instance, damage voices may be played on Dead and Knockdown motions. General raw file mirror: https://gofile.io/d/069dyt (30 days from publish date) Raw recording temporary download mirror: https://fileditchfiles.me/file.php?f=/b53/FpMStmexHoUxBuxMMjgM.mp4 (mute ver.)(30 days from publish date, until no longer recently accessed, or solely on host's discretion) Audio language tracks (for those who's downloaded the raws already): JP: https://fileditchfiles.me/file.php?f=/s21/kjQyodJYnkXJcYwsfWRG.m4a KR: https://fileditchfiles.me/file.php?f=/s21/jflSJLJpeLtFfcSEJsQi.m4a EN: https://fileditchfiles.me/file.php?f=/s21/GmhrNdwNaMHJDaHiqq.m4a Play beside the video-only file, and your media player like MPC should pick it up and play the same-named audio by default. Still picture snapshots/highlights: https://x.com/amaniefeather18/status/1901310037429231786 https://x.com/amaniefeather18/status/1901319539381706840 (Extra: non-video screenshots of her Wedding Swimsuit) ========== Most of my recordings are recorded in high quality (NVENC Lossless or CRF10~18, in this instance 16) and with local preservation & clean action in mind. My focus tends to be on how & what they're hit by, the situations they're in, and of course her reactions~ #ryona #リョナ #KingsRaid #キンスレ I am not affiliated with whom All the Rights belong to: ©Vespa Inc

Just me hanging out online, vibing, and letting the night flow while I chat away. I love these cozy little moments when I can just be myself and connect—it feels like the perfect mix of flirty fun and laid-back comfort. There’s something exciting about staying up late, sipping on a drink, and keeping the conversation going. I never know where the chat will lead, but that’s the best part. If you’re here with me, then you already know… this is where the fun begins. 💋